f qf 6+ otLUSl -+) f xcHia cuA NHfNc euAN NrEM THo TRoNG pHoNG rnAo rno uor tg32-ts4s rE queNc HUNGc) Tim tdt sq da dang vc khuynh huong sring t6c cta phong trio Tho moi 1932- 1945 gin lian cing phf vd quan ni6m nghg thuft Ph6 b6 quan niim tho c6 nhiAu k-hd c{mg cua thoi trung daJ ti€p nhin c6c quan ni€m nghQ thuit mriri md tu phuong Tiy, c6c thi si rho moi de kting dinh nhiau i ki6n c6 tin-h c6ch m4ng vd tho ca D€ cao ce,, iirc tu ,hien ctng crii nhln huring ngoai, itring aint vi d{c bi6t cua thi si sg cao quf cta tho ca cung tr?ng th6i khric thuong cta qui trinh s6ng tao, coi trqng vd thtc, t6m linh, Nhtng quan nifm iy cta Tho moi kh6ng chi mang tinh c6ch mAng d rhoi b6y gid mi vin cdn nhidu j nghia vri'i chung hiQn su phong Tt khda: cdm xric tg nhi€n, thi si lim tho, c6i troi Absnad: The diversity ofcompositional tendencies ofthe New Poetry ( 1932 to 1945) is associated with the richness of artistic conceptions Breaking the notion that poetry had a lot of rigidity in the Middle Ages, and accepting new artistic concepts from the west, writers of "New poetry,, affirmed many revolutionary ideas about poetry These ideas include: enhancing natural emotions and looking outward, affirming the special beauty ofthe poets, the nobility of poetry as well as the unusual stati ofthe creative process, and attaching importance to the unconscious and the spiritual These concepts were not only revolutionary at that time but still have many meanings for us today Kqh,otdst natural emotions, poets, poetry writing, heaven Chi6m fnh ch6 rlimg tr6n thi rtin, tdn tai, phet triCn tr6n duoi l3 nim, phong trdo Tho ma 1932-1945