3B SECOND EDITION American ENGLISH FILE Online Practice Multi-Pack Student Book Workbook Christina Latham-Koenig Clive Oxenden OXFORD American ENGLISH FILE Christina Latham-Koenig Clive Oxenden Paul Seligson and Clive Oxenden are the original co-authors of English File and English File OXFORD U N IV E R S IT Y PR ESS OXFORD U N IV E R S IT Y P R E S S M ad ison A venue N ew York, NY 0 USA G re a t C la re n d o n S tr e e t O x fo rd , x d p , U n ite d K in gdom O x fo rd U n iv ersity P ress is a d e p a rtm e n t o f th e U n iv ersity o f O x fo rd It fu r th e r s th e U n iv ersity ’s o b je c tiv e o f e x c e lle n c e in re s e a r c h , sch o la rs h ip , an d e d u c a tio n b y p u b lish in g w orldw id e O x fo rd is a re g iste re d tr a d e m a r k o f O x fo rd U n iv ersity P ress in t h e UK an d in c e r ta in o th e r c o u n trie s © O x fo rd U n iv ersity P ress 2014 T h e m o l rig h ts o f th e a u t h o r h av e b e e n asserted F irs t p u b lish e d in 2014 2018 2017 2016 2015 2014 10 No u n a u th o riz ed photocopyin g All rig h ts reserved No part o f th is p u b lica tio n m ay be reprodu ced , sto red in a retriev al sy stem , o r tra n sm itte d , in an y fo r m o r b y an y m ean s, w ith o u t th e p rio r p e rm issio n in w iltin g o f O xfo rd U niversity Press, o r a s exp ressly p e rm itte d b y law, by lice n s e o r u n d er te rm s agreed w ith th e ap p ro p riate reprog raph ics rig h ts org anization E n q u iries co n ce rn in g rep ro d u ction outsid e th e sco p e o f th e abo v e sh ou ld b e se n t to th e ELT Rights D ep artm en t, O xford U niversity P ress, at th e add ress above You m u s t n o t c ir c u la te th is w o rk in an y o th e r fo r m an d y ou m u s t im p o s e th is s a m e co n d itio n o n an y acq u ire r L in k s to th ird p a rty w e b s ite s a r e p rov id ed b y O xfo rd in g o o d fa ith an d fo r in fo r m a tio n on ly O x fo rd d is cla im s an y re s p o n s ib ility fo r th e m a te ria ls c o n ta in e d in an y th ird p arty w e b s ite r e fe r e n c e d in th is w o rk G e n e l M an ag er: Lau P earso n E x e cu tiv e P u b lish in g M an ag er: E rik G u n d e rsen S e n io r M an ag in g E d ito r: L o u isa v a n H ou ten A sso cia te E d ito r: Y asu k o M o risak i A sso cia te E d ito r: Ja m e s Po w er D esig n D ire cto r: S u sa n San g u ily E x e cu tiv e D esig n M an ag er: M a j-B ritt H agsted A sso cia te D esig n M an ag er: M ic h a e l S te in h o fe r S e n io r D esig n er: Y in L in g W o n g E le c tr o n ic P ro d u ctio n M an ag er: J u lie A rm s tro n g P ro d u ctio n A rtists: E lissa S a n to s , Ju lie Su ssm an -P erez Im a g e M an ag er: T rish a M asterso n Im a g e E d ito rs: L iah t P ash ay an P ro d u ctio n C o o rd in ato r: B rad T u ck er ISBN: O 7 MULTI-PACK B (PACK) ISBN: 9 7 STUDENT BOOK/WORKBOOK B (p a c k co m ponent) ISBN: o 7 ICHECKER CD-ROM (PACK COMPONENT) ISBN: O 9 ONLINE PRACTICE (PACK COMPONENT) P rin ted in C h in a T h is b o o k is p r in te d o n p a p e r fro m ce rtifie d an d w ell-m an ag ed so u rce s S T U D E N T BO O K A C K N O W L E D G E M E N T S The au thors an d pu blisher a re grateful to those w ho have given perm ission to reprodu ce th e follow in g extracts and ad ap tation s o f copyright material: p Extract from "H e claim s w e used to play Cowboys an d Indians recall him Hying to suffocate m e " by T im Lott, T h e T im es, November ,2 Reproduced by perm ission o f NI Syndication, p.8 Extract fro m 'T h e seven ages o f a n only ch ild " by Joan n a Moorhead, The Guardian, M arch ,2 0 Copyright Guardian News & Media Ltd 0 Reproduced by permission, p -4 Extract fro m "T h e m illionaire w ho couldn't w rite his n am e” by Karen Bartlett, T h e Times February ,2 1 Reproduced by perm ission o f NI Syndication p Extract from "Blue Peter presenter H elen Skelton begins epic Am azon kayaking adventure” by Cassandra Jard ine, Telegraph Online, January ,2 © Telegraph Media Group Limited 2010 Reproduced by permission, p.7 Extract fro m "Blue Peter presenter Helen Skelton’s Amazon diaries: w eek o n e”, Telegraph Online January ,2 © Telegraph Media Group Limited 2010 Reproduced by permission, p.7 E xtract fro m "Blue Peter p resen ter Helen Skelton's Amazon diaries: w eek two” Telegraph Online, February ,2 © T eleg rap h Media Group Lim ited 2010 Reproduced by permission, p.5 Extract from "Gossip w ith th e girls b u t m e n only have four subjects" by Peter M arkham , T h e Daily Mail, O ctober ,2 0 Reproduced by perm ission o f Solo Syndication, p.8 Extract fro m "N ew baby? No problem fo r Com mando Dad" by Neil Sinclair, T h e Tim es, May ,2 Reproduced by perm ission o f NI Syndication, p -4 Extract from "Alex Rawlings m ost multi-lingual student in UK” by H annah W hite-Steele, Cherwell.org, February ,2 Reproduced by permission, p -7 Extract fro m "D ebrett's guide to m o b ile phone etiquette” Telegraph O nline, August 5,2 1 © T eleg rap h Media Group Limited 2011 Reproduced by permission p Extract from "Mother-in-law from hell sends harsh lesson in m an n ers to ‘uncouth’ bride-to-be in em ail th at becom es worldwide sensation”, 'Ih e Daily Mail, Ju n e ,2 1 Reproduced by perm ission o f Solo Syndication, p.2 Extract fro m "V eiy superstitious: Andy Murray, W im bledon and s p o il stars everyw here” by M atthew Syed, T h e Tim es, Ju ly ,2 0 Reproduced by perm ission o f NI Syndication p Extract from "Sealed w ith a kiss and 35c: how a singer and a toll booth operator set out o n th e road to love” by W ill Pavia, T h e Times, February ,2 Reproduced by perm ission o f NI Syndication p -6 Extract from "W hat does y ou r p rofile picture say about you?" by Una Mullally, T h e Irish Tim es, O ctober ,2 1 A rticle Courtesy o f th e Irish Tim es, p -8 ExU act fro m "Yes, Looks M atter” by Pam Belluck, The New York Tim es, April ,2 0 © 0 T h e New York Tim es All lig h ts reserved Used by perm ission and protected by th e Copyright Laws o f th e United States T h e printing, copying, redistribution, o r retransm ission o f th is C onten t w ithout express w ritten perm ission is prohibited, p -4 Extract fro m "T h e Chinese way o f bringing up children " by Alexandra Frean, T h e Tim es, January, 10 2011 Reproduced by perm ission o f NI Syndication p -4 Extract from "Don’t shout D on 't swear And use pink envelopes drenched in aftershave: How to com plain successfully by th e King o f th e com plain crs" by Ju lia Lawrence, T h e Daily Mail, O ctober ,2 1 Reproduced by perm ission o f Solo Syndication p ExU act fro m "A real Good Sam aritan" fro m BBC News a t bbc co.uk/news, D ecem ber ,2 Reproduced by perm ission p.9 Extract fro m "Your Good Sam aritan stories" from BBC News at bbc.co.uk/ news, January' ,2 1 Reproduced by perm ission, p.3 Extract from “Not exactly life-changing, is it ” by M att Rudd, The Sunday Tim es, O ctober ,2 1 Reproduced by perm ission o f NI Syndication, p.7 Extract fro m “A M aestro S ets th e Tone" by David Masello, T h e New York Tim es, January ,2 © 2 T h e New York Tim es All rights reserved Used by perm ission an d protected by th e Copyright Laws o f th e United States T h e printing, copying, redistribution, o r retransm ission o f th is C onten t w ithout express w ritten perm ission is prohibited, p.15 Extract from “T h e Im portance o f D oing W hat You Love" by Stephanie Lewis, www.workawesome com , M arch ,2 Reproduced by perm ission, p Extract from "How B ob D ylan changed m y life” by B ob Dylan T h e Tim es, June ,2 1 Reproduced by perm ission o f NI Syndication, p.14 "Girls & Boys” Words and M usic by B e n ji Madden and Jo e l M adden © 2002, Reproduced by perm ission o f EMI Music Publishing Ltd, London W Source: p -4 T h e Tim es W e w ould also like to than k the follow in g fo r perm ission to reproduce the follow in g photographs: Cover: Gem enacom /shutterstock.com , Andrey_ Popov/shutterstock.com, W avebreakm edia/shutterstock.com , Image Source/Getty Im ages Lane Oatey/Blue Je a n Images/Getty Im ages, BJI/ Blu e Je a n Images/Getty Im ages, Im age Source/Corbis, Yuri Arcurs/ T etra Images/Corbis, W avebreak Media Ltd./Corbis; pg.6 (market) Alessandro Della Valle/Keystone/Corbis, (Steve) Steve Anderson; pg.7 (escargot) Miscellaneoustock/Alanry, (shrimp) Yiap Creative/Alamy, (dessert) Davide Piras/Alamy, (chicken) Iain Bagwell/Getty Im ages, (m ussels) Steve Anderson; pg.8 Gerard Fritz/Getty Im ages; pg.9 (bike) PhotoAlto/Superstock, (grandma) Rena Latham-Koenig; pg.10 Tim Lott; pg 11 (Sarah Lee) Loop Im ages Ltd/Alamy, (girl) ableimages/ Alamy, (siblings) Inti St Clair, Ine./SuperStock/Corbis; pg.14 (man) Jud ith Haeusler/cultura/Corbis, (car) CarCulture/Corbis, (woman) Alexey Tkachenko/Getty Im ages, (bkgd) Lostandtaken.com ; p g 15 Steve Stock/Alamy, pg.17 Ringo Chiu/ZUMAPRESS/Newscom; pg.18 Jan e Cadwallader; p g (lizard) M artin Harvey/Alamy, (woman) BBC, (bird) Jo h n Cancalosi/Getty Im ages, (butterfly) Stockbyte/Getty Im ages; pg.21 (m osquito) Redm ond Durrell/Alamy, (kayak) BBC, (dolphin) Kevin Schafer/Corbis, (fish) boiyak/istockphoto; pg.23 (Goodwill) Goodwill Industries International; pg.24 (Miami) Murat Timer/Getty Im ages, (bkgd) M aciej Noskowski/Getty Im ages; pg.25 (Lotus) N ick Greening/Alamy, (Foust) B o Bridges/Corbis, (seaplane) Jad Davenport/National Geographic Society/Corbis, (Wood) Frederick M, Brown/Getty Im ages, (Ferrera) Andres Otero/WENN/Newscom, (boat) OUP/Amana Im ages Inc.; p g Don Mason/Blend Images/ Corbis; pg.27 Belinda Images/SuperStock; p g (men) T im Klein/ G etty Im ages, (wom en) W estend61/Superstock; pg.30 (canto) CollinsChin/istockphoto.com; pg.36 M ichael CoglianUy/Getty Im ages; pg.37 (1) Carlo A/Getty Im ages, (2) Lilly Roadstones/Getty Im ages, (3) m iya227/shutterstock, (4) Briiderchen & Schw esterchen GmbH/Corbis, (5) Tara Moore/Getty Im ages, (6) Radius Images/Getty Im ages, (Alex) OUP; pg.38 (old phone) N inette Maumus/Alamy; pg.39 Jo h n Lund/Paula Zacharias/Blend Images/Corbis; pg.40 (left) Murray Sanders/SWNS.com, (right) Ja m es Dadzitis/SWNS.com; p g (conductor) Charles Eshelman/FilmMagic/Getty Im ages, (bikes) Steven Greaves/Corbis; pg.44 (1) Richard Drury/Getty Im ages, (2) Carlos Caetano/shutterstock, (3) David Madison/Gctty Im ages, (4) Kathy Quirk-Syvertsen/Getty Im ages, (5) M oe Kafer Cutouts/Alamy, (6) U rban Zone/Alamy, (7) Ray M oller /Getty Im ages, (8) Corbis Flint/ Alamy, (9) Sam i Sarkis/Getty Im ages, (10) Richard Watkins/Alamy; pg.45 (Crosby) Peter Diana/ZUMA Press/Corbis, (Teny) Albert Pena/ Icon SMI/Corbis (Toure) Adrian Dennis/AFP/Getty Im ages, (Wurz) R ick Dole/getty Im ages, (player) S im on Bruty/Sports Illustrated/Getty Im ages, (lines) M arc Debnam/Getty Im ages, (toll) OUP/Photodisc, pg.46 (referee) Graham Chadwick/Allsport/Getty Im ages, (m arathon) David Madison/Getty Im ages, (soccer) Bob Thomas/Getty Im ages; pg.48 (toll) Sh an n on DeCelle, (couple) Stephen Lance D ennee; pg.54 (castle) Dov Makabaw/Alamy, (alley) Oleg Korshakov/Getty Images; pg.55 (Highclere Castle) J e f f G ilbert /Alamy, (Casa Lomo) Angelo Cavalli/SuperStock; pg.56 (W ar Horse) D ream w orks SKG/Thc Kobal C ollection, (Indian Jones) Lucasfilm Ltd/Paramount/The Kobal C ollection, (E l) Universal/fhe Kobal C ollection, (Minority Report) th Century Fox/Dreamworks/The Kobal Collection, (Catch M e I f You Can) Dreamworks/The Kobal Collecuon/Cooper, Andrew; pg.57 Courtesy o f Dagm ara W alkowicz; p g (Martin) PhotoAlto/Alamy, (Phone) Cyberstock/Alamy, (Annabel) Mark Roberts/Gctty Images, (Sean) Paper Boat Creative/Getty Im ages, (Sarah) Guido Mieth/Getty Im ages; pg.60 (Brand) V Labissiere/Splash News/Corbis, (1) Rex Features, (2) Suzanne Kreiter/The Boston G lobe via G etty Im ages, (3) Allen J Schaben/AFP/Getty Im ages; pg.61 (before) Charlie Gray/ Contour by G etty Im ages, (after) K en McKay/Rex; pg.63 (theater) Bob O'Connor/Getty Im ages, (Kong) AF archive/Alamy; pg.65 Shed-Media; pg.66 (envelope) M ark Bassett/Alamy, (music) Erin Patrice O'Brien; pg.68 (kitchen) Carolyn Barber/Getty Im ages; pg.69 (Vivienne) Tetra Images/Corbis, (Mauro) T im Kitchen/Getty Im ages, (Andrea) Echo/ G etty Im ages, (Carlos) Burke/friolo Producrions/Getty Im ages, (living room ) David Papazian/Getty Im ages, (kitchen) Kim Sayer/Getty Im ages, (bedroom) Ryan McVay/Getty Im ages; pg.70 RIA Novosti/ Alamy; pg.71 Radius Images/Corbis; pg.74 Devon Anne/Shutterstock; pg.75 (dress) IvorToms/Alamy; pg.79 (blood pressure) Ragnar Schmuck/Corbis, (bugs) M ichael Freeman/Corbis, (m eeting) OUP/zefa RF, (m icroscope) OUP/Deco; pg.80 (Corcoran) AP Photofleff C hristensen, (burger) CBS Foods, (John) Frederick M Brown/Getty Im ages, (Cuban) Richard DuCrec/USA Network/NBCU Ph oto Bank via G etty Im ages, (sharks) abrakadabra/shutterstock, (Perry) Perry's Music, LLC 2 ; pg.81 Jo rg Greuel/Getty Im ages; pg.84 Ekaterina Nosenko/Getty Im ages; pg.85 (street) Sven Hagolani/fstop/Corbis, (bike) Sm ith Collertion/Getty Im ages, (bike bkgd) Stephen Smith/ G etty Im ages; pg.86 (Beatles) Popperfoto/Getty Im ages, (Gates) Jo e McNally/Getty Im ages; pg.87 Stefan Sollfors/Alamy; pg.94 (Jobs) Diana Walker/SJ/Contour by Getty Im ages, (1) Oliver leedham/Alamy, (2) Tony Avelar/Bloomberg via G etty Im ages, (3) Jay L Clendenin/Los Angeles Times/Contour by Getty Im ages, (4) V isions o f America/UIG via G etty Im ages, (5) Laurent Fievet/AFP/Getty Im ages; pg.96 (Barbie) Teenage doll/Alamy, (Love) Charlotte M arie Marshall/Alamy, (sneakers) P eter Kramer/Bravo/NBCU Photo B an k via G etty Images, (Chrysler Building) Jo rg Hackem ann/Shutterstock.com ; pg.97 (soccer) ALLSTAR Picture Library/Alamy, (Ikea) david pearson/Alamy (toaster) N iall McDiarmid/Alamy, (rolex) Jo h n Henshall/Alamy, (building] Ch its Ryan/Getty Im ages, (stopwatch) artpartner-images/ G etty Im ages (Vertigo) Paramount/The Kobal Collection/Bass, Saul, (Breakfast a t Tiffanys) Courtesy Everett Collection/Rex; pg.98 (Wood) Steve Schapiro/Corbis, (Splendour) Silver Screen Collection/Getty Im ages; pg.99 (W alken) T rinity Mirror/Mirrorpix/Alamy, (Wagner) Phil Roach/GIobe Photos/ZUMAPRESS/Newscom, (Davem) Paul Harris, PadficCoastNews/Newscom; pglOO (Green) Popperfoto/Getty Im ages, (reader) David Paul Morris/BIoomberg v ia G etty Images; pg.103 (Dylan) Popperfoto/Getty Im ages; pg 1(M Steve Stock/Alamy; pg 105 Craig Hibert/SWNS.com; pg.106 (Crosby) P eter Diana/ZUMA Press/Corbis, (Sorvino) Suzanne Krciter/Thc Boston G lobe via Getty Im ages, (Rutterschm idt) Allen J Schaben/AFP/Getty Im ages, (Toure) A drian Dennis/AFP/Getty Im ages, (McVey) Rex Features; p g l 10 (Teny) Albert Pena/Icon SMI/Corbis, (feet) M ark Thompson/AUsport/ G etty Im ages; pg.113 (Sofia) WestendGl/Corbis, (Angela) OUP/Blend Im ages; p g 14 KidStock/Gctty Im ages; pg 115 (subway) Ju an Antonio/AGE fotostock, (m etrocard) Bora/Alamy, (bike) Stan I Ionda/ AFP/Getty Im ages, (bus) wdstock/istockphoto, (taxi bottom ) hanusst/ istockphoto, (taxi top) Songquan D eng/Shutterstockcom ; pg.117 Paramount/The Kobal C ollection; pg.118 (Thailand) Viacheslav Khmelnytskyi/Alamy (Mexico) Jo h n Edward Linden/Arcaid/Corbis; p g l Creative Crop/Getty Im ages; pg.121 (car) CandyBox Photography/Alamy, (facebook) Erkan Mehmet/Alamy, (bus) Anna Peisl/Corbis; pg.152 (1) Dave King/Getty Im ages, (2) Gasfromedia/ Alamy, (3) jo n whitaker/Getty Im ages, (4) studiomode/Alamy, (5) Food and D rin k Photos/Alamy, (6) A nnabelle Breakey/Getty Im ages; pg 155 (1 top) David Cole/Alamy, (2 top) P eter Tiunuss/Alamy, (3 top) MkStock/Alamy, (4 top) Greg Balfour Evans/Alamy, (5 top) D ick Reed/ Corbis, (6 top) Robert H arding P icture Library Ltd/Alamy, (7 top) Ju stin Kase ztwoz/Alamy, (8 top) imagebroker/Alamy, (9 top) Bill Cobb/SuperStock, (1 bottom ) Tom And Steve/Getty Images, (2 bottom ) C h ris Ryan/Getty Im ages, (3 bottom ) S te lla r Stock/ M asterfile, (4 bottom ) Ian Dagnall/Alamy, (5 bottom ) kickstand/Getty Im ages, (6 bottom ) M ichael Runkel/Alamy, (7 bottom ) Jo h n Nordell/ G etty Im ages, (8 bottom ) Peter Ptschelinzew/Getty Images, (9 bottom ) T etra Images/Alainy, (10 bottom ) AKP Photos/Alamy, (11 bottom ) StacieStauffSm ith Photos/shutterstock, (12 bottom ) Bo Zaunders/Corbis, (13 bottom ) Alan Schein/Corbis, (14 bottom ) J'lB Media Creation Inc./Alamy, p g 157 (1) Caro/Alamy, (2 left) imagebroker/Alamy, (2 right) VisitBritain/Andrew Orchard/Getty Im ages, (3) M atthew Ashton/AMA/Corbis (4) Corbis Super RF/Alamy, (5) Jon a th a n Larscn/Diadem Images/Alainy, (6) M ark Davidson/ Alamy, (7) D m itry Korotayev/Epsilon/Getty Im ages, (8) Stadium Bank/ Alamy, (9) Sco tt W Grau/Icon SMI/Corbis; pg 159 (1) New Line/The Kobal Collection/Bridges, Ja m es, (2) th Century Fox/The Kobal Collection, (3, T h e Help) D ream w orks LLC/The Kobal Collection, (4) Zoetrope/Unitcd Artists/The K o tol C ollection, (5) W arn er Bros./The Kobal Collection/Buitendijk, Jaap, (6) Hammer/The Kobal Collection, (7 ,1 ) Touchstone Pictures/The K o tol C ollection, (8) W arn er Bros/ T h e Kotol Collection, (9) Lucasfilm/20th C entuiy Fox/The K otol Collection, (11) Universal/Studio Canal/WorkingTitle/The Kobal Collection/Sparham, Laurie, (12) M organ Creek International/Ihe Kobal Collection/Farmer, J ; pg.160 (1) PBWPIX/Alamy, (2) Fancy Collection/SuperStock, (3) Jen n a Woodward Photography/Getty Im ages, (4) Ocean/Corbis, (5) D Hurst/Alamy, (6) Somos/Superstoek, (7) altrendo images/Getty Im ages, (8) Philipp Nemenz/Getty Images, (9) OUP/Masterfile, (10) W in Initiative/Getty Im ages, (1 ,1 ) OUP/ BananaStock, (12) Karen Spencer/Alamy, (13) Silas Manhood//\lamy, (14) Lusoimages-Abstract/Alamy, (15) W illiam Radcliffe/Science Faction/Corbis, (16) PhotoAlto/Alamy, (17) Aflo Foto Agency/Alamy, (19) KrisTimken/Getty Im ages (20) Ju a n Silva/Getty Im ages; pg.161 (UK) k eith morris/Aiamy, (US) W ill & D eni Mclntyre/Corbis; pg.162 (m odem ) Fotosearch/Getty Im ages, (rustic) Sou th ern Stock/C.etty Im ages; pg 163 (crowd) Tomas Abad/Alamy, (beach) Jo h n Short/ D esign Pics/Corbis C om m issioned photography by: G areth Boden p p ,2 ,3 (two dads in park), (m obile phone) ,7 (M acbook pro Tiffany heart necklace) Ryder Haske: p p ,1 , , 3 ,5 ,5 ,7 ,7 ,9 ,9 MM studios pp.96 (Beatles albu m Penguin books), p.152 (m eat, fish and vegetable groups) Pronunrialion cha rt artw ork by Ellis Nadler U lustrationsby: P eter Bull: p p -2 ,2 ,1 ; Mark Duffin: 81 ; Alex Green/Folio Art: p 0 -1 ; Olivier Latyk/Good Illustration Ltd: p p ,3 ,9 ,1 ,1 ; Lyndon Hayes/Dutch Uncle: p p ,1 ,3 ,5 , - 7 ,8 ; Astushi Hara/Dutch Uncle: p p ,7 ,1 ,1 3 ,1 ,1 , ,1 ,1 ,1 ,1 4 ,1 ,1 ,1 ,1 ,1 ,1 ,1 ,1 ,1 ; Sop hie Joyce: p.47; Jon a th a n Krause: p 64; T im M ans: p p 50-51, 8 -8 ; Jo e McLaren: p p -5 ,4 ; M att Sm ith : pp.30/31 Contents Gram m ar Vocabulary Pronunciation 54 A Shot on location passives (all tenses) movies sentence stress 58 B modals of deduction: might, can't, must the body diphthongs 62 REVIEW & CHECK 5&6 On the street; Short movies Iconic movie locations Judging by appearances 64 A Extraordinary school for first conditional and future time clauses + when, until, etc J§) make and let education the letter u boys Ideal home second conditional houses sentence stress 68 B 72 PRACTICAL ENGLISH Episode Boys'night out 74 A Sell and tell reported speech: sentences and questions shopping, making nouns from verbs the letters 78 B gerunds and infinitives work word stress 82 REVIEWS CHECK 7&8 On the street; Short movies Trinity College, Dublin What’s the right job for you? 84 A Lucky encounters third conditional making adjectives and adverbs sentence stress 88 B quantifiers ) separable phrasal verbs electronic devices, phrasal verbs oughand augh, linking 92 PRACTICAL ENGLISH Episode Unexpected events Too much information! 10 94 A Modern icons relative clauses: defining and nondefining compound nouns word stress 98 B Two crime stories tag questions crime intonation in tag questions 102 REVIEW S CHECK 9S10 On the street; Short movies Brooklyn Bridge 106 Communication 142 117 Writing 159 Vocabulary Bank 127 Listening Grammar Bank 165 Irregular verbs 166 Sound Bank G passive (all tenses) V m ovies P sentence stre ss Where w as the movie sh o t? H i Shot on location I think it w as sh o t in New York READING a L o o k at th e p h o to s w ith th e article D o they rem ind you o f any m ovies o r T V series th a t you have seen? b N ow read th e article and com p lete it w ith a past p articip le fro m th e list based designed inhabited inspired owned photographed transformed used welcomed You are standing in the place where Highclere Castle n ear Newbury in Berkshire, UK he castle has b een ' owned by the Carnarvon family since 1679, and the Earl and Countess Carnarvon currently live there In 2010, movie director Julian Fellowes, a close friend of the family, was planning a new TV series about an aristocratic family and their servants during the early 20th century While he was staying at Highclere Castle, he realized that it would be the perfect place to set his historical drama, and the castle w as2 _ into Downton Abbey, the home of the fictional Crawley family The series was a huge success, and it has been sold all over the world Both the interior and exterior scenes were shot in and around the castle itself Cortlandt Alley T 54 New York City, USA In the second season of the TV series, the castle is used as a hospital during the First World War These scenes a re _ on a real-life event In 1914, Lady Almina Carnarvon allowed soldiers who had been wounded to be taken care of in the castle n Hollywood’s version of New York City, the giant metropolis is full of secret alleys where crimes take place, and criminals are chased by the police In fact, there are hardly any alleys in New York today at all Ont of the few remaining ones, Cortlandt Alley, has been _ for almost all the alley scenes in movies and TV series that are set in New York City Movies with scenes that were shot there include Crocodile Dundee and Men in Black 3, and TV series like Blue Bloods, Boardwalk Empire, NYPD Blue, and Law & Order G o th ere G o th ere Highclere Castle and gardens are open to the public during the Easter holidays and during the summer—from July to September It is also open on many Sundays and holidays from 10:30 a.m to 6:00 p.m Visit the Egyptian Gallery, which contains many objects brought back from his travels by I.ady Almina’s husband, the fifth Earl of Carnarvon, who famously discovered t he tomb of the young Pharaoh Tutankhamun www.highclerecastle.co.uk Thousands of tourists want to b e _ in Cortlandt Alley It is on the edge of Chinatown, in Manhat tan, between Franklin Street and Canal Street In fact, it is a perfectly safe place to visit In real life, it is n o t6 _by gangsters, but is the home for perfectly respectable businesses such as the New York Table Tennis Federation Training Center I Casa Loma c Toronto, Canada his Gothic Revival style building, with a spectacular tower, w as7 _ by Canadian architect E.J Lennox The original owner, Sir Henry Mill Pellatt spent $3.5 million and hired 300 workers to construct the building After three years, the castle was finally completed in 1914 Unfortunately, in 1933, ihe city of Toronto seized Casa Loma from Pellatt for nonpayment o f taxes After several years of neglect, the castle was scheduled for demolition, but it was saved by the Kiwanis Club—a service club that helps the homeless, the hungry, and other disadvantaged people The club still holds meetings there today! During World War II, equipment designed to find underwater enemy boats was made in the castle Because of its unusual look, the castle has been used as a location in several well-known movies such as X-Men, Chicago, and Scott Pilgrim vs the World In addition, author Eric Wilson was _ by this building to write the novel W h ich p lace ? is not really as it seem s in movies T The Lost Treasure o f Casa Loma G o th ere Visitors are _ throughout the year However, some areas of the caslle may be closed to the public due to prebooked functions The castle is open daily from 9:30 a.m to 5:00 p.m It’s closed on December 25th, Christmas Day Guided garden tours are available from May through October www.casaloma.org R ead th e a rticle again A n sw er th e q u estio n s w ith A (H igh clere C astle ), B (C o rtla n d t A lley), o r C (C a sa Lom a) has a perm anent exhibition there was used for the same th ing both in real life and on T V a place that inspired an author to w rite a novel about it is one o f the few places o f its kind that still exists is only open during holiday periods was taken from its owner was used to make equipment for a war d Have you seen any o f th e m ovies or T V series m en tion ed ? W h ic h o f the th ree places w ould you m o st lik e to visit? W hy? GRAMMAR passive (all tenses) a R ead th e H ighclere C astle text again U n d erlin e an exam ple o f the p resen t passive, th e p ast passive, th e p resen t p e rfe c t passive, th e past p e rfect passive, and a passive in fin itiv e H ow you fo rm th e passive? W h a t p art o f th e passive ch an ges w hen you w a n t to chan ge th e tense? b > - p.142 Grammar Bank 6A L earn m ore ab o u t th e passive and p ractice it PRONUNCIATION sentence stress a 32))) L isten and w rite th e stressed w ords in th e large pink rectan gles m ov ie based fa m o u s book b L ook at the stressed w ords and try to rem em ber w hat the other (unstressed) w ords are T h e n listen again to check and w rite them in Online Practice 6A 55 VOCABULARY movies a SPEAKING & LISTENING L o o k at som e e x tra c ts fro m th e te x ts in W h a t you th in k the h ighlighted p h rases m ean? C ortlan d t Alley has been used for alm ost all the alley scenes in movies and T V series that are set in New York a L o o k at th e im ages fro m som e fam ous m ovies W h a t kinds o f m ovies are they? Have you seen any o f th em ? W h a t are they about? W h a t you th in k they have in com m on? T h ese scenes are based on a real-life event B oth the in terior and exterior scenes w ere shot in and around the castle itself b > - p.159 Vocabulary Bank Movies c E x p la in th e d iffere n ce b etw een th ese pairs o f w ords and p h rases a plot and a script a horror movie and a th riller i War H orse a m usical and a soundtrack the m ain cast and the extras SPEAKING a R ead th e m ovie in terv iew and th in k ab o u t you r answ ers and reason s THE Indiana Jones and the Temple o f Doom INTERVIEW CAN YOU T H IN K OF A M O VIE THAT ? - w as incredibly funny - made you feel good - had a very sad ending - you’ve seen several times - put you to sleep - made you buy the soundtrack E.T the Extra-Terrestrial DO YOU P R E F E R ? - seeing m ovies at home or in the movie theater - seeing a) American movies b) other foreign movies c) m ovies from your country - seeing foreign m ovies dubbed orwith subtitles T E L L M E A BO U T A R E A L L Y GOOD M O VIE Y O U ’V E S E E N T H IS Y E A R M inority Report - What kind of movie is it? - Is it based on a book or on a real event? - Where and when is it set? - Who’s in it? Who is it directed by? - Does it have a good plot? - Does it have a good soundtrack? - Why did you like it? b In pairs, in terview each oth er A sk fo r and give as m uch in fo rm a tio n as you can D o you have s im ila r tastes? 56 6A Catch M e If You Can b N ow lo o k at so m e p h o to s o f Stev en Sp ielb erg and D ag m ara W alk o w icz, w ho w orked as an in te rp re te r on one o f h is m ovies In pairs, an sw er th e qu estion s e 37))) N ow liste n to th e second p a rt o f th e in terview and ch e ck you r answ ers to b and f L isten ag ain and m ake no tes under th e headings below W here you th ink they are? What she had to during the movie go to the movie set every day, translate Spielberg's instructions W hich Spielberg movie you th in k w as being made? W hat you think D agm ara is doing in the photo on the right? The w orst thing about the job D o you th ink D agm ara found Spielberg easy to work with? c d One especially difficult scene 36))) L iste n to th e firs t p art o f an in terv iew w ith D ag m ara and ch eck you r answ ers to b and What it was like to work with Spielberg L iste n again and m ark the se n te n ce s T (true) or F (false) What happened after the movie w as finished W hen the m ovie com pany cam e to Krakow, D agm ara was working as a teacher Being an extra g W ould you have liked to have done D ag m ara’s job ? D o you th in k she m ade th e righ t d ecision in th e end? She got a p art-tim e job doing translations for them T h ere was party at the hotel to celebrate Spielberg’s birthday W hen she arrived, she was asked to interpret Spielberg’s speech, because the interpreter was late WRITING V p.117 Writing A m o v ie review W rite a review o f a m ovie Spielberg was very happy w ith the way she had done her job Online Practice 6A 57 G m odals of deduction: might, can't, m ust V the body P diphthongs 6B Sh e can’t be his mother Sh e m ust No, she’s his be his sister mother Sh e looks very you n g for her age Judging by appearances Sean, 19 Annabel, 27 Martin, 39 Sarah, 22 READING & SPEAKING a A n sw er th e q u estio n s in pairs D o you have a profile photo o f you rself that you use on social netw orking sites, or on your ID ? What does your profile picture say about you? W hy did you choose it? W hat you th in k the photo says about you? b L o o k at th e fou r p ro file p h otos W h y you th in k the people have ch o sen th ese photos? c R ead th e article and com p lete it w ith th e headings below T h e n lo o k at th e fo u r p h otos again W h ic h o f th e 12 categ o ries you th in k they b elon g to? A Photo of you as a child B Vacation photo C Logo of your business or company D Photo with a celebrity E Photo with a partner F Photo with your baby or child d R ead th e article again L o o k at th e highlighted p h rases W ith a p artn er, try to fig u re ou t th eir m eaning e T h in k ab ou t th e p ro file p h o to s or ID card p h otos o f you r fam ily and frien d s W h ic h categ o ries they fit in? D o you agree w ith th e text? H as th e a rticle m ade you w an t to chan ge you r p ro file p ictu re? W h y (not)? 58 Whether it's a photo of you on a night out or of you with your newborn baby, the image you choose to represent you on social netw orking site s sa y s a lot about you Profile pictures on Facebook and similar sites are the visual projection to friends and family of w ho you are and w hat you are like On Twitter, where people follow both friends and strangers, profile pictures are smaller and perhaps more significant They are often the first and only visual introduction people have to each other So what does your profile photo say about you? VOCABULARY the body According to communications consultant Terry Prone, there are 12 categories that cover most types of profile pictures The professionally taken photo You use social media mainly for business or career purposes _ You want to show what you have achieved in your family life and are generally more interested in a response from women than from men 3 38))) L oo k at the fou r pictu res and listen W h ich one is th e th ief? D escrib e th e four pictures w ith a partner b > - p.160 Vocabulary Bank The body _ You see your other half as the most important thing in your life, and you see yourself as one half of a couple a PRONUNCIATION diphthongs a Having fun with friends 41))) R ead the in fo rm a tio n ab ou t d ip hthongs T h e n listen and rep eat th e five w ords and sounds Generally young and carefree, you want to project an image of being fun and popular Ik J j i Hil _ You are a bit of an escapist and eager to show a different side of yourself from what you on a day-to-day basis _ This kind of image says that you don't really want to grow up and face the future You are nostalgic for your childhood Caricature Using a caricature is a way of saying that your image isn't rigid and that you don't take yourself too seriously Photo related to your name, but not actually you (a shop sign or product label for example) You want to be identifiable, but you feel your name is more important than what you look like Photo related to your political beliefs or a team that you support You think that your beliefs and interests are more important than your personality 10 _ You think that showing yourself with a wellknown person will make you seem more important 11 Self-portrait taken with webcam / camera phone Functional It says, "Look, I don't dress up; take me as I am." 12 You only use social media in a professional capacity, and you identify more with your work role than with your private life Adapted from The Irish Times 5JS — Diphthongs Diphthongs are a combination of two vowel sounds or vowel letters, for example the sounds /m/ in voice b W rite th ese w ords in th e c o rre c t colu m n s bite eyes face shoulders smile c d mouth nose taste throw outgoing pointy toes voice 42))) L isten and ch eck T h e n p ractice sayin g th e p h rases below , a loud voice narrow shoulders a wide mouth brow n eyes a R om an nose a round face T ake th e qu iz w ith a p artn er A n sw er w ith m y I y o u r / their + a p art o f th e body WHICH PART(S) OF THE BODY ? d o you w ear a ring g lo v e s so cks a cap on d o ballet d a n c e rs sta n d on d o so c c e r players o fte n injure d o w o m e n put m ake u p on d o people brush d o people carry a b a c k p a c k on (3 43))) SONG / Got Life Online Practice 6B 59 PRONUNCIATION -ough and -augh a electronic devices b C o m p le te th e c r o s s w o r d ( ^ h r c je ) t h e w o r d w i t h a d i f f e r e n t s o u n d c u O A c z D up saw saw djthougFP) cough enough brought thought tough b bought daughter through saw caught laughed taught L is te n a n d c h e c k T h e n lis te n a g a in a n d r e p e a t th e w o r d s VOCABULARY phrasal verbs a C o m p l e t e t h e s e n t e n c e s w i t h t h e s i m p le p a s t f o r m o f th e p h r a s a l v e rb s in th e b o x R e p la c e th e w o r d s in bold w ith a p ro n o u n plug in sw itch on turn up turn down switch off to the radio I switched it on T he music w a s t o o lo u d s o I w a n te d t o l i s t e n so I W hen fo u n d my adaptor, I I c o u ld n ’t h e a r my M P player s o Clues across A s m a ll d e v ic e t h a t c a n b e u s e d to s t o r e d a ta a n d t o m o v e it fr o m o n e c o m p u te r to a n o th e r I ■ T V so _ T h e r e w a s n ’t a n y t h i n g o n A p l a s t ic o b je c t w i t h t w o o r t h r e e m e t a l p in s t h a t c o n n e c t s e l e c t r i c a l e q u ip m e n t to t h e e l e c t r i c i t y su p p ly T h e p la c e o n a w a l l w h e r e e l e c t r i c a l e q u ip m e n t c a n b e c o n n e c t e d t o t h e e l e c t r i c i t y su p p ly A p i e c e o f e q u ip m e n t f o r c o n t r o l l i n g s o m e t h i n g f r o m a d is t a n c e T h e lig h te d s u r f a c e o f a c o m p u t e r w h e r e t h e in f o r m a t i o n ap p ears 11 A p i e c e o f e q u ip m e n t w o r n o v e r t h e e a r s t h a t m a k e s it p o s s ib le t o l i s t e n t o m u s ic w i t h o u t o t h e r p e o p le h e a r in g it 12 A s m a ll b u t t o n t h a t y o u p r e s s u p a n d d o w n in o r d e r t o t u r n o n e l e c t r ic it y Clues down ^ A d e v ic e f o r c o n n e c t i n g p ie c e s o f e l e c t r i c a l e q u ip m e n t th a t w e r e n o t d e s ig n e d t o b e f i t t e d t o g e t h e r T h e s e t o f k e y s o n a c o m p u te r T h e p ie c e o f e q u ip m e n t f o r c o n n e c t i n g o t h e r p i e c e s o f e q u ip m e n t t o a c o m p u te r A p a r t o f a n e l e c t r i c a l d e v ic e t h a t t h e s o u n d c o m e s o u t o f 10 A p ie c e o f e q u ip m e n t c o n n e c t e d to a c o m p u t e r f o r m o v in g a r o u n d t h e s c r e e n a n d e n t e r i n g c o m m a n d s w i t h o u t t o u c h in g th e keys 60 READING b R e a d th e a r t ic le a g a in M a r k th e s e n te n c e s T (tr u e ) o r F ( f a ls e ) a R e a d t h e a r t i c l e o n c e a n d c h o o s e t h e b e s t h e a d in g N o t m a n y p e o p le s p ill d r i n k s o n t h e i r la p to p s _F L a p t o p s a n d m o d e r n lif e s t y le s G r e e n t e a c a u s e s le s s d a m a g e t h a n c o f f e e w ith m ilk E a t a n d d r i n k w h ile y o u w o r k Y o u s h o u ld n ’t m o v e y o u r la p to p a f t e r a s p ill L iq u id a n d la p to p s d o n ’t m ix Y o u s h o u ld o n ly u s e a c l o t h Y o u c a n tr y t a k in g o u t th e h a rd d riv e o f th e m a c h in e Y o u s h o u ld u s e a h a ir d r y e r t o d r y t h e e l e c t r o n i c s A l i t t l e w a t e r d o e s n ’t u s u a lly c a u s e m u c h d a m a g e T h e a d v ic e in t h e a r t ic le o n ly w o r k s f o r la p to p s th a t h a v e n ’t h a d a lo t o f liq u id s p ille d o n t h e m c L o o k a t th e h ig h lig h te d w o r d s a n d p h r a s e s W h a t d o y o u th in k th e y m e a n ? U s e y o u r d ic tio n a r y to lo o k up th e ir m e a n in g a n d p r o n u n c ia tio n ave you ever dropped a drink on your laptop? If you have, H you'll remember the panic when you thought that your machine would never work again If you haven't, it may well happen to you in the future Spilling drinks on a laptop is a common occurrence Just in case it does happen, here are some basic tips that tell you what you should The effect of the drink on your laptop depends on what it is Water and green tea generally cause the least damage The worst drinks to spill are those that contain milk and sugar, such as hot drinks like coffee and tea, and soft drinks like soda or lemonade What happens to your laptop also depends on what you immediately after the spill The first thing you should is unplug the machine and take the battery out This will hopefully stop any electrical damage Then, you should turn it upside down and stop the liquid from getting to the motherboard This is where some of the most important parts of the computer are, and if it gets wet, your laptop may be damaged permanently The next step is to clean up as much of the liquid as quickly as possible If you don't have a cloth to this, use some tissues instead Try to touch the keyboard lightly instead of wiping it with the tissue If you spilled a lot of liquid, you'll have to work harder to save your machine Put it near a window or somewhere with cold air, and shake it gently to get the liquid out It might help if you take off the bottom of the case so that you can take out the hard drive If you this, remember not to touch any of the electronics When you have done as much as you can, leave the laptop somewhere warm to dry This will take at least a day Do not use a hair dryer because this will make the machine dirty When you think the laptop is dry, turn it back on to see if it works If you only spilled a little clean water, you might be lucky and the machine may turn on right away However, you'll probably have problems if the drink was a large, milky coffee with lots of sugar in it If your laptop still doesn't work, look at the keyboard and try taking it apart to clean it better However, if you've gone this far, it's probably time to think about getting some help You can either take the laptop to be repaired, or buy a new one And in the future, remember to drink your coffee at someone else's desk! LISTENING a ffiiE T illg g , L i s t e n t o a c o n v e r s a t i o n a t t h e r e c e p t i o n d e sk o f a h o te l W h a t d o e s th e g u e s t w a n t to k n o w ? b L is te n a g a in a n d c o m p le te th e n o te s Barrv Grav Name Room Number Standard per day Advanced Maximum c Type of Wi-Fi chosen Start time per minute End time per day L is te n a g a in w ith th e a u d io s c r ip t o n p USEFUL WORDS AND PHRASES L e a rn th ese w ords and p h rases h i t s ( o n a w e b s ite ) / h i t s / w illp o w e r / 'w ilp a o a r / m u l t it a s k /'n iA ltita ^ sk / r e le v a n t /'r e le v a n t/ b e p r o d u c t iv e / h i p 'd A k tiv / f e e l a n x i o u s / f i l 'ie ijk fa s / c o m m o n s e n s e / k a m a n 's e n s / e l e c t r o n i c d e v ic e / i l e k 't r a n i k d i'v a is / f r o m t i m e t o t im e / f r a m t a i m ta 't a i m / i n f o r m a t i o n o v e r lo a d / in f a r 'm e if n o o v a r 'lo o d / f H l FILE Practical English Unexpected events INDIRECT QUESTIONS C o r r e c t a n y m is ta k e s in th e h ig h lig h te d p h r a s e s READING a C h e c k ( / ) th e c o r r e c t se n te n c e s P e o p le m a d e b r e a d in t h e s h a p e o f b a g e ls in m a n y d iffe r e n t c u ltu r e s Ticket agent Can I help you? Max Yes I’d like to know what time is the next bus to Boston what tim e the next bus to Boston is Ticket agent Well, the next bus leaves at 10 a.m Max Great Could you tell me how much costs a one-way ticket? Can you tell me you have a Student Advantage Card? ticket That means it’ll cost you $28.75 Max Great! Here’s my credit card Ticket agent OK And here’s your ticket and your cards Max Thanks Can you tell me if I need to change buses? Ticket agent No, you don’t The bus goes straight through Max And you know what time does it arrive? Ticket agent Yes, it gets in at 2:20 p.m Max Thanks a lot SOCIAL ENGLISH C o m p l e t e t h e d i a l o g u e w i t h t h e w o r d s a n d p h r a s e s in th e b o x B A B A B A B A 62 T h e y w e r e m a d e b y J e w is h b a k e r s B a g e ls f ir s t c a m e to th e U S in 0 T h e y b e c a m e p o p u la r a l l o v e r A m e r i c a i n t h e s N e w in v e n tio n s w e re u s e d t o s e ll b a g e ls a c r o s s A m e r ic a O n e o f t h e r e a s o n s b a g e ls a r e p o p u la r is b e c a u s e th e y _ The bagel is known around the world as a typically New York type of food But it has a surprising and unusual history that goes back many years The basic idea of a bread roll with a hole is centuries old In Roman times, soldiers ate hard bread called buccellatum, and in China there is similar-shaped traditional bread called girde The ancient Egyptians ate a bagel-like snack, too, and there are even more examples from around the Mediterranean area But it was in Poland that today’s bagel really began According to legend, it was the product of the 1683 Battle of Vienna The Polish king, Jan Sobieski, had saved Austria from the Turkish invaders To celebrate, the Jewish bakers of Krakow made a roll in the shape of the king’s stirrup - the metal objects you put your feet in when you ride a horse - and called it a “buegel” (from the German word for stirrup) There is, however, no evidence to show whetherthis was true or not, but the story still remains today It is unclear when the first bagels made their way to the United States, but by 1900, there were ?0 bakeries that sold bagels on the Lower East Side of New York What is also certain is that immigrants from Eastern Europe, with their cravings for the foods of the old country, sparked the New York bagel craze It was the 1950s that were the real turning point As Jewish people began to move to other parts of New York, they started to share their traditional food with the rest of the city Bagels were mentioned in a popular cookbook of the time, and demand started to grow across America To meet this demand, a baker named Murray Lender began to use recent inventions like the freezer and plastic packaging to distribute freshly made bagels across America Soon, Lender’s bagels were available in almost every supermarket, and today they are part of a typical American diet and available all over the world But why has the bagel endured through all this time? Possibly because of its heroic legend, but also because it has the advantage of lasting longerthan freshly baked bread If it gets slightly stale, it can be dunked in hot liquid to soften it So it lasts long, can be eaten in many ways, and of course tastes delicious Max Yes, here it is Ticket agent Then you get a % discount on your It’s obvious Of course S top-itf What if Stop it! You keep yawning Everyone will think you're bored Oh, sorry.2 _ I’m a little tired _ you’re tired You had a long day Well, I did get up at six o’clock this morning Oh, come on Let’s go.4 _ you aren’t enjoying the party I’m sorry I think I need to go to bed I know.5 _ we go home and something fun tomorrow? That sounds like a great idea And I promise I won’t yawn all day,6 _ Perfect! A Short History of the Bagel A _T B a g e l s w e r e f i r s t m a d e i n A u s t r ia s ta y f r e s h lo n g e r t h a n b r e a d Ticket agent Sure A one-way ticket to Boston costs $35.95 either I guess R e a d t h e t e x t M a r k t h e s e n t e n c e s T ( t r u e ) o r F ( f a ls e ) b U n d e r l i n e f iv e w o r d s o r p h r a s e s y o u d o n ’t k n o w U s e y o u r d ic tio n a r y t o lo o k u p th e ir m e a n in g a n d p r o n u n c ia tio n I don’t think that I want to meet any of the icons I don’t think that anybody can quite live up to your expectations Ja n e 10A Modern icons GRAMMAR relative clauses: defining and non-defining a Horrocks, English actress c C o m p le te th e s e n te n c e s w ith a r e la tiv e p r o n o u n a n d th e p h r a s e s in th e b o x Y o u w i l l n e e d t o le a v e o u t o n e o f t h e w o r d s i n e a c h o f t h e p h r a s e s hehas appeafed-insevefaUame&Bondmovies she is a human rights leader her voice will never be forgotten it is in the Andes his wife is the singer Beyonce the Mona Lisa can be seen there Native Americans protected themselves it was opened in China in 2011 from hot temperatures there C o m p le te th e s e n te n c e s w ith a r e la tiv e p ro n o u n W h e r e tw o a n s w e r s a re p o s s i b l e , w r i t e b o t h p r o n o u n s T h e r e is o n e s e n t e n c e w h e r e y o u c a n le a v e o u t t h e r e la tiv e p ro n o u n E s p o o is t h e c i t y i n F in l a n d where N o k ia is b a s e d A p p le is t h e c o m p a n y which j that m a k e s t h e iP a d M e l in d a G a t e s is t h e w o m a n _ h u s b a n d fo u n d e d who has ap p eared in several Jam es Bond movies w a s b o r n i n C h e s t e r A c o n c a g u a , _ D a n ie l C r a ig , M ic r o s o ft T h e t h i n g _ m y s o n w a n t s m o s t f o r h is b ir t h d a y is a t a b le t T h e L o u v r e , _ is i n t h e c e n t e r o f P a r is c o m p u te r L e e B y u n g - c h u ll w a s t h e m a n _ fo u n d e d S a m s u n g M i n a t o , is t h e d i s t r i c t in T o k y o S o n y h a s its h e a d q u a rte rs A le x a n d e r G r a h a m B e l l is t h e m a n _ in v e n te d t h e t e le p h o n e b S e l e n a , _ C r o s s o u t th e e x tr a w o rd in e a c h o f th e - se n te n c e s is t h e h ig h e s t m o u n t a i n in d ie d in 9 W h y d o n ’t y o u s t a y i n t h e h o t e l w h e r e S o u t h A m e r ic a w e sta y e d t h e r e l a s t y e a r ? H e ’s t h e a c t o r w h o h e p la y ed th e r o le o f S h e r lo c k H o lm e s T h o s e a r e th e s tu d e n ts w h o th e y w o n f i r s t p r iz e I ’ll g o t o t h e s u p e r m a r k e t t h a t it h a s t h e b e s t o ffe rs S h e ’s t h e w o m a n w h o s e h e r d a u g h te r w e n t to th e sa m e s c h o o l a s m e J ia o z h o u B a y B r i d g e , _ A u n g S a n S u u K y i , is , w a s t h e lo n g e s t b r id g e in t h e w o r ld u n d er h o u se a rre s t fo r 15 y ea rs W h a t ’s t h e n a m e o f t h e s t o r e w h e r e w e b o u g h t t h e U S B c a b le t h e r e ? T h a t ’s t h e c o m p u t e r t h a t it is n ’t w o r k in g J a y - Z , _ T h e C l i f f P a l a c e , - f is o n e o f t h e m o s t s u c c e s s f u l r a p p e r s o f a l l t im e _ , is i n t h e U S 63 VOCABULARY compound nouns READING a a W r it e th e c o m p o u n d n o u n fo r e a c h p ic tu r e R e a d s o m e e x t r a c t s f r o m a n i n t e r v ie w w ith U s a in B o lt o n c e W h a t d o you le a r n a b o u t h is fa m ily ? H e h a s _ H e liv e s w i t h Children, adults, old people everybody wants to race me I get challenged to races every day I met Mickey Rourke in a dance club and we had a race in the street I'll race the kids, but grown-up people need to get real b I am an athlete and a doctor I have received lots of honorary degrees, so my full official title is something like Dr The Honorable Ambassador Usain Saint Leo Bolt I have tried to make my friends call me it, but nobody does M a tc h a w o rd fr o m A w ith a w o rd fr o m B to m a k e c o m p o u n d n o u n s T h e n c o m p le te th e s e n te n c e s A bank high bicycle room rush sound top training B account course floor hour lane mate school track M y s a l a r y is d e p o s it e d d ir e c t l y in t o m y account ban k ev ery m o n th T h e y liv e o n t h e , s o th e y My father was my hero He always worked so hard People think I don't train hard, but I really - and it's all because of him My earliest memory is playing in my yard I'd play cricket, soccer, and basketball or just run around As long as I was outside in the sun I was happy h a v e a g r e a t v ie w o f t h e c ity T he H obbit is a w e s o m e T h e f o r t h e m o v ie M y b r o t h e r is t a k in g a t o le a r n a b o u t h e a l t h a n d s a fe ty D o y o u g e t a lo n g w e ll w ith y o u r o r d o y o u a r g u e a b o u t p a y in g t h e b ill s ? T h e f i r s t y e a r o f in t h e U S is u s u a lly n in t h g d e B ik e r id e r s s h o u ld u s e t h e to k e e p a w a y f r o m t r a f f ic Sleep is beautiful I live with my brother Sadiki and my best friend NJ in Kingston, and my only house rule is: never wake me up early I can't cook I just know that vegetables are good for you C o m m u t e r s u s u a lly tra v e l t o w o r k d u r i n g PRONUNCIATION word stress a Your environment definitely changes your personality I am similar to my sister We are relaxed because we grew up in the country (in Jamaica), but my brother is different because he grew up in Kingston What I enjoy most about my house isn't the big TV or the swimming pool, but the fruit trees in my yard They remind me of my childhood When I sit and stare at them I feel happy I like to sit under trees M a t c h th e w o r d s - w ith th e w o r d s in th e b o x t o m a k e co m p o u n d n ou n s camera court drive map pass ticket tone walk boarjding pass ring cross _ speed flash _ sub|way parking _ tejnnis L is te n a n d c h e c k T h e n lis te n a g a in an d r e p e a t th e w o r d s U n d e r lin e t h e s tr e s s e d s y lla b le s Snakes and spiders terrify me That's why I don't go to Africa very often I also used to believe in ghosts when I was a kid and I would get scared, but not anymore Bob Marley is a legend I have all his old albums, and he did a great job of bringing Jamaica to the world I can be emotional I cried at a movie last year - but don't tell anyone I have always been young and fast so the idea of being old feels weird I worry about it My friend NJ is a couple of months older than me, so I will always be younger than him That makes me feel better b R e a d t h e in te r v ie w a g a in a n d a n s w e r th e LISTENING q u e s tio n s W h o d o e s n ’t U s a i n B o l t m in d r a c in g ? a L is te n to a r a d io p r o g r a m a b o u t a n e w e x h ib itio n a t t h e S c i e n c e M u s e u m C h e c k ( / ) t h e t w o in v e n t io n s m e n tio n e d Children in th e p r o g r a m a n d la b e l t h e tw o p ic tu r e s y o u c h e c k W h i c h m e m b e r o f h i s f a m il y d o e s h e a d m ir e th e m o st? W h a t d id h e e n jo y d o in g w h e n h e w a s a c h ild ? W h a t d o e s n ’t h e lik e d o in g ? W h a t is n ’t h e v e r y g o o d a t? W h a t d o e s h e lik e m o s t a b o u t h i s h o u s e ? W h a t is h e a f r a id o f ? W h i c h s in g e r d o e s h e lik e ? W h a t h a p p e n e d w h e n h e w e n t t o t h e m o v ie s b L i s t e n a g a i n a n d m a r k t h e s e n t e n c e s T ( t r u e ) o r F ( f a ls e ) la s t y e a r? T h e e x h i b i t i o n s h o w s v e r y s p e c ia l t h i n g s t h a t w e d o n ’t 10 c o fte n u se W h a t d o e s he w o rr y a b o u t? L o o k a t th e h ig h lig h te d w o r d s a n d p h r a s e s W h a t d o y o u th in k th e y m e a n ? U s e y o u r d ic tio n a r y t o lo o k u p th e ir m e a n in g an d p r o n u n c ia tio n d N a p o le o n B o n a p a r t e h a d a p r o b le m f e e d in g a ll h is s o ld ie r s A F r e n c h s o ld ie r w o n t h e c o m p e t i t i o n T h e f i r s t d e s ig n w a s m a d e o f m e t a l A l a t e r d e s ig n k ille d a n u m b e r o f p e o p le I n t h e p a s t , p e o p le b o u g h t a b ig b o x o f le a v e s t o m a k e t e a w ith C o m p le te th e s e n te n c e s w ith th e T h o m a s S u lliv a n s o ld t h e s m a ll b a g s o f t e a t o h is c u s to m e r s h ig h lig h te d w o rd s W e have a house rule T e a b a g s w e r e r e a lly in v e n te d b y s o m e o f h i s c u s t o m e r s th a t th e p erso n 10 w h o c o o k s d o e s n ’t h a v e t o w a s h t h e d is h e s M y c a r is m a k i n g a n o i s e - I h a v e F ie to ld h i s c u s t o m e r s n o t t o o p e n t h e t e a b a g s c T h e e x h i b i t i o n c lo s e s o n S u n d a y , Ju ly t h L is te n a g a in w ith th e a u d io s c r ip t o n p n o id e a w h a t it is , b u t it d o e s n ’t s o u n d g o o d I to ld m y s i s t e r t o - s h e ’ll n e v e r h a v e a b ig h o u s e o n t h e b e a c h USEFUL WORDS AND PHRASES M i l e s D a v is is a o f ja z z m u s ic A m e r i c a n c o l le g e s o f t e n g i v e L e a rn th ese w ord s and ph rases t o c e l e b r i t i e s w h o d id n ’t stu d y ic o n / 'a i k a n / lo g o / 'l o u g o o / th e r e , b u t w h o h av e d o n e w o rk fo r c h a r itie s o r h a v e in s p ir e d s t u d e n t s s i lh o u e t t e / s ilu 's t / in c o r p o r a t e / in 'k a r p a r e it / m a n u fa c tu re b e a d o p te d /rm e n y a 'h e k tja r / / h i a 'd a p ta d / d r o p o u t ( f r o m s c h o o l ) / d r a p 'a u t/ fo u n d a c o m p a n y / f a o n d ə 'k A m p a n i/ a w o r ld w id e ( I n t e r n e t ) s e n s a t i o n /ə w a rld 'w a id s e n 's e ijn / 65 Poetry is not the m ost important thing in life I’d much rather lie in a hot bath reading Agatha Christie and sucking sweets Dylan Thomas, Welsh poet 10B Two crime stories VOCABULARY crime C o m p le te th e te x t GRAMMAR tag questions a ( ( f ir c je ) t h e c o r r e c t a n s w e r s Y o u liv e i n b S eattle,(Z on ’ty o u ) I aren ’t you? w eren’t y o u / w ereyou? B u t y o u w e r e n ’t b o r n i n S e a t t l e , Y o u m o v e d to S e a t t l e w h e n y o u w e r e te n , T h a t m e a n s y o u ’v e b e e n liv in g h e re fo r tw e n ty y e a rs , B u t y o u ’r e m o v in g t o L o s A n g e le s n e x t w e e k , Y o u r b r o t h e r liv e s i n L o s A n g e le s , Y o u ’v e b e e n i n p r is o n b e f o r e , I g u e s s y o u ’d lik e to c a l l y o u r la w y e r n o w , are investigating a 2m in MiLlbrook haven’t you / have you? w on’t y o u / aren ’t you? doesn’t he j isn’t he? aren ’t y o u / haven’ty o u ? don ’t y ou / wouldn’t you? C o m p le te th e ta g q u e s tio n s A d a m ’s liv in g w i t h h is p a r e n t s n o w , Detectives weren't y ou / didn’t you? isn’t he ? Y o u d o n ’t lik e a n i m a l s , ? It is n ’t d i f f i c u l t , _ ? H e d r iv e s a v a n , ? T h e y le f t y e s t e r d a y , ? K a t h y h a s n ’t b e e n h o m e f o r o v e r a w e e k , ? I ’m l a t e , ? Y o u ’l l s e e h im t o m o r r o w , ? T h e 3v is a 26-year-old man w hose body was found Last night next to a quiet, back road N o 4ev was found at the PRONUNCIATION intonation in tag questions a L is te n a n d r e p e a t th e s e n te n c e s C o p y th e rh y th m called h e r la st night, d idn’t you? H e ’s older t h a n you, isn’t he? T h e y aren ’t com ing, are they? Y o u ’d lik e t o visit Paris, w ouldn’t you? S h e ’l l b e late, w on’t she? I can ’t dance v e r y well, can I? scene and police are appealing to You 5w w ho saw the man yesterday to help them with their investigation They believe that the 6m was som eone known to the man The main 7s _are the m an’s roommate, his girlfriend, and a b neighbor These people are currently W r it e t h e w o r d s in th e b o x in t h e c o r r e c t c o l u m n s brutal suspect hurt murder prove truth discover suddenly weren't being interviewed by the police in an attempt t o 8s _the crime v, A police spokesperson said that they s had a theory, but so far, they had bird been unable to 9pr _ boot T " up murder who had committed the crime c 66 L is te n a n d c h e c k T h e n lis t e n a g a in a n d r e p e a t th e w o rd s READING a R ea d p a rt o f an e x tra c t fro m a n ovel o n ce W h e re d oes H a n n a y f i r s t t h i n k S c u d d e r is f r o m ? E n g la n d N o rw ay th e U S G reece T h e T h irty -N in e Steps I n tr o d u c tio n : R ich a rd H ann ay, the n arrator, h as ju st retu rn ed to L o n d o n fr o m A frica A m y steriou s m an c a lle d F ran klin S cu d d er a p p e a r s o u ts id e his fla t o n e night, a n d tells H an n ay a b o u t a g rou p o f p e o p le h e m e t w h o a re tryin g to p u sh E u ro p e to w a rd s a w ar H e b e liev es on ly th e G re e k P rim e M inister, C on stan tin e K a ro lid es, can s to p the war K a ro lid es w ill b e in L o n d o n s o o n , a n d S cu d d er b e liev es th ere is a p lan to k ill h im then S cu d d er b e liev e s h e can s to p this p lan , hu t on ly i f p e o p le th in k h e is d e a d r o o m T h e p o lic e w ill t h i n k d r a n k t o o m u c h a n d th e n k ille d m y s e lf ” H e p a u s e d “ I w a tc h e d fr o m t h e w in d o w u n til I s a w y o u c o m e h o m e , a n d th e n c a m e d o w n th e s t a ir s to m e e t y o u ” I t w a s t h e s t r a n g e s t o f s t o r ie s H o w e v e r , in m y e x p e r ie n c e , t h e m o s t e x t r a o r d i n a r y s t o r ie s a r e o f t e n t h e t r u e o n e s A n d i f t h e m a n ju s t w a n te d t o g e t in t o m y fla t a n d m u r d e r m e , w h y d id n ’t h e t e ll a s im p le r s to ry ? P art 1 w a s b e g in n in g to lik e th is s tr a n g e little m a n I gav e “ R i g h t ,” s a id “ I ’ ll t r u s t y o u f o r t o n ig h t I ’ll lo c k y o u in h im a n o t h e r d r i n k a n d a s k e d h im w h y h e t h o u g h t h e t h is r o o m a n d k e e p t h e k ey J u s t o n e w o r d , M r S c u d d e r w a s n o w in d a n g e r h im s e lf I b e lie v e y o u ’re h o n e s t , b u t i f y o u ’re n o t , s h o u ld w a r n H e to o k a la r g e m o u th fu l “ I c a m e to L o n d o n b y a s tra n g e ro u te - th r o u g h P a r is , H a m b u r g , N o rw a y , and y o u t h a t I c e r t a in ly k n o w h o w t o u s e a g u n ” “ C e r t a i n l y ,” h e a n s w e r e d , ju m p in g u p “ I ’m a f r a i d I S c o t l a n d I c h a n g e d m y n a m e in e v e ry c o u n t r y , a n d d o n ’t k n o w y o u r n a m e , s ir , b u t w o u ld lik e t o t h a n k w h e n I g o t to L o n d o n , I t h o u g h t I w a s s a f e T h e r e ’s a y o u A n d c o u ld I u s e y o u r b a t h r o o m ? ” m a n w a t c h i n g t h i s b u i ld in g a n d l a s t n ig h t s o m e b o d y W h e n I s a w h im n e x t , h a l f a n h o u r la t e r , I d id n ’t p u t a c a r d u n d e r m y d o o r O n it w a s t h e n a m e o f t h e r e c o g n i z e h im a t f ir s t O n l y t h e b r ig h t e y e s w e r e t h e m a n I f e a r m o s t in t h e w o r ld s a m e H i s b e a r d w a s g o n e , a n d h is h a i r w a s c o m p le t e ly “ S o I d e c id e d I h a d t o ‘d ie ’ T h e n th e y w o u ld s to p lo o k in g f o r m e I g o t a d e a d b o d y — i t ’s e a s y t o g e t o n e in d i f f e r e n t H e w a lk e d lik e a s o ld ie r , a n d h e w a s w e a r i n g g la s s e s A n d h e n o lo n g e r s p o k e lik e a n A m e r i c a n L o n d o n , if you k n o w h o w - an d h a d th e b o d y b ro u g h t “ M r S c u d d e r - ” I c r ie d t o m y fla t in a la r g e s u it c a s e T h e b o d y w a s t h e r ig h t “ N o t M r S c u d d e r ,” h e a n s w e r e d “ C a p t a i n T h e o p h i l u s a g e , b u t t h e f a c e w a s d if f e r e n t f r o m m in e I d r e s s e d it in m y c lo t h e s a n d s h o t it in t h e f a c e w ith m y o w n - g u n M y D ig b y o f t h e B r it i s h A r m y P le a s e d o r e m e m b e r t h a t ” I m a d e h im a b e d in m y s tu d y , a n d w e n t t o b e d m y s e lf, s e r v a n t w ill fin d m e w h e n h e a r r iv e s in t h e m o r n in g a n d h a p p ie r t h a n I h a d b e e n f o r t h e p a s t m o n t h I n t e r e s t in g h e ’ll c a l l t h e p o lic e I ’v e le f t a lo t o f e m p t y b o t t l e s in m y t h i n g s d id h a p p e n s o m e t i m e s , e v e n in L o n d o n E x tra c t from O x f o r d B o o k w o r m s Library: T h e T h i r t y - N i n e S t e p s by John Buchanan, retold by N ic k Bullard © O x f o r d University Press 2007 b R e a d th e e x t r a c t a g a in an d c h o o s e th e b e st a n sw ers T h e m a n t o o k a s t r a n g e r o u te t o L o n d o n b e c a u s e a h e w a n t e d t o s e e a ll t h e s ig h ts , b h e g o t lo s t o n t h e w ay (c) h e d id n ’t w a n t a n y b o d y to fin d h im T h e p e r s o n w h o s e n t h im a c a r d la s t n ig h t i s a a frie n d b a n enem y, c a c o lle a g u e T h e m a n is p r e te n d in g to b e d ea d b e c a u s e a h e w a n t s p e o p le to s to p lo o k in g f o r h im b h e o w e s s o m e o n e a lo t o f m o n e y c h e d o e s n ’t w a n t t o t a lk to t h e p o lic e T h e n a r r a to r , H a n n a y , tr u s ts th e m a n b e c a u s e a h e k n o w s h im v e r y w e ll, b h is s t o r y is s o c o m p lic a te d , c LISTENING L i s t e n t o P a r t o f t h e e x t r a c t W h a t h a p p e n s to M r Scu d d er? h e d o e s n ’t lo o k lik e a m u r d e re r W h e n t h e m a n w e n t t o t h e b a t h r o o m , h e a t o o k a b a th b c o m b e d h is h a ir, c p u t o n a d is g u is e b T h e n a r r a t o r to ld h is s e r v a n t w h o S c u d d e r r e a lly w a s t h e n e x t m o r n in g T h e m a n s p e n t t h e n i g h t a i n H a n n a y ’s a p a r t m e n t , b i n a h o te l c in h is o w n a p a r t m e n t T h e m a n c h a n g e s h i s n a m e to a c a F ren ch n am e b B r it i s h n a m e , c G e rm a n nam e H a n n y n o w t h i n k s t h a t a n o t h in g e x c it in g h a p p e n s in L o n d o n , b i t ’s a lw a y s in t e r e s t i n g i n L o n d o n , c s o m e t h i n g e x c it in g c a n h a p p e n in L o n d o n L i s t e n a g a in a n d m a r k t h e a n s w e r s T ( t r u e ) o r F ( f a ls e ) c M r S c u d d e r ’s p la n t o p r e te n d t o c o m m i t s u ic id e w o rk e d M r S c u d d e r w a s c a l m a n d r e la x e d a l l t h e t im e h e w a s in H a n n a y ’s a p a r t m e n t H e g a v e H a n n a y m o r e d e t a ils a b o u t t h e p lo t t o k ill K a r o lid e s A p a r t f r o m K a r o li d e s , h e m e n t io n e d o n e o t h e r p e r s o n T h e s tu d y lig h t w a s o n w h e n t h e n a r r a t o r g o t h o m e L i s t e n a g a in w i t h t h e a u d i o s c r i p t o n p USEFUL WORDS AND PHRASES L e a r n th ese w ords and p h rases a lib i /'a e la b a i/ U n d e r l i n e s i x w o r d s o r p h r a s e s y o u d o n 't c a s e /k e is / k n o w U s e y o u r d ic t io n a r y t o lo o k u p t h e ir c o u r t /k o rt/ m e a n in g an d p r o n u n c ia tio n t h e d e f e n s e / ð ə d i'fe n s / t h e d o c k ( o f a c o u r t ) /ð ə d a k / th e p r o s e c u tio n /ð ə p r a s a 'k y u f n / t r i a l / 't r a ia l / p le a d ( g u ilt y / i n n o c e n t ) /p lid / s w e a r (e g , o n t h e b ib le ) /s w s r / b e a c q u itt e d / b i a 'k w ita d / FILE 10 68 _F Listening A))) Tour guide to Jo h n L e n n o n a n d h is m u s ic W e ’ll Olivia O K ! L e t ’s m o v e o n t o th e a n c ie n t lo o k a t th e b e a u tifu l m e m o r ia l m o s a ic G r e e k s C o s m e t ic s w e re a n im p o r ta n t th e T V a n d M o v ie W a lk in g T o u r w ith th e w o rd “im a g in e ” in th e m id d le p a r t o f t h e ir lif e , to o T h e a n c ie n t o f C e n tr a l P a rk in N ew Y o rk C ity d e s ig n e d to h o n o r L e n n o n ’s m e m o ry G r e e k id e a o f b e a u ty w a s v e ry p a le M y n a m e ’s S t a c y C lin t o n , a n d I ’m O f c o u r s e , t h is a r e a o f th e p a r k w as s k in , b lo n d e h a ir, a n d n a tu r a l m a k eu p g o in g to b e y o u r g u id e to d a y I h o p e a ls o u se d f o r a s c e n e in th e m o v ie y o u a re a ll w e a r in g c o m f o r ta b le s h o e s Manhattan H e llo , an d w e lc o m e to b e c a u s e th e to u r la s ts fo r tw o h o u rs Little F in a lly , w e’ll w a lk to th e S h ee p W e ’ll e n d a t C o lu m b u s C ir c le a t a ro u n d M ea d o w D o n ’t w o rry — th e re h av en ’t tw o o ’c lo c k b e e n an y sh eep in t h is m ea d o w sin ce W e ’re g o in g to s t a r t a t G a p s to w H o w ev er, w e w ill se e p eo p le B r id g e - a s to n e b rid g e o r ig in a lly b u ilt s u n b a th in g o r re la x in g in t h is -a cre in F r o m th e b rid g e y o u h a v e an o p e n a re a T h is lo c a tio n w as u sed in a m a z in g v ie w o f t h e P la z a H o te l D o e s s c e n e s fo r Wall Street a n d The Fisher King F o r th e m , p a le s k in w a s a s ig n o f b e a u ty a n d w e a lth T h e w o m e n u se d a p o w d e r m a d e o u t o f a m e ta l c a lle d le a d to m a k e th e ir f a c e s lo o k lig h te r Host Y o u m e a n le a d ? T h e le a d t h a t u sed to b e in th e p ip e s c a r r y in g th e w a te r in o u r h ou ses? Olivia T h a t ’s rig h t Host B u t le a d is p o is o n o u s ! Olivia Y e s , it is , a n d t h e a n c ie n t G r e e k s a n y o n e k n o w w h ic h m o v ie s t h e P laza A s w e w a lk to o u r fin a l d e s tin a tio n , H o te l h a s b e e n fe a tu r e d in ? N o ? W e ll, C o lu m b u s C ir c le , w e ’ll p a s s b y T a v e rn k n e w le a d w a s p o is o n o u s , b u t it w a s so The Great Gatsby a n d Almost Famous ju st o n th e G r e e n , o n c e a fa m o u s r e s ta u r a n t im p o r t a n t fo r th e m t o b e b e a u tifu l th a t in N e w Y o rk C ity a n d a ls o u se d a s th e y u s e d it o n th e ir f a c e , a n d o f c o u r s e , to n a m e tw o S o t h a t ’s w h e re w e’re a lo c a tio n f o r th e p o p u la r m o v ie g o in g to g o f ir s t T h e n w e ’r e g o in g to Ghostbusters A n d fin a lly , w e ’ll e n d up g o to t h e W o llm a n S k a tin g R i n k — o n e a t C o lu m b u s C ir c le w h e re s c e n e s fo r o f tw o r in k s in th e p a rk T h i s s k a tin g Taxi Driver a n d Borat w e re s h o t O K , r in k w a s o p e n e d to th e p u b lic in 8 , s o le t ’s g e t g o in g a n d h e a d to o u r f ir s t w e ll o v e r y e a r s a g o ! Y o u m ig h t s to p , G a p s to w B r id g e y o u c a n s e e t h is fa m o u s h o te l in r e c o g n iz e th e r in k fr o m th e m o v ie s Home Alone a n d Love Story A f t e r th e r in k , w e ’ll w a lk to o n e o f th e m o s t w e ll-k n o w n a t t r a c t i o n s in C e n tr a l P a rk — th e C a r o u s e l T h i s c a r o u s e l h a s c o lo r f u l w o o d e n h o r s e s f o r c h ild re n a n d a d u lts to rid e o n , a n d i t ’s o n ly th r e e d o lla r s a rid e ! T h e o r ig in a l c a r o u s e l w a s b u ilt in T h i s o n e is n ’t th e o r ig in a l, b u t it is b e a u tifu l M a y b e t h a t ’s w h y d ir e c t o r M e l B r o o k s c h o s e to in c lu d e it in h is m o v ie , The Producers A s w e w alk to w ard th e m id d le o f th e p ark , w e ’ll p a ss by th e P ro m e n a d e and B e th e s d a F o u n ta in w h e re m o v ies su ch The Avengers, Breakfast at Tiffany’s, and Enchanted s h o t sc e n e s F a rth e r as n o r th , w e’ll tak e a lo o k a t th e larg est lake in C e n tr a l P a rk and w e ’ll v isit the B o a th o u s e R e s ta u r a n t, w h ich w as fe a tu re d in th e m o v ie When Harry Met Sally N e x t, w e ’ll v isit th e B o w B rid g e— a g ce fu l c a s t-iro n b rid g e, w h ich is c o n sid e re d o n e o f th e m o s t ro m a n tic s p o ts in N ew Y o rk C ity M o v ie d ire c to rs m u s t a g re e b e c a u s e th e b rid g e h a s b e e n fe a tu re d in Spider-man , o n th e T V Glee and in o n e o f th e g r e a te s t love s to rie s o f all tim e — The Way We Were sh o w A t th is p o in t, w e ’ll v is it S tr a w b e r r y F ie ld s , a n a r e a o f th e p a rk d e d ica te d I c a n ’t b e lie v e th e y u se d le a d o n th e ir fa c e s ! A n y w a y , w h o ’s n e x t o n th e lis t? Olivia T h e R o m a n s T h e y w ere a b s o lu te ly o b s e s s e d w ith b e a u ty A R o m a n p h ilo s o p h e r o n c e w r o te , “A B>)) Host it m a d e th e m sic k Host w o m a n w ith o u t p a in t is lik e fo o d H e llo , a n d w e lc o m e t o to d a y ’s w ith o u t s a lt ,” s o i t ’s c le a r th a t th ey p r o g r a m H a v e y o u e v e r w o n d e re d h ow re a lly b e lie v e d th a t w o m e n sh o u ld w e a r w o m e n m a d e th e m s e lv e s lo o k b e a u tifu l a lo t o f m a k e u p T h e R o m a n s b e lie v e d in th e p a s t? O u r b e a u ty e x p e r t O liv ia th a t p in k o n th e c h e e k s w a s a s ig n o f J o h n s o n is w ith u s to d a y , a n d s h e ’s g o o d h e a lth , b u t th e y did n o t a p p ly th e g o in g to te ll u s a ll a b o u t b e a u ty th r o u g h m a k e u p th e m s e lv e s In s te a d , th e y u sed th e a g e s O liv ia , w h e re a r e y o u g o in g th e ir s e r v a n ts to p u t o n th e ir c r e a m s to sta rt? a n d p o w d e rs Olivia W e ll, I ’m g o in g to s t a r t w ith th e E g y p t ia n s , b u t it w a s n ’t o n ly w o m e n w h o u s e d c o s m e t ic s a t t h is t im e B o t h E g y p t ia n m e n a n d w o m e n lo v e d th e ir Host S o , th e s e r v a n ts w e re lik e m o d e rn m a k e u p a r t is t s , th e n ? Olivia Y e s , I g u e s s y o u c o u ld say th a t Host t h in k I p r e fe r p u ttin g o n m y o w n c o s m e t i c s —w e k n o w t h a t f r o m th e m a k e u p O liv ia Jo h n s o n , t h a n k y o u fo r p a in t in g s a n d t h e p o w d e rs th e y le f t jo i n in g u s b e h in d T h e w o m e n w o re a p o w d e r Olivia M y p le a s u re o n t h e ir f a c e s t o m a k e t h e ir s k in lig h te r , a n d th e y p a in te d a b ig b la c k ,A » ) lin e a r o u n d t h e ir e y e s to m a k e th e m Host A n d n o w fo r a re v ie w o f la s t lo o k b ig g e r M e n p u t a c r e a m m a d e n ig h t ’s T V s h o w s T h e h ig h lig h t o f f a t a n d o il a n d o t h e r s u b s ta n c e s o n f o r m e w a s a n ew s e r ie s c a lle d t h e i r fa c e t o p r o te c t it f r o m t h e s u n The Unteachables I t ’s a k in d o f r e a lity sh o w - a v e ry e a r ly v e r s io n o f s u n s c r e e n th a t t r ie s t o fin d o u t i f i t ’s re a lly tru e E g y p t ia n k in g s a n d q u e e n s a ls o th a t th e r e a r e s tu d e n ts w h o c a n ’t b e p u t c o lo u r f u l p o w d e rs a r o u n d t h e ir ta u g h t L a s t n ig h t, w e w e re in tro d u c e d e y e s T h e i r fa v o r ite c o l o r w a s g r e e n , to th e s tu d e n ts T h e r e a re o f th e m w h ic h th e y g o t f r o m a m in e r a l c a lle d a lto g e th e r , a n d th e y ’re a ll y e a rs m a la c h it e o ld T h e y ’ve a ll b e e n s u s p e n d e d fr o m Host H o w in t e r e s tin g ! W h o a r e y o u g o in g to te ll us a b o u t n e x t? s c h o o ls a t le a s t o n c e , a n d th e ir te a c h e r s t h in k th e y ’re im p o s s ib le to te a c h 73 W a tc h in g th e s tu d e n ts o n la s t n ig h t ’s sh o w , it is n ’t h a rd to s e e w hy W e see th e g ro u p d u r in g t h e ir in tr o d u c to r y w e e k e n d a t th e stu d y c a m p w h e n th e y m e e t e a c h o t h e r f o r th e f i r s t tim e A t o n e p o in t, o n e o f th e b o y s w a r n s th a t h e m ig h t s e t th e b u ild in g o n f ir e Y ou c o u ld n ’t im a g in e h o w th e ir t e a c h e r w as g o in g t o te a c h th e m A n d t h a t ’s w h e re -y e a r o ld P h ilip B e a d le c o m e s in B e a d le u s e d to b e a r o c k m u s ic ia n , b u t h e g av e u p m u sic a t th e a g e o f to b e c o m e a te a c h e r S i n c e th e n , h e h a s h ad a v e ry s u c c e s s fu l c a r e e r in e d u c a tio n H is g r e a te s t a c h ie v e m e n t w a s w h e n h e w o rk ed a t a h ig h s c h o o l w h e re th e r e w e re a lo t o f p r o b le m s H e w o rk e d re a lly h a rd , and h is s tu d e n ts g o t t h e b e s t t e s t s c o r e s in E n g lis h th a t th e s c h o o l h a d e v e r s e e n a ll o f h is s tu d e n ts p a ss e d th e ir e x a m s , h a l f o f th e m w ith th e h ig h e s t s c o r e B u t le t m e g e t b a c k to th e sh ow In B e a d le ’s f i r s t c la s s , h e m a n a g e s to h e lp th e s tu d e n ts le a r n to tr u s t h im by p la y in g a g a m e w ith th e c h ild r e n In th e g a m e , B e a d le a n d th e s tu d e n ts p o in t a t e a c h o t h e r a n d say a n in s u lt T h i s m ig h t n o t s e e m v e ry e d u c a tio n a l, b u t B e a d le h ad th e a t te n t io n o f a ll th e stu d e n ts , a n d e v e ry b o d y w a s jo in in g in A n d th a t w a s th e p o in t o f th e g a m e Y o u m ig h t t h in k th a t B e a d le ’s te a c h in g m e th o d s a r e p r e tty u n u su a l, a n d y o u ’d b e r ig h t A t o n e p o in t o n la s t n ig h t ’s sh o w , h e to o k th e s tu d e n ts o u t in to t h e c o u n tr y T h e y fo u n d a fie ld w ith c o w s i n it , a n d h e m a d e th e m re a d p o e m s a n d p lay s by S h a k e s p e a r e to th e c o w s! R e m e m b e r th a t th e s e a re c h ild r e n w h o r e fu s e to re a d in fr o n t o f o t h e r p e o p le in a c la s s r o o m In a n o t h e r s c e n e , th e y a r e in a d iffe r e n t fie ld , le a r n in g a b o u t p u n c tu a tio n B e a d le te a c h e s t h is b y g o in g a ro u n d to d if f e r e n t s tu d e n ts an d s h o u tin g th e n a m e s o f th e ty p e s o f p u n c tu a tio n S o , f o r e x a m p le h e s h o u ts “q u e s tio n m a r k ,” th e n “h u h !” a n d a t th e s a m e tim e m o v e s h is b o d y in to a s h a p e lik e a q u e s tio n m a r k T h e s tu d e n ts le a r n b y c o p y in g h im , a n d it lo o k s lik e a lo t o f fu n B y th e e n d o f t h e f ir s t e p is o d e , t h e s tu d e n ts a r e s t a r t in g to a c c e p t th e ir n ew te a c h e r S o m e o f th e m e v e n sa y h e ’s “a ll r ig h t.” I re a lly e n jo y e d The Unteachables a n d I r e a lly w a n t to k n o w w h a t h a p p e n s n e x t I f y o u ’r e f a s c in a te d b y th e e x p e r im e n t lik e I a m , y o u ’ll w a tc h th e n e x t e p iso d e a t t h e s a m e t im e n e x t W e d n e sd a y P e rs o n a lly , I c a n ’t w a it! 74 T h e c e n te r p ie c e o f th e liv in g ro o m B>)) Guide: L a d ie s a n d g e n tle m e n , c a n I h a v e y o u r a tte n tio n , p le a s e ? T h a n k y o u a n d w e lc o m e to G r a c e la n d , th e h o m e o f m u s ic s t a r E lv is P re s le y W e s t a r t o u r to u r h e r e , a t t h e f r o n t d o o r o f t h is im p r e s s iv e h o m e T h i s is th e p e r fe c t p la c e to lo o k c lo s e ly a t th e o u ts id e o f th e h o u s e It w a s b u ilt in th e e a rly p a r t o f th e t w e n t ie t h c e n tu r y , in a s ty le th a t w a s p o p u la r a t th e t im e T h e o u ts id e w a lls o f th e h o u s e a r e m a d e o f s to n e a n d w o o d , a n d th e h o u s e h a s tw o f l o o r s a s w e ll a s a b a s e m e n t T h is h o u s e w a s E lv is ’s h o m e fr o m u n til 7 w h e n h e d ie d , w h ic h m e a n s is a -fo o t-lo n g w h ite le a th e r co u c h a n d -fo o t-lo n g c o f f e e ta b le Q u ite im p re ssiv e ! T h e r o o m h a s a w a ll co v e re d in m ir r o r s a n d is d e c o te d in g o ld , b lu e, a n d w h ite I f y o u lo o k o v e r h e re , y o u ’ll s e e a p a ir o f s ta in e d -g la s s b ir d s th a t lead in to th e m u s ic ro o m It w as in t h is r o o m th a t E lv is a n d h is fr ie n d s s p e n t h o u r s t o g e th e r c r e a tin g a n d p la y in g m u s ic W h e n y o u ’re ready, w e’ll c o n tin u e w ith o u r to u r o f th e f ir s t f lo o r a n d v is it th e k itc h e n an d E lv is ’s p a r e n ts ’ ro o m , w h e re h is fa th e r h ad a s w im m in g p o o l in s ta lle d in h is b e d r o o m a lo n g w ith a ju k e b o x n e x t to it! h e s p e n t m o s t o f h is a d u lth o o d h e re 8A») H e g o t m a r r ie d in a n d h is w ife , Laura P r is c illa , c a m e to liv e w ith h im h e re a f t e r th e y g o t m a r r ie d T h e i r o n ly d a u g h te r L is a M a r ie w a s b o r n h e r e S o y o u s e e , t h is h o u s e p la y ed a n e x tr e m e ly im p o r t a n t ro le in E lv is ’s lif e N ow , a s y o u ’re w a lk in g th r o u g h t h e h o u s e , H i, S a m ! H o w w a s y o u r tr ip to C h ic a g o ? Sam I t w a s g r e a t, t h a n k s B u t th e f lig h t b a c k w a s a w fu l! In f a c t , I m a d e a c o m p la in t to th e a ir lin e Laura W h a t w a s th e p ro b le m ? Sam W e ll, a s y o u k n o w , s o m e a ir lin e s I ’d lik e y o u t o p ay s p e c ia l a tte n tio n to m a k e y o u w a it fo r e v e r in lin e b e fo r e h o w d iffe r e n t r o o m s a r e d e c o r a te d y o u c a n h o a rd , w h ic h I c a n ’t s ta n d It O n e r o o m is d e c o r a te d to lo o k lik e a a ls o m e a n s t h a t t h e r e ’s a lw a y s a h u g e ju n g le w ith g r e e n ru g s , p la n ts o f a ll r u s h to g e t o n th e p la n e a n d th e r e is n ’t k in d s , a n d a n im a l- p r in t d e c o r a tio n s a n y p la c e to p u t y o u r b a g s I f in d a ll A n o t h e r r o o m , th e T V r o o m , w a s o n e t h is s o a n n o y in g t h a t I u su a lly pay fo r o f th e f i r s t “h o m e t h e a te r s ” in th e U S P r e fe r r e d A c c e s s - y o u k n o w , w h e n you E lv is p la ce d t h r e e T V s s id e -b y -s id e o n pay e x tr a to g e t o n th e p la n e f ir s t Y ou a w a ll O n S u n d a y s , h e c o u ld w a tc h ju s t g e t in lin e w h e n th e y c a ll th e flig h t, t h r e e d if f e r e n t fo o t b a ll g a m e s a t th e a n d th e n th e y te ll t h e p a s s e n g e r s w ith s a m e t im e ! O K , i f y o u ’ll c o m e t h is way, P r e f e r r e d A c c e s s to c o m e t o th e fr o n t w e ’ll s t a r t o n th e f i r s t f lo o r , a n d th e f i r s t r o o m w e ’re g o in g t o v is it is th e d in in g r o o m A r e y o u a ll in ? W e ll, t h is is th e d in in g a n d y o u g e t o n th e p la n e f ir s t Laura S o w h a t w e n t w ro n g ? Sam W e ll, i t w a s f in e o n th e f lig h t to C h ic a g o I s to o d in lin e , th e y c a lle d ro o m w h e re E lv is e n jo y e d m e a ls w ith th e p e o p le w h o h a d P r e fe r r e d A c c e s s , h is g u e s ts T h e la rg e d in in g ro o m b o a rd e d th e p la n e , a n d I g o t to m y ta b le c o u ld s e a t a b o u t p e o p le T h e s e a t w ith n o p r o b le m s P e r fe c t! B u t o n b e a u tifu l lig h t h a n g in g o v e r th e ta b le th e f lig h t b a c k f r o m C h ic a g o t o N ew is m a d e o f I ta lia n g la s s E lv is d id n ’t Y o rk , I w a s s ta n d in g in lin e a t th e g ate u s u a lly w a k e u p u n til fo u r in th e w a itin g to b e c a lle d to b o a r d f ir s t, a n d a f t e r n o o n , s o th e d in n e r p a r tie s d id n ’t n o t h in g h a p p e n e d I d o n ’t k n o w i f th ey s t a r t u n til te n a t n ig h t! H is fu ll-tim e f o r g o t a b o u t P r e f e r r e d A c c e s s o r w h a t, c o o k s m a d e o ld -fa s h io n e d S o u th e r n b u t th e y d id n ’t c a ll u s t o th e fr o n t o f fo o d f o r th e d in n e r p a r tie s - a n d w h en th e lin e T h a t m e a n t h a d to b o a rd th e h e w a n te d a s n a c k , h is c o o k s m ad e p la n e w ith e v e ry o n e e ls e - in f a c t , I w as h im h is fa v o r ite p e a n u t b u tte r , b a n a n a , o n e o f th e la s t to g e t o n A s y o u c a n a n d b a c o n s a n d w ic h e s .w h ic h w ere im a g in e , I w a s n ’t v e ry happy p ro b a b ly th e r e a s o n h e g a in e d w eig h t a s h e g o t o ld e r! T h e d in in g r o o m w as Laura S o , w h a t d id y o u d o ? Sam W h e n I g o t h o m e , I e m a ile d th e a ls o u s e d by E lv is a s a p la c e to p lay ca rd a ir lin e e x p la in in g w h a t h a d h a p p e n e d g a m e s w ith h is frie n d s I to ld th e m t h a t h a d p a id fo r N o w , w e ’re g o in g to w a lk a c r o s s th e P r e f e r r e d A c c e s s o n b o th o f m y flig h ts , h a ll to t h e liv in g ro o m , a n d th e n w e ’ll b u t I h a d o n ly re c e iv e d t h e s e r v ic e o n h ea d to th e m u s ic r o o m r ig h t b e h in d it o n e o f th e m a sk e d th e m , v e ry p o litely , P le a s e fo llo w m e to g iv e b a c k th e m o n e y I h a d p aid fo r th e P r e f e r r e d A c c e s s fo r th e r e tu r n trip e n o u g h S p a n is h s o th a t I c o u ld sto p h a v e to w a lk o u t in to t h e s t r e e t C o m e It w a s a b o u t $ a t t h e tim e w o r k in g th e r e to t h in k o f it, t h a t ’s p ro b a b ly w o rs e Laura D id y o u g e t a re s p o n s e ? Sam Y e s , I d id T h e y w e re v e ry q u ic k I s e n t m y e m a il a t p m , a n d I re c e iv e d a re p ly t h e n e x t m o r n in g Laura S p e a k e r I d o n ’t k n o w i f y o u c a n c a ll I c o u ld g e t h it by a c a r , b u t t h e r e ’s n o i f it w a s o n ly tw e n ty d o lla r s ! W h e n I w ay th a t I w o u ld e v e r w a lk u n d e r th e w a s a te e n a g e r, I u sed to ta k e c a r e o f m y c o u s in s w h en m y a u n t a n d u n c le A n d did th e y g iv e y o u y o u r t h a n w a lk in g u n d e r t h e la d d e r b e c a u s e t h is a jo b , b u t I d id g e t p aid fo r it, ev en lad d er Speaker I d o n ’t k n o w i f a n y o th e r w a n te d to g o o u t T h e k id s w e re a lo t c o u n tr ie s h a v e t h is s u p e r s titio n , b u t y o u n g e r t h a n m e , s o I h a d to b a b y s it fo r w h e re I liv e , y o u h a v e to b e v e ry c a r e fu l th e m I d id n ’t d o it e v e ry w e e k e n d , b u t w h e n y o u b u y a n ew p a ir o f s h o e s s e r v ic e s a y in g h e w a s c o n c e r n e d a b o u t i t w a s p ro b a b ly a b o u t o n c e a m o n th A p p a re n tly , i t ’s b a d lu ck to p u t th e th e in c id e n t B u t h e d id n ’t sa y h e w o u ld M y u n c le u se d to p ic k m e u p a t a b o u t s h o e s o n y o u r d in in g r o o m ta b le T h is g iv e m e m y m o n e y b a c k s e v e n a n d ta k e m e b a c k to t h e ir h o u s e g o e s b a c k to s o m e th in g t h a t p e o p le did m o n ey b ack ? Sam W e ll, n o , th e y d id n ’t I had a v ery n ic e m e ss a g e fr o m a m a n in c u s to m e r Laura T y p ic a l! T h e y n e v e r d o , d o th e y ? Sam W a it a m in u te - 1h a v e n ’t fin is h e d th e s to r y y e t Laura O h S o r r y g o a h e a d Sam W e ll, I s e n t th e m a s e c o n d e m a il I h a d to b a th e th e k id s , g iv e th e m th e ir in th e p a s t w h e n s o m e b o d y d ied - in d in n e r , a n d play w ith th e m f o r a n h o u r f a c t , it w a s th e f a m ilie s o f m in e r s in o r s o b e f o r e th e y w e n t to b e d T h e y th e n o r th o f E n g la n d w h o o r ig in a lly w e re n o tr o u b le a t a ll to b a b y s it, a n d I did th is T h e fa m ily a lw a y s b o u g h t n ew a b s o lu te ly lo ved b e in g w ith th e m ! c lo th e s to d r e s s th e d ea d p e r s o n in , an d Speaker B u t t h is tim e th e to n e w a s m u ch M y d a d ’s a p a in te r, a n d so t h is in c lu d e d b u y in g n ew s h o e s S o , i f s t r o n g e r an d le s s p o lite A n d it w o rk ed ! th e s u m m e r a f t e r I fin is h e d s c h o o l, y o u lea v e y o u r n e w s h o e s o n th e ta b le , T h e y re fu n d e d m y P r e fe r r e d A c c e s s I w e n t to h e lp h im f o r a few w e e k s s o m e p e o p le t h in k t h is c o u ld b rin g A N D th e y g av e m e m o n e y f o r m y A t t h e tim e , m y d a d ’s c o m p a n y h a d a b a d lu ck r e tu r n f lig h t f r o m C h ic a g o I w as c o n t r a c t to p a in t a ll th e e x t e r i o r d o o r s im p r e s s e d ! a n d w in d o w s o f s o m e h o u s e s in a n ew p e o p le a re v e ry s u p e r s titio u s a b o u t d e v e lo p m e n t T h e w e a th e r w a s g r e a t - g o in g u p o r d o w n s t a ir s I f y o u ’re Laura T h a t ’s g re a t! Speaker In s o m e c o u n t r ie s , s o m e n o t t o o h o t a n d n o t t o o c o ld , s o I d id n ’t g o in g d o w n s t a ir s , i t ’s b a d lu ck to p a ss r e a lly m in d it T h e w o rk w a s p r e tty s o m e o n e w h o ’s c o m in g u p th e s ta ir s t ir in g b e c a u s e I s p e n t m o s t o f th e day a n d th e s a m e t h in g h a p p e n s th e o th e r c lim b in g u p a n d d o w n a la d d e r, b u t I w ay a ro u n d S o m e o n e o n c e to ld m e th e e a r n e d a lo t o f m o n e y th a t s u m m e r B u t r e a s o n f o r th is A lo n g tim e a g o , p e o p le th e b e s t t h in g w a s s p e n d in g s o m e tim e c a r r ie d s w o rd s s o y o u h a d to b e v ery m o n e y fr o m t h e r e g is te r s , c o u n t it, and w ith m y d ad a n d h is c o l le a g u e s - w e c a r e f u l o f th e p e o p le a ro u n d y o u I f p u t it in th e s a fe fo r th e s e c u r ity p e o p le h a d a re a lly g o o d tim e ! s o m e b o d y p a ss e d y o u o n th e s t a ir s you B))) Speaker W hen I w a s a b o u t 15,1 g o t a p a r t- tim e jo b in a s u p e r m a r k e t T h e jo b w a s in th e c a s h o f f i c e , s o I h ad o f re s p o n s ib ility Ihad a lo t to c o lle c t th e to c o l le c t th e n e x t m o r n in g in s c h o o l a t th e tim e , s o I w a s still I w o rk e d fo r Speaker O n e o f th e f ir s t jo b s I e v e r c o u ld n ’t s e e th e m b e c a u s e th e y w e re h a d w a s in a fo o d p r o c e s s in g c o m p a n y b e h in d y o u T h a t m e a n t th a t th e y co u ld a c o u p le o f h o u r s o n a F rid a y e v e n in g in S a n D ie g o I w a s a s tu d e n t a t th e t u r n a ro u n d a n d k ill y o u w ith th e ir a n d a ll d ay o n S a tu r d a y s D u r in g th e tim e , a n d I n e e d e d a te m p o r a r y jo b h o lid a y s I w o rk e d m o re h o u r s b e c a u s e d u r in g th e h o lid a y s F o r tu n a te ly , th e sw o rd w ith o u t y o u r e a liz in g Speaker W hen I w a s p la n n in g my I h ad m o r e tim e a n d th e r e w e re m o re jo b w a s o n ly f o r tw o w e e k s b e c a u s e it w e d d in g a c o u p le o f y e a r s a g o , I h a d m y c u s to m e r s T h e g ir ls in th e o f f i c e w ere w a s r e a lly a w fu l T h e w o r s t day w a s h e a r t s e t o n a b e a u tifu l o u td o o r s p r in g a lo t o f fu n , s o t h e jo b w a s n ’t a t a ll w h e n w e w e re p a c k a g in g h a m b u r g e r s I c e re m o n y in N o v e m b e r U n fo r tu n a te ly , h a d to s ta n d o n t h e p r o d u c tio n lin e a n d m y h u s b a n d ’s b r o t h e r w a s e n g a g e d b o r in g I w o rk e d th e r e f o r a b o u t th r e e y e a r s , u n til I le f t b e c a u s e I n eed ed c o u n t th e b u r g e r s in t o g ro u p s o f fiv e a t th e s a m e tim e , a n d in C h ile i t ’s m o r e tim e to stu d y fo r m y f in a l e x a m s L a te r, s o m e o n e f a r t h e r d o w n th e lin e c o n s id e r e d b ad lu ck f o r tw o b r o th e r s a t s c h o o l p u t th e b u r g e r s in a b o x T h e p ro b le m to g e t m a r r ie d d u r in g th e s a m e y e a r w a s th a t th e b u r g e r s w e re f r o z e n an d S in c e h is b r o t h e r is th e e ld e s t, h e g o t w e w e r e n ’t a llo w e d to w e a r g lo v e s T h i s to c h o o s e h is w e d d in g d a te f ir s t O f to A r g e n tin a to p r a c tic e m y S p a n is h m e a n t th a t h a d to p ick u p th e ic e -c o ld c o u r s e h e c h o s e N o v e m b e r W e h ad I fo u n d a jo b in a r e s ta u r a n t a lm o s t a s b u r g e r s w ith m y h a n d s I ’ve n e v e r h ad to w a it u n til Ja n u a ry , in th e m id d le o f s o o n a s I a rriv e d T h e jo b w a s w a sh in g s u c h co ld fin g e r s in a ll m y life ! s u m m e r O u r w e d d in g day w a s o n e o f Speaker I stu d ie d S p a n is h in c o lle g e a n d a t th e e n d o f m y f i r s t y e a r, I w ent d is h e s , w h ic h I th o u g h t w a s g o in g to b e e a sy U n fo r tu n a te ly , I w a s w ro n g T h e r e w a s a m a c h in e in th e k itc h e n th e h o t t e s t d a y s o f th e y e a r! It w a s so A )| Speaker u n c o m f o r ta b le in m y d r e s s a n d m y h a ir I k n o w a lo t o f p e o p le w a s o u t o f c o n tr o l! th a t w a sh e d th e p la te s an d g la s s e s an d w h o a r e s u p e r s titio u s w h e n th e y se e th in g s lik e th a t B u t m y jo b w a s to s o m e b o d y s ta n d in g o n to p o f a la d d e r e x a m o r is g o in g f o r a jo b in te rv ie w , we c le a n th e p o ts an d p a n s th a t th e c h e f o n th e s id e w a lk a n d th e y d o n ’t w a n t to p u sh o u r th u m b b e tw e e n o u r f i r s t tw o h ad u se d T h e s a u c e p a n s w e re alw ay s w a lk u n d e r n e a th it A c tu a lly , I ’m o n e o f fin g e r s to w is h th e m lu c k I h a v e s o m e c o m p le te ly b la c k an d it u se d to ta k e m e th o s e p e o p le ! W a lk in g u n d e r a la d d e r G e r m a n fr ie n d s w h o m a k e a s im ila r h o u r s to g e t e v e r y th in g c le a n I d id n ’t is s u p p o s e d to g iv e y o u b a d lu c k , s o I s ig n T h e y w p th e fin g e r s o f th e ir e n jo y w o r k in g th e r e v e ry m u c h , an d I n e v e r d o it W h e n e v e r I c o m e a c r o s s a r ig h t h a n d a ro u n d th e ir th u m b a n d say, w a s r e a lly h ap p y w h e n I h ad le a rn e d la d d e r, I a lw a y s w a lk a ro u n d it - e v e n i f “I ’m h o ld in g m y th u m b f o r y o u ” A n d I Speaker In B r a z il , i f s o m e o n e h a s a n 75 k n o w th a t in th e U S p e o p le c r o s s th e ir f in g e r s a n d sa y “fin g e r s c r o s s e d ” w h en th e y w ish p e o p le lu c k , w h ic h is a ls o s im ila r M a y b e th e y ’re a ll c o n n e c te d in s o m e way B») 10 A))) Host W e lc o m e te a le a v e s a t th e b o t to m o f y o u r cu p A n y w a y , in , a n A m e r ic a n tea s a le s p e r s o n n a m e d T h o m a s S u lliv a n h ad th e b r ig h t id e a o f p u ttin g th e te a in v e ry s m a ll b a g s to g iv e to h is b a c k to th e sh o w N ow , c u s to m e r s to try S u lliv a n th o u g h t a n e w e x h ib itio n o p e n s to d a y a t th e th a t c u s to m e r s w o u ld ta k e th e t e a o u t S c ie n c e M u s e u m , a n d a ll o f th e e x h ib its o f th e b a g s in o rd e r to t r y it, b u t s o m e a r e ev e ry d a y o b je c t s th a t w e c o u ld n ’t o f th e c u s to m e r s d id n ’t T h e y fo u n d liv e w ith o u t C h a r lo t t e H e a th , w h o h a s it m o re c o n v e n ie n t to p u t th e b a g in to a b o u t W i - F i a c c e s s in th e h o te l I h av e b e e n to th e e x h ib it io n , is w ith u s to d a y h o t w a te r, w ith o u t a c tu a lly o p e n in g it s o m e w o r k to d o w h ile I ’m h e r e , s o I ’m to te ll u s m o r e a b o u t it W e lc o m e to th e S o , te a b a g s w e r e n ’t r e a lly in v e n te d by g o in g to n eed a n I n t e r n e t c o n n e c t io n sh o w , C h a r lo tte a c o m p a n y , it w a s t h e te a d r in k e r s w h o Receptionist G o o d a fte rn o o n C a n I h e lp y o u ? Guest O h , h e llo Y e s - Receptionist 1n e e d to a s k you W e ll, t h e r e ’s a W i- F i h o ts p o t in th e lo b b y o f th e h o te l a n d a ll o f t h e r o o m s h a v e W i- F i Guest G r e a t A n d h o w m u ch d o e s it Receptionist Charlotte T h a n k y o u Host S o w h a t k in d s o f o b je c t s c a m e u p w ith t h e id ea! can y o u s e e in th e e x h ib it io n ? A r e w e c o s t? Host W h a t a n in c r e d ib le s to r y ! A n d th e E v e ry d a y In v e n tio n s E x h ib it io n a t th e ta lk in g a b o u t m o d e rn g a d g e ts lik e S c ie n c e M u s e u m w ill ru n u n til S u n d a y , s m a r h o n e s a n d t a b le ts h e re ? Ju ly t h R ig h t , C h a r lo tte ? Charlotte I t ’s fr e e in th e lo b b y , N o , n o , n o t a t a ll T h is Charlotte Y e s T h e m u s e u m is o p e n b u t w e c h a r g e f o r th e W i - F i a c c e s s in e x h ib it io n is a ll a b o u t th e little o r th e r o o m s A r e y o u in te r e s te d in o u r im p o r t a n t t h in g s w e h a v e in o u r h o u se s ta n d a rd c o n n e c t io n o r w o u ld you a n d u s e e v e ry day W e u s e th e m so p r e fe r o u r a d v a n c e d s e r v ic e ? m u c h th a t w e p ro b a b ly fo r g o t, o r d o n ’t A n d n o w i t ’s tim e f o r th e n e w s e v e n r e a liz e , th a t s o m e o n e a c tu a lly h e a d lin e s w i t h Guest U m , w h a t’s th e d iffe r e n c e ? Receptionist T h e s ta n d a rd s e r v ic e is a v a ila b le f o r a f l a t fe e o f t e n d o lla rs p e r day F lo w e v e r, it c a n b e a little b it in v e n te d th e m Host S u c h Charlotte fr o m te n to s ix e v e ry day, s o th e r e ’s n o e x c u s e n o t to go H ost T h a n k s f o r jo i n in g u s , C h a r lo t t e 10 B))) as? W e ll, a g o o d e x a m p le is th e T h e n e x t m o r n in g w h e n m y s e r v a n t slo w b e c a u s e e v e ry o n e in th e h o te l u se s c o n t a in e r w e u s e to k e e p fo o d in : th e P a d d o c k a rriv e d , I in tr o d u c e d h im to it W e h a v e a h ig h e r -le v e l s e r v ic e fo r t in c a n B u t I b e t y o u d o n ’t k n o w h o w it C a p t a in D ig b y I e x p la in e d th a t th e o u r g u e s ts w h o n e e d a f a s t e r a n d m o re w a s in v e n te d C a p t a in w a s a n im p o r t a n t m a n in th e re lia b le c o n n e c t io n Guest A n d h o w m u c h is th a t? Receptionist I t ’s c e n t s p e r m in u te Guest T h a t c o u ld g e t p r e tty e x p e n s iv e i f Host N o , I d o n ’t Charlotte W e ll, th e r e ’s a a rm y , b u t h e h a d b e e n w o r k in g to o v ery h a rd a n d n e e d e d r e s t a n d q u ie t T h e n I in te r e s tin g s t o r y b e h in d it It w a s th e w e n t o u t, le a v in g th e m b o th in th e fla t F r e n c h le a d e r N a p o le o n B o n a p a r te W h e n I re tu r n e d a b o u t lu n c h tim e , th e w h o w a s r e s p o n s ib le fo r t h is o n e In d o o r m a n to ld m e t h a t th e g e n tle m a n , h e w a s w o r r ie d a b o u t h o w to in f l a t 15 h a d k ille d h im s e lf I w e n t m a x im u m c h a r g e is d o lla r s fo r fe e d a ll h is s o ld ie r s w h en th e y w ere u p to th e to p f lo o r , h a d a few w o rd s h o u rs aw ay fr o m h o m e , s o h e o r g a n iz e d a w ith th e p o lic e , a n d w a s a b le to r e p o r t c o m p e t itio n to tr y to g e t id e a s f o r h ow to S c u d d e r th a t h is p la n h a d b e e n W o u ld h av e to pay d o lla r s to d a y to so lv e th e p ro b le m T h e f i r s t p riz e s u c c e s s fu l T h e p o lic e b e lie v e d th a t a n d a n o th e r d o lla r s to m o r r o w ? w a s , 0 F r a n c s a n d th e c o m p e titio n th e d ead m a n w a s S c u d d e r, a n d th a t h e w a s w o n by a F r e n c h c h e f w h o h a d th e h a d k ille d h im s e lf S c u d d e r w a s v e ry id e a o f u s in g g la s s ja r s to s to r e fo o d p le a se d I u se it a ll e v e n in g Receptionist Guest N o t re a lly , S ir T h e I s e e S o h o w w o u ld th a t w o rk ? Receptionist N o T h e - h o u r p e rio d b e g in s fr o m w h e n y o u c h e c k e d in Guest G r e a t! I ’d lik e th e ad v a n ce d A y e a r la te r , a B r it is h m a n u fa c tu r e r , F o r t h e f i r s t tw o d ay s in m y f la t , h e s e r v ic e , th e n O h , an d o n e m o re P e te r D u r a n d , im p ro v e d th e d e s ig n by w a s v e ry c a lm , a n d s p e n t a ll h is tim e q u e s tio n W h a t d o I n e e d to lo g o n to u s in g t h i n s h e e ts o f m e ta l to m a k e th e re a d in g a n d s m o k in g , a n d w r itin g in a y o u r W i-F i? c o n t a in e r t h a t b e c a m e w h a t w e n o w little b la c k n o te b o o k B u t a f t e r th a t h e c a ll a t in c a n T h e o n ly p r o b le m w as b e c a m e m o re r e s tle s s a n d n e rv o u s It t h a t h e u sed le a d in th e c a n , w h ic h a s w a s n o t h is o w n d a n g e r th a t h e w o rr ie d y o u k n o w is p o is o n o u s S e v e l p e o p le a b o u t, b u t th e s u c c e s s o f h is p la n to d ie d a f t e r e a tin g fo o d fr o m h is t in c a n s p re v e n t t h e m u r d e r o f K a r o lid e s O n e Receptionist Ju s t a m o m e n t C o u ld you g iv e m e y o u r n a m e a n d ro o m n u m b e r? Guest I t ’s G y B a r r y G y I ’m in ro o m Receptionist T h a n k y o u , M r G y H e r e ’s y o u r W i - F i p a c k , w h ic h h a s th e n a m e o f th e c o n n e c t io n h e r e , a n d h e r e ’s y o u r p a ss w o rd P le a s e tr y to k ee p H ost H o w u n f o r tu n a te ! N ow , C h a r lo t t e , d o w e h a v e tim e f o r o n e m o r e s to r y b e f o r e th e n e w s h e a d lin e s ? Charlotte S u r e I c a n te ll y o u a b o u t n ig h t h e w a s v e ry s e r io u s “ L is te n , H a n n a y ,” h e s a id “I t h in k I m u s t te ll y o u s o m e m o r e a b o u t t h is b u s in e s s I w o u ld h a te to g e t k ille d it s a f e s o th a t n o b o d y e ls e c a n u s e it th e te a b a g In th e p a s t, i f y o u w a n te d w ith o u t le a v in g s o m e o n e e ls e to c a r r y Y ou c h e c k e d in a t te n a f t e r th r e e to d ay , to b u y te a , y o u h a d to b u y th e lea v es o n w ith m y p la n ” s o th e c o n n e c t io n w ill la s t u n til th e in a b ig b o x T o m a k e a d r in k o f te a , s a m e t im e to m o r r o w a f t e r n o o n y o u w o u ld p u t t h e le a v e s in w a te r, a n d in te re s te d in S c u d d e r ’s a d v e n tu re s , y o u w o u ld o f t e n fin d s m a ll p ie c e s o f b u t w a s n ’t v e ry in te r e s te d in p o litic s Guest 76 Receptionist Y e s , it is Guest T h a n k s a lo t f o r y o u r h elp Receptionist Y o u ’re w e lc o m e G r e a t I s th a t a ll I n e e d ? I d id n ’t lis te n v e ry c a r e fu lly I w as I r e m e m b e r th a t h e said K a r o lid e s w a s o n ly in d a n g e r in L o n d o n H e a ls o m e n tio n e d a w o m a n c a lle d Ju lia C z e c h e n y i T h e n e x t e v e n in g I h a d to g o o u t I w a s m e e t in g a m a n I h a d k n o w n in A f r ic a f o r d in n e r W h e n I r e tu r n e d to th e f l a t , I w a s s u r p r is e d to s e e th a t t h e s tu d y lig h t w a s o u t I w o n d e re d i f S c u d d e r h a d g o n e t o b e d e a rly I t u r n e d o n t h e lig h t, b u t th e r e w as n o b o d y th e r e T h e n I sa w s o m e th in g in th e c o r n e r th a t m a d e m y b lo o d t u r n c o ld S c u d d e r w a s ly in g o n h is b a c k T h e r e w a s a lo n g k n if e th r o u g h h is h e a r t, p in n in g h im to th e flo o r 77 W ORKBOOK ACKNO W LEDGEM ENTS T he au th ors a n d p u b lish er a r e g tefu l to those w h o have given perm ission to rep ro d u ce the follow in g extracts a n d a d a p ta tio n s o f copyright m aterial: p.l Extract from http://www.rougligiiides.com/article/10-umisual-types-oftransport/ Copyright © ROUGH GUIDES LTD Reproduced by permission o f Rough Guides Ltd.; p.47 Extract from ‘Why houses with history will sell- by Christopher Middleton, The Telegraph, 20 June 2011.© Telegraph Media Group Limited 2011 Reproduced by permission; p.51 Extract from 'Ten tips for safe shopping online this Christinas’ by Stephen Ellis, The Telegraph, December 2008 © Telegraph Media Group Limited 2008 Reproduced by permission; p.57 Extract from 'Lucky it wasn’t raining! Moment driver was catapulted through sunroof o f flipping ca r and walked away unharmed’ by Emma Reynolds, The Daily Mail, 10 July 2012 Reproduced by permission o f Solo Syndication; p.61 Extract from ‘What to when you spill a drink on your laptop’ by Jack Schofield, The Guardian, July 2012 Copyright Guardian News & Media Ltd 2012 Reproduced by permission; p.64 Extract front ‘This much I know: Usain Bolt' by Mark Bailey, The Guardian, 17 June 2012 Copyright Guardian News & Media Ltd 2012 Reproduced by permission; p.67 Extract from ‘Oxford Bookworms Library: The Thirty-Nine Steps’ by John Buchan, retold by Nick Bullard, Series Editor Jennifer Bassett © Oxford University Press 2007 Reprinted by permission; p.23 Extract from www.newyorktaxis.org Reproduced by permission; p.62 Extract from Slate, © 12 November 2008 Issue, The Slate Group All rights reserved Used by permission and protected by the Copyright Laws o f the United States The printing, copying, redistribution, or retransmission o f the Material without express written permission is prohibited; p.36 Extract from 'USA Getting there & around', www.lonelyplanet.com Reproduced with permission from the Lonely Planet website www.lonelyplanet.com © 2012 Lonely Planet Illustrations by: Satoshi Hashimoto/Dutch Uncle: pp.14,57: Anna Hymas/New Division: p.20; Tim Mans: p.13; Jerome Mireault/Colagene: pp.28,40; Ellis Nadler: pronunciation symbols; Roger Penwill: p.59; Ron Tiner: pp.67,68; Kath Walker: p.41 W e would also like to thank the follow ing f o r permission to reproduce the follow ing photographs: Cover: Gemenacom/shutterstock.com, Andrey_Popov/shutterstock.com, Wavebreakmedia/shutterstock.com, Image Source/Getty Images, Lane Oatey/Blue Jean Images/Getty Images, BJI/Blue Jean Images/Getty Images, Image Source/Corbis, Yuri Arcurs/Terra Images/Corbis, Wavebreak Media Ltd/Corbis; pg.4 (2 across) studiomode/ Alamy, (3 across) Gastromedia/Alamy, (5 across) Food and Drink Photos/Alamy, (1 down) Annabelle Breakey/Getty Images, (2 down) Dave King/Getty Images, (4 down) jon whitaker/Getty Images: pg.6 Mike Kemp/Tetra Images/Corbis; pg.7 (1) Sean Justice/ Getty Images, (2) Image Source/Corbis, (3) JGI/Getty Images, (4) PhotoAlto/Eric Audras/ Getty Images, (5) Jose Luis Pelaez Inc/Getty Images: pg.9 Stefano Ravera/Alamy; pg.10 Brian Hamill/Getty Images; pg.l 2020WEB/Alamy; pg.l (bus) Thomas Cockrem / Alamy, (construction) Ryan Smith/Somos Images/Corbis, (orangutan) Andrew Watson/ Getty Images; pg.16 (1) Lobke Peers/shutterstock, (2) LJSphotography/Alamy, (3) Rich Legg/Getty Images, (4) John Rowley/Getty Images, (5) Denis Scott/Corbis, (6) Everynight Images/Alainy; pg.18 (China) Ma Hailin/Xinhua Press/Corbis, (Mexico) Danny Lehman/ Corbis, (Australia) John Gollings/Arcaid/Corbis; pg.19 (boat) Julia Rogers/Alamy, (sled) AccentAlaska.com/Alamy, (train) STRINGER/CAMBODIA/X80007/Reuters/Corbis, (jeep) Christian Kober/Robert Harding World hnagery/Corbis; pg.22 (man) Ann Summa/ Corbis, (woman) Flashon Studio/shutterstock; pg.23 Bufflerump/shutterstock.com; pg.24 Erik Isakson/Blend Images/Corbis; pg.25 (Speilberg) Luc Roux/Sygma/Corbis, (Newton) Tire Gallery Collection/Corbis, (Gates) Peer Grimm/dpa/Corbis, (Edison) CORBIS; pg.27 (Liberty) Rubens Alarcon/shutterstock, (Tunes Square) Kobby Dagan/ shutterstock.com; pg.32 Michael Regan/Getty Images; pg.34 (friends) Dreampictures/ Image Source/Corbis, (couple) Monkey Business Images/shutterstock; pg.36 Car Culture/Getty Images; pg.38 (Knebworth House) Steven Vidler/Eurasia Press/Corbis, (Anna Karenina) 2012/Moviestore/Rex; pg.39 (carousel) Ambient Images Inc./Alamy, (table) Anna Clopet/CORBIS, (rink) Kiet Thai/Getty Images, (bridge) Andrew C Mace/ Getty Images; pg.42 Dimitri Otis/Getty Images; pg.44 Ken Seet/Corbis; pg.45 epa european pressphoto agency b.v./Alamy; pg.47 (Graceland) Jon Arnold Images Ltd/ Alamy, (cabin) jpbcpa/istock, (apartment) cdrin/shutterstock.conr; pg.48 Je ff Morgan 12/Alamy; pg.51 auremar/shutterstock; pg.52 Mira Obeniran/AFP/Getty Images; pg.53 Blend Images/shutterstock; pg.54 C Devan/Corbis; pg.55 (dentist) Julian Abranr Wainwright/epa/Corbis, (golf) Andrew Geiger/Getty Images; pg.57 Top-Pics TBK/ Alamy; pg.58 Mathew Crowcoot/Newsteanr/SWNS Group; pg-59 Tokyo Space Club/ Corbis: pg.60 (keyboard) S.EA Photo/Alamy, (plug) Carsten Reisiirger/Alanry, (outlet) Joe Belanger/shutterstock, (switch) Olivier Le Queinec/shutterstock, (headphones) Bryan Solonron/shutterstock, (USB) cristil80884/shutterstock, (speaker) arigato/shutterstock, (mouse) vasabii/shutterstock, (screen) yanugkelid/shutterstock, (remote) MNI/ shutterstock, (flashdrive) bogdan ionescu/shutterstock, (adaptor) Freer/shutterstock; pg.61 R and R Inrages/Getty Images; pg.63 (Selena) AP Photo/Blanca Charolet, Premier Postage via Hispanic PR Wire, HO, (Jay Z) Ben Rowland/The Hell Gate/Corbis, (bridge) Inraginechina/Corbis, (Kyi) Anindito Muklrerjee/epa/Corbis, (Craig) EON/DANJAQ/SONY/ The Kobal Collection/Maidnrent, Jay, (Mesa Verde) MarclSchauer/shutterstock, (Louvre) Migel/shutterstock.conr, (Everest) Pal Teravaghnov/shutterstock; pg.64 (1) NetPhotos/ Alanry, (2) leolintang/shutterstock, (3) Alexander Denryanenko/shutterstock, (4) Erkan Mehnret/Alanry, (5) Asianet-Pakistan/shutterstock.conr, (6) Bernd Kohlhas/Corbis, (7) Ferenc Sze lepcseny i/shutte rstock (8) claudiodivizia/istock, (Bolt) Christopher Monis/ Corbis; pg.65 (1) pockygallery/shutterstock, (2) Burdika/shutterstock, (3) Graplric design/ shutterstock, (4) anaken2012/shutterstock, (5) Anton Prado PHOTO/shutterstock, (6) nraniacpixel/shutterstock; pg.66 Arthur Turner/Alanry .. .American ENGLISH FILE Christina Latham-Koenig Clive Oxenden Paul Seligson and Clive Oxenden are the original co-authors of English File and English File OXFORD U N IV E R... e e n ? the outskirts and the suburbs a chim ney and a fireplace a village and a tow n the basem ent and the first floor a ro o f and a ceiling wood and w ooden a balcony and a deck Online Practice... you Profile pictures on Facebook and similar sites are the visual projection to friends and family of w ho you are and w hat you are like On Twitter, where people follow both friends and strangers,