--- TRẦN THỊ HOA MAI AN ANALYSIS OF GRAMMATICAL COHESION USED IN “THE CALL OF THE WILD” BY JACK LONDON Phân tích liên kết ngữ pháp sử dụng trong tác phẩm “Tiếng gọi nơi hoang dã” của
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TRẦN THỊ HOA MAI
AN ANALYSIS OF GRAMMATICAL COHESION USED IN
“THE CALL OF THE WILD” BY JACK LONDON
(Phân tích liên kết ngữ pháp sử dụng trong tác phẩm “Tiếng gọi
nơi hoang dã” của Jack London)
M.A Minor programme thesis
Field: English Linguistics Code: 60.22.15
HANOI – 2010
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TRẦN THỊ HOA MAI
AN ANALYSIS OF GRAMMATICAL COHESION USED IN
“THE CALL OF THE WILD” BY JACK LONDON
(Phân tích liên kết ngữ pháp sử dụng trong tác phẩm “Tiếng gọi
nơi hoang dã” của Jack London)
M.A Minor programme thesis
Field: English Linguistics Code: 60.22.15
Supervisor: NGUYỄN HƯƠNG GIANG, M.A
HANOI - 2010
Trang 3CONTENTS Pages
DECLARATION ……… i
ACKNOWLEDGEMENT ……….……… ii
ABSTRACT ……… iii
TABLES OF CONTENTS iv
LISTS OF TABLES AND FIGURES ……… … vi
PART A: INTRODUCTION 1
1 Rationale of the study 1
2 Aims of the study 2
3 Scope of the study 2
4 Methods of the study 2
5 Design of the study 3
PART B: DEVELOPMENT 4
Chapter 1: Theoretical Background 4
1.1 Discourse and Discourse Analysis 4
1.1.1 Discourse Analysis 4
1.1.2 Discourse and text 5
1.2 Cohesion 5
1.2.1 The concept of cohesion 5
1.2.2 Cohesion vs Coherence 6
1.2.3 Types of Cohesion 6
1.2.3.1 Grammatical Cohesion 7
1.2.3.2 Lexical Cohesion 12
Chapter 2: An overview on "The Call of the Wild" by Jack London 13
2.1 A brief summary of "The Call of the Wild" 13
2.2 An overview on "The Call of the Wild" 13
2.2.1 Characters 13
2.2.2 Story events 14
Trang 4by Jack London 15
3.1 Reference 15
3.1.1 Exophoric and Endophoric Reference 15
3.1.1.1 Exophoric Reference 15
3.1.1.2 Exophoric Reference 17
3.1.2 Statistical Analysis of Reference Markers 18
3.2 Substitution 21
3.3 Ellipsis 23
3.3.1 Nominal Ellipsis 24
3.3.2 Verbal Ellipsis 28
3.3.2.1 Lexical Ellipsis 29
3.3.2.2 Operator Ellipsis 30
3.3.3 Clausal Ellipsis 31
3.3.3.1 Wh- Ellipsis 31
3.3.3.2 Yes/No Ellipsis 32
3.4 Conjunctions 34
Chapter 4: Major findings and Implications for the Teaching and Learning Writing Skill 37
4.1 Major Findings of Grammatical Cohesion 37
4.2 Implications for the Teaching and Learning Grammatical Cohesive Devices in Writing 39
4.2.1 Implications for Teachers 39
4.2.2 Implications for Students 40
PART C: CONCLUSION 41
1 Recapitulation 41
2 Conclusions 41
3 Limitations of the Study 42
4 Suggestions for Further Studies 42
REFERENCES 43
Trang 5Tables and Figures Pages
Table 3.1: Exophoric Reference in “The Call of the Wild” 16
Table 3.3 Demonstrative Reference in “The Call of the Wild” 19
Table 3.4 Comparative Reference in “The Call of the Wild” 19
Table 3.7: Non-specific Deitics in “The Call of the Wild” 26
Table 3.10: Clausal Ellipsis in “The Call of the Wild” 31
Table 3.11: Conjunctive Relations in “The Call of the Wild” 34
Trang 6PART A: INTRODUCTION
1 Rationale
Discourse Analysis, or discourse studies, is a general term for a number of approaches to analyzing written, spoken, signed language use or any significant semiotic event From the beginning of its appearance, Discourse Analysis has taken up in a variety
of social science disciplines It is now a rapidly expanding field, providing insights into various aspects of language in use and therefore of great importance to language teaching
In the early days, language teaching has been concerned with pronunciation, grammar and vocabulary; however, it was not until Discourse Analysis turned up that our awareness of how to put this knowledge into action to gain successful communication was raised
Literature, which plays a very important role in our spiritual life, has been greatly developing as a consequence of the high living standards As a matter of fact, there have been more and more people choosing to work in the literary field and their efforts have created so many famous works It is open to questions as to which factors have to be taken into consideration to make a successful work? How important are those factors to the completion of a coherent and cohesive text? Added to this, the knowledge of cohesion and coherence are actually regarded as the crucial aspects of language usage
"The Call of the Wild", Jack London's most famous book, is a beautiful tale of a
"house dog" torn from the comforts of hearth and home into the unforgiving wild The main character of the story is a dog named Buck Every aspect of life, including happiness, hardship, misery, love and so on, is seen through the eyes of this dog This is the significance of the book Buck's story is more than just a children's story or merely a dog's story, it is our story Jack London's book, therefore, makes great impression on the readers
Those reasons mentioned above are the most important ones that have encouraged
the author to conduct "An analysis of grammatical cohesion used in "The Call of the
Wild" by Jack London" as the topic of this study Hopefully, it may help teachers and
learners of foreign language have an overall viewpoint on grammatical cohesive devices as
well as the effectiveness of the application of such devices in Jack London's "The Call of
the Wild"
Trang 72 Aims of the study
As mentioned above, there are several reasons that lead the author to choose to carry out this study Thus, the aims of the study are as follows:
To explore how the grammatical cohesive devices employed in "The Call of the
1 What grammatical cohesive devices are used in "The Call of the Wild"?
2 To what extent do grammatical cohesive devices contribute to the success of literary works?
3 Scope of the study
As Discourse Analysis has a very broad scope which has a very close relationship with many other aspects of language study, it is impossible for the author to refer to all of its characteristics Thus, within this study, the author just mentions some background knowledge about Discourse Analysis as well as coherence and cohesion
In addition, there are a number of factors that make "The Call of the Wild" a
successful work, hence, this study only focuses on the grammatical cohesive devices employed in Jack London's book Data analyzed is taken from the seven chapters of the book
4 Methods of the study
To attain the aims of the study, the author has employed the Quantitative Method That is to say, this thesis focused more on the collection and analysis of numerical data and statistics and less on interviews, observations, small numbers of questionnaires, focus groups, subjective reports and case studies but is much more Counting and measuring are common forms of quantitative methods The result of the research is a number, or a series of numbers These are often presented in tables, graphs or other forms of statistics which is the science and practice of developing human knowledge through the use of empirical data
Trang 85 Design of the study
Within the scope mentioned above, the study has three main parts
Part A is "INTRODUCTION" which consists of the rationale, aims, scope, methods and design of the study
Part B entitled "DEVELOPMENT" includes three chapters Chapter 1, "Theoretical
Background", gives an overview on Discourse and Discourse Analysis, including
Discourse Analysis, Discourse and Text, Discourse context and spoken and written discourse In this chapter, the author also introduces background knowledge about cohesion, the relationship between cohesion and coherence, cohesion and discourse structure and types of cohesion
Chapter 2 with the title "An overview on "The Call of the Wild" by Jack London''
provides the brief summary of the book, an overview on the story in terms of the characters, events and personal perceptions
Chapter 3 entitled "An analysis of grammatical cohesion used in "The Call of the
Wild" by Jack London" provides a collections of examples taken from the seven chapters
of the book with detailed analysis to clarify the application of such grammatical cohesive devices employed in that book
Part C is "CONCLUSION" in which the author summarizes the main points introduced in the study
The study ends with the "REFERENCES" which list all the materials and sources
of information used in this study
Trang 9PART B: DEVELOPMENT CHAPTER 1: THEORETICAL BACKGROUND
As mentioned before, Discourse Analysis has a very broad scope which has close relationship with many other aspects of language study Nevertheless, due to the framework of a M.A minor programme thesis, in this chapter, the authors just attempts to discuss some theoretical background about Discourse Analysis in general and Cohesion in particular
1.1 Discourse and Discourse Analysis
1.1.1 Discourse Analysis
Discourse analysis is concerned with the relationship between language and the context in which it is used It grew out of the work of different disciplines in the 1960s and early 1970s, including linguistics, semiotics, psychology, anthropology and sociology Discourse analysts study language in use: written texts and spoken data of all kinds under the approach different from those old grammarians For the time being, there have been numerous interpretations to what is meant by Discourse Analysis
British discourse analysis was mainly influenced by M.A.K Halliday's functional approach of language Halliday's framework emphasizes the social function of language and the thematic and informational structure of speech and writing De Beaugrande (1980) and Halliday and Hasan (1976) as well as Prague School of linguists have made their significant contribution to this branch of linguistics in pointing out the links between grammar and discourse
Yule (1996:139) states: "In the study of language, some of the most interesting questions arise in connection with the way language is 'used', rather than what its components are ( ) We were, in effect, asking how it is that language-users interpret what other language users intend to convey When we carry this investigation further and ask how it is that we, as language-users, make sense of what we read in texts, understand what speakers mean despite what they say, recognize connected as opposed to jumbled or incoherent discours and successfully take part in that complex activity called conversation,
we are undertaking what is known as discourse analysis"
Trang 10Discourse analysis is, therefore, is very important to understand or interpret a text
Only by studying language in use can we recognize the message that the writers wish to
convey One of the very key technical terms in discourse analysis is cohesion
co-He saw context of situation as crucial determinants of utterance meaning However, Firth did not give a theoretical account of the effect of context on utterance meaning
Lately, Halliday and Hasan focus on context of situation And the three headings FIELD, MODE and TENOR which had been proposed for these are considered highly general concept for describing how the context of situation determines the kinds of meaning that are expressed Yet, according to Halliday and Hasan, the linguistic features, which are typically associated with a configuration of situational features - with particular values of the field, mode and tenor - constitute a register
1.2 Cohesion
1.2.1 The concept of cohesion
The concept of cohesion is closely connected with text It is defined as the
grammatical and lexical relationship between different elements of a text According to Yule (1996), a text is usually considered to have a certain structure which depends on factors quite different from those required in the structure of single sentence Some among those factors are described in terms of cohesion, or the ties and connection which exist
within a text
Halliday and Hasan (1976:4) also define cohesion in a similar way: "The concept of cohesion is a semantic one; it refers to relations of meaning that exist within a text, and that defines it as a text" They also point out that cohesion often occurs where the interpretation
of some elements in the discourse is dependent on that of another
Trang 111.2.2 Cohesion vs Coherence
The distinction between cohesion and coherence has not always been clarified
partly because both terms come from the same verb cohere which means sticking together
In fact, cohesion is the network of different kinds of formal relations that provide links between or among various parts of a text, and is expressed partly through the grammar and partly through the vocabulary Coherence, in contrast, can be understood as the quality of being meaningful and unified As for Nunan (1993), coherence is "the feeling that sequences of sentences or utterances seem to hang together"
Coherence refers to the type of semantic and rhetorical relationships that underline
texts If cohesion refers to the linguistic elements that make a discourse semantically
coherent, then the coherence involves with what makes a text semantically meaningful
Cohesion is only guide to coherence and coherence is something created by the reader in the act of reading the text The two categories represent the interrelated aspects that make a text or discourse coherent and different from random ones
In short, coherence is embodied by a system of cohesive devices and cohesion is mainly used to ensure coherence
1.2.3 Types of Cohesion
According to Halliday and Hasan (1976), the classification of cohesion is based on the linguistic form The type of cohesion depends either on semantic relation in the linguistic system or on lexico-grammatical relations In other words, the cohesive relation can be interpreted as being either lexico-grammatical in nature or semantic It can be made clearer in the following description:
Nature of cohesive relation Type of cohesion
Table 1.1: Type of cohesion
(Source: Halliday and Hasan, 1976:304)
Trang 12Reference, substitution and ellipsis are clearly grammatical; lexical cohesion, as the name implies, lexical Conjunction is on the borderline of grammatical and the lexical; the set of conjunctive expressions involve lexical selection However, it is better to put it in the group of grammatical cohesion as it is mainly grammatical with a lexical component inside Consequently, we can refer to grammatical cohesion and lexical cohesion as follows:
Grammatical cohesion Lexical cohesion Reference
Reference
To begin with, in the view of Halliday and Hasan (1976:32), reference is a semantic relation and "since the relationship is on the semantic level, the reference item is in no way constrained to match the grammatical class of the item it refers to"
Trang 13The two authors also distinguish situational and textual reference very clearly by contrasting exophora (or exophoric reference) and endophora (i.e, endophoric reference) as follows:
(Source: Halliday and Hasan, 1976:33)
They then conclude that reference items may be exophoric or endophoric; and if endophoric, they may be anaphoric or cataphoric These two authors also indicate: "There are items in every language which have the property of reference" In English, those items belong to anaphoric and cataphoric reference The first consists of items which point the readers or listeners backwards to a previously mentioned entity, process or state of affairs The second, on the other hand, points the readers or listeners forward further into the text
in order to identify elements to which the reference items refer
To take an example, let us look at the opening lines of a famous English novel,
Jude the Obscure The author, Thomas Hardy, shows different types of reference at work:
The schoolmaster was leaving the village, and everybody seemed sorry The miller at Cresscombe
lent him the small white tilted cart and horse to carry his goods to the city of his destination, about twenty miles off, such a vehicle providing of quite sufficient size for the departing teacher's effects
In this example, there are both anaphoric and exophoric reference The followings are detailed analysis of such types of reference
Anaphoric Reference:
In the first sense, him in "lent him the small white tilted cart" is the schoolmaster introduced earlier, his destination is the schoolmaster's and such a links back to the cart in the previous sentence; therefore, all the expressions “him, his destination, such a” are
referred to as anaphoric reference
Trang 14 Exophoric Reference:
The novel opens with "the schoolmaster" leaving "the village" We have no
information about which schoolmaster and which village that the writer is referring to In this case, the author expects us to share a world with him, independent of the text, with typical villages and their populations (everybody), their schoolmaster and miller These ones are exophoric reference
Now consider the following example of reference with the pronoun "she":
Although she was still tired, my sister managed to go to school
In this particular text, neither anaphoric nor exophoric reference supplies the
identity of "she", we have to read on, and are given the identity in the following part of the
sentence “She” here is cataphoric reference
Also according to Halliday and Hasan, there are three types of reference: personal, demonstrative, and comparative The first is reference by means of function in the speech
situation, through the category of PERSON, such as: I, me, you, we, us (noun/pronoun);
mine, my, your, yours, one's (determiner); etc The second is reference by means of
location, on a scale of PROXIMITY, such as: this, these, here, now (near proximity); that,
those, there, then (far proximity); or the (neutral proximity) The last is indirect reference
by means of IDENTITY or SIMILARITY, such as same, identical, equal, identically (identity-general comparison); similar, additional (general similarity - general comparison); other, different, else, differently, otherwise (difference); better, more, so,
equally (particular comparison)
These various devices enable the writer or speaker to make multiple references to people and things within a text Examples of these types are as follows:
1 Peter didn't come to the party He is too busy typing his reports for the next meeting
In this example, both “Peter” and “he” refers to the same person “He” in the second
sentence is regarded as personal reference
2 Tom is always the last person to enter the meeting hall This annoys his colleagues
As can be seen, “This” replaces the meaning of the whole preceding sentence In this case,
“this” is demonstrative reference
3 I'm not so happy as he
In the last example, “so” is used as comparative reference
Trang 15Substitution
The second type of grammatical cohesion analysed below is substitution Substitution is a relation in the wording rather than in the meaning and within the text It is the use of substitute word or phrase to avoid repetition Most of the substitutes are proforms within sentences, which can be used across sentences There are three types of substitution: nominal substitution, verbal substitution and clausal substitution Substitutes
may be proforms for nouns (one/ ones); proforms for adverbials (there, like it, like that, ); proforms for predicates and predication (do so, do it, do that, so do/does); proforms for the direct object clause (that, so, .) According to Halliday and Hasan (1976), nominal substitution includes: one, ones, same; verbal substitution consists of do; and clausal substitution are so, not The following are some examples of substitution
Nominal substitution
There are some new tennis balls in the bag These ones have lost their bounce
In the second sentence, “ones” refers to the noun phrase “tennis balls” appearing before It
is, therefore, called nominal substitution
Verbal substitution
A: Did Mary take that letter?
B: She might have done
The verb “done” in B’s answer is a substitute of the verb phrase “take that letter” In this case, “done” is an example of verbal substitution
Ellipsis is an omission of certain elements from a sentence or clause and can only
be recovered by referring to an element in the proceeding text The former is non-cohesive, and the latter is cohesive Elliptical cohesion always appears anaphoric Ellipsis
can be repetition This is similar to substitution in terms of three types: nominal ellipsis, verbal ellipsis and clausal ellipsis
Trang 16 Nominal ellipsis:
My kids play an awful lot of sport Both [ ] are incredibly energetic
In this instance, in order to be fully interpreted, the sentences must be filled with “my kids”
in the gap However, these are omitted as it is not necessary for readers to work out the sentence’s meaning
Verbal ellipsis:
A: Have you been working?
B: Yes, I have [ ]
Similarly, there is no need to repeat the verb in this sentence as it presupposes the word
from the previous verbal group The full answer for A’s question is “Yes, I have been
working” Hence, B’s response here is known as verbal ellipsis
Clausal ellipsis:
A: Why'd you only set three places? Paul's staying for dinner, isn't he?
B: Is he? He didn't tell me [ ]
B’s answer in this case can be understood as “He didn’t tell me he is staying for dinner”
As this clause is omitted, this sentence is considered as an example of clausal ellipsis
Conjunction
Conjunction is different from substitution, ellipsis and reference in the fact that it is not a device for reminding the readers of previously mentioned entities, actions and state of affairs It is not in the kind of anaphoric relation But it is a truly cohesive device because it signals relationships that can only be fully understood through reference to
other parts of the text There are four types of conjunction: temporal, causal, additive and adversative Following are some examples of conjunctive relations:
- Temporal: then, next, after that, just then, at the same time, finally, at last, at once, soon,
after a time, next time, on another occasion, meanwhile, until then, etc
We have been looking for that book for months Finally, we manage to get it
- Causal: so, then, hence, therefore, consequently, for this reason, account for this, as a
result, with this in mind, for, because, on this basis, to this end, arising out of this, in that case, that being so, under the circumstances, otherwise, in this respect, with reference to this, aside from this, etc
As a student, he was very lazy Consequently, he failed his entrance examination to university
Trang 17- Adversative: yet, though, however, only, nevertheless, despite this, in fact, actually, on
the other hand, at the same time, instead of, on the contrary, at least, in any case, anyhow,
at any rate, etc
I have lived here for ten years; however, I've never heard of that pub
- Additive: and, and so, nor, furthermore, in addition, besides, alternatively, incidentally,
by the way, that is, I mean, in other words, for instance, thus, likewise, similarly, in the same way, by contrast, etc
She is intelligent And she is also very reliable
1.2.3.2 Lexical Cohesion
Lexical cohesion was first advanced by Firth (1957) and later developed by Halliday (1961, 1966) Lexical cohesion occurs when two words in a discourse are semantically related in some way Halliday and Hasan (1976) classify lexical cohesion into two main categories: reiteration and collocation
Reiteration
Reiteration, according to Halliday and Hasan (1976), is "the repetition of a lexical item, or the occurrence of a synonym of some kind, in the context of reference; that is, where the two occurrences have the same referent" Reiteration involves repetition, synonyms and near synonyms, superordinates, and general words
The meeting commenced at six thirty But from the moment it began, it was clear that all was not well
Collocation
Collocation is known as the tendency to co-occur in the same lexical environment without depending on any semantic relationships
E.g.: A: Would you mind filling the kettle and switching it on? (1)
B: I need boiling water for vegetable (2)
In (1) we have the word “kettle” and in terms of meaning, two words “fill” and “switch” which may be used to combine with “kettle” appear in our minds Likewise, in (2) we have
“water” and “boil” in our mind These are known as collocation
To sum up, the first chapter of this study just provides some background knowledge about Discourse and Cohesion in general All these will be discussed in more detail with
examples from the novel “The Call of the Wild” at chapter three of the thesis
Trang 18CHAPTER 2: AN OVERVIEW ON "THE CALL OF THE WILD" BY JACK
LONDON
Among those famous literary works of English literature, “The Call of the Wild” by
Jack London is considered one of the greatest It is assumed that this novel is not just a story for children; its appeal also has influences on adult readers’ feelings and emotion Following, we attempt to give a brief description of the story’s plot, the main characters and all the events which takes place in the novel Hopefully, it will help readers have a more thorough understanding of the book as well as the moral lessons conventionally conveyed
2.1 A brief summary of "The Call of the Wild"
The Call of the Wild is the story of a dog’s journey from living a cocooned life in
sunny California, to the unforgiving frozen dunes of the arctic A man’s greed stole Buck’s comfortable life He was sold by his master’s trusted servant to men heading south in search of that precious yellow metal - gold Buck’s journey through the harsh landscapes
as a sledge dog, passing from rough but skilled hands of his first owners, to the incompetence of a group of three, and then finally, into the care of the loving John Thornton, teaches him to survive in the ways of the wild In the process, his natural killer instincts, made dormant by his brush with civilisation, awaken Buck becomes the best sledge dog ever that walked the frozen trails to the land of gold In the end, as John Thornton – the last tie with human life - dies a tragic death, Buck finally resides where he was always meant to be: in the heart, and call of the wild
2.2 An overview on "The Call of the Wild"
2.2.1 Characters
As a matter of fact, "The Call of the Wild" is the story of a dog's journey and all the
events happened in the story are seen through the eyes of that dog Buck, the name of the dog, can be said to be the witness as well as the story-teller who helps readers have an overall perception of the whole story However, Jack London's viewpoint is not just to describe a journey He also wants, through his characters, to convey the social concerns of that period
Trang 19Added to this, during his journey, Buck has a great deal of relationships with a number of different characters All these characters have built up the story events Nevertheless, the major characters of the story can be classified into three groups: Buck, John Thornton, and the last consisting of three members: Hal, Charles and Mercedes Each character represents the thoughts and behaviour of one group of people during the period in which the story takes place
2.2.2 Story events
"The Call of the Wild" is a great novel with a long sequence of events happening
through the story of Buck However, it is not merely a description of a journey seeking for gold, it is a true description of life during the time when the story was written The novel, therefore, teaches us the real life, not in a big comfortable flat, but life, which consists of fighting with nature Jack London has embedded in his story with a lot of social issues as well as hidden messages that cause readers to consider after reading the book On analysing the book thoroughly, we realize that the main themes that the author wants to show us includes: Survival of the fittest, Heredity and Environment and Man - Dog Relationship
A detailed analysis of the story events in the next chapter will make it clearer to
have an overview on the “hidden messages” in “The Call of the Wild”
Trang 20CHAPTER 3: AN ANALYSIS OF GRAMMATICAL COHESION USED IN “THE
CALL OF THE WILD”
As mentioned above, “The Call of the Wild” is a fantastic book whose appeal
remains until today There are a number of factors that makes this novel a great success Cohesion is considered as one of the key elements Thus, how is cohesion, specifically grammatical cohesion exploited and by what way can Jack London employ all the items related in his work? The following chapter attempts to answer all these questions as well as
points out some major findings of grammatical cohesion in “The Call of the Wild”
of contribution to the cohesion of a text, however, it helps to make sense in the context
While analysing “The Call of the Wild” in detail, we realize that such type of
references is widely used It can be seen in the following examples:
( ) And this was the manner of dog Buck in the fall of 1897, when the Klondike strike dragged men
On reading the book, this sentence draws our attention to “the Klondike” and “the
frozen North” In order to understand these linguistic items, it is essential that readers have
some background knowledge of the social event taking place during the time the novel was written (The Klondike Gold Rush was a frenzy of gold rush immigration to and for gold prospecting, at the Klondike river near Dawson city, Yuko, Canada, after gold was discovered there in the late 19th century Many men of that time were lured to that area to explore this precious metal)
Trang 21Buck’s first day on the Dyea beach was like a nightmare (Chapter 2)
Jack London ends chapter 1 with the scene of the dog Buck and his friends leaving
on a ship to a colder place – as Buck can perceive And to begin chapter 2, the author
introduces to readers “Buck’s first day on the Dyea” Which “Dyea”? Is it in the Arctic
darkness as mentioned at the beginning of the novel? We are using more than just the text here to establish referents In this case, the author expects us to share a world with him, independent of the text, in which both men and dogs and other living creatures have to endure hard conditions of a primordial life (The Dyea river is in Alaska, America)
As mentioned before, Jack London’s work is closely associated with real life and through his writing, he wants to characterize the social concern at that time Therefore,
during the study of “The Call of the Wild”, we see that almost all exophoric markers
exploited in the novel direct us to a world familiar to both writer and reader The number
of occurences of the article “the” in combination with a concrete place and with other
definite (or conventionally definite) nouns is surprisingly great Besides, there are some
other ways of expressing exophoric reference in “The Call of the Wild”
The following table is detailed analysis of exophoric references by Jack London in
“The Call of the Wild”
Exophoric Reference Number of occurences Frequency (%)
Table 3.1: Exophoric Reference in “The Call of the Wild”
As can be seen from the table, Jack London has exploited a great deal of exophoric reference in his novel Through the seven chapters of the book, there are 390 cases in which exophoric referent markers are employed (100 %) Of these, the figures gained in each chapter after analysing are not the same in terms of frequency Chapter seven - with
81 times of occurences of exophoric reference - ranks first, accounting for 20.7 % On the contrary, in chapter 2, there are only 34 examples of exophoric referent items, with the
Trang 22proportion of 8.7 % Chapter five ranks second with 72 cases (18.5 %) Next comes chapter six with 65 times, which accounts for 16.7 % In the three chapters left, exophoric reference appears rather often, counting for a small number of around 37 – 65 times This
is understandable as a result of the differences in length between chapters Furthermore, in each chapter, it is the context of the story event that determines the number of occurences
of such referent markers
There are reasons for the author’s choices of exploiting such a large number of exophoric reference First of all, these are employed in the novel in accordance with Jack London’s writing style when he attempts to show great concern about the current social issues More important, by means of exophoric reference, the book presents us a panorama
of a society that is real, and that is familiar not only to the writer himself but all the readers
as well
3.1.1.2 Endophoric Reference
As what discussed in previous chapter on “Reference”, endophora may be anaphora, which belongs to preceding texts, or cataphora, to following text According to Guido Telemans (2001-2002), cataphoric reference “is a classic device for engaging the reader’s attention” which often appears in the opening sentences of the text Anaphoric reference,
on the contrary, requires readers to come back to the opening sentences of the text to get full comprehension
Below are some examples of anaphoric and cataphoric reference:
Buck did not read the newspapers, or he would have known that trouble was brewing,
not alone for himself, but for every tide-water dog, ( ) (Chapter 1)
It can be seen from the above sentence, “he” and “himself” are anaphoric references which tie up with “Buck” in the preceding text Readers will find it hard to
understand the whole text without looking backwards to work out the relationship between
“he” as well as “himself” and the already mentioned “Buck” Here, “he”, “himself” and
“Buck” are text-internal
Charles and Hal went out in the evening and brought six outside dogs These, added to the six of the
original team, and Teek and Koona, the huskies obtained at the Rink Rapids on the record trip,
brought the team up to fourteen But the outside dogs, though practically broken in since their landing, did not amount to much Three were short-haired pointers, one was Newfoundland, and the
other two were mongrels of indeterminate breed They did not seem to know anything, these
Trang 23There are many other types of grammatical ties in this text , nevertheless, within this part,
let us pay more attention to referent markers Firstly, “Teek and Koona” are intepreted cataphorically, since readers have to continue forwards to “the huskies obtained at the Rink
Rapids on the record trip” to realize their identity Meanwhile, “their” in “since their landing” is anaphoric on referring to “the outside dogs” in the first part of that sentence
Lastly, “they” in “They did not seem to know anything” is cataphoric refererent of “these
newcomers”, appearing in the final part of the whole text
Surprisingly, with regards to endophora, anaphora is exploited in greater number That is to say, in most cases, readers have to move forwards to understand thoroughly the linguistic expressions they are reading The next part of this chapter is the statistical
analysis of Reference Markers in “The Call of the Wild”
3.1.2 Statistical Analysis of Reference Markers
As mentioned in the previous chapter, there are three types of reference: personal, demonstrative and comparative The following table will show in more detail the number
of occurences of each type in the novel
To begin with, let us have a look at personal referent items used in this novel
Table 3.2 Personal Reference in “The Call of the Wild”
Table 3.2 shows that throughout the seven chapters of the book, the writer has used
a great deal of personal reference, both singular and plural, though different in terms of frequency This seems to be correspondent to the number as well as gender of characters appearing in the story Except for human roles, all the animals – specifically dogs – are
personified; thus, they perform as “he” or “she” After analysing the chapters thoroughly,
we can find here 2627 cases of personal reference (100%) On the average, with a total of
1606 times occuring, singular determinative masculine (he/him/his) accounts for 61.1 % -
which ranks first On the contrary, that of singular determinative feminine is only 3.5 % with only 91 occurences The proportions of singular determinative neuter and plural are
Trang 2413.4 % and 22 % respectively (351 occurences for it/its and 579 times for
Table 3.3 Demonstrative Reference in “The Call of the Wild”
Like personal reference, demonstrative items appear very frequently with a total of
2598 occurrences (100%) We can see from this table that non-specific demonstrative “it” and “the” get a remarkable number of occurrences in all chapters of the novel: 2407 times, accounting for 92.6 % The uses of near demonstrative (this/these/here) are a bit preferable
to far demonstrative (that/those/there) with the number of occurrences of 108 times
(4.2 %) compared to 83 times (3.2 %)
Lastly, the following table is the data analysis of comparative reference in “The
Call of the Wild”:
More, fewer, less,
further; so-, as-, +
quantifier
39
Com.adj & adv;
so-, less-, as-, more- + adj
51
Com.adj & adv; so-, less, as-, more- + adv
47
Table 3.4 Comparative Reference in “The Call of the Wild”
Table 3.4 demonstrates very clearly the difference between specific and general
comparative in “The Call of the Wild” In terms of general comparative, the expressions