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Table of Contents !" " #$" % &# !' %' #&# ' "($ ' ' %#) *+,-.,.,/0,,*00,1&,*202.,*2334.44) # ($# 5) /6$# #(%#7") /6$# 7"17)") /6$# 7)") 2&&&8$9 #: &%&#&&: 2&&& &: 2&&& $9%$9: 2#!##: #$-,**,002000,,&,*202.,*24. 44$;7 &#& &8$7 #%#&# <$(;<7 #%<= #%$<> &?= #%&&$ 8&$ = #%<&& #%&& @% && ".&$&&#@A#144 #$-,**,0,,000,,&&024.1344 < %!6 ##!6!$ $ < %!B6! .( #! .( #! %!& (# <&&(#8$!$# &&% <9 <#$!$# <1 &# &" +8(%!$" +8(%!6" #9#&<&4.144" #$-2,,*C,*8**/3*$+;02.,*23 0&4.44) *#%&) ##(6#!#$87 $$#!#&8$ ,,*D*, INTRODUCTION 1. Reason selected topics from the fifteenth century to the nineteenth century, the feudal dynasties in Vietnam turns to power. Each new dynasty appeared accompanied by the appearance of pottery items idiosyncratic of that dynasty. So, in general antiques and antique ceramic particularly naturally become mirrors for each historical period. The evidence for each historical period through Ceramic requires us to grasp that dating of artifacts, antiques that are proven to be consistent with the historical period under consideration. There are many ways to find out our actual antiques dating, one of the ways of determining the age is considered to be fast and accurate through deed records dating artifacts on it. However, most researchers antiques (especially ancient ceramics research) typically learn the material, pattern area, a few through self-Nom documents to explain more specific examples built on artifacts that have taken Nom script can do all the research in comparison, also as in-depth research, specifically through the ceramic. Over time, together with the volatility of historical, natural, social, antiques and pottery in Vietnam has been eroded, but also day affirms the value of this historical document. However, researchers are rare historical artifacts, Nom go into the systematic collection of texts Nom appear on ceramics from TK Vietnam XV - XIX. Thereby, building systems that are universal most issues Nom on ancient pottery in each stage. Document on Nom on ancient pottery is one of the important materials to demonstrate a culture or a civilization there. Through Nom scripts, we also know about the history of the village, the history of trade, diplomacy Especially the typical work Nom many variants as there are threads Gulf of value in the learn about authors, works. In addition, the study texts on ceramics Nom will open for us the way to build and develop the systems perspective in research on learning autographs Vietnam ceramics from the fifteenth century to the nineteenth century. Van itself on Vietnam pottery appeared quite soon, however in the development process, they have influenced the way Chinese ceramics processing. So, when the ceramics division, modality texts, researchers at no confusion between Vietnam and China porcelain, pottery least mid-nineteenth to the early eighteenth century. Thus, the delimitation of porcelain and fine china Vietnam through texts will help clear delineation than two lines of this ceramic. In addition, the identification of ancient ceramics and characteristics of texts on each line of ceramic existing or conflicting opinions; many insights not enough scientific evidence in recognition of the cultural characteristics Nom self on ceramics from the XV century through the nineteenth century, this was a period space needs to be complemented in the future. Thus, our work will contribute to the initial depth and strings give the most general characteristics of Nom scripts on the ceramics, as well as distinct characteristics of each style threads bay, recording Nom script on her ceramics. Due to the subjective reasons and objective, many texts on the subject bay pottery valuable ancient texts are studied in Vietnam neglect, or enhanced by material values by bringing antiques. Therefore, antiques bleeding is pretty much synonymous Nom texts on valuable antiques history, literature, writings also learn a follow tomorrow. However, in recent years, general antiques, antique pottery in particular Vietnam gradually reserved and preserved. Besides, at home and abroad have also emerged researchers focused intensive research Nom script. But many artifacts Han - Nom has not been studied, interpreted in a systematic way. From the above practices, and to implement effective conservation objectives of cultural heritage in the action program of the Party and the State implement the Resolution of the Central Executive Committee 5 (key VIII) "Build and develop Vietnam culture advanced, people deeply imbued nation "and Conclusion Conference of the Central Executive Committee 10 (IXth) to continue the" Build and develop Vietnam culture advanced, imbued with national identity. "Also, perform User Population: 73/HD- BGDDT-BVHTTDL of the Ministry of Education and Training and the Ministry of Culture, Sports and Tourism. As well as specifying Guide Number: 5977/BGDDT-GDTrH the Ministry of Education and Training "V / v: Guiding the implementation of educational content at the local junior high and high school levels in 2008-2009 school ". Therefore, we studied subjects' self-Nom documents on ceramic Vietnam XV century - XIX ". To highlight the value of Nom scripts on ancient ceramics Vietnam, we should be demanding orientation and compliance solutions, and concrete science for the conservation and promotion of the residual value potential through texts Han - Nom on ceramic. From there, build up Chinese writing system - the core Nom on pottery, porcelain neck. 2. History issue work study and collecting ceramic Vietnam have already Nom scripts researchers started very early, at the beginning of the twentieth century. So far, the research and publication of ceramics, porcelain texts Vietnam has achieved many accomplishments. As can be seen, the research process has gone through periods: - First Period: From 1945 to the early twentieth century. - Second Period: From 1945 to 1975. - Third Period: From 1975 to the present. In the first period, the experts of the Far East Institute has organized several waves of research, collectibles, antiques Khao Vietnam, but does not have the collective works of the Nom script, Nom deed recorded only sporadically in a number of compiler research, said introducing artifacts general. Typical results can include collection, research activities within the scope of the French Institute of the Far Northeast, through two research areas and published collection, collect artifacts of Louis Finot Museum Hanoi . These include the works: "Tho Ha pottery at the top and those at Bat Trang flavor" of Clement.Huet, "An Outline of Southern art" of L.Bezacier. The overseas projects may include "La question de la Ceramique et les Bleus de en Annam Hue" Chochod Louis, "Le Bulletin des Amis du Vieux Hue" of L. Cadiere summary, early ceramics of Vietnam script was in Far East Institute is collecting and resources for you today. However, many recorded content, description, transcribed texts significantly different than the content texts on ceramic products, ceramic and authors often make subjective interpretations In the period No. 2, 1945, marks the beginning of a new stage in Nom script research on ceramics, Vietnam's ambassador to the country the Democratic Republic of Vietnam was born. Meanwhile, scientists at the Far East Institute in Vietnam have been cooperating with the new government of national as well as local scientists to pursue projects in Southeast Asia: Buddhist studies religion, language, literature, ethnography . In this period, the domestic scholars have published several works related to Nom texts on ceramics, typically can mention the work of Vuong Hong Sen as: - La Chique de Betel et ANCIENS les pots à Chaux du Viet-Nam (1950) -breathtaking ancient hobby (1971) - Survey of ancient Chinese porcelain (1972) - Jingdezhen training record (1972) - player's handbook breathtaking ancient (1972) In this period, many ceramic texts are national property registration and exhibiting organizations. Thereby a large portion artifacts texts have been published over the article published in the journal Culture magazine and published a number of works such as "History of Vietnam art" of Nguyen Phi diaphragm, one has there is a separate chapter devoted to Bat Trang pottery. This time, the influence of the resistance war against French colonialists made the collection and publication of texts exhibit very difficult Nom. Since then, led to the study of texts Nom on ceramic not deserve developed as inherent material. The third period: In addition to Hanoi History Museum is the local museum as Hai Phong, Nam Dinh, Hue royal art has gradually improved profile artifacts. The findings and results of new research on ceramic Vietnam had texts published in many journals such as Archaeology, Fine Arts, Nom, Then and Now, History The collective record weak in specialized workshop also printed, especially "The new discovery of archaeological" Announcement science education announcement Nom The individual works published notable "Chu Dau Pottery" on the third floor of Hengshan, "Handbook of Vietnam pottery inscriptions XV century - XIX" by Nguyen Dinh War, "Nguyen Dynasty style porcelain signed" by Tran Duc Anh Son and a number of ceramic works of the author Hue Tran Dinh Son Tung and Pham Hy In the first period, the work is often investigated, the research is still very limited. After this, the research literature on self-Nom ceramic Vietnam and systems developed to bring more scientific. 3. Subjects studied range 3.1. Study subjects - Nom documents themselves on ceramic Vietnam XV century - XIX and related subjects. 3.2. Research Scope First, we focused on the general problem of Nom scripts on ceramic Vietnam XV century - XIX origin, characterized the content is reflected in the source Museum materials in a number of domestic and foreign, a number of prestigious private collections, some pages dedicated web page on antiques. Thereby, the study characterizes texts, especially some in depth study of ceramics through these valuable records Nom. Through research Nom texts on ceramics from the fifteenth century Vietnam - XIX to help identify cultural values, history, literature. Classification, referral, translation and proceed to grasp the content and basic characteristics of the writing system on ceramic Nom Vietnam XV century - XIX. Thereby, the study contributes to the village, tourism development, local cultural education. As well as a better understanding of the religious life history stages, each region, added to the system as written historical records of the nation. Initially proposed a number of measures to preserve and promote the value of texts on ancient ceramics Vietnam. Through Nom scripts to identify antique porcelain and pottery characteristic of texts on each line of ceramic, porcelain, here is a gap needs to be complemented. Therefore, we will work to nail the writing system Nom on ceramic, porcelain and initially launched the most common characteristic of Nom scripts on the ceramics, as well as its typical of each type of Nom scripts on the line ceramic that. 4. Rationale and methodological 4.1. Rationale Applying the perspective of Marxist - Leninist legacy capital of traditional culture, the way of applying the Party and State in the preservation and promotion of cultural heritage of the nation. Inherit the achievements of the research scientists at home and abroad have been published and related topics. 4.2. Research methods used topics fieldwork methodology, analysis, synthesis. Survey methodology, describe, compare, compare. Learning method Nom documents. Interdisciplinary method: Museology, History, Culture learning 5. Donate new topics Results of the study will help identify the potential value of self-Nom documents on Vietnam ceramics from the fifteenth century - XIX, clarify issues of history, culture , literature Helps recognize true, author of ceramic, porcelain neck through writing system. Give the name for each type of texts, each type of localized texts on ceramic products, ceramic XV-XIX century. Formalized Nom scripts on Vietnam's ceramics XV century - XIX, thereby building resources authentic value. Contributing to local educational and cultural tourism development, contributing to the conservation and promotion of cultural values Nom self in the new era. Contributing to enrich resources in the same field and to study the related subjects. The theme could be the player handbook for antiques, especially pottery and porcelain in the comparison of content, form and characteristics of the scripts on the production of the same type. 6. In addition to the internal layout preamble above mentioned topics will be developed into four chapters, conclusions, list of references and appendices. CHAPTER 1: OVERVIEW OF RESEARCH OFFICE self- Nom CERAMICS FROM VIETNAM TO TK TK XV XIX 1.1. The study was published officially From the early twentieth century, many research texts Han - Nom ceramic appeared, each one stage, the author studies the aspects, the level of different, but their contribution to the system documentation Han - Nom ceramic very admirable Vietnam important, even initially works only introductory and simple translation but also brings a new outlook to system documentation Han - Nom ceramic Vietnam that period. 1.1.1. Works published in the early twentieth century before 1945 Louis Chochod Typically there with "La question de la Ceramique et les Bleus de en Annam Hue"; L.Cadiere with "Le Bulletin des Amis du Vieux Hue". The friends of Hue, Cl. Huet had monograph on Tho Ha and Bat Trang pottery Mostly, the published material from the early twentieth century before 1945 often stop in the survey, introducing each exhibit sporadic texts, not the works adequately addressed, or generalized characteristics texts Han - Nom. Through reference material, we initially noticed, recorded contents, descriptions, texts transcribed significantly different than the content texts on ceramic products, ceramic and authors often make is Prize is subjective. 1.1.2. Works published in 1945 - 1975 Vuong Hong Sen Typically there with La Chique de Betel et les pots ANCIENS à Chaux du Viet- Nam (1950); breathtaking ancient hobby (1971); player's handbook neck Breathtaking (1972). Nguyen Phi Hoanh with "Vietnam Fine Arts History". Truong Vinh Cam "Play antiques and antique play" Around the year from 1945 to 1975, the study of texts Han - Nom ceramic Vietnam to develop than before but still stop at the introduction and translation estimates nature of texts Han - Nom rather than a scientific system school. Part of the reason may be due to the resistance war against French colonialists made collecting difficult material, so the collection, study of texts Han - Nom ceramic has not been a worthy development . 1.1.3. Works published in 1975 First may be mentioned "carving through the pedal Vietnam" published by the Institute of Fine Arts; then, Dean F. Frasche wrote "Southeast Asian Ceramics. Ninth through seventeenth centuries "; Vuong Hong Sen announced: The porcelain ceramics by bringing about, Handbook of breathtaking ancient players, Survey of porcelain from the preliminary post-Le Nguyen, The use of porcelain other agencies, pragmatics, Study in porcelain enamel blue Hue Nguyen Dinh Chien is: "Handbook of Vietnam pottery inscriptions century XV - XIX "; Phan Huy Le and Nguyen Quang Ngoc, Nguyen Dinh Chien announced" Bat Trang ceramics XIV-XIX century "; Pham Quoc Quan" 2000 years of ceramic Vietnam " source materials published since 1975 So far the system has a history of water through ceramic, porcelain, historical introduction villages, patterns, styles Typical of ceramic over each period. Besides, the authors also made major contributions to the literature exploring self Han - Nom on ceramic. A number of researchers have published the monographs, texts and treatises on Han - Nom on ceramic. There is much work to contribute significantly in research texts Han - Nom ceramic Vietnam XV century - XIX. However, the work, the article will only mention a few works of Han - Nom typical that no research monograph does research on Chinese characteristics texts - Nom on ceramic. 1.2. Material from museums, private collectors and the internet 1.2.1. Documentation from the local museum Also printed materials, the study of the sources Han - Nom ceramic Vietnam XV century - XIX in the domestic and foreign museums also remarkable. This is hard work, requiring effort and money, so the display through the introduction of artifacts and records artifacts at the museum to study together. We can through resources at the museum: Vietnam History Museum, Vietnam Museum of Fine Arts, Museum of Royal Fine Arts in Hue, Vietnam History Museum - Ho Chi Minh City, Bao Hanoi Museum 1.2.2. Material from museums abroad Nom source material in foreign museums plentiful, thanks to the power of the artifacts in foreign museums but not at researchers, foreign scholars have completed the study of ceramic Vietnam without having to Vietnam research. These include: the Royal Museum of Art and History in Brussels, Belgium; Guimet Museum in Paris, Dresden Museum of Art, Museum of Ethnology (DTH) Munich (Germany), Museum of Fine Arts Boston in Boston, Massachusetts, Fukuoka Art Museum and the Museum of Ceramics, porcelain Kyushu, MAK Museum (Vienna, Austria) 1.2.3. Material from museums and private collections private In addition to the national museum and the national museum outside of the country, the private museums and private collections also contributed a very important part in saving keep the artifacts ceramic Vietnam have scripts Han - Nom. This is a very rich source material, although they were scattered sporadically. Notably, the collection of: collection of ceramic Vietnam's overseas Jochen May, the private museum of the Nguyen Dynasty style porcelain sign at 114 Mai Thuc Loan Street, Hue City by the researchers, antiques collector Tran Dinh Son are set up, the private museum of Mr. Van Van Tran Ngoc Lam is next Bat Trang village, Hoang Long Artifacts Museum (Thanh Hoa) by Hoang Van Thong, collection of Doan Tuan Anh (Hanoi), Collection of Bat Trang pottery collector Vu Tan (Hanoi), Chu Dau pottery collection on the shipwreck of the study, collecting antiques Dao Phan Long. Some researchers have large collection of porcelain placed on the type of king, lord Vietnam may include porcelain collection of Barbie Tung Pham, Nguyen Van Quynh, Nguyen Thanh Tuyen 1.2.4. Materials through the Internet In the era of information technology as now, those who have common interests usually established ward meeting on the Internet, individuals with expertise in a number of areas blogging, communication through intrenet they not only share their experiences, provide information and data but also found a sympathetic shared passion. Currently, appeared on several internet sites that we believe that to be able to easily search the documents and artifacts of ceramic, porcelain texts Han - Nom in a period where we need to study. In general, sources Han - Nom ceramic Vietnam is plentiful, but they are scattered, not concentrated. Thus, each data source has its strengths and limitations. But through it, we have provided the best value for the core do research. State the general, Han Nom resources on ceramic Vietnam plentiful, but they are scattered, not concentrated. Thus, each data source has its strengths and limitations. But through it, we have provided the best value for the core do research. Recently, Han Nom texts on new ceramics and became more interested in studying specific subjects in a number of works. Therefore, we will continue to work in Nom script research on ceramics through to learn about specific forms of cultural self-Nom, Nom script content with these issues the author , through the ceramic works of poetry and spirit on ceramics from the fifteenth century to the nineteenth century. Chapter 2: THE CHARACTERISTICS OF FORMS OF OFFICE IN ORDER Nom CERAMICS FROM VIETNAM TO XV century XIX century pottery History Vietnam has a relatively developed in parallel with the development of Chinese ceramics States, in terms of shape and can dance, especially from the Han Dynasty onwards. However, that's not ceramic Vietnam not carry identity of the Vietnamese that the elements are shown on ceramic Vietnam has characterized the culture of Vietnam. Although influenced by Chinese culture, but when introduced into Vietnam, our ancestors had to turn the scripts to create the Han Nom, a distinctive way of deed of Vietnam. 2.1. On some of the terms used on ceramic, porcelain In China, the term texts on ceramic is called with a name familiar: "U.S. pressure" 花 押, "Painter pressure" 画押, "Clause" 款, "Lost Clause" 落款 and "expenses" 款 识 ". In Vietnam, the term of Han - Nom write on ceramic, porcelain and how many views identifier. Researchers antiques Vuong Hong Sen called "Test Subject" ( 诗 题) [Verse], Ha Van Tan, Nguyen Dinh Chien called "Ming writer" ( 铭 文) [Inscription], Tung Pham Hy-called "performance problem "(号 题) [Marks], Tran Duc Anh Son referred to as" self "(文字) [Script], including a performance problem (号 题) [marks] and poetry (诗文) [Prose and verse]; Tran Hung called "Calligraphy, calligraphy" (书法, 书画) [Calligraphy, graphics Letter]. In terms of identity terms, we have the author agreed with Tran Duc Anh Son. 2.2. Characteristics of the method express written texts The Han - Nom ceramic Vietnam fifteenth to the nineteenth century, judging from the writing area (Physical, 体, writing froms), we can see two ways is used to write key: Simplified spelling ( 简 体) in Chinese modern style and traditional way of writing (繁 体) in accordance with ancient Chinese writing. Also in terms of writing, we still can see some single letters (单体), also known as sub-description (小写), how to write complex (复 体), also known as Colonel, written quotation (大写) and how to write a short (短 体), also known as a short description (短 写). However, when considering characteristics texts Han - Nom ceramic Vietnam XV century - XIX, in block letters forming characteristics, we found, the pottery village artisans using methods primarily as: The first type, a form of eczema using quill pen writing on bone ceramic, enamelled before or after Government yeast can also sign up dots stamping products. This form, we tentatively called "Binh self" ( 平 字 ) [Flat Writing], represents the "flat text" on products. The second type, the form of a pen tip, or a material hard enough to engrave bone ceramic sink lower, this kind may be bare or enamelled then before firing. This form, we tentatively called "Ao self" ( 凹 字) [Sink writing], represents the "bird" on the product. The third type, form fill, Letter on body casting ceramic products, this category can be used manually, or molds. This form, we tentatively called "sudden death" ( 凸 字 ) [Embossed writing], represents the "Braille" on products. The Fourth Kind, the written form of self-carving holes, build and own separate section forming a pattern on product shape and highlight text on the product itself. This form, we tentatively called "Bamboo self" (筑 字) [building word], represents the "word up" on products. For each type will show us a few lines characteristic of ceramic products, ceramic from the fifteenth century to the nineteenth century. 2.3. Characteristics can text Considering the type of texts, writing style (Letters, 书 , writing styles), we can identify the characteristics of the scripts in this phase can be expressed in five major writing: - Body Seal (篆书), Terms (隶书), Yuan (楷书), sports (草书), Physical Activities (行书). Each word will be brought to a common vision for deed Han - Nom phase ceramics from TK XV - XIX. 2.4. Characteristics of types of texts (Han and Nom) Most documents that appear on ceramic XV-XIX century the Chinese characters, so the richness of Chinese texts shown on the product diversity Ceramic, porcelain this stage is very ordinary. From Kanji form a word, two words, three words do not mean a full verse, documents that are largely's mark, or the name used for the purpose for landscape, it can form Chinese characters fulfill an essay, poetry, also appears extensive. On ceramic products, kanji are used to record the name of the land, the creator name or product merit, besides, we also carry a full range of other content. We have a common characteristic circular punctuation is not recommended as on paper. On some ceramic products have economic self-style line breaks appear high station letters written to show respect. So far, we have not seen the script typeface appear odd independent nature's mark. In this stage, a few interlocking ceramic products in question Kanji script name when the land, the name of merit, or product manufactured, typical of Bat Trang, Phu Lang TK XVI, XVII . Nom XV century - XIX, in addition to traditional style (traditional style of kanji) are also used simplified writing, or using abbreviated prompt to record the words mentioned above. 2.4 .1. Characteristics of Nom layout on ceramic products, ceramic products On, consult the Nom appear as often as the worshiping objects (incense burners, incense ) and appliances (Pore vases, bowls, plates, tea sets ). [...]... trademarks of threads from the This is a characteristic own ceramic Vietnam XV- XIX century Chapter 4: SOME ISSUES ABOUT THE AUTHORS, AND CAN WORK IN CAN THO Spirit Pottery FROM VIETNAM TO TK From XV century XIX 4.1 Author artifact issues ceramic One of the problems in the process of self-study documents the Han Nom ceramics are the names of artisans creating products and the origin of the product like?... itself is often used to record the name of merit, the majority dating history entrance of the pond itself, a few unexpected ways to use self Particularly username, Dang Huyen Thong writing using both, he would continue to use the name and the name itself comes with your username hometown for a few files He recorded the names of his wife of the same name, the username of Dang Huyen Thong can find some... basic texts Han - Nom ceramic Vietnam XV- XIX century As can be seen, texts on ceramic Vietnam and soon appeared less affected, how many words to express manipulated texts on ceramic China Thus, self-study documents Han - Nom ceramic Vietnam XV- XIX century has seen the development alongside research texts on pottery, antique China porcelain However, texts on ceramic Vietnam has very particular characteristics... possibilities This is just the first step we introduce an overview of typical Nom texts on ceramic Vietnam XV century - XIX Hopefully, in the future, we will continue to complement and further improvement in the later works Chapter 3: THE CHARACTERISTICS OF THE CONTENTS OF OFFICE IN ORDER Nom ceramic FROM XV -TK XIX From very early Han texts were used for recording on ceramic From the Tang and Song on ceramic... 字 玄 通 陶 作 (Partial map templates self Huyen Thong Hung Thang, Thanh Lam fabrication); 南 策 府 青林 县 雄 胜 社 邓 玄 通 造 (Dang Huyen Thong Hung Thang, Thanh Lam, government Nam Sach created); 邓 戊 业 字 玄 通 造 (Dang Mau sole Thong create), 青林 县 雄 胜 社 邓 玄 通 造 (Dang Huyen Thong Hung Thang, Thanh Lam create) A Some artists create works of Bat Trang username on their products, more typical of Bat Trang ceramic products... country's only "over south" Because according to the use the word Vietnam was chosen as the official name of the country in 1804, under King Gia Long Book Nam record is written: "February (year Giap Ti - 1804), on Thin Trade, (Emperor Gia Long) away prices to scribes Date posted in the first quarter of Thai King Temple named the Province of Vietnam Report lunar day brought the Thai Temple The Mass is ended... rivers, National Lord Nguyen Phuc Chu also said the name was the only Vietnam and praised the beautiful scenery in southern Vietnam which, like all: God is her royal self 御 见 天 姥 寺 have questions: 越 国 之 南 兮 佳 水 佳 山 male Vietnam national expenditure not, period stage hydraulic leveling 宝刹 之 壮 兮 日 照 禅 关 Page not murdered, Rizhao meditation Southern Vietnam pitch water, beautiful mountain river beautiful... philosophical about human TP Group 3: Poetry, writing about the Bay Bay area, try the Chinese dictionary and Vietnam Typical Area, the classic anecdote 3.4 The value of the content Nom texts on ceramic XV century - XIX Document on Han - Nom Vietnam ceramics from the fifteenth century - XIX reflects the basic contents such as texts dating only, only annuity deed, deed only museum where clause, subject... but their contribution to the system of Chinese literature - Nom on ceramic Vietnam is very much appreciated, even initially works only for introduction and simple translation but brought a new perspective on the material system Han - Nom ceramic Vietnam that period Han-Nom Studies texts on ceramic Vietnam XV century - XIX has achieved rapid development and formed an important system documentation... of self Han - Nom XV century - XIX, not only helps us to have more awareness of Vietnam Ceramic line from the type, style, theme decor but also helps us a step further assessment artifacts in terms of analyzing the characteristics of each type of texts With Nom brought a very specific definition ceramic Vietnam, it represents a new ethnic pride of officialdom in feudal dynasty Vietnam then Although, . products in question Kanji script name when the land, the name of merit, or product manufactured, typical of Bat Trang, Phu Lang TK XVI, XVII . Nom XV century - XIX, in addition to traditional. a characteristic own ceramic Vietnam XV- XIX century. Chapter 4: SOME ISSUES ABOUT THE AUTHORS, AND CAN WORK IN CAN THO Spirit Pottery FROM VIETNAM TO TK From XV century XIX 4.1. Author artifact issues. vision for deed Han - Nom phase ceramics from TK XV - XIX. 2.4. Characteristics of types of texts (Han and Nom) Most documents that appear on ceramic XV- XIX century the Chinese characters, so the