... trị 1.5 px ngon, chuyển chế độ hòa trộn Multiply Step 11 (Light Painting) Tạo Foder mới, đặt tên foder Light, sau bạn kéo logo Beijing 2008 \(chúng dek có logo viết chữ mà chún thích vào ^_^!|!),nếu ... cần thiết để số vùng sáng so với vùng khac, chọn chế độ hòa trộn khác se không làm việc (không tin à? Làm thử đi) Step Chọn công cụ Rectangular Marquee Tool (M) , tạo vùng lựa chọn hình chữ nhật ... hình perspective scale ,và chỉnh giống hình bên Step Tiếp đến bạn qua Istockphoto lấy hình theo link |:\ http://www.istockphoto.com/file_clos php?id=4075505 bạn sử dụng mọi” thủ đoạn” để tách hình...
... settings in Mac OS, choose Edit Menu Ͼ Color Settings and in Windows choose Photoshop Menu Ͼ Color Settings to bring up the color Settings Dialog Box inPhotoshop The dialogue box is the single ... neutral values in producing a black and white prints with desktop 18 Color Management for Black and White printers (See Phase “Print Profiling and Printer Settings”, page 25 for more information.) ... printing conditions The dot gain settings darken the on-screen image, effectively anticipating the effect of the ink dot gain (or spread) during on-press reproduction (To set your own dot gain...
... White inPhotoshop CS3 and Photoshop Lightroom This page intentionally left blank Black and White inPhotoshop CS3 and Photoshop Lightroom Create stunning monochromatic images inPhotoshop CS3, Photoshop ... British Library Cataloguing in Publication Data Alsheimer, Leslie Black and white inPhotoshop CS3 and Photoshop Lightroom: create stunning monochromatic images inPhotoshop CS3, Photoshop Lightroom, ... Workflow Phase 5: Printing Workflow 202 Monitor Tonal Detail from Monitor to Print: Creating a Step Wedge 202 Printing Workflow Overview 203 A Printing From Photoshop ...
... New InPhotoshop CS6: Your Ultimate Overview By TrueKolor http://truekolor.net/ Edited by Justin Pot This manual is the intellectual property of MakeUseOf It must only be published in its original ... Appearance of Photoshop CS6 New appearance is the first thing that surprises a Photoshop user If you have any experience in older Photoshop versions, you will see what I mean – the interface is ... panels in Photoshop, and before CS6 you had to close each one of them after using, in order to get more space and save yourself from this: Ok, I know: I am exaggerating Still: you always had to minimize...
... settings in Mac OS, choose Edit Menu Ͼ Color Settings and in Windows choose Photoshop Menu Ͼ Color Settings to bring up the color Settings Dialog Box inPhotoshop The dialogue box is the single ... White inPhotoshop CS3 and Photoshop Lightroom This page intentionally left blank Black and White inPhotoshop CS3 and Photoshop Lightroom Create stunning monochromatic images inPhotoshop CS3, Photoshop ... Workflow Phase 5: Printing Workflow 202 Monitor Tonal Detail from Monitor to Print: Creating a Step Wedge 202 Printing Workflow Overview 203 A Printing From Photoshop ...
... you’ll find an Interlude, in which I discuss an issue of relevance to the Photoshop artist Think of them as light relief Photoshop terminology InPhotoshop 7, a collection of layers in a folder ... railings in the way would make selecting the car something of a nightmare But by using Replace Color, we can adjust the hue selectively without having to lay hands on a single selection or painting ... corner point instead by holding and clicking on the point again You can then click and drag on the same point again to make a new curve from that corner If you click and then drag before releasing...
... in paint not being applied properly and incorrect renderings (i.e having holes in the paint applied) Normals that are bad will stick out since Photoshop ends up depositing paint incorrectly in ... as the way Opacity works in the Photoshop Layers panel (Figure 1.13) Shininess/Glossiness Maps Shininess and glossiness control specular highlights Shininess is the intensity or brightness of ... automatically place any painted detail into the right corresponding place in the 2D texture It may be necessary to start with a little paintingin 3D before attempting to paint directly into the 2D image...
... in paint not being applied properly and incorrect renderings (i.e having holes in the paint applied) Normals that are bad will stick out since Photoshop ends up depositing paint incorrectly in ... as the way Opacity works in the Photoshop Layers panel (Figure 1.13) Shininess/Glossiness Maps Shininess and glossiness control specular highlights Shininess is the intensity or brightness of ... automatically place any painted detail into the right corresponding place in the 2D texture It may be necessary to start with a little paintingin 3D before attempting to paint directly into the 2D image...
... download Are you starting to see the benefits? Here we have our image in Photoshop, prepared for slicing: As you can see, blue lines cross the image These are guidelines that Photoshop allows you ... animations, and slice up Photoshop images Now, "slicing" means that we'll take your original page layout image, and make smaller individual images out of it, which you can then insert into an HTML table ... imagine where you'd like to be in the future Websites are like any other business: you must change with the times Layout We're going to start with an image that is 740x460 pixels in size In this...
... Tools 39 4.2.2 Changing Material Color 39 4.3 Painting on 3D 40 4.3.1 Optimal Positioning of your 3D Model for Painting 41 4.3.2 Painting on Unwrapped Textures ... 10 Painting, Texturing and Lighting with Stephen Burns 153 10.1 Importing 3D Using 3DVIA 154 10.2 Creating the Layout 157 10.3 Texturing the Walls of the Buildings ... an introduction to basic 3D concepts that will be important to understand, before diving into how it all works inPhotoshopIn this part we explain 3D concepts in a way that anyone new coming into...
... in paint not being applied properly and incorrect renderings (i.e having holes in the paint applied) Normals that are bad will stick out since Photoshop ends up depositing paint incorrectly in ... automatically place any painted detail into the right corresponding place in the 2D texture It may be necessary to start with a little paintingin 3D before attempting to paint directly into the 2D image ... as the way Opacity works in the Photoshop Layers panel (Figure 1.13) Shininess/Glossiness Maps Shininess and glossiness control specular highlights Shininess is the intensity or brightness of...
... Smart Objects work in Photoshop) 4.3 Painting on 3D One of the great benefits of having 3D support inPhotoshop is the ability to paint directly on models with all the amazing painting tools There ... is critical in helping one complete and get to the final vision The fundamental workflow is creating or obtaining the 3D model, adding/editing materials, adding/editing lights, adjusting shadows ... performance to paint in the Interactive (Painting) or OpenGL mode 4.3.1 Optimal Positioning of your 3D Model for Painting To give a quick selection of areas that are ideal to paint on with the current...
... (a certain number of passes), allowing you to quickly get an initial feel of what your lighting will look like as an indication that rendering is incomplete At any stage of rendering, Photoshop ... while saving a certain (non-editable) amount of VRAM for capabilities outside of 3D inPhotoshopIn other words, the operating system and other parts of Photoshop are using some of the installed ... (Draft or Final), which must be turned on using the settings in the 3D Preferences panel See Chapter Ray Tracing and the section before this (5.4 Adding and Editing Shadows) for more information...
... of the lines in position over the window areas in the scene FIG 8.4 Lines in place prior to being clipped with the layer containing the windows 79 | 3D inPhotoshop FIG 8.5 Vertical lines (vertical ... models instead 3D inPhotoshop DOI: 10.1016/B978-0-240-81377-6.10008-0 Copyright Ó 2010 Elsevier Inc All rights reserved 77 | 3D inPhotoshop FIG 8.1 Close up of MTV storefront from the painting ... tools inPhotoshop are extremely capable of handling the job One very important thing to consider in compositing a 3D object into an existing scene is that it has to look as if it was there in the...
... been available inPhotoshopin the last couple versions, getting really involved, seemingly complex 3D art (like the 3D art you will see in this chapter) into Photoshop would have involved another ... with the background in black 97 | 3D inPhotoshop FIG 8.39 The Spacing for the brush tips is increased in the Brushes panel FIG 8.40 The Shape Dynamics is altered In the Scattering section, push ... taken in providing 3D tools within Photoshop, it still might seem far too complex for many to get into To put your minds at ease, I want to show you how simple a complex job can be using the Photoshop...
... Quality setting we changed in Step to Best Remember, you can get back into the Repoussé settings for the phone by going into the Mesh section of the 3D panel, selecting the mesh containing the phone, ... of having 3D capabilities inPhotoshop is that we are always in Photoshop; meaning we have all the cool features that Photoshop offers along with the 3D features to create really eye-popping 3D ... So we are going to make it easier by turning the entire word into a Repoussé object with an Extrusion Depth of 0.5 135 | 3D inPhotoshop Step 7: At this point you can choose to continue to build...
... started creating the 3D elements I started by making the text a single 3D object using Repoussé Since I knew I was going to be arranging the letters in different places, I went into the 3D menu ... will use their 3D importer plugin for Photoshop to 154 Painting, Texturing and Lighting with Stephen Burns | import the models for this tutorial You can find their plugin on 3DVIA's website at http://www.3dvia.com/products/3dvia-for-adobe -photoshop/ ... bit more interest 145 | 3D inPhotoshop Now at this point I can see that just the letters aren't going to be enough I need to add something to the background Not wanting to go outside Photoshop...
... double-clicking on their titles and typing in the new name FIG 10.36 Take a look at the surface properties 174 Painting, Texturing and Lighting with Stephen Burns | Step 4: Now we are going to add ... 180 Painting, Texturing and Lighting with Stephen Burns | 10.7 Adding Depth of Field and the Splash We are about to something really fun and add the splash that is caused by the speeding car In ... Overlay 166 Painting, Texturing and Lighting with Stephen Burns | Step 15: Create a new layer above the “painted stripes” layer group and change the blend mode to Multiply Use a soft edge paint brush...
... cameras, Paint Falloff command, 42 Paint Mask Render Setting, 41 Paintbrush tool, 86, 97 Painting on 3D: introduction, 40–1 positioning of 3D model, 41–4 tiles, 44 unwrapped textures, 43 Painting, ... bones and skinning inPhotoshop but we have taken the time to try and preserve this information from the COLLADA file If you have a skinned model in COLLADA and you bring it into Photoshop you ... Interactive rendering, 73 Internal constraints, 106 Interoperability and limitations, 199 KMZ file format, 196–7 202 Lava lighting, 15 Layout, painting, texturing and lighting, 157–70 Lenticular...
... www.howtocheatinphotoshop.com/cgi-bin/simpleforum_pro.cgi Finally, have fun with this book It’s what working inPhotoshop is all about If you aren’t enjoying it, then you aren’t doing it right ... spacing and increasing leading as required But in the third version, we separated it into individual words in order to achieve the correct placement It would have been possible to leave it in ... piece of information can go in tiny text right at the top Similarly, the date isn’t something to scream out loud, since if anyone’s interested in the lecture they’ll take the trouble to find out...