(TÓM TẮT LUẬN ÁN TIẾN SĨ NGỮ VĂN BẰNG TIẾNG ANH) TIỂU THUYẾT MẠC NGÔN TỪ GÓC NHÌN LIÊN VĂN HÓA

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(TÓM TẮT LUẬN ÁN TIẾN SĨ NGỮ VĂN BẰNG TIẾNG ANH) TIỂU THUYẾT MẠC NGÔN  TỪ GÓC NHÌN LIÊN VĂN HÓA

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(TÓM TẮT LUẬN ÁN TIẾN SĨ NGỮ VĂN BẰNG TIẾNG ANH) TIỂU THUYẾT MẠC NGÔN TỪ GÓC NHÌN LIÊN VĂN HÓA(TÓM TẮT LUẬN ÁN TIẾN SĨ NGỮ VĂN BẰNG TIẾNG ANH) TIỂU THUYẾT MẠC NGÔN TỪ GÓC NHÌN LIÊN VĂN HÓA(TÓM TẮT LUẬN ÁN TIẾN SĨ NGỮ VĂN BẰNG TIẾNG ANH) TIỂU THUYẾT MẠC NGÔN TỪ GÓC NHÌN LIÊN VĂN HÓA(TÓM TẮT LUẬN ÁN TIẾN SĨ NGỮ VĂN BẰNG TIẾNG ANH) TIỂU THUYẾT MẠC NGÔN TỪ GÓC NHÌN LIÊN VĂN HÓA

-1PREAMBLE Rasonale 1.1 The cultural penetration comes deeper and deeper into literature creating an inseparable combination On the other hand, economic development, world cultural exchanges are increasing powerfully Therefore, intercultural studies have become indispensable and contemporary need 1.2 Mo Yan is considered the "leading character of the XXI century" and become a "phenomenon" of Chinese literature, as well as the world Study on Mo Yan and his works help readers gain a more multifaceted, multidimensional view on creative thoughts as well as the experience of life and bravery receiving cultural values of writer 1.3 In Vietnam, the reception history of Mo Yan is not homogeneous, the researchers focused on exploiting new world of artistic fiction at the school perspective or merely self-interest in an aspect of literature in Mo Yan novels Therefore, we decided to choose this topic for decoding Mo Yan novels in intercultural perspective to explore the unique mystery writers considered "different from Western writers, as well as different from Chinese writers ", to identify the 'taste' of Mo Yan novels From the point of view, Mo Yan works can come nearer to Vietnamese readers Objectives and tasks 2.1 Purpose The choice of Mo Yan novels from the view of intercultural perspective are for four basic purposes of this thesis: First, to clarify the source of traditional cultural values and modern culture in Mo Yan's novels -2Second, to highlight intercultural values in the novel system of the writers through the image of characters system Third, to differentiate the character as one of the important aspects, basic to decode Mo Yan novels in intercultural perspective Fourth, to evaluate the interculture is one of the important aspects and highlights of Mo Yan's novels 2.2 Tasks Corresponding to the four objectives, the thesis will go into four main tasks: First, We analyze and point out the connections between traditional culture and modern culture, eastern and western, folks and scholarly in Mo Yan's novels which has a deeply rooted from the changes in life and the society Second, to decode the typical symbols of interculture in the novel system of the writer to determine the unique and distinctive in Mo Yan's novels Third, to analyze the character system intercultural perspective in Mo Yan novels to identify the key here is to create alternative for writers' novel system Fourth, on the basis of generalized entire major works of Mo Yan, to assess his success from the perspective of interculture Subjects Within the thesis, we focus only on those aspects which mostly represent the so-called cultural characteristics in Mo Yan's novel in terms of: Cultural Origins in Mo Yan novels, the emages of characters system, along with intercultural characters system in the novels Since then, assess the relationship between Mo Yan novels and traditional -3culture and modern culture on the basis of comparison of Chinese literature with literatures from other countries to find out the similarities and differences between the cultural values, to see the point of inheritance and innovation in the continued development of the cultural values of the writer Scope of Research 4.1 The scope of the survey documents Writing career of Mo Yan was extremely voluminous In the scope of thesis we focused on understanding the novel considered as a unique and most excellent of Mo Yan which has been translated and published in Vietnam including Red Sorghum (2000), Treasure of Life (2001), Sandalwood (2003), The angry garlic (2003), Drunken Nation (2004), 41 gossip (2004), Live no better than death (2007), The triangle set (2007), Frog (2010) 4.2 The scope of the research study - Identify specific interculture in Mo Yan novels by decoding some typical symbols in this writer's novels - Assess intercultural perspective from the character as one of the most visible aspects of culture combined East - West, tradition and modernity in Mo Yan's novel Methodology 5.1 Interdisciplinary Methods 5.2 Systemetical Method 5.3 Methods of analysis, synthesis 5.4 Comparative Method In addition, we also use other technical tasks like statistics, classification, -46 New contribution from the thesis From inquiry, determine connotation of intercultural concept, the thesis will go into interpreting the cultural issues, which, applied to the specific case of writer Mo Yan to decode the unique features in intercultural aspects of fiction writers that were coded as building systemetical motifs - symbols, characters system to see the back and beyond of Mo Yan folks At the same time, also saw the continued development of cultural values in work time, from which to see the unique and distinctive in Mo Yan style The structure of the thesis Apart from the introduction, conclusion, references, the thesis is presented in four chapters: Chapter 1: Overview of the problem studied Chapter 2: Interculture Roots in Mo Yan novels Chapter 3: The symbolization in Mo Yan's novels from the perspective of interculture Chapter 4: Characters in Mo Yan's novel from the perspective of interculture -5CHAPTER 1: OVERVIEW OF ISSUES STUDIED 1 Study of Mo Yan 1.1.1 The view of Chinese scholars Documents from Mo Yan "monologue" Mo Yan often "monologue" his attitudes, analysis toward art, novel, people, and society His monologues also appear mostly on press in interviews and speeches columns These articles were translated by Vietnamese researchers and translators Materials studied about Mo Yan Affirmed and praised the talents Mo Yan Most Chinese scholars of this trend as Li Zhen, Trin De Bei, Confucian Xiao Bin, regarded Mo Yan as a pen with strong force, as a pioneer on the road of innovation Criticizm and protests against Mo Yan Besides the praise and recognition of Mo Yan as a talent, there also existed many criticizm and protests It is thought that, besides the advantages of the content and art, Mo Yan's works fell into lust phenomenon, sexuality, describing many of the carnal desire 1.1.2 The views of Western scholars The Western scholars show more and more interest in Chinese literature in general and in particular Mo Yan's novels They give their views on Mo Yan in different aspects to most of his works This researchers processed, and approached and decoded his works in both the content and the art 1.1.3 The views of scholars Vietnam In Vietnam, since his first work, Mo Yan became a familiar name nationwide Accordingly, the articles, the studies of Mo Yan and his -6work in Vietnam became increasingly diverse and rich, much research was expanded from one aspect to the overall research on the art world in Mo Yan works By surveying researched conducted in Vietnam about Mo Yan, it is obviously seen that those researches were only focused on his art achievements especially on narrative and writing arts and seft efficiency 1.2 Cultural research on Mo Yan 1.2.1 Chinese scholars Documents on Mo Yan about culture In his speeches, Mo Yan has the reader that some aspects of culture in his novels as problem imagery and symbolism in the novel, the influence of folklore and culture The West,… Through these documents, we can recognize the artistic conception of the writer The notion that the research could help explain the mixed comments about this unique writer Group study materials about Mo Yan cultural perspective Most of the researchers have identified the influence of traditional culture to contemporary compositions are very strong From a historical overview of research from the perspective of Mo Yan in Chinese culture, we find, research on culture has been mentioned in several articles published in journals, dissertations, MA thesises, books Many studies have stature and high practical significance 1.2.2 Western scholars In addition to an overview of life, career as well as representative works of Mo Yan Western researchers also have many works such as books, newspapers, dissertations thesises on Mo Yan on various -7aspects: artistic depiction, writing methods, particularly the influence of Western art to the writer Most Western researchers appreciate the works of Mo Yan Specifically, the project has spent much effort to acquire and study the influence of modern art thought to Mo Yan West Since then, the Western scholars praised Mo Yan in the methods of narrative, describing the feeling of art This is an important hint for us to inherit and study this topic 1.2.3 Vietnamese scholars There are many approaches on literature, each approach has its own characteristics Along with expanding operations, the translation of Mo Yan Mo Yan research problem also gradually expand the range of cultural aspects Overall, the studies of Mo Yan in Vietnam were exploited in fiction writers cultural perspective in aspects like beauty and ugliness in the novel, a mixture of myth and folklore stories true in history, these are important aspects for us to refer to when implementing this topic 1.3 Intercultural research on Mo Yan Recognising Mo Yan's process of writing and research, we found, studies on the common cultural aspects in Mo Yan's novels have been widely perfomed However, no specific projects, yet, directly discuss cultural issues, but at some certain works touched various aspects of interculture 1.3.1 Chinese scholars Although no specific projects, clear research on interculture in Mo Yan's novels, works well initially examined various aspects of interculture and the writer In particular, these studies on intercultural -8aspects are also not specifically named interculturally, or studies without any understanding of cultural concepts from interculture 1.3.2 Western scholars Through studies on researches by Western scholars, we noticed, the researchers had touched on the cultural aspects of Mo Yan's novels on his writing as magic realism, S.Freud psychoanalytic But that's the general cultural issues, within the documents we examine the works were not mentioned cultural issues and touched different aspects of interculture However, These documents are useful for us in the process of implementing the subject 1.3.3 Vietnamese scholars Viewed from postmodern factors, the researchers much research on the influence of post-modern culture to Mo Yan on various aspects such as deep sexuality , dreams, the strangeness law, some works also mentioned the cultural aspect as folks traditions, language, symbolism In particular, the researchers have touched on the cultural aspects of Mo Yan's novels as the legal writing magic realism, the influence of S Freud's psychoanalysis Chapter conclusion: Through studying the literature on studies Mo Yan situation both domestically and abroad, we find that the situation Mo Yan study primarily focuses on the following aspects First, the researchers went deeper into Mo Yan poetic angle self learning Second, there have been some studies of cultural aspects in Mo Yan's novel as research work from the standpoint of Mo Yan folk -9Another research direction inheritance and learning Western culture of Mo Yan Third, the study of culture virtually stopped at studying, researching an aspect of culture in writing Mo Yan just cultural issues in Mo Yan's novel but not linked cultural Some works, researchers have touched cultural issues, however no specific name it is intercultural In addition, the researchers also yet to learn crosscultural concept from that applied in the case of Mo Yan's novel This really attracted us in the process of looking to the writer's work CHAPTER 2: INTERCULTURE ROOTS IN THE NOVEL MO YAN 2.1 Mo Yan with interculture 2.1.1 Cultural issues in the study of literature Currently, there are many different interpretations of intercultural Whether standing at different angles with different research purposes, but we see the comments on the intercultural, the researchers shared the same opinion: Union combines culture, cultural exchange between the past and modern, between different ethnic communities, with the way of life and different worldview The characteristics of cultural continuity is expressed vivid, diverse in all aspects of the novel, by "world or characters in each character, through the narrative method, how to tell, through the organization of point of view and how to organize space - time as well as a diverse textures, rich May find inter -10cultural expression in many ways: Cultural Exchange East - West, traditional - modern, folk - polymath, local - universal From understanding the concept of intercultural, we noticed, intercultural in a writer's novel is that the writer has inherited national culture medium outside the receiving culture to put in writing Shown in terms of content (stories, facts, events, characters, ) and in terms of art (art building cultural icons and modes of narrative, language, tone , ) 2.1.2 Mo Yan novels and interculture Like other writers, raised from the wellspring of national culture, bathed in an atmosphere of folk, Mo Yan always respect those values and receptive to creativity put into literature Thus, we encounter in fiction writers customs, folk customs, folk beliefs and ideological doctrines like Confucianism, Buddhism, Taoism, Besides, Mo Yan is also affected Western literature not only in content but also in novel form, especially in technical writing If you like traditional Chinese culture profound impact to the writer created the character with bold language and recreate folk customs, folk beliefs, all derived from disordered reality horizontal naked and village Gaomi his homeland, the meetings with the Western writer Mo Yan revelation for a lot, it stimulates the creation of Mo Yan in the France using new art creates a unique batch of expressions for the work 2.2 The premise of traditional culture in Mo Yan novels 2.2.1 Hometown Shandong - Gaomi Hometown Shandong is one of the cradles of Chinese civilization Hometown of the great luminaries, the heroes raised from such a -11cultural environment has an impact on cultural and spiritual Mo Yan Gaomi Region - Northeast China is the backdrop for most of his extraordinary novel Writers assimilate the joys, sorrows of Gaomi with joy, the sorrow of mankind Gaomi lands became milk line nurturing literary talent Mo Yan Reading his work, the reader easily see soil vapor concentration anonymously direction countryside and deep love can not melt between him with "blood-earth" Northeast Gaomi 2.2.2 Backgrounds From composition of Mo Yan came, we saw in him many points of interest He was the youngest in a family with four siblings, born poor farmers 11 years in primary school he had to drop out of school to earn a living A whole string of childhood days Mo Yan associated with poor destitute When a writer Mo Yan appear before readers with a human image idyllic, rustic and always conscious every time writer Therefore, his work "filled with secular views" Besides, childhood, and intellectual soul is nourished by writer lot stories of grandparents We can say, families with folk stories are rough to his archives used in their art 2.2.3 Chinese traditional cultural beliefs As one of the countries with a long tradition, the cradle of human civilization, the convergence of local lines of thought as well as from outside the line of thought introduced as Confucian, Buddhist, Taoist, China has many rich traditions and unique It is also a land of breath crystallizing Eastern spirituality through the Confucian doctrine with feudal ideology to prevail in people's lives, the Buddhist doctrine with spiritual confidence in the karmic reincarnation, evil with evil, it was -12fantastic world of virtual scene Taoist thought The main factors ideological and cultural traditions have a significant impact to Mo Yan's pen 2.3 Premise modern culture in Mo Yan novels 2.3.1 The issue of globalization and the world cultural exchange Globalization is a concept used to describe the change in society are created by linkages, exchange and interaction among countries or organizations and individuals, in all angles of the economic life political, social, cultural Hoa on his general trend, China now also open to absorb the cultural movements, literature in the world, it creates a boom literature University in China under the motto of Deng Xiaoping thought "Really and demand, freeing thoughts, reform and opening up" 2.3.2 The change in the modern art of China So far, China has undergone three cultural renaissance times, each time undergoing renaissance Chinese culture flourishes special In Congress writers 4th nationally in 1979 Deng Xiaoping declared "untie" the arts have created new possibilities for composing Cognitive process thought to Mao Zedong's cultural innovation processes to reorient politics and art under the motto of Deng Xiaoping: Liberation thought, really and demand, reform and opening up appear movement "blooming, hundreds of hours racing." Because of the orientation of cultural paths led to the prosperity of Chinese literature 2.3.3 The influence of the market economy Under the influence of the reform and opening up, the introduction of Western culture, the economy - Chinese society there are strong changes, cultural exchanges expanded, economic development, -13technology information explosion made people more closely together But the flip side of it is the risk of the consumer society will abolish, change the values of traditional culture In her social circumstances, Mo Yan was the Thin face it, reflect it honestly, with talent and his desire to bring his Chinese novel a unique taste Chapter conclusion: Mo Yan novel always has the clever combination between Chinese traditional culture and modern western culture it personal imprints of writers and full of novelty The confluence of the source of this culture on the one hand rooted in traditional cultural capital of China combined with the backgrounds and the place where the writer was born On the other hand, it is also a result of the trend of globalization and the cultural exchanges in the world, and also to talk to the leadership of cultural ways of Communist Party of China All these elements constitute the cultural imprint East - West in fiction writers CHAPTER 3: The symbolization in Mo Yan's novels from the perspective of interculture 3.1 Concept and cultural symbols 3.1.1 Symbol Currently, depending on the angle from which people give different definitions of symbols to suit their field of study Whether standing at different angles to recognize the symbol, but the researchers have the same views on the following symbols: Icon is an -14image of the world around us, is the perception we perceive it Thus, the symbolism is subjective awareness of the subject of object perception 3.1.2 Cultural symbol To understand this concept, we are pleased to invoke the notion of cultural icon that Tran Le Bao researchers described and analyzed very carefully in the process of identifying symbols with other concepts, which see nature and function of the symbol: "Symbols are countless cultural image of the invisible or visible as a broker or intermediary language to help people recognize a certain cultural content" Therefore, cross-cultural symbols are symbols used in many different ethnic communities, there may be some similarities in terms of connotation, meaning when put into explaining a phenomenon or a certain thing But, also in each different ethnic connotation symbol dissimilar meanings 3.2 Mo Yan novels - a world symbols of intercultural richness Step into the world of Mo Yan's novel, the reader realizes world cultural symbols present in concentrate compositions The world was a face icon is the continuation of traditional Chinese culture, on the other hand is the product of personal experience writer during exposure to Western literature of the author If you like traditional Chinese culture affects writers in building closer symbols associated with traditional Chinese people, the reunion with the West have stimulated creativity of Mo Yan in the building the new artistic method, unique to build up the icon -15Based on the popular beliefs as well as content and symbolic fields that reflect the world can see the icon in Mo Yan's novel is very rich and diverse, as evidenced calculated specifically for intercultural novel writer Can see Mo Yan's novel contains many hidden symbols include icons related to the field of material such as food, clothing, housing Symbols related to the spiritual life, such as religion, beliefs, customs and habits, There are all symbols of fertility, symbol of evil, a symbol of romantic dreams, symbols of architecture, World icon in Mo Yan's novel is very rich The classification symbols of his novel into a work group is not easy The thesis can not understand all the symbolism that only selected and go deep into the typical icon, used repeatedly, with high symbolic significance to analyze and learn In Chapter we will go to decode some typical symbols such as sago symbol, dream symbol, symbol udder, frog icon 3.3 Some typical cultural symbols in Mo Yan novels 3.3.1 Sago symbols 3.3.1.1 Sorghum - The symbol for the Chinese people's lives In the work, sorghum appears nearly 700 times and is described in various angles Sorghum was associated with people's lives, it is a source of food to feed them Not only that, with people Gaomi, sorghum also has soul and emotions, understand happiness and human suffering, love and anger, sago become the "sacred and lively" Apparently, life is life sago humans, sorghum and sorghum fields always travel and associated with major events in the life of the protagonist 3.3.1.2 Sorghum - symbol for nature, the human spirit in the new era -16Sorghum is not only the symbol of human life, sago also symbolizes the human personality in the new era That is the spirit of aggression and fighting spirit of protest, dared to break all the barriers of society Iconic sorghum, like people Gaomi indomitable tenacity to stand up against the enemy Besides, the character of Red Sorghum appeared full of personality, mettle, live saucy, upbeat as the high tops straight salary, although subject to much suffering and loss but still desire to live, desire rise, always toward the sun like Dai Phuong Lien desire to escape all constraints of the secular, every yoke of enemies to reach out to the future, to the sky, free love, happiness 3.3.2.Breast symbol 3.3.2.1 Breast - symbol of traditional beliefs of fertilazation Breasts are one of the typical fertility symbol, meant to symbolize the proliferation of the species, is the god gifted body of the woman Through the depiction of genitals with sensitive part of the human, Mo Yan wanted to show the traditional notion consuming healthy level of folklore In his novels, Mo Yan has used two images "butt" and "breast" to symbolize fertility Images of the breast "is not only beautiful, not only brings life, brings pleasure, but even more profoundly a spiritual cult, a religion primitive fertility" 3.3.2.2 Breast - a symbol for flawless beauty of the human Pictures breasts appear in Big Breasts and Wide Hips with astonishing frequency over 800 times The beauty of your breasts look and metamorphosis under the "experience" of Kim Dong The daughter of Shanghai Quan though each person in her bloodstream different -17fathers but they are inherited physical beauty of the mother and the traditional "big breasts butt hatch" Develop breasts - the symbol for human beauty, Mo Yan is not only influenced by the ideological and cultural traditions of China, but also have to mention the influence of Western culture as new schools of art feeling enhance the perception of the senses intuition Kim Dong longing for female breasts are not sexual purposes His hobby is going, looking about, worshiped the eternal beauty 3.3.2.3 Breast - symbol for the protection of mothers Udder not sexual in nature but it is also a symbol, symbolizing femininity, contained praise for the students value - the love, care and protection of motherhood Traditional angle, udder with fresh sweet milk line embodies the support and regeneration Lu mother's milk flow is their major source market for children and later her grandchildren In the work, the breast symbolizes beauty female body "is beauty to people contemplate", but not the only writer comes to gender implications It is the metaphor of the great mother, not just the mother's life is more than the country, is home 3.3.3 Symbol of Frog 3.3.3.1 frog - symbol for the proliferation, proliferation and revival Novel frog is beginning and end are shown in the image reproduction and revival Frog is a symbol of traditional beliefs, for the proliferation, proliferation of species Frog croaking " oa oa" as faint cries of children, like the fetus in the womb Thus, the title and content of the work elicited symbolize human beings, especially the children in the birth control policy plan -183.3.3.2 Frog - symbol for destruction Frog is a symbol not only of the proliferation under the traditional notion that this symbol also means new, is a symbol of the destruction of the result of birth control policy 30-year plan in China So, cover the frog is the loss, traumatic, painful reality, the consequences of hunger and the family planning policy in China as "two consecutive years, both the social and forty villages where I not have any child at birth " 3.3.4 Dream symbols 3.3.4.1 Dream - the obsessions visualized in real life Mo Yan novel opens non-food space, contains numerous extraordinary things, bizarre Dream of the characters express desires, dreams that real life can not be satisfied It is the dream of Kim Dong (Big Breasts and Wide Hips), the dream of Mi Nuong (Sandalwood picture), Ly Ngoc Thien (Cross triangle sets), Icon dream dreams in Mo Yan's novel makes us remember the of surrealism Western the early twentieth century and psychoanalysis with the unconscious thoughts of S Freud personally 3.3.4.2 Dream - the hidden corners of the soul and personality Mo Yan has so many characters sink into dream time for seeking liberation from the viewpoint of S Freud Space dreams in Mo Yan's novel reveals the hidden face filled us with the inner character: it is the desire not to be satisfied, the guilt when awakened, the longing that was repressed, Space and time almost surreal, ethereal, is the basis that a space is the real - psychological space, mind space, to explore the human side of people thereby expanding the space of the inner world -19Chapter conclusion: Mo Yan is one of the contemporary Chinese writers have artistic breakthrough success Especially the artistic creativity in building a haunting symbol In it, the icon as Sorghum, breast, breaststroke, dream, be repeated with huge symbolic significance World icons that clearly indicate intercultural calculated by writers clever combination between the original meaning, tradition with a new sense of the times that the writer put on the symbol CHAPTER 4: Characters in Mo Yan's novel from the perspective of interculture 4.1 The concept of character in novels Literary character is an aesthetic phenomenon taking conventions, it appears in the works of extremely vivid, sometimes human, sometimes non-human characters such as animals or even objects Although appearing in the work in any mode, it also offers a means to help writers express the aesthetic conception of man and life 4.2 World characters in Mo Yan's novels from interculture World characters in Mo Yan's novel is extremely rich, he has created in his novels a character world unreality tinged with the endless human period, genius, courage period, grace period, Any form heterosexual world chess it's just tinged with a surreal, mystical, magic has brought the appearance of the modern character of thinking, thinking and acting From the genius who brought many abnormal factors such as Kim Dong, South Bird (Big Breasts and Wide Hips), -20La Primary Communication (41 gossip), Zhao Jia (Sandalwood figure); Women who dare to pass the customary laws of feudal rites for their own gain as Upper live Quan Lu Thi and the girls home magistrates (Big Breasts and Wide Hips), Mi Nuong (Sandalwood picture), Dai Phuong Contact (Red Sorghum); The characters disguised, transfiguration, incarnation as First Consul Fairy Bird (Big Breasts and Wide Hips), the extreme animal life incarnation of the West door (Live fall waterfall exiled), Can be seen, through the vision of people from cross-cultural perspective, in which the characters just ideological influence Chinese traditional culture but also very modern thinking, modern thinking about Mo Yan has expressed an artistic conception of man profoundly humane 4.3 Some type of intercultural character in Mo Yan novels 4.3.1 Genius characters Character style "genius" we find the character: Any referee Kim Dong (Big Breasts and Wide Hips) have the ability to feel special about the woman's breasts, South Bird (Big Breasts and Wide Hips) have the ability to communicate with animals, La Primary Communication (41 gossip) can be integrated into communication, chat with meat, artisan Overbearing Great Prime (frog) capable squeeze dolls soulful creatures as true in life Characters genius in Mo Yan's novel is the first serial character format miracle in the traditional novel about the origins of life, the concept of beauty looks, However, we see genius character a serial face miraculous character in the form of literary tradition, on the other hand to form the character of both the literary reception fanciful Latin America, and the consciousness of modern man -21- 4.3.2 Heroes In the world of multi-layered character and complexity that can not fail to mention iconic heroes - those who are considered heroes in my time of social chaos with characters Archives Sima (Big Breasts and Wide Hips) Sun Bing (Sandalwood pictured), from Occupy Mastiff (Red Sorghum) When building the hero, Mo Yan is not modeling the hero characters such as the traditional concept of Chinese culture that has much new Thereby, literature is no longer the mirror of history one more way that it merely reflects the dark side of history, showing reflections, concerns about the position of human nature and history required be aware of it 4.3.3 Characters incarnation, masquerading Style personified character typically found in traditional Chinese literature Incarnation is a different variation of the comedy inherent truth, personified also called morphing What kind of character cloaked in Mo Yan novel exists in three forms: the first carriers in human form (in living animals fall waterfall exile), the second is the character's clothing (cold to the Big Breasts and Wide Hips) the third was the other person's clothing (Phu Quy Phuong Truong Chain Bridge and the Cross three sets) The character is the human metamorphosis is legendary cultural, cultural metamorphosis The "period" was created on the basis of birth as origins, attitudes, actions, behavior character for the surrounding social environment These strange characters that usually nest in the light of the divine, thanks little elves little direction, carrying the -22imprint from the exit of the legendary Pregnant, mythology But also brings the characters slightly transfigured in modern literature 4.3.4 Woman characters Woman has always occupied an important position in Mo Yan's novel, in some novels, women occupy a central role as Big Breasts and Wide Hips, Red Sorghum, frogs, Woman in Mo Yan novel traits of traditional Chinese women from looks to personality, thoughts and actions However, the woman in one hand Mo Yan novel to follow the customary laws of feudal society, but on the other hand they are struggling to get rid of her customary law Chapter conclusion: World characters in novels Mo Yan extremely large, diverse outlined the "true face" of society In terms of character building intercultural, Mo Yan's novel does not stop the kind of character we mentioned above, but also the type, form groups and other characters Song-style genius character, heroes, incarnate character, and character disguised woman was the type of character that Mo Yan pens invest effort and most powerful The figure was the result of a process of writers experience combined with the unique creation, evolution of Mo Yan in writing CONCLUSION -23Through the process of understanding characteristic of Mo Yan novel intercultural perspective, we draw some initial conclusions follow: The main scientific conclusions: 1.1 In songwriting journey, Mo Yan has always adhere to the national cultural roots to return and beyond folk but always catch up by age thought to turn the cultural and artistic value out University of work Thus, his work both close to the East but readers are not unfamiliar to Western readers as well as countries around the world 1.2 Each nation has its own cultural imprint and the imprint that to create is a symbol In his novel Mo Yan has built up a rich symbolism with wild symbol, a symbol of human, religious symbols, fertility symbols, These are symbolic connotations, which may the original layer primitive meaning, probably meaning countless writers created from the original meaning, would be a significant new discovery readers beyond the intention of the author 1.3 Mo Yan has used a clever way the elements of folklore and modern western culture to build character With this combination, Mo Yan has built models of intercultural character: genius characters, heroes, incarnate character, disguised, and women characters, thereby transforming writer download your most favorite things, reflections, concerns and experiences of themselves in work to create an unique character, diversity and connotations 1.4 Study on Mo Yan-cultural perspective not only help discover misteris of Chinese writers deeper and more comprehensively, but also shed light on many issues of interculture in "the flat world", while -24contribute to the teaching of Chinese contemporary literature, learn more about literary creation to become the unique literary cultural phenomena 1.5 Mo Yan with a rich imagination, emotional expression has generated great literary masterpieces really The result gave him many prestigious awards However, Mo Yan is not therefore feel satisfied to then compromise themselves with ourselves, we still see beyond the end of Mo Yan is a diligent, passionate, serious work Finally I want to end by saying thesis of Mo Yan: "Forget all the awards, the highest choice of writers." Research approaches 2.1 We perform intercultural studies by comparing the similarities and differences between Mo Yan and Vietnamese writers as well as other scholars around the world 2.2 Studies and analysis on differences in interculture of medivial writers and modern writers through the history of interculture in literature So differences in intercultural in ancient writers with intercultural fish present writer like

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