2021 Administrative CV External Getz

1 CHRISTINE SUZANNE GETZ Associate Dean for Graduate Education and Outreach and Engagement College of Liberal Arts and Sciences The University of Iowa HIGHER EDUCATION Ph.D in Musicology, University of North Texas, 1991 Dissertation: Music and Patronage in Milan 1535-1550 and Vincenzo Ruffo’s First Motet Book M.M in Voice Performance and Music History (double concentration), Southern Illinois University, 1982 Thesis: The Role of Manuel Garcia in the History of Vocal Pedagogy B.M.E (Voice), University of Evansville, 1979 PROFESSIONAL POSITIONS Administrative 2020-present, Associate Dean for Graduate Education and Outreach and Engagement, College of Liberal Arts and Sciences (CLAS), The University of Iowa The Associate Dean for Graduate Education and Outreach and Engagement supervises 47 graduate programs serving approximately 1,900 graduate students from 37 schools and departments in the arts, humanities, social sciences, and the natural and mathematical sciences by working closely with 40 Directors of Graduate Studies and CLAS Administrative, Finance, and Human Resources staff In this capacity, she operationalizes a sizeable budget (approximately 21% of CLAS total) for graduate teaching assistants, fellowships, URM recruitment, and professional development, approves CLAS research assistant and postdoctoral fellow appointments, addresses graduate and postdoctoral grievances and disciplinary complaints, oversees the graduate curriculum, participates in program reviews of CLAS departments and schools, participates in CLAS long-term planning, reviews CLAS cases for tenure and promotion, reviews performance of CLAS department and school directors, interviews prospective faculty for positions, coordinates CLAS nominations for honorary degrees, leads strategic planning for CLAS Outreach and Engagement, represents CLAS on university committees for service learning and community engaged learning and research, and oversees recognition of CLAS faculty outreach and engagement She further collaborates with the Graduate College on initiatives affecting the funding and professional development of graduate students and postdoctoral fellows in CLAS and serves as the CLAS liaison to the Graduate College 2017-2019, Associate Dean for Graduate Education and the Arts, College of Liberal Arts and Sciences (CLAS), The University of Iowa The Associate Dean for Graduate Education and the Arts supervised 47 graduate programs serving approximately 1,900 graduate students from 37 schools and departments in the arts, humanities, social sciences, and the natural and mathematical sciences by working closely with 40 Directors of Graduate Studies and CLAS Administrative, Finance, and Human Resources staff In this capacity, she operationalized a sizeable budget (approximately 19% of CLAS total) for graduate teaching assistants, fellowships, URM recruitment, and professional development, approved CLAS research assistant and postdoctoral fellow appointments, addressed graduate and postdoctoral grievances and disciplinary complaints, oversaw the graduate curriculum, participated in program reviews of CLAS departments and schools, participated in CLAS long-term planning, reviewed CLAS probationary tenure-track faculty for third-year contract renewal, reviewed CLAS cases for tenure and promotion, reviewed performance of CLAS department and school directors, interviewed prospective faculty for positions, coordinated CLAS nominations for honorary degrees, and assisted schools and departments with the nomination of faculty for external awards She further collaborated with the Graduate College on initiatives affecting the funding and professional development of graduate students and postdoctoral fellows in CLAS and served as the CLAS liaison to both the Graduate College and CLAS’s arts units 2014-2016, Administrative Fellow, College of Liberal Arts and Sciences (CLAS), The University of Iowa Participated in the caucus and planning meetings of the CLAS Deans, meetings of the Deans with CLAS Executive Committee, deliberations on CLAS faculty line allocations, and reviews of CLAS probationary tenure-track faculty for third-year contract renewal Also assisted the Dean, Associate Dean for Faculty, and Associate Dean for Research and Infrastructure on projects related to faculty development and recognition 2009-2016, Associate Director for Graduate Studies, School of Music, The University of Iowa Oversaw all curricular, contractual, and disciplinary aspects of a graduate program in an accredited, comprehensive School of Music serving approximately 220 graduate students enrolled in MA, MFA, DMA, and PhD programs Met regularly with the Director, Associate Director for Undergraduate Studies, Associate Director for Instructional Support, and professional staff to develop and implement initiatives and served as ex-officio chair of the Graduate Committee Summer 2005-Summer 2014, Area Head, Musicology, School of Music, The University of Iowa Coordinated musicology faculty meetings, graduate admissions, graduate student advising and qualifying examination assignments, TA assignments, curriculum, and course offerings Consulted with the Director and Associate Directors on matters affecting the musicology area Faculty Positions, Teaching Fellowships, and Teaching Assistantships 2012-present, Professor of Musicology, School of Music, The University of Iowa 2005-2012, Associate Professor of Musicology, School of Music, The University of Iowa 1999-2005, Assistant Professor of Musicology, School of Music, The University of Iowa 1997-1999, Assistant Professor of Musicology and Director of Collegium Musicum, School of Music, Baylor University 1990-1997, Lecturer in Musicology and Director of Collegium Musicum, School of Music, Baylor University 1987-1990, Assistant Professor of Music, University of Maine at Presque Isle (on professional leave to accept Rotary Foundation Fellowship to Italy for dissertation research in 19881989) Summer 1989; Summer 1988; 1986-1987, Teaching Fellow in Musicology, University of North Texas 1985-1986, Adjunct Instructor of Voice, Tarrant County Junior College 1983-1985, Teaching Assistant in Musicology, University of North Texas 1982-1983, Instructor of Music, Moberly Area Junior College 1980-1982, Teaching Assistant in Voice, Opera, and Music History, Southern Illinois University AWARDS and FELLOWSHIPS (POST-DOCTORAL ONLY) Fall 2014, Career Development Award, The University of Iowa 2012, American Musicological Society subvention to defray the costs of publication of Mary, Music, and Meditation: Sacred Conversations in Post-Tridentine Milan Spring 2007, Career Development Award, The University of Iowa 2005, Dean’s Scholar, The University of Iowa 1999, Baylor University Teaching Award for a Tenure-Track Faculty Member 1998, Fulbright Faculty Scholar, Italy 1994, NEH Summer Seminar Fellowship for “Medieval Western Europe 1100-1500: The Latin Archival Sources,” Newberry Library Summer Seminar 1994, Baylor University Young Investigator Award for Junior Faculty Achievement in Scholarship 1993, NEH Summer Stipend for Independent Research CURRENT PROFESSIONAL MEMBERSHIPS American Musicological Society International Musicological Society Società Italiana di Musicologia Society for Seventeenth-Century Music Renaissance Society of America LANGUAGES Italian: Reading, Speaking, Writing Latin: Reading Spanish: Reading French: Reading TEACHING AND MENTORING Teaching Assignments 2014-2021 Semester Spring 2021 Fall 2020 Spring 2020 Fall 2019 Spring 2019 Undergrad Advisees 0 0 Graduate Advisees* (1 regular, coadvisees) (1 regular, coadvisees) (2 regular, coadvisees) (2 regular, coadvisee) (2 regular, coadvisee, grad intern) Courses Taught # Enrolled # Credit Hours MUS 7970: DMA Essay/Thesis MUS 7970: DMA Essay/Thesis MUS 7970: DMA Essay/Thesis 1 MUS 7950: Ph.D Thesis 1 MUS 7970: DMA Essay/Thesis 1 MUS 7950: Ph.D Thesis 1 MUS 6375: Music Editing 17 Fall 2018 Summer 2018 Spring 2018 Fall 2017 Summer 2017 Spring 2017 Fall 2016 Summer 2016 Spring 2016 Fall 2015 Spring 2015 0 0 0 0 (2 regular, coadvisee) (4 regular, coadvisees) (4 regular, coadvisees) (5 regular, coadvisee) (3 regular, prethesis, co-advisee) (4 regular, prethesis, co-advisee) (5 regular, coadvisee) (5 regular, coadvisees) MUS 3990: Special Studies (Graduate Education Internship) MUS 7970: DMA Essay/Thesis 1 1 MUS 7950: Ph.D Thesis MUS 7970: DMA Essay/Thesis 1 MUS 7950: Ph.D Thesis MUS 7950: Ph.D Thesis MUS 6330: Seventeenth-Century Music MUS 7970: DMA Essay/Thesis 12 3 0-1 MUS 7950: Ph.D Thesis 1-3 MUS 7970: DMA Essay/Thesis 1-4 MUS 7950: Ph.D Thesis 1-3 MUS 7950: Ph.D Thesis 1 MUS 6375: Music Editing 15 MUS 7970: DMA Essay/Thesis 0-1 MUS 7950: Ph.D Thesis 1 MUS 5301: Advanced Music History I MUS 6326: Renaissance Music Notations MUS7970: DMA Essay/Thesis 22 11 MUS 7950: Ph.D Thesis 1 MUS 7950: Ph.D Thesis 1 MUS 5302: Advanced Music History II MUS 6950: MA Thesis 20 MUS7970: DMA Essay/Thesis 0-2 MUS 7950: Ph.D Thesis 1 MUS 7970: DMA Essay/Thesis 0-2 MUS 7950: Ph.D Thesis MUS 6325: Renaissance Music 15 MUS 5301: Advanced History and Literature I MUS 7970: DMA Essay/Thesis 31 3 0-2 Fall 2014 (4 regular, essay co-advisees) MUS 6950: MA Thesis MUS 6375: Music Editing 14 MUS 5302: Adv History and Literature II MUS 7970: DMA Essay/Thesis 26 3 1-3 MUS 6950 MA Thesis 025: 013EX4 (1301) Concepts and Contexts of Western Music (CIMBA) 025:502 (7970) DMA Essay/Thesis 12 025: 302 (5302)Advanced History I 22 12 Career Development Award Summer 2014 Spring 2014 (3 regular, coadvisees) 025: 305 (6330) SeventeenthCentury Music *Includes those enrolled in doctoral continuous registration or conducting pre-PhD thesis research Graduate Students Supervised Ph.D candidates Kelsey Kramer McGinnis (musicology thesis), defended March 2020 •Adjunct Assistant Professor of Ethnomusicology, Liberty University, Spring 2021 •2019 UI College of Liberal Arts and Science Dissertation Writing Fellowship •2018 UI Graduate College Summer Fellowship •2018 UI Office of the Vice President for Research Graduate Award for Research Excellence in the Arts and Humanities •2018 UI Graduate College Post-Comprehensive Research Fellowship Kelsey Kramer McGinnis (musicology pre-thesis research), Spring 2015-Spring 2017 Sarah Lucas (musicology thesis), Graduated Fall 2018 •Lecturer in Music, Texas A&M University-Kingsville, 2019-present •Teaching Artist of Music History, Drake University, 2018-2019 •Instructor, Des Moines Symphony Classical Conversation Series, 2018-2019 •2018 UI Graduate College Summer Fellowship •2017-2018 UI Graduate College Dissertation Fellowship •2017 UI Graduate College Summer Fellowship •2016-2017 Fulbright Scholar (Hungary) •2016 UI Graduate College Summer Fellowship Sarah Lucas (musicology pre-thesis research), Spring 2014-Spring 2015 •2014 Stanley Award Shih-Ni “Sidney” Sun Prim (interim musicology advisor Spring 2012), Graduated Spring 2016 Francesco dalla Vecchia (musicology thesis), Graduated Fall 2011 •Station Agent, Delta Global Staffing, 2015-2019 •Station Agent, Envoy (American Eagle), 2012-2015 •Station Agent, Skywest, 2012 •2009-2010 Ballard and Seashore Dissertation Fellowship Kyung-eun Kim (co-advisor, history of theory thesis), Graduated Fall 2008 •faculty appointment at Hangyang University in Seoul, South Korea D.M.A candidates Laura Canelo Cohen (co-advisor, flute performance essay), Spring 2020-present •2021 UI Dare to Discover Campaign Representative Kevin Dibble (co-advisor, choral conducting thesis), Fall 2017-present •Assistant Professor of Music, Albright College, 2019-2020 •Adjunct Professor of Music, Temple University, 2018-2019 •Conducting Apprentice, Mendelssohn Club of Philadelphia Ahreum Han Congdon (organ performance essay), defended 2021 •Organist and Director of Music, First Presbyterian Church, Ft Worth, Texas •2011-2014 Iowa Performance Fellow Jeffrey Chiou (co-advisor, flute performance thesis), Graduated Summer 2018 •part-time faculty, Nanhau University, 2018 • 2017, Marcus Bach Fellowship, College of Liberal Arts and Sciences Christopher Nakielski (choral conducting thesis), Graduated Spring 2018 •Assistant Professor of Music and Director of Choral Activities, Cornell College, 2020present •Clinical Assistant Professor, Washington State University, 2018-2020 Mark Reagan (choral conducting thesis), Graduated Spring 2017 •Instructor of Rhetoric, Literature, and Choral Music, Tall Oaks Classical School (Bear, DE), 2016-present Leslie Allnatt Mallory (interim co-advisor 2013-2015), Graduated Spring 2016 J.P Rakes (choral conducting thesis), Graduated Spring 2015 •Adjunct Instructor, Wheaton College, 2014-present •Artist Director, Rockford Kantorei, 2014-present •Artistic Director, Downers Grove Choral Society, 2014-present •Adjunct Instructor, Northern Illinois University, 2014 •2014 UI Graduate College Summer Dissertation Fellowship •2014 T Anne Cleary Dissertation Fellowship Laura Wiebe (choral conducting thesis), Graduated Fall 2011 •Assistant Professor/Director of Choral Activities, Central Methodist University, 20142019 •Associate Professor/Director of Choral Activities, Indiana Hills Community College, 2012-2014 •Instructor of Music, Coe College, 2011-2012 •2010 UI Graduate College Summer Dissertation Fellowship •2010 T Anne Cleary Dissertation Fellowship Fred Kiser (choral conducting thesis) , Graduated Fall 2010 •Artistic Director, Cedar Rapids Concert Chorale •Director of Vocal Activities, Kirkwood Community College, Cedar Rapids •Director of Music, First Presbyterian Church, Cedar Rapids •Instructor of Music, Coe College, Spring 2012 •Visiting Artist/Choral Conductor, University of Northern Iowa, 2009-2010 •2009 UI Graduate College Summer Dissertation Fellowship Tina Thielen-Gaffey (choral conducting essay), Graduated Spring 2010 • deceased 2017 •Associate Professor of Music, University of Minnesota-Duluth, 2014-2015 •Assistant Professor of Music, University of Minnesota-Duluth, at graduation •2006 T Anne Cleary Dissertation Fellowship Anne Lyman (choral conducting thesis), Graduated Fall 2008 •Director of Choral Activities, Tacoma Community College, 2013-present •Artistic Director, Seattle Bach Choir (from Fall 2009) •Conductor of Choirs, University of Puget Sound, 2008-2013 •2006-2007 Fulbright Scholar (Belgium) Michael Porter (choral conducting thesis), Graduated Spring 2008 •Associate Professor/Director of Choral Activities, Boise State University, 2017-present •Assistant Professor/Director of Choral Activities, Boise State University, 2011-2017 •Assistant Professor/Director of Choral Activities, Brevard College, 2005-2011 •2005 Stanley Award Martin Dicke (choral conducting thesis), Graduated Spring 2008 •Cantor, Trinity Lutheran Church, Peoria, Illinois Sandra Peter (choral conducting essay), Graduated Fall 2006 •Visiting Senior Lecturer and Acting Director of Choral Activities, Stetson University •Interim Director of Choirs, Florida Gulf Coast University •Visiting Associate Professor, Macalester College, Spring 2016 •Associate Professor of Music, Luther College, at graduation David Puderbaugh (choral conducting thesis), Graduated Summer 2006 •Associate Professor/Asst Director of Choral Activities, The University of Iowa, 2012present •Assistant Professor/Asst Director of Choral Activities, The University of Iowa, 20062012 •2005-2006 Marcus Bach Dissertation Fellowship •2004-2005 Fulbright Scholar (Estonia) Matthew Armstrong (choral conducting essay), Graduated Fall 2003 •free-lance composer and music educator in Ohio Matthew Faerber (choral conducting thesis), Graduated Summer 2001 •Professor of Vocal Music Education and Director of Choral Activities, University of Wisconsin-Superior •UI Dissertation Research Fellowship M.A Thesis candidates Tiffany Gillaspy (musicology thesis proposal only), Spring 2016 •Music Library Specialist, Hesburgh Libraries, University of Notre Dame, Fall 2016- present •MA in Library Information Sciences, Spring 2016 Kelsey Kramer McGinnis (musicology thesis), Graduated Fall 2015 •PhD Teaching Assistant, The University of Iowa, 2015-2019 Dan Howard (musicology thesis), Graduated with MA in Fall 2010 •Instrumental Musical Instructor, Alameda International Sr./Sr High School (Lakewood, CO) •2012 UI Graduate College Summer Research Fellowship •Adjunct Instructor of Music, University of Northern Iowa, 2011-2012 •PhD Teaching Assistant, The University of Iowa, 2010-2011 Kimberly Beck Hieb (musicology thesis), Graduated Spring 2009 •Assistant Professor of Music History, West Texas A&M University, Fall 2016-present • Lecturer, California State University, Sacramento, Spring 2016 • Visiting Instructor of Musicology, University of British Columbia, Fall 2015 •PhD in Musicology, University of British Columbia, 2015 • PhD Fellow, University of British Columbia •2008 Stanley Award Special Studies Advisees Lance Bennett (Graduate Education Intern from Communication Studies), Spring 2019 Samantha Blickhan (Professional Improvement in Musicology), Fall 2010-Spring 2011 •IMLS Postdoctoral Fellow, Adler Planetarium and Humanities Lead for Zooniverse, 2017-present •PhD, London, Royal Holloway, 2016 •MA, Oxford University, 2012 Other Graduate Mentoring* •PhD thesis committees, member: 17 •DMA thesis and essay committees, member: 57 •MFA thesis committees, member: •MA thesis committees, member: •DMA recital committees, member: 220 •MA recital committees, member: 22 •PhD comprehensive examination committees: chair 5, member 30 •PhD qualifying examination committees: chair 3, member •DMA comprehensive examination committees: chair 1, member 114 •MA final examination committees: chair 6, member 57 *Member designates participation other than as primary supervisor and numerical count is exclusive of projects now in progress SCHOLARSHIP Books Mary, Music, and Meditation: Sacred Conversations in Post-Tridentine Milan, Indiana University Press, 2013 Music in the Collective Experience in Sixteenth-Century Milan, 1522-1584, Ashgate Press, 2005 (reissued by Routledge in paperback, 2016) Early Music Editions Andrea Cima: Il secondo libro delli concerti (1627), in Recent Researches in Music of the Baroque Era, 202, A-R Editions, Inc., 2018 Hermann Matthias Werrecore: Cantuum quinque vocum quos motetta vocant…liber primus (1559) in Recent Researches in Music of the Renaissance, 151, A-R Editions, Inc., 2008 Invited Book Chapters “Finance, Investment, and Capital at the Lomazzo Press,” in Music Printing and Publishing in Early Modern Italy New Approaches, ed by Luigi Collarile and David Bryant, forthcoming Brepols Publishers, accepted/in press “Milan: Imperial City and ‘Theater of the World’,” in A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries, ed Andrew Weaver (Leiden and Boston: Brill Publishers, 2020), 499-533 “The Magnificats of Lomazzo’s Flores praestantissimorum viorum (1626) in Marian Devotion at Santa Maria Segreta and Santa Maria dei Servi in Milan,” in Maria «inter» confessiones: Das Magnificat in der frühen Neuzeit, ed Christiane Wiesenfelt and Sabine Feinen (Turnhout: Brepols Publishers, 2017), 237-252 “Music in the 16th and 17th Centuries” in A Companion to Renaissance and Early Modern Milan, ed Andrea Gamberini, (Leiden and Boston: Brill Publishers, 2014), 306-329 “The Lieder of Richard Strauss,” in The Strauss Companion, ed by Mark-Daniel Schmid (Westport and London: Praeger Press, 2003), 335-381 10 Articles in Peer-Reviewed Periodicals “Canonizing San Carlo: Sermonizing, the Sounding Word, and Image Construction in the Polyphony for San Carlo,” Early Music History 34 (Cambridge University Press, 2015), 133189 ‘Simon Boyleau and the Church of the “Madonna of Miracles:” Educating and Cultivating the Aristocratic Audience in Post-Tridentine Milan,’ Journal of the Royal Music Association 126/2 (November 2001), 145-168 “New Light on the Milanese Career of Hoste da Reggio,” Studi Musicali XXVII/2 (1998), 287309 “The Sforza Restoration and the Founding of the Ducal Chapels at Santa Maria della Scala in Milan and Sant’Ambrogio in Vigevano,” Early Music History 17 (Cambridge University Press, 1998), 109-159 “Hermann Matthias Werrecore and the North Italian Circle of Liberal Humanists in CounterReformation Italy,” Arte Lombarda 118/3 (1996), 15-25 “The Milanese Cathedral Choir Under Hermann Matthias Werrecore, maestro di cappella 15221550,” Musica Disciplina XLVI (1992), 169-222 “Francesco II Sforza’s Forgotten Cantor: Evidence of Image Propaganda in Sixteenth-Century Milan,” Explorations in Renaissance Culture XVIII (1992), 27-54 “Modeling as a Clue to Chronology in the Second Generation of Fors Seulement Chansons,” Explorations in Renaissance Culture XIII (1987), 126-147 “A Telemann Concerto for Violin and Strings?: Some Hints on the Reconstruction of an Unidentified Concerto,” Journal of the Riemenschneider Bach Institute (BACH) 19/2 (1988), 324 Articles in Proceedings from International Conferences “Costanti nella raccolta di musica «francescana» stampata da Filippo Lomazzo,” in Barocco Padano e musici francescani, II L’apporto dei maestri Conventuali, ed by Alberto Colzani, Andrea Luppi, and Maurizio Padoan (Padova: Centro Studi Antoniani, 2018), 341-360 “Dal profano al sacro: una raccolta per San Francesco Grande a Milano,” in Barocco Padano e musici francescani L’apporto dei maestri Conventuali, ed by Alberto Colzani, Andrea Luppi, and Maurizio Padoan (Padova: Centro Studi Antoniani, 2014), 195-213 11 “Mulier fortis, musica potente: schiacciare il serpente nella Milano della Controriforma,” Barocco Padano 7, ed by Alberto Colzani, Andrea Luppi, and Maurizio Padoan (A.M.I.S Como 2012), 31-52 “«Vox turturis audita est in terra nostra»: Meditare sui dolori della Madonna Addolorata,” Barocco Padano 6, ed by Alberto Colzani, Andrea Luppi, and Maurizio Padoan (A.M.I.S Como, 2010), 299-331 “I Regii concenti spirituali (1605) di Stefano Limido e l’esportazione dello stile drammatico italiano,” Barocco Padano 5, ed by Alberto Colzani, Andrea Luppi, and Maurizio Padoan (A.M.I.S Como, 2008), 179-193 “Funzione sacra e strategie di «marketing» nella polifonia dei Vespri di Santa Maria della Scala a Milano dal 1595 al 1610,”Barocco Padano 4, ed by Alberto Colzani, Andrea Luppi, and Maurizio Padoan (A.M I S Como, 2006) 409-430 “L’altare mariano nella Milano della controriforma e La donna vestita di sole (1602),” Barocco Padano 3, ed by Alberto Colzani, Andrea Luppi, and Maurizio Padoan (A.M.I.S Como, 2004), 84-101 Dictionary and Encyclopedia Articles “Music,” forthcoming in Oxford Encyclopedia of Religion and Arts in the West: Renaissance to the Present (Oxford University Press), 14,480 words with endnotes, accepted/in press “Hermann Matthias Werrecore,” Die Musik in Geschichte und Gegenwart (MGG), vol 17, 801802 “Hoste da Reggio,” Die Musik in Geschichte und Gegenwart (MGG), vol 13, 1433-1434 Published Reviews of Scholarship Review of Robert Kendrick, The Sounds of Milan, 1585-1650 (New York and Oxford: Oxford University Press, 2002) and Davide Daolmi, Le origini dell’opera a Milano (1598-1649), Journal of Seventeenth-Century Music 12/1 (2006), accessed at http://www.sccmjscm.org/jscm/v.12no1.html Short Review of Robert Kendrick, The Sounds of Milan, 1585-1650 (New York and Oxford: Oxford University Press, 2002), Seventeenth-Century News 63 (Fall-Winter 2005), 213-215 Review of Gothic Voices with Christopher Wilson and Shirley Rumsey, directed by Christopher Page, Pierre de la Rue: Missa de Feria Missa Sancta Dei genitrix (London: Hyperion, 1998), Choral Journal 43/5 (December 2002), 96-97 12 Review of Iain Fenlon and Tim Carter, editors, Con che soavità: Studies in Italian Opera, Song, and Dance, 1580-1740 (Oxford: Clarendon Press, 1995) in Seventeenth-Century News 47 (FallWinter, 1997), 69-70 Newsletter Articles Conference Report on “Re-Creation: Musical Reception of Classical Antiquity,” 17th-Century Music (Newsletter of the Society for Seventeenth-Century Music) 21/1 (Spring 2012), “Hermann Matthais Werrecore: Cantuum quinque vocum quos motecta vocant…liber primus (1559),” feature article in Embellishments (Newsletter of the Recent Researches), vol 34 (Summer 2008), 1-2 PDF copy can be accessed at http://www.areditions.com.rr/embellish/Summer2008_35/2-96 Research Funding for Current Projects 2017, Venetian Programs Grant, Gladys Krieble Delmas Foundation, “Venetian Investors, Spanish Clients, and the Milanese Music Prints of Lomazzo and Tini,” $2,600 2016, Franklin Research Grant, American Philosophical Society, “Economic Partnerships, Marketing Strategies, and International Relations in the Music Prints of Filippo Lomazzo,” $6,000 2015, Iowa Arts and Humanities Initiative, “Virtual Travel in Filippo Lomazzo’s Music Prints,” $5,075 Current Projects Messe nos 31-33, Edizione Gaffurio, Società Editrice di Musicologia, in preparation Marketing Music Between the Plagues: Printers, Editors, Performers, Institutions, and Consumers in Early Modern Milan (tentative title), book manuscript in preparation Antonio Mortaro: Sacrae Cantiones tribus vocibus concinendae (Mediolani, 1598), invited edition in preparation for Corpus Musicum Franciscanum (series of the Centro Studi Antoniani) Conference Presentations International “The Tini, The Somascans, and Dentice’s Lamentationi (I Tini, i Somaschi, e le Lamentationi di Dentice),” paper presented (in Italian) at the XXVII Convegno annuale of the Società Italiana di Musicologia, Siena, 16-18 October 2020 13 “Who were the “heirs of Francesco and Simon Tini?,” paper presented at the 27th Annual Conference of the Society for Seventeenth-Century Music, Durham, NC, 4-7 April 2019 “Competition, Expansion, and Liquidation at the Tradate Press 1598-1612 (Concorrenza, espansione, e liquidazione della casa tipografica Tradate 1598-1612),” paper (in Italian) presented at the XXV Convegno annuale of the Società Italiana di Musicologia, Bolzano, 19-21 October 2018 “The Competition for Orfeo Vecchi and New Frontiers at the Lomazzo Press,” paper presented at the 18th Biennial International Conference on Baroque Music, Cremona, 10-15 July 2018 “The Last Years of the Tini Press,” paper presented at the XXIV Convegno annuale of the Società Italiana di Musicologia, Lucca, 20-22 October 2017 “The Traveler’s Salesmen: Marketing Virtuoso Music in Early Modern Milan,” paper presented at the 17th Biennial International Conference on Baroque Music, Canterbury, Kent, UK, 13-17 July 2016 “Costanti nella raccolta di musica «francescana» stampata da Filippo Lomazzo,” paper presented at Barocco Padano e musici francescani L’apporto dei maestri Conventuali, Centro Studi Antoniani, Basilica del Santo, Padova, 1-3 July 2016 “Travel through Morigia’s Milan in the Music Prints of Filippo Lomazzo,” paper presented at the 62nd annual meeting of the Renaissance Society of America, 31 March – April 2016 “Meditating at the Sacred Font in Seventeenth-Century Milan,” paper presented at the16th Biennial International Conference on Baroque Music, Salzburg, 9-13 July 2014 “At the Sacred Font: Federico Borromeo, Giovanni Battista Cima, and the Milanese Sacred Concerto,” paper presented at the 22nd Annual Conference of the Society for SeventeenthCentury Music, 3-6 April 2014 “Dal profano al sacro: una raccolta per San Francesco Grande a Milano,” paper presented at Barocco Padano e musici francescani L’apporto dei maestri Conventuali, Centro Studi Antoniani, Basilica del Santo, Padova, 1-3 July 2013 “Canonizing San Carlo: Preaching, Meditation and Memory in the Small Sacred Concerto” (30minute-version), paper presented at the annual meeting of the American Musicological Society, New Orleans, 1-4 November 2012 “Canonizing San Carlo: Preaching, Meditation and Memory in the Small Sacred Concerto” (20minute version), paper presented at the 15th Biennial International Conference on Baroque Music, Southampton, England, 11-15 July 2012 “Voices of the Virgin: Meditating Motherhood in Post-Tridentine Milan,” paper presented at the 2010 International meeting of the Renaissance Society of America, Venezia, April 2010 14 “Mulier fortis, musica potente: schiacciare il serpente nella Milano della Controriforma,” paper presented at La musica e il sacro: XIV Convegno Internationale sul Barocco Padano (secoli XVII-XVIII), Milano, July 2009 “Mulier fortis, Virgo potens, Regina Sanctissimi Rosarii: Crushing the Serpent with Marian Music in Post-Tridentine Milan,” paper presented at the 2009 annual meeting of the Society for Seventeenth-Century Music, Rochester, April 2009 “Mulier fortis, mater dolorosa: The sounding Exegesis of Feminine Virtue in Post-Tridentine Milan,” paper presented at the 2008 Biennial Conference of the International Medieval and Renaissance Society, Bangor, Wales, 24-27 July 2008 “«Vox turturis audita est in terra nostra»: Meditare sui dolori della Madonna Addolorata,” paper read at La musica e il sacro: XIV Convegno Internationale sul Barocco Padano (secoli XVIIXVIII), Brescia, 16-18 July 2007 “The Motet Book as Retrospective: Werrecore’s 1555 Book and the Milanese Legacy,” paper read at the 18th International Congress of the International Musicological society, Zurich, 10-15 July 2007 “Serenading the Addolorata: Music in Confraternal Devotions at Santa Maria dei Servi in Milan,” paper read at the 14th Annual Conference of the Society for Seventeenth-Century Music, Toronto, April 2006 “I Regii concenti spirituali (1605) di Stefano Limido e l’esportazione dello stile drammatico italiano,” paper read at the XIII Convegno internazionale di studi musicologici A.M: La musica sacra in area lombardo-padana nell’età barocca, Brescia, July 2005 “Of innocent pastimes, incompetent playing, and chromatic music: The Milanese resistance to Carlo Borromeo’s musical policies,” paper read at Exploring the Renaissance 2005: An International Interdisciplinary Conference, Malibu, March 2005 “Funzione sacra e strategie di «marketing» nella polifonia dei Vespri di Santa Maria della Scala a Milano dal 1595 al 1610,” paper presented at La musica e il sacro: XII Convegno internazionale sul Barocco Padano (secoli XVII-XVIII), Brescia, July 2003 “A Post-Tridentine ‘Composer at Work’: Orfeo Vecchi’s Scielta di madrigali (1604),” paper presented at the annual meeting of the Renaissance Society of America, Toronto, March 2003 “Liturgical Function and Marketing Strategies in Orfeo Vecchi’s Psalmi integri of 1596,” paper presented at Explorations in the Renaissance 2003: An International Interdisciplinary Conference, New Orleans, March 2003 “Francesco Spinola as Music Critic in Sixteenth-Century Milan,” paper presented at the International Musicological Society, Leuven, 1-7 August 2002 15 “‘Pray for Us:’ A Cultural Context for the Ave Maria in Sixteenth-Century Milan,” paper presented at Explorations in the Renaissance 2002: An International Interdisciplinary Conference, St Louis, April 2002 “L’altare della Vergine nella Contro-Riforma a Milano e La donna vestita di sole (1602),”XI Convegno internazionale di studi sul tema La musica e il sacro: prospettive e intertestualità nel barocco lombardo-padano (A.M.I.S Como), Brescia, July 2001 “La donna vestita di sole (1602) and Feminine Spirituality in Post-Tridentine Milan,” paper presented at the American Musicological Society, Toronto 2000: Musical Intersections, Toronto, November 2000 Matthias Werrecore, La bataglia tagliana, prima parte (c 1525), ed for performance at An Evening with Rabelais, annual Meeting of the Renaissance Society of America, Dallas, April 1994 “A Historical and Cultural Context for the Musical Commemorations of the Battle of Pavia,” paper presented at the annual Meeting of the Renaissance Society of America, Dallas, April 1994 National “La donna vestita di sole (1602) and Feminine Spirituality in Post-Tridentine Milan,” paper presented at the annual meeting of the South-Central Renaissance Conference, April 2001 “‘Of Trustworthy Voice and sound Reputation:’ Milanese Instrumentalists and the Law 15461555,” paper presented at the annual meeting of the South-Central Renaissance Conference, April 2000 “Counter-Reformation Music for the Madonna dei Miracoli at Santa Maria presso San Celso,” paper presented at the annual joint meeting of the Southeastern and South-Central Renaissance Conference, April 1999 “New Light on the Milanese Career of Hoste da Reggio,” paper presented at the annual meeting of the South-Central Renaissance Conference, April 1997 “In Commemoration of the Battle at Pavia: Music, Art, and Decorations and the Restoration of Civic Pride,” paper presented at the annual Sixteenth Century Studies Conference, December 1993 “Music and Ceremony in Milan During the Spanish Occupation of Carlo V,” paper presented at the annual Sixteenth Century Studies Conference, October 1992 “Francesco Sforza’s Forgotten Cantor: Evidence of Image Propaganda in Sixteenth-Century Milan,” paper presented at the annual meeting of the South-Central Renaissance Conference, April 1991 16 “Modeling as a Clue to Chronology in the Second Generation of Fors Seulement Chansons,” paper presented at the annual meeting of the South-Central Renaissance Conference, March 1987 Regional “New Light on the Milanese Career of Hoste da Reggio,” paper presented at the American Musicological Society, Southwest Chapter, October 1996 “The Sforza Restoration of 1530 and the Ducal Chapel at Sant’Ambrogio in Vigevano,” paper presented at the American Musicological Society, Southwest Chapter, October 1995 “The Founding and Early Operation of the Ducal Chapel at Santa Maria della Scala in Milan,” paper presented at the American Musicological Society, Southwest Chapter, November 1994 “Music in the Triumphal Entries into Milan During the Spanish Occupation of Carlo V,” paper presented at the American Musicological Society, Southwest Chapter, April 1993 “Francesco Sforza’s Forgotten Cantor: Evidence of Image Propaganda in Sixteenth-Century Milan,” paper presented at the American Musicological Society, Southwest Chapter, November 1990 “A Telemann Concerto for Violin and Strings?: Some Hints on the Reconstruction of an Unidentified Concerto,” paper presented at the American Musicological Society, Southwest Chapter, March 1986 (winner 1985 Hewitt-Oberdoerffer Award) Invited Papers “The Angel Concert in Italian Renaissance Painting,” lecture presented as a part of NEA/NEHsponsored Aspects of Italian Culture: A Symposium, Meadows Museum of Art-Centenary College of Louisiana, April 1991 “The Sixteenth-Century Musician and Financial Status in Milan During the Spanish Occupation,” guest paper presented at Rice University Musicology Colloquium, April 1991 “Richard Strauss and Romantic Mannerism: Introductory Notes to An Evening of Strauss Songs,” Lecture for University of North Texas Summer Recital Series, 1984 “The Transference of Landscaping Techniques from the Wunderhorn Lieder to a Textless Mahler Symphony,” invited paper presented at the April 1984 meeting of the North Texas Philosophy Society 17 Lecture Recitals Andrea Cima in Milan, School of Music, The University of Iowa (collaborative lecture recital with David Puderbaugh, music director and performer; Gregory Hand, organist and coach; and Timothy Stalter, Ghehyun Jung, Lisa Neher, Nicholas Miguel, and Oleg Timofeyev, performers), 24 September 2017 SERVICE Selected Professional Service 2020-2021, President Elect, Society for Seventeenth-Century Music 2020-2021, Chair, Diversity and Inclusion Committee, Society for Seventeenth-Century Music 2021, 2020, 2019, Member, Publications Committee (=general editorial board), Società Italiana di Musicologia 2021, 2020, 2019, Member, Editorial Board, Musica mensurale, Società Italiana di Musicologia 2020, School of Music External Review for Peer Institution 2020, 2019, Reviewer, Music Proposals, American Council of Learned Societies 2020, 2019, Member, Fellowships Committee (=fellowships review panel), Renaissance Society of America 2018, Chair, Nominating Committee, Society for Seventeenth-Century Music 2017, Member, Nominating Committee, Society for Seventeenth-Century Music 2015-2019, Member, Publications Committee, American Musicological Society 2013, Member, Annual Meeting Program Committee, American Musicological Society 2012-2015, Treasurer and Board Member, Society for Seventeenth-Century Music 2010-2017, External reviews, tenure and promotion 2009-2010, Chair, Council Nominating Committee, American Musicological Society 2008-2010, Member, National Council, American Musicological Society 2007-2019, Peer Reviews of Scholarship for Ashgate Press, Indiana University Press, University of California Press, Rivista Italiana di Musicologia, Early Music, Explorations in Renaissance Culture, Research Chronicle of the Royal Music Association, and Studi di Storia Medievale e di Diplomatica 2006-2007, Graduate Education Steering Committee Representative, Membership and Professional Development Committee, American Musicological Society March 2006-March 2007, Past President, South-Central Renaissance Conference March 2005-March 2006, President, South-Central Renaissance Conference 2005-2007, Co-Chair (primary), Graduate Education Steering Committee, American Musicological Society 2004-2005, Co-Chair (secondary), Graduate Education Steering Committee, American Musicological Society 2004-2005, Vice President, South Central Renaissance Conference 2004, Conference Program Chair, Exploring the Renaissance 2004: An International Interdisciplinary Conference, April 1-3, Austin, Texas 18 2002-2004, Member, Graduate Education Steering Committee, American Musicological Society 2002 (for 2003 awards), Chair, Fulbright Senior Peer Review Committee for Southern Europe 2000-2001 (for 2001 and 2002 awards), Member, Fulbright Senior Peer Review Committee for Southern Europe March 2000-March 2007, Executive Board, South-Central Renaissance Conference Spring 1998, Local Arrangements Chair, Southwest Chapter Meeting, American Musicological Society 1996-1998, Secretary-Treasurer, Southwest Chapter, American Musicological Society Service to the University of Iowa (aside from in role as Associate Dean) Department 2013-2016, Peer-Review Committee (conducts post-tenure five-year reviews), School of Music 2009-2016, ex officio Chair, Graduate Committee, School of Music 2010-2011, Chair, Musicology Search Committee (20th Century), School of Music 2009-2010, ex officio Member, Executive Committee, School of Music 2008-2009, Chair, Music Theory Search Committee, School of Music 2006-2009, Member, Executive Committee, School of Music 2005-2016, Faculty Review Committees, School of Music •Promotion to Full Review: chair, and member, •Tenure and Promotion Review: chair, and member, •Tenure-Track Annual Probationary (multi-year responsibility for each): chair, and member, •Lecturer Review: 2005-2006, Member, Choral Search Committee, School of Music 2004-2005, Member, Musicology Search Committee (20th Century), School of Music 2003-2006, Ida Beam Committee, School of Music 2003-2004, Member, Musicology Search Committee (19th Century), School of Music 2002-2003, Member, Choral Search Committee, School of Music 2001-2009, Member, Graduate Committee, School of Music 2000-2006, Honors Advisor, School of Music 2000-2001, Member, Music Theory Search Committee, School of Music 1999-2000, Member, Music Library Search Committee, School of Music/University Libraries College of Liberal Arts and Sciences (CLAS) Fall 2016 and Spring 2015, Member, Graduate Educational Policy Committee, CLAS 2013-2016, Member, College Consulting Group (promotion and tenure committee), CLAS 2013-2016, Chair, Newberry Library Committee, CLAS 2013, Member, Departmental Review Committee, History, CLAS 2009-2013, Member, Newberry Library Committee, CLAS 2006, Member, Departmental Review Committee, Classics, CLAS 19 University 2021, 2020, 2019, 2018, Review Panel, Lulu Merle Johnson Fellowships, Graduate College 2020, Member, College Consulting Group (promotion and tenure committee), Graduate College 2019, Member, Strategic Planning Committee, Graduate College 2019, Invited Speaker, Leadership for Future Physicians, College of Medicine 2018-present, CLAS Representative, Academic Technology Advisory Council (ATAC) 2016, Session Chair and Panel Member, Fulbright Workshop, International Programs 2016, Review Committee, Stanley Graduate Awards, International Programs 2016, 2015, 2013, Fulbright Review Committee, International Programs 2014, Fulbright Proposal Advisor, students, International Programs 2011-2014, Representative, Faculty Senate, The University of Iowa 2010, Review Committee, Ballard and Seashore Dissertation Fellowships, Graduate College 2006, Review Committee, Iowa Arts and Humanities Initiative, Office of the Vice President for Research PROFESSIONAL DEVELOPMENT 2021, BUILD: Engineering an Intersectionality Lens for Equity and Inclusive Excellence 2020, Council of Graduate Schools 60th Annual Meeting, Virtual 2020, Center for Advancement (Foundation), Advancement Partners Workshop 2020, BGC/BUILD: Introduction to Federal Regulations Affecting International Students 2020, National Coalition Building Institute: Leadership for Equity and Inclusion 2019, National Coalition Building Institute: Conflict and Controversial Issues 2019, Council of Graduate Schools 59th Annual Meeting, Nashville 2019, National Coalition Building Institute: Building Effective Relationships Across Difference 2019, National Research Mentoring Network (NRMN) Facilitating Mentor Training 2019, BUILD Beyond the Numbers: Foundations for Diversity, Equity, and Inclusion 2019, The Academic Department’s Role in Advancing Diversity, Equity, and Inclusion (UI Office of the Provost) 2018, Diversity, Equity, and Inclusion for the Arts/Music Workshop (UI School of Music) 2012, National Association of Schools of Music Annual Meeting, San Diego  ... Professional Service 2020 -2021, President Elect, Society for Seventeenth-Century Music 2020 -2021, Chair, Diversity and Inclusion Committee, Society for Seventeenth-Century Music 2021, 2020, 2019, Member,... Reading Spanish: Reading French: Reading TEACHING AND MENTORING Teaching Assignments 2014 -2021 Semester Spring 2021 Fall 2020 Spring 2020 Fall 2019 Spring 2019 Undergrad Advisees 0 0 Graduate Advisees*... board), Società Italiana di Musicologia 2021, 2020, 2019, Member, Editorial Board, Musica mensurale, Società Italiana di Musicologia 2020, School of Music External Review for Peer Institution 2020,