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The Project Gutenberg eBook, Mary Barton, by Elizabeth Cleghorn Gaskell This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Mary Barton A Tale of Manchester Life Author: Elizabeth Cleghorn Gaskell Release Date: August 10, 1999 [eBook #2153] This revision released December 9, 2013 Language: English Character set encoding: ISO-8859-1 ***START OF THE PROJECT GUTENBERG EBOOK MARY BARTON*** E-text prepared by Les Bowler, St Ives, Dorset, and revised by Joseph E Loewenstein, M.D HTML version prepared by Joseph E Loewenstein, M.D Editorial Note: Mary Barton, Elizabeth Cleghorn Gaskell's first novel, was first published anonymously in 1848 by Chapman and Hall MARY BARTON: A TALE OF MANCHESTER LIFE by ELIZABETH GASKELL "'How knowest thou,' may the distressed Novel-wright exclaim, 'that I, here where I sit, am the Foolishest of existing mortals; that this my Long-ear of a fictitious Biography shall not find one and the other, into whose still longer ears it may be the means, under Providence, of instilling somewhat?' We answer, 'None knows, none can certainly know: therefore, write on, worthy Brother, even as thou canst, even as it is given thee.'" CARLYLE CONTENTS PREFACE I A MYSTERIOUS DISAPPEARANCE II A MANCHESTER TEA-PARTY III JOHN BARTON'S GREAT TROUBLE IV OLD ALICE'S HISTORY V THE MILL ON FIRE—JEM WILSON TO THE RESCUE VI POVERTY AND DEATH VII JEM WILSON'S REPULSE VIII MARGARET'S DEBUT AS A PUBLIC SINGER IX BARTON'S LONDON EXPERIENCES X RETURN OF THE PRODIGAL XI MR CARSON'S INTENTIONS REVEALED XII OLD ALICE'S BAIRN XIII A TRAVELLER'S TALES XIV JEM'S INTERVIEW WITH POOR ESTHER XV A VIOLENT MEETING BETWEEN THE RIVALS XVI MEETING BETWEEN MASTERS AND WORKMEN XVII BARTON'S NIGHT-ERRAND XVIII MURDER XIX JEM WILSON ARRESTED ON SUSPICION XX MARY'S DREAM—AND THE AWAKENING XXI ESTHER'S MOTIVE IN SEEKING MARY XXII MARY'S EFFORTS TO PROVE AN ALIBI XXIII THE SUB-PŒNA XXIV WITH THE DYING XXV MRS WILSON'S DETERMINATION XXVI THE JOURNEY TO LIVERPOOL XXVII IN THE LIVERPOOL DOCKS XXVIII "JOHN CROPPER, AHOY!" XXIX A TRUE BILL AGAINST JEM XXX JOB LEGH'S DECEPTION XXXI HOW MARY PASSED THE NIGHT XXXII THE TRIAL AND VERDICT—"NOT GUILTY." XXXIII REQUIESCAT IN PACE XXXIV THE RETURN HOME XXXV "FORGIVE US OUR TRESPASSES." XXXVI JEM'S INTERVIEW WITH MR DUNCOMBE XXXVII DETAILS CONNECTED WITH THE MURDER XXXVIII CONCLUSION PREFACE Three years ago I became anxious (from circumstances that need not be more fully alluded to) to employ myself in writing a work of fiction Living in Manchester, but with a deep relish and fond admiration for the country, my first thought was to find a frame-work for my story in some rural scene; and I had already made a little progress in a tale, the period of which was more than a century ago, and the place on the borders of Yorkshire, when I bethought me how deep might be the romance in the lives of some of those who elbowed me daily in the busy streets of the town in which I resided I had always felt a deep sympathy with the care-worn men, who looked as if doomed to struggle through their lives in strange alternations between work and want; tossed to and fro by circumstances, apparently in even a greater degree than other men A little manifestation of this sympathy, and a little attention to the expression of feelings on the part of some of the work-people with whom I was acquainted, had laid open to me the hearts of one or two of the more thoughtful among them; I saw that they were sore and irritable against the rich, the even tenor of whose seemingly happy lives appeared to increase the anguish caused by the lotterylike nature of their own Whether the bitter complaints made by them, of the neglect which they experienced from the prosperous—especially from the masters whose fortunes they had helped to build up—were well-founded or no, it is not for me to judge It is enough to say, that this belief of the injustice and unkindness which they endure from their fellow-creatures, taints what might be resignation to God's will, and turns it to revenge in too many of the poor uneducated factory-workers of Manchester The more I reflected on this unhappy state of things between those so bound to each other by common interests, as the employers and the employed must ever be, the more anxious I became to give some utterance to the agony which, from time to time, convulses this dumb people; the agony of suffering without the sympathy of the happy, or of erroneously believing that such is the case If it be an error, that the woes, which come with ever-returning tide-like flood to overwhelm the workmen in our manufacturing towns, pass unregarded by all but the sufferers, it is at any rate an error so bitter in its consequences to all parties, that whatever public effort can do in the way of legislation, or private effort in the way of merciful deeds, or helpless love in the way of "widow's mites," should be done, and that speedily, to disabuse the work-people of so miserable a misapprehension At present they seem to me to be left in a state, wherein lamentations and tears are thrown aside as useless, but in which the lips are compressed for curses, and the hands clenched and ready to smite I know nothing of Political Economy, or the theories of trade I have tried to write truthfully; and if my accounts agree or clash with any system, the agreement or disagreement is unintentional To myself the idea which I have formed of the state of feeling among too many of the factory-people in Manchester, and which I endeavoured to represent in this tale (completed above a year ago), has received some confirmation from the events which have so recently occurred among a similar class on the Continent OCTOBER, 1848 CHAPTER I A MYSTERIOUS DISAPPEARANCE Oh! 'tis hard, 'tis hard to be working The whole of the live-long day, When all the neighbours about one Are off to their jaunts and play There's Richard he carries his baby, And Mary takes little Jane, And lovingly they'll be wandering Through field and briery lane MANCHESTER SONG There are some fields near Manchester, well known to the inhabitants as "Green Heys Fields," through which runs a public footpath to a little village about two miles distant In spite of these fields being flat and low, nay, in spite of the want of wood (the great and usual recommendation of level tracts of land), there is a charm about them which strikes even the inhabitant of a mountainous district, who sees and feels the effect of contrast in these common-place but thoroughly rural fields, with the busy, bustling manufacturing town he left but half-an-hour ago Here and there an old black and white farm-house, with its rambling outbuildings, speaks of other times and other occupations than those which now absorb the population of the neighbourhood Here in their seasons may be seen the country business of hay-making, ploughing, &c., which are such pleasant mysteries for townspeople to watch; and here the artisan, deafened with noise of tongues and engines, may come to listen awhile to the delicious sounds of rural life: the lowing of cattle, the milk-maids' call, the clatter and cackle of poultry in the old farm-yards You cannot wonder, then, that these fields are popular places of resort at every holiday time; and you would not wonder, if you could see, or I properly describe, the charm of one particular stile, that it should be, on such occasions, a crowded halting-place Close by it is a deep, clear pond, reflecting in its dark green depths the shadowy trees that bend over it to exclude the sun The only place where its banks are shelving is on the side next to a rambling farm-yard, belonging to one of those old-world, gabled, black and white houses I named above, overlooking the field through which the public footpath leads The porch of this farm-house is covered by a rose-tree; and the little garden surrounding it is crowded with a medley of old-fashioned herbs and flowers, planted long ago, when the garden was the only druggist's shop within reach, and allowed to grow in scrambling and wild luxuriance—roses, lavender, sage, balm (for tea), rosemary, pinks and wallflowers, onions and jessamine, in most republican and indiscriminate order This farm-house and garden are within a hundred yards of the stile of which I spoke, leading from the large pasture field into a smaller one, divided by a hedge of hawthorn and black-thorn; and near this stile, on the further side, there runs a tale that primroses may often be found, and occasionally the blue sweet violet on the grassy hedge bank CHAPTER XXXVIII CONCLUSION "Touch us gently, gentle Time! We've not proud nor soaring wings, Our ambition, our content, Lies in simple things; Humble voyagers are we O'er life's dim unsounded sea; Touch us gently, gentle Time!" BARRY CORNWALL Not many days after John Barton's funeral was over, all was arranged respecting Jem's appointment at Toronto; and the time was fixed for his sailing It was to take place almost immediately: yet much remained to be done; many domestic preparations were to be made; and one great obstacle, anticipated by both Jem and Mary, to be removed This was the opposition they expected from Mrs Wilson, to whom the plan had never yet been named They were most anxious that their home should continue ever to be hers, yet they feared that her dislike to a new country might be an insuperable objection to this At last Jem took advantage of an evening of unusual placidity, as he sat alone with his mother just before going to bed, to broach the subject; and to his surprise she acceded willingly to his proposition of her accompanying himself and his wife "To be sure 'Merica is a long way to flit to; beyond London a good bit I reckon; and quite in foreign parts; but I've never had no opinion of England, ever since they could be such fools as take up a quiet chap like thee, and clap thee in prison Where you go, I'll go Perhaps in them Indian countries they'll know a well-behaved lad when they see him; ne'er speak a word more, lad, I'll go." Their path became daily more smooth and easy; the present was clear and practicable, the future was hopeful; they had leisure of mind enough to turn to the past "Jem!" said Mary to him, one evening as they sat in the twilight, talking together in low happy voices till Margaret should come to keep Mary company through the night, "Jem! you've never yet told me how you came to know about my naughty ways with poor young Mr Carson." She blushed for shame at the remembrance of her folly, and hid her head on his shoulder while he made answer "Darling, I'm almost loth to tell you; your aunt Esther told me." "Ah, I remember! but how did she know? I was so put about that night I did not think of asking her Where did you see her? I've forgotten where she lives." Mary said all this in so open and innocent a manner, that Jem felt sure she knew not the truth respecting Esther, and he half hesitated to tell her At length he replied, "Where did you see Esther lately? When? Tell me, love, for you've never named it before, and I can't make it out." "Oh! it was that horrible night which is like a dream." And she told him of Esther's midnight visit, concluding with, "We must go and see her before we leave, though I don't rightly know where to find her." "Dearest Mary,—" "What, Jem?" exclaimed she, alarmed by his hesitation "Your poor aunt Esther has no home:—she's one of them miserable creatures that walk the streets." And he in his turn told of his encounter with Esther, with so many details that Mary was forced to be convinced, although her heart rebelled against the belief "Jem, lad!" said she, vehemently, "we must find her out,—we must hunt her up!" She rose as if she was going on the search there and then "What could we do, darling?" asked he, fondly restraining her "Do! Why! what could we not do, if we could but find her? She's none so happy in her ways, think ye, but what she'd turn from them, if any one would lend her a helping hand Don't hold me, Jem; this is just the time for such as her to be out, and who knows but what I might find her close at hand." "Stay, Mary, for a minute; I'll go out now and search for her if you wish, though it's but a wild chase You must not go It would be better to ask the police to-morrow But if I should find her, how can I make her come with me? Once before she refused, and said she could not break off her drinking ways, come what might?" "You never will persuade her if you fear and doubt," said Mary, in tears "Hope yourself, and trust to the good that must be in her Speak to that,—she has it in her yet,—oh, bring her home, and we will love her so, we'll make her good." "Yes!" said Jem, catching Mary's sanguine spirit; "she shall go to America with us; and we'll help her to get rid of her sins I'll go now, my precious darling, and if I can't find her, it's but trying the police to-morrow Take care of your own sweet self, Mary," said he, fondly kissing her before he went out It was not to be Jem wandered far and wide that night, but never met Esther The next day he applied to the police; and at last they recognised under his description of her, a woman known to them under the name of the "Butterfly," from the gaiety of her dress a year or two ago By their help he traced out one of her haunts, a low lodging-house behind Peter Street He and his companion, a kind-hearted policeman, were admitted, suspiciously enough, by the landlady, who ushered them into a large garret where twenty or thirty people of all ages and both sexes lay and dozed away the day, choosing the evening and night for their trades of beggary, thieving, or prostitution "I know the Butterfly was here," said she, looking round "She came in, the night before last, and said she had not a penny to get a place for shelter; and that if she was far away in the country she could steal aside and die in a copse, or a clough, like the wild animals; but here the police would let no one alone in the streets, and she wanted a spot to die in, in peace It's a queer sort of peace we have here, but that night the room was uncommon empty, and I'm not a hardhearted woman (I wish I were, I could ha' made a good thing out of it afore this if I were harder), so I sent her up,—but she's not here now, I think." "Was she very bad?" asked Jem "Ay! nought but skin and bone, with a cough to tear her in two." They made some inquiries, and found that in the restlessness of approaching death, she had longed to be once more in the open air, and had gone forth,— where, no one seemed to be able to tell Leaving many messages for her, and directions that he was to be sent for if either the policeman or the landlady obtained any clue to her where-abouts, Jem bent his steps towards Mary's house; for he had not seen her all that long day of search He told her of his proceedings and want of success; and both were saddened at the recital, and sat silent for some time After a while they began talking over their plans In a day or two, Mary was to give up house, and go and live for a week or so with Job Legh, until the time of her marriage, which would take place immediately before sailing; they talked themselves back into silence and delicious reverie Mary sat by Jem, his arm round her waist, her head on his shoulder; and thought over the scenes which had passed in that home she was so soon to leave for ever Suddenly she felt Jem start, and started too without knowing why; she tried to see his countenance, but the shades of evening had deepened so much she could read no expression there It was turned to the window; she looked and saw a white face pressed against the panes on the outside, gazing intently into the dusky chamber While they watched, as if fascinated by the appearance, and unable to think or stir, a film came over the bright, feverish, glittering eyes outside, and the form sank down to the ground without a struggle of instinctive resistance "It is Esther!" exclaimed they, both at once They rushed outside; and, fallen into what appeared simply a heap of white or light-coloured clothes, fainting or dead, lay the poor crushed Butterfly—the once innocent Esther She had come (as a wounded deer drags its heavy limbs once more to the green coolness of the lair in which it was born, there to die) to see the place familiar to her innocence, yet once again before her death Whether she was indeed alive or dead, they knew not now Job came in with Margaret, for it was bed-time He said Esther's pulse beat a little yet They carried her upstairs and laid her on Mary's bed, not daring to undress her, lest any motion should frighten the trembling life away; but it was all in vain Towards midnight, she opened wide her eyes and looked around on the once familiar room; Job Legh knelt by the bed praying aloud and fervently for her, but he stopped as he saw her roused look She sat up in bed with a sudden convulsive motion "Has it been a dream then?" asked she wildly Then with a habit, which came like instinct even in that awful dying hour, her hand sought for a locket which hung concealed in her bosom, and, finding that, she knew all was true which had befallen her since last she lay an innocent girl on that bed She fell back, and spoke word never more She held the locket containing her child's hair still in her hand, and once or twice she kissed it with a long soft kiss She cried feebly and sadly as long as she had any strength to cry, and then she died They laid her in one grave with John Barton And there they lie without name, or initial, or date Only this verse is inscribed upon the stone which covers the remains of these two wanderers Psalm ciii v 9.—"For He will not always chide, neither will He keep His anger for ever." I see a long, low, wooden house, with room enough and to spare The old primeval trees are felled and gone for many a mile around; one alone remains to overshadow the gable-end of the cottage There is a garden around the dwelling, and far beyond that stretches an orchard The glory of an Indian summer is over all, making the heart leap at the sight of its gorgeous beauty At the door of the house, looking towards the town, stands Mary, watching for the return of her husband from his daily work; and while she watches, she listens, smiling; "Clap hands, daddy comes, With his pocket full of plums, And a cake for Johnnie." Then comes a crow of delight from Johnnie Then his grandmother carries him to the door, and glories in seeing him resist his mother's blandishments to cling to her "English letters! 'Twas that made me so late!" "Oh, Jem, Jem! don't hold them so tight! What do they say?" "Why, some good news Come, give a guess what it is." "Oh, tell me! I cannot guess," said Mary "Then you give it up, do you? What do you say, mother?" Jane Wilson thought a moment "Will and Margaret are married?" asked she "Not exactly,—but very near The old woman has twice the spirit of the young one Come, Mary, give a guess!" He covered his little boy's eyes with his hands for an instant, significantly, till the baby pushed them down, saying in his imperfect way, "Tan't see." "There now! Johnnie can see Do you guess, Mary?" "They've done something to Margaret to give her back her sight!" exclaimed she "They have She has been couched, and can see as well as ever She and Will are to be married on the twenty-fifth of this month, and he's bringing her out here next voyage; and Job Legh talks of coming too,—not to see you, Mary,—nor you, mother,—nor you, my little hero" (kissing him), "but to try and pick up a few specimens of Canadian insects, Will says All the compliment is to the earwigs, you see, mother!" "Dear Job Legh!" said Mary, softly and seriously ***END OF THE PROJECT GUTENBERG EBOOK MARY BARTON*** ******* This file should be named 2153-h.txt or 2153-h.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/5/2153 Updated editions will replace the previous one the old editions will be renamed Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission If you not charge anything for copies of this eBook, 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Thus, we do not necessarily keep eBooks in compliance with any particular paper edition Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks ... ***START OF THE PROJECT GUTENBERG EBOOK MARY BARTON* ** E-text prepared by Les Bowler, St Ives, Dorset, and revised by Joseph E Loewenstein, M.D HTML version prepared by Joseph E Loewenstein, M.D Editorial Note: Mary Barton, Elizabeth Cleghorn Gaskell's first novel, was first published... MEETING BETWEEN MASTERS AND WORKMEN XVII BARTON' S NIGHT-ERRAND XVIII MURDER XIX JEM WILSON ARRESTED ON SUSPICION XX MARY' S DREAM—AND THE AWAKENING XXI ESTHER'S MOTIVE IN SEEKING MARY XXII MARY' S EFFORTS TO PROVE AN ALIBI... house-door, exclaimed, as Mary Barton (the daughter) passed, "Eh, look! Polly Barton' s gotten a sweetheart." Of course this referred to young Wilson, who stole a look to see how Mary took the idea He saw her assume the air of a young fury, and to his next speech

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  • MARY BARTON:

  • A TALE OF MANCHESTER LIFE.

    • by

    • ELIZABETH GASKELL

      • CONTENTS

      • PREFACE.

      • CHAPTER I.

        • A MYSTERIOUS DISAPPEARANCE.

        • CHAPTER II.

          • A MANCHESTER TEA-PARTY.

          • CHAPTER III.

            • JOHN BARTON'S GREAT TROUBLE.

            • CHAPTER IV.

              • OLD ALICE'S HISTORY.

              • CHAPTER V.

                • THE MILL ON FIRE—JEM WILSON TO THE RESCUE.

                • CHAPTER VI.

                  • POVERTY AND DEATH.

                  • CHAPTER VII.

                    • JEM WILSON'S REPULSE.

                    • CHAPTER VIII.

                      • MARGARET'S DEBUT AS A PUBLIC SINGER.

                      • CHAPTER IX.

                        • BARTON'S LONDON EXPERIENCES.

                        • CHAPTER X.

                          • RETURN OF THE PRODIGAL.

                          • CHAPTER XI.

                            • MR. CARSON'S INTENTIONS REVEALED.

                            • CHAPTER XII.

                              • OLD ALICE'S BAIRN.

                              • CHAPTER XIII.

                                • A TRAVELLER'S TALES.

                                • CHAPTER XIV.

                                  • JEM'S INTERVIEW WITH POOR ESTHER.

                                  • CHAPTER XV.

                                    • A VIOLENT MEETING BETWEEN THE RIVALS.

                                    • CHAPTER XVI.

                                      • MEETING BETWEEN MASTERS AND WORKMEN.

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