IT training native american art TruePDF february march 2019

FEB/MAR 2019 OFFICIAL 2019 FAIR & MARKET GUIDE 61ST ANNUAL HEARD MUSEUM GUILD Indian Fair & market 2019 OFFICIAL GUIDE ScottSdale Santa Fe Thursday, February 28 nathan Youngblood al QöYawaYma leS namingha Juan de la cruz tammY garcia marla alliSon To p.m | scoTTsdale kinggalleries.com ScottSdale 4168 n marShall waY, ScottSdale, az 480.481.0187 Santa Fe 130 lincoln ave., Suite d, Santa Fe, nm 480.440.3912 221 Canyon Road, Santa Fe 505.955.0550 Very Large Magnificent Black Carved Jar by Margaret Tafoya | Santa Clara Pueblo | 17-1/2” height x 14-1/2” diameter Margaret Tafoya P.O Box 2049 Evergreen, CO 80437 info@turkey-mountain.com 480.423.8777 TurkeyMountainTraders.com INC SPECIAL HEARD MARKET SHOW WE BUY, SELL & BROKER Antique American Indian art and jewelry of artistic and historic merit Fine jewelry by contemporary American Indian masters V Bishop Gallery • 7164 E Main Street, Scottsdale Wednesday - Sunday • February 27 - March 3rd of 28 Years Experience USPAP COMPLIANT APPRAISAL SERVICES AVAILABLE BY STEVEN BEGNER ISA Editor's Letter First of Many FEBRUARY/MARCH 2019 BIMONTHLY VINCENT W MILLER Publisher) Congratulations! What you are holding in your hand right now is the official guide to the 61st annual Heard Museum Guild Indian Fair & Market While this is the first year for us producing the official guide for the fair, we have actually been media sponsors of the event for years, even before we even started publishing Native American Art magazine, through our Western Art Collector magazine And, even further, growing up in Phoenix we have so many fond memories off attending this event throughout the years It is truly a staple of the downtown Phoenix art scene and the Heard itself is an institution that has grown up with the city itself It’s truly been a beautiful thing to see Our advice to you is to explore Get lost in the booths, ask questions, chat with the artists Take advantage of the fact that the piece of art you may be looking at was created by hand by the person standing in front of you This is their life, their vision, their creations—hours upon hours alone in their studio or living room or garage or kitchen table creating the work of art that they now proudly display in front of them A gift from their life to yours Enjoy! Native Most of you know that this guide is the February/March issue American Art of Native American Art magazine We are a bimonthly magazine entirely dedicated to historic and contemporary Native art We cover gallery shows, events like this one, museum exhibitions, auctions and anything else where we find quality art and amazing collectart people coming together If you like what you see, give us a try by subscribing at www.nativeamericanartmagazine.com Lastly, this magazine wouldn’t be possible without the @artmags extremely hard work of our staff They work tirelessly day in and day out to produce this quality publication! Stop by our booth at the fair to meet some of us in person The Heard Museum Guild Indian Fair & Market is put on by the Guild, an unbelievably nativeamericanarts hardworking group of people who make this happen every year Anna Flynn is the organizer of this year’s fair We worked with her daily to create this magazine Her incredible hard work, dedication and just all around awesomeness was truly something to behold Anna, we thank you from the bottom of our hearts Sincerely, Scan the Icons Throughout This Joshua Rose Editor Issue to Watch Videos Don't Have P.S In each issue we provide a special section dedicated to a different aspect of the Native art world These special sections are made up of well-written and useful articles to help illuminate the intricacies of one particular medium in the Native art We are proud to say that our next issue, April/May, will include our first-ever special section devote to historic and contemporary Native fashion and apparel! Email me at joshuarose@nativeamericanartmagazine com to find out how to be a part of this special issue! 04 A Scanner App? We recommend SCANLIFE Available on Android and IOS Devices EDITORIAL JOSHUA ROSE Editor) joshuarose@nativeamericanartmagazine.com ROCHELLE BELSITO (Managing Editor) rbelsito@nativeamericanartmagazine.com MICHAEL CLAWSON (Deputy Editor) ALYSSA M TIDWELL (Assistant Editor) atidwell@nativeamericanartmagazine.com TAYLOR TRANSTRUM (Associate Editor) JOHN O’HERN (Santa Fe Editor) MAIA GELVIN (Intern) ADVERTISING (866) 619-0841 LISA REDWINE (Senior Account Executive) lredwine@nativeamericanartmagazine.com CHRISTIE CAVALIER (Senior Account Executive) ccavalier@nativeamericanartmagazine.com ANITA WELDON (Senior Account Executive) aweldon@nativeamericanartmagazine.com HEATHER K RASKIN (Senior Account Executive) hraskin@nativeamericanartmagazine.com CAMI BEAUGUREAU (Account Executive) camib@nativeamericanartmagazine.com Traffic BEN CROCKETT (Traffic Manager) traffic@nativeamericanartmagazine.com PRODUCTION ADOLFO CASTILLO (Multi Media Manager) TONY NOLAN (Art Director) AUDREY WELCH (Graphic Designer) SUBSCRIPTIONS (877) 947-0792 EMILY YEE (Subscriptions Manager) service@nativeamericanartmagazine.com JAIME PEACH (Accounts Receivable) jpeach@nativeamericanartmagazine.com DARROW BRUNKENHOEFER (Administrative Coordinator) admin@nativeamericanartmagazine.com Copyright © 2019 All material appearing in Native American Art is copyright Reproduction in whole or part is not permitted without permission in writing from the editor Editorial contributions are welcome and should be accompanied by a stamped self-addressed envelope All care will be taken with material supplied, but no responsibility will be accepted for loss or damage The views expressed are not necessarily those of the editor or the publisher The publisher bears no responsibility and accepts no liability for the claims made, nor for information provided by advertisers Printed in the USA NATIVE AMERICAN ART 7530 E Main Street, Suite 105, Scottsdale, AZ 85251 Telephone (480) 425-0806 Fax (480) 425-0724 or write to Native American Art, P.O Box 2320, Scottsdale, AZ 85252-2320 Single copies $7.95 Subscription rate for one year is $36 To place an order, change address or make a customer service query, please email service@NativeAmericanArtMagazine.com or write to P.O Box 2320, Scottsdale, AZ 85252-2320 POSTMASTER: Send all address changes to Native American Art, P.O Box 2320, Scottsdale, AZ 85252-2320 PUBLISHER VINCENT W MILLER NATIVE AMERICAN ART (ISSN 2469-6137) is published times a year by International Artist Publishing Inc www.NativeAmericanArtMagazine.com SAT ISF Y YOUR PALETTE An exclusive look inside the studios of the world’s best artists www.InternationalArtist.com Covering the entire market for historic American art www.AmericanFineArtMagazine.com The only monthly resource dedicated to the entire western art market www.WesternArtCollector.com Showcasing new work by today’s best artists at galleries across the country www.AmericanArtCollector.com A d ve r t i s i n g ( 6 ) - • S u b s c r i p t i o n s ( 7 ) - BISCHOFF’S GALLERY Jack To’Baahe Gene, Navajo (1953 – 2016) www.BischoffsGallery.com 3925 N Brown Avenue Scottsdale, Arizona 85251 • 480-946-6155 SONWAI Lander Blue Turquoise CHARLES SUPPLEE Morenci Turquoise LEE YAZZIE Lone Mountain Turquoise JESSE MONONGYA Lander Blue Turquoise 480.755.8080 waddellgallery.com Event Preview Treasured Antiquities The American Indian Art Show-Marin celebrates its 35th year of exhibiting antique and contemporary Native American art this February SAN RAFAEL, CA The 35th annual American Indian Art Show-Marin showcases antique American Indian works from the West Coast, as well as Pre-Columbian and Spanish Colonial heirlooms, including jewelry, textiles, baskets, pottery, beadwork, sculpture, paintings, photography, books and more The show also displays works from some of the top contemporary Native artists of today Among some 50 exhibitors in attendance at the 2019 event include Buffalo Barry’s Indian Art, Decontie & Brown, Faust Gallery, John Molloy Gallery, Miles & Miles Trading Co and Turkey Mountain Traders “I am very honored and excited to share my creations and our Wabanaki culture and style at the American Indian Art Show-Marin My ancestors traveled great distances to trade and it’s humbling to be able to continue that tradition,” says Jason Brown, owner of Decontie & Brown along with wife Donna Decontie-Brown “A particular item to note that I will be bringing to the show is the first ever inlaid basketry and gemstone cuff The tribes of Maine are famous for our brown ash basketry, and I wanted to create a cuff that honored the chunky inlaid cuff traditions of the master Charles Loloma.” 1 A bird’s eye view of a past American Indian Art ShowMarin Jewelry, pottery, rugs and other items on display at the American Indian Art Show-Marin 164 John Molloy of John Molloy Gallery will feature an exhibition of 19th-century Plains Indian pipe bags at the 2019 show “The [American Indian Art ShowMarin] is the premier show of its kind on the West Coast, and throughout its run of more than 30 years has allowed dealers and collectors to exchange objects and other resources to further understanding and appreciation of these various arts,” says Molloy “I have been fortunate to have participated in each of these shows and look forward to coming from NYC to Marin once again.” “We will be bringing this beautiful and important Navajo bracelet with Royston turquoise by Fred Peshlakai, one of the greatest Indian silversmiths,” says Steve Begner, owner of Turkey Mountain Traders, who says he’s participated in every Marin show in recent memory A special lecture will be held Sunday morning by noted scholar Dr Bruce Bernstein: Pueblo Pottery and Painting in the 20th Century: Indigenous Authenticity and the Marketplace During this expansive talk, Dr Bernstein will discuss the changes that created Leanna Tom (Miwok/Paiute), Miwok/Paiute basket, ca.1920 Courtesy Linn-Tucker Indian Baskets Jimmy Kewanwytewa (Hopi), 1920s Sio Hemis katsinam Courtesy Buffalo Barry’s Indian Art Jesse Monongye (Navajo), bolo tie and belt buckles Jason Brown (Penobscot), inlaid basketry and gemstone cuff, Argentium silver 935 and various gems, handwoven miniature brown ash basket Courtesy Decontie & Brown 20th-century Native art forms as well as bring forth ideas about these art forms in the present day, with the goal of expanding the public’s understanding and appreciation of Native art An opening preview for the American Indian Art Show-Marin will be held Saturday, February 16 from to 11 a.m General admission is $18, while tickets to the opening preview are $35 and includes entry to the show for the entire weekend February 16-17 American Indian Art Show-Marin Marin Civic Center, 10 Avenue of the Flags, San Rafael, CA 94903, (310) 822-9145, www.marinshow.com » Event Preview 165 Event Preview Tribal Revival The 33rd annual San Francisco Tribal & Textile Art Show kicks off San Francisco Tribal Art Week SAN FRANCISCO, CA North America’s premier tribal art exhibition, the San Francisco Tribal & Textile Art Show, returns this February for its 33rd year More than 70 dealers from around the globe will bring rare and unique pieces from Africa, Asia, Australia, Oceania and the Americas to this year’s show Visitors will also have the opportunity to see two exhibitions—The Art of Fiji: The Age of Enlightenment in the Pacific and African Twilight: The Vanishing Rituals and Ceremonies of the African Continent with Carol Beckwith and Angela Fisher—during the event At The Art of Fiji, over 20 pieces of Fijian art from the renowned collection of Mark and Carolyn Blackburn will be on display “It is an exceptional exhibition that 166 promises to delight everyone from a first-time show attendee to the most serious tribal art enthusiast,” says Kim Martindale, co-producer of the show and co-owner of Objects of Art The second exhibition on view, African Twilight, which features photography from a popular exhibition currently at the Bowers Museum in Los Angeles, covers the past 15 years of Carol Beckwith and Angela Fisher’s work in 48 African countries—celebrating Africa’s artistry, boundless creativity and cultural diversity “It’s staggering,” says the show’s co-producer and co-owner of Objects of Art, John Morris “There’s a great difference between what they do—shoot ceremonies and people’s everyday lives—and what most people when they visit Africa, which is usually seeing the lions and other animals I think they’re the most unique thing in this year’s show.” Regardless of where your interests lie, there is something for everyone at this event “It’s the most important tribal show in the country,” Morris says “The great thing is that since you have art dealers from around the world, somebody who has no previous interest in tribal art can come to the show and it’s very likely they will see something that blows their mind and want to take it home with them.” The 2019 San Francisco Tribal & Textile Art Show runs from February through 10, with an opening cocktail An exterior xterior view of the Fort o Mason Center for Arts & Culture ture Photo by Laura Kudritzki ud itzki Exhibitors bitors admiring a textile te t e at the show Photo byy Laura ura Kudritzki Germantown mantown weaving, Moki style y with bold cross motifs, ca 1880, 880, 80 x 50" Courtesy KR Martindale artindale Gallery Northwest o thwest Coast bentwood wood box, ca mid19 9th century, 23½ x 18" Courtesy C tesy KR Martindale Gallery G ry celebration and preview event held on February from to p.m Cocktail preview tickets are $50 Regular admission to the show is $15 per day, or $25 for run of show The San Francisco Tribal & Textile Art Show commences San Francisco Tribal Art Week, which concludes with the American Indian Art Show | Marin at the Marin Civic Center in San Rafael, California February 7-10 San Francisco Tribal & Textile Show Fort Mason Center for Arts & Culture, Marina Boulevard, San Francisco, CA 94123, (415) 345-7500 www.sanfranciscotribalandtextileartshow.com www.NativeAmericanArtMagazine.com » Event Preview 167 Event Report Seasonal Success The winter SWAIA Indian Market, held at the La Fonda hotel on December 14 to 16, brought in record crowds and strong sales again this year SANTA FE, NM The SWAIA Winter Indian Market—smaller and more intimate than its summer cousin—took place two weeks before Christmas at the legendary La Fonda on the Plaza hotel in Santa Fe The festive lobby decorations, complete with a Christmas tree, giant gingerbread house and lifesized manger scene, contributed to the holiday feel of the market The holiday theme extended to the artists as well as potters from pueblos like Acoma and Zia brought ornaments to sell and jewelers brought work that made for great gifts “The venue is just so cheerful,” says local Santa Fean Rein Salazar “It’s the kind of place that makes you want to stick around to talk and celebrate with everyone I look forward to coming every year to enjoy the ambiance and buy from my favorite artists.” Nearly 150 artists participated in this year’s event, bringing a variety of work that ranged in price from $10 to $10,000 Nearly 2,500 eager collectors attended the event and many artists reported strong sales both Saturday and Sunday “This is a great event,” says jeweler Matagi Sorensen “I did as well here as I did during the summer Indian Market!” On Saturday and Sunday, Adrian Wall, Shelley Morningsong & Fabian Fontanelle, Robert Tree Cody and the Pueblo Enchantment Dancers performed for the crowds Ira Wilson and Penny Singer Photo by Kaela Waldenstein Carson Vicente Photo by Terrance Clifford Collectors gather at Glendora Frauga’s booth Photo by Terrance Clifford Collectors with their copy of the December/January 2019 issue of Native American Art Kathleen Wall speaks with a guest Photo by Terrance Clifford Artist Nocona Burgess Photo by Terrance Clifford Matagi Sorensen, Kathleen Wall and Jody Naranjo Jeweler Bo Joe Potter Johnathan Naranjo 10 Sculptor Greyshoes (Upton S Ethelbah Jr.) 168 www.NativeAmericanArtMagazine.com 10 » Event Report 169 Auction Report In Plain Sight Items from the Northwest Coast to the Southern Plains raise nearly $800,000 in sales during Skinner’s American Indian & Ethnographic Art Sale BOSTON, MA During Skinner Inc.’s December American Indian & Ethnographic Art Sale, a total of 694 bidders vied for artifacts from coast to coast—including items from the Northampton County Historical and Genealogical Society in Easton, Pennsylvania, and the Medford Public Library Collection in Medford, Massachusetts Highlights from the auction included a prime collection of Native American materials, Eskimo items and art from the Northwest Coast—resulting in $795,705.45 in total sales “There was a lot of participation,” says Michael Evans, Skinner Inc.’s director of tribal arts “Overall, the American Indian materials—especially the pottery and weavings—did quite well Some of the Eskimo materials also did quite well.” Tied for top lot in the auction was a Southern Plains bead-decorated bridle from the mid-19th century and a Central Plains beaded hide bow case, bow and quiver from the 19th century. While both lots sold for $22,140, 170 Southern Plains beaddecorated bridle, mid-19th century Estimate: $800/1,200 SOLD: $22,140 2 Jemez buffalo hidewar shield, ca 1850-60s Estimate: $15/$20,000 SOLD: $13,530 the Southern Plains bead-decorated bridle went for far beyond its estimated sale price of $800 to $1,200 “I was a little surprised that it went so high,” Evans says “We tried to make estimates very reasonable so all of the estimates were fairly modest Ultimately, I think it did so well because it was very rare and a very early material and the beadwork was quite unusual.” As for the rest of the top lots, Evans says that condition was key “You’ve got a combination of rarity, good quality, early, never-before-seen in the market, fresh material,” he says “That’s number one for this arena.” Additionally, Evans notes that other top sellers Central Plains beaded hide bow case, bow and quiver, early fourth quarter 19th century Estimate: $5/$7,000 SOLD: $22,140 Eastern Woodlands ball headed club, ca 1800-20 Estimate: $8/$12,000 SOLD: $14,760 Touching Coup, Native American ledger drawing, mid-20th century Estimate: $3/$5,000 SOLD: $15,990 included pottery, weavings, items from the Great Plains, artwork with unique and intricate beadwork and pieces from the Northampton County Historical and Genealogical Society “It was a little bit more of an old-fashioned sale focused on rarer and more historical pieces,” Evans says “I thought it went very well It was a pleasure having pieces from the Northampton County Historical and Genealogical Society and the Medford Public Library Collection.” Top Ten Sales Skinner Inc., American Indian & Ethnographic Art, December 1, 2018 (including buyer’s premium) ITEM: Southern Plains bead-decorated bridle Central Plains beaded hide bow case, bow and quiver Touching Coup, Native American ledger drawing Eastern Woodlands ball headed club Jemez buffalo hide war shield Plains quill decorated ash pipe stem Southern Plains leather knife sheath Northwest Coast Argillite totem pole Great Lakes carved stone bird effigy pipe bowl, Ojibwe Northwest Coast Bakwas “Cockle-Hunter” mask www.NativeAmericanArtMagazine.com LOW/HIGH: $800/1,200 $5/7,000 $3/5,000 $8/12,000 $15/20,000 $1,800/2,600 $800/$1,200 $10/15,000 $6/8,000 $6/8,000 SOLD: $22,140 $22,140 $15,990 $14,760 $13,530 $12,915 $12,300 $12,300 $11,685 $11,685 » Auction Report 171 Auction Report Exceeding Expectations Bonhams’ Native American art sale on December 11 saw a number of lots soar past presale estimates LOS ANGELES, CA 172 The market for quality Native American art has continued to show its strength, as witnessed by the most recent Native American Art auction at Bonhams on December 11, where more than half of the top 10 lots exceeded their presale estimates According to Ingmārs Lindbergs, the auction house’s director of Native American art, “I had certainly a lot more people attending the sale than previously in Los Angeles, which I feel is a very positive thing in terms of having vitality and energy on the floor and not just by internet and phone.” Stealing the show at the auction was a rare, noteworthy Tlingit rattle, which had been attributed to Kadjisdu.axch after research by Steven C Brown, a Northwest Coast scholar, and former curator of Native American art at the Seattle Art Museum The piece, which was marked by the quality of its carving and uniqueness, soared to more than five times its low estimate of $100,000 when it sold for $504,500 “It was a rare privilege to handle such a work of art It was a magnificent object and I’m grateful to have had that opportunity,” says Lindbergs, An exceptional Tlingit rattle attributed to Kadjisdu.axch, ca 1770-90 Estimate: $100/150,000 SOLD: $504,500 An early Woodlands/ Great Lakes quilled and beaded pouch Estimate: $20/40,000 SOLD: $40,000 A Lakota Sioux threebladed effigy club Estimate: $30/50,000 SOLD: $68,750 A Navajo classic/late classic child’s blanket Estimate: $20/25,000 SOLD: $22,500 who adds that along with obtaining the attribution there was strong provenance tied to the piece “Our phone lines were basically booked up for the piece and there was absentee bidding as well, but it pretty quickly moved beyond the initial numbers It came down to a handful of people on the phones, and we had international interest in it and activity.” The auction also marked the third and final part of works on paper by James Kivetoruk Moses from the collection of H.W Nagley II As Lindbergs explains, anticipation for the Moses pieces seemed to grow with each installment, with this final outing yielding three pieces in the top 10 lots that all sold well above their presale estimates Topping this sale from the group was The Eskimo Giant, which was estimated to sell for only $1,500 to $2,000 but achieved $18,750 Another notable item in the sale was a Lakota Sioux three-bladed effigy club (est $30/50,000) that bested its estimates when it went for $68,750 The club was another item Lindbergs has brought to Santa Fe for preview, and it had caught the attention of a number of bidders before selling to a European collector An early Woodlands/Great Lakes quilled and beaded pouch that had once belonged to Sir Francis Bond Head, Sixth Lieutenant-Governor of Upper Canada also performed well in the auction The piece, h h Lindbergs db l k l predated d d Head’s d’ time in which says likely d by b a generation or two, achieved h d its Canada h h estimate of $40,000 $ high Top Ten Sales Bonhams, Native American Art, December 11, 2018 (including buyer’s premium ITEM LOW/HIGH est SOLD An exceptional Tlingit rattle attributed to Kadjisdu.axch A Lakota Sioux three-bladed effigy club An early Woodlands/Great Lakes quilled and beaded pouch A Navajo classic/late classic child’s blanket The Eskimo Giant by James Kivetoruk Moses (Inupiat/Inupiak) A Blackfoot beaded war shirt A ledger drawing by Howling Wolf (Southern Cheyenne) A Gail Bird and Yazzie Johnson concha belt Mr & Mrs Napasuk big Chief East Cap Siberia, by James Kivetoruk Moses (Inupiat/Inupiak) Untitled by James Kivetoruk Moses (Inupiat/Inupiak) $100/150,000 $30/50,000 $20/40,000 $20/25,000 $1,5/2,000 $18/28,000 $7/9,000 $6/9,000 $504,500 $68,750 $40,000 $22,500 $18,750 $18,750 $18,750 $17,500 $2,5/3,000 $1,5/2,000 $17,500 $17,500 www.NativeAmericanArtMagazine.com » Auction Report 173 HEARD MUSEUM GUILD INDIAN FAIR & MARKET 2019 OFFICIAL MAGAZINE 2019 FAIR SPONSORS BEST OF SHOW AWARDS There is still time to sponsor an award for the juried art competition www.heard.org/fair/support/donate BEST OF SHOW AWARD Howard R & Joy M Berlin and Kristine & Leland W Peterson Leland W Peterson is treasurer of the Heard Museum Board of Trustees and Howard R Berlin is a Life Trustee of the Heard Museum The Guild thanks the Berlins and Petersons for their generous support of the Indian Fair & Market and its outstanding artists AWARD SPONSOR APPRECIATION Alice J Dickey CONRAD HOUSE AWARD Samuel J Parker IDYLLWILD ARTS IMAGINATION AWARD Idyllwild Arts Foundation - Native American Arts Program & Festival YOUTH AWARDS Ages 12-14: Dr Thomas Stevenson & Ms Nadia Hlibka Ages 15-17: Dr Thomas Stevenson & Ms Nadia Hlibka BEST OF CLASSIFICATION SPONSORS Baskets: Sue Snyder Diverse Arts: Martha Head Jewelry & Lapidary: Waddell Gallery Paintings, Drawing, Photography & Graphics: Sue Snyder Personal Attire: PRO EM Party & Event Rentals Pottery: Samantha & Jed Foutz, Shiprock Santa Fe Pueblo Carvings: Barbara & Matt Korn Sculpture: Martha Head Weavings & Textiles: Heard Museum Shop INNOVATION AWARD SPONSORS Baskets: Carolyn & James Halladay Diverse Arts: First American Art Magazine Jewelry & Lapidary: John R Ward Paintings, Drawing, Photography & Graphics: USG Foundation, Inc Personal Attire: Valerie & Paul Piazza Pueblo Carvings: Neil S Berman Pottery: King Galleries Sculpture: Alan Houser, Inc Weavings & Textiles: USG Foundation, Inc 1ST PLACE DIVISION SPONSORS Baskets (2 divisions): Betty Van Denburgh (2 divisions) Diverse Arts (5 divisions): Norma & Burton Miller Claire & Myron Warshaw Jewelry & Lapidary (8 divisions): Anonymous Faust Gallery Martha Head Carol Ann & Harvey Mackay Dr Don & Judith Miles Elizabeth Raspolic Dorothea & Don Smith Paintings, Drawings, Graphics & Photography (5 divisions): Lynda Barber Ellen & John Stiteler Christy Vezolles & Gilbert Waldman Personal Attire (3 divisions): Georgia Heller & Denis Duran Pottery (7 divisions): Cerelle Bolon Mary & Mark Bonsall Carol Cohen Martha Head Janis & Dennis Lyon Esther & Gil Sager Kathleen & Sam Serrapede Pueblo Carvings (2 divisions): Anonymous Anonymous Sculpture (4 divisions): Marilyn Brooks Weavings & Textiles (3 divisions): Christine & John Augustine (3 divisions) Open Standards (1 division): Dee Dowers 2ND PLACE DIVISION SPONSORS Baskets (2 divisions): Betty Van Denburgh (2 divisions) Diverse Arts (5 divisions): Ken Noone in memory of Phyllis Aaron Noone Jewelry & Lapidary (8 divisions): Karen & Donald Abraham Dorothy Hockenberg The McDonough Family Paintings, Photography & Graphics (5 divisions): Monica Graham Personal Attire (3 divisions): Jan & Jim Darrington Saralou & Carl Merrell Pottery (7 divisions): Territorial Indian Arts Gallery Neil S Berman Jane & Steve Marmon Delores Bachmann (4 divisions) Pueblo Carvings (2 divisions): W David Connell Catherine Meschter Sculpture (4 divisions): Hilde & Helmut Horchler Jana Turner Weavings & Textiles (3 divisions): Anonymous Paul H Meyer Lucille Shanahan Open Standards (1 division): Shirley & George Karas JUDGE’S CHOICE AWARDS SPONSORS Rembert Alley Katie & Ben Blackstock Linda & Warren Breisblatt W Dan Broome Roberta Buchanan Norma Jean Coulter Dino J & Elizabeth Murfee DeConcini Judith Dobbs Anna Flynn Constance Harrington & William Carlson John C Hill Fred Horowitz Sona Kalousdian Dr Mari & Frank Koerner Colleen & John Lomax Phyllis & Ed Manning Jan & Mike McAdams Carol McElroy Carol McElroy Mike Miller Sheila Bernadette Morris Nancy Mossman Nancy Mossman in honor of Barbara Johnson - in appreciation for her kind gesture Dr & Mrs Ted Murray Elinor & David Rothberg Barbara I & William O Sparman Judy Wallace FRIENDS OF THE FAIR Anonymous Anonymous Arlene & Giora Ben-Horin Landon & Dorcas Browning IlgaAnn Bunjer Margaret W Busch Ellen Cromer Linda & Clay Crossland Barbara Filosi Carolyn & Frank Gollings Susan K Grenyo J Griffith Constance Harrington & William Carlson Jane & Tom Lathrop Cozette & Bill Matthews Dr & Mrs Wayne L Mitchell William M Pendleton Ellen & Rex Nelsen Carrie Schalloch & Robert Moss Daniel Steinman Kenny Suiter Lillian Vancel Official Magazine and Media Sponsor of the Heard Museum Guild Indian Fair & Market Canyon Records Corporate Sponsor Courtyard Stage Sponsor Sanderson Ford Corporate Sponsor First American Art Magazine Media Sponsor Arizona Taste Catering Best of Show Sponsor Arizona Taste C AT E R I N G A R I Z O N A ' S P R E M I E R C AT E R I N G & E V E N T P L A N N I N G 174 Image courtesy: Im A Anthropos G Gallery La Laguna Beach, CA C AUTHENTIC TRIBAL ART DEALERS ASSOCIATION HONORING THE ARTISTIC LEGACY OF INDIGENOUS PEOPLE Learn more at www.ATADA.org Index Advertisers in this issue Abby Kent Flythe Fine Art (Spotsylvania, VA) 36 Abbe Museum (Bar Harbor, ME) 40 Adams, Victoria (Columbia, CA) 147 Adobe Gallery (Santa Fe, NM) Allard Auctions, Inc (St Ignatius, MT) 46 Enver from Denver’s Fine Rugs & Restoration (Sheridan, CO) Faust Gallery (Scottsdale, AZ) Guardipee, Terrance (Issaquah, WA) Heard Museum (Phoenix, AZ) Nizhoni Ranch Gallery (Sonoita, AZ) 46 12, 13 71 44, 58 Notah-Dineh Trading Co & Museum (Cortez, CO) Objects of Art Shows (Venice, CA) 21 48 28, 52 Obrzut, Kim (Peoria, AZ) 151 Hendren, Shane (Albuquerque, NM) 145 Peshlakai, Norbert (Gallup, NM) 151 175 Howard, Ivan J (Belen, NM) 149 Arviso, Jerald (Farmington, NM) 150 Huntinghorse, Fortune (Marana, AZ) 146 Pinnecoose, Adrian Standing Elk (Albuquerque, NM) 146 151 38 141 Arviso, Steven (Gallup, NM) Idyllwild Arts (Idyllwild, CA) Qöyawayma, Al (Prescott, AZ) Beck, Victor Paul (Laveen, AZ) 144 Jack’s Antique (Flagstaff, AZ) 48 Antique Tribal Art Dealers Association (ATADA) (Rio Rancho, NM) Bischoff’s Gallery (Scottsdale, AZ) Blue Rain Gallery (Santa Fe, NM) Cover Bonhams (San Francisco, CA) 25 Brian Lebel’s Old West Events (Santa Fe, NM) 45 Buffalo Barry’s Indian Art (Holden, MA) 47 Cara Romero Photography (Santa Fe, NM) 60 Charley’s Navajo Rugs (Hanford, CA) 39 Jesse Monongya Studios (Scottsdale, AZ) Joe, Bruce (Vanderwagen, NM) John C Hill Antique Indian Art Gallery (Scottsdale, AZ) King Galleries (Scottsdale, AZ) King, James (Shiprock, NM) Leslie Hindman Auctioneers (Chicago, IL) 16, 17 150 Rainbow Man, The (Santa Fe, NM) 50 River Trading Post (Scottsdale, AZ) 11 Robbins, Jesse (Prescott, AZ) 57 Sandbar Trading (Wichita, KS) 44 46 Schwed Collection, The (San Francisco, CA) Cover Cover Scottsdale Gallery Association (Scottsdale, AZ) 48 150 22 Silver & Turquoise Ball (Phoenix, AZ) Stein, Corey (Sunland, CA) 30 142 Lyn A Fox Fine Pueblo Pottery (Santa Fe, NM) 31 Steve Elmore Indian Art (Santa Fe, NM) 38 143 March in Montana (Great Falls, MT) 49 Sunwest Silver Co (Albuquerque, NM) 41 Cherokee Art Market (Tulsa, OK) 24 Medicine Man Gallery (Tucson, AZ) 27 SWAIA (Santa Fe, NM) 32 Chickasaw Nation Arts & Humanities Division (Ada, OK) 26 Miles & Miles Trading (Pacifica, CA) 53 Territorial Indian Arts (Scottsdale, AZ) Charlie, Ric (Goodyear, AZ) Chipeta Trading Company (Denver, CO) Clarkson, Karen (Prescott, AZ) Cowan’s Auctions (Cincinnati, OH) 144 20 Myers, Jhane (Santa Fe, NM) Native American Art Appraisals, Inc (Santa Fe, NM) 149 True West (Santa Fe, NM) Tsosie, Lyndon B (Gallup, NM) 48 Native American Collections, Inc (Denver, CO) 51 Turkey Mountain Traders (Evergreen, CO) 29 5, 37 62 Cowboys & Indians Antiques (Albuquerque, NM) 36 Native Art Market (Scottsdale, AZ) 53 U.S Department of the Interior Indian Arts And Crafts Board (Washington, DC) Creative Sculpting Gallery (Barrie, Canada) 148 Native Jackets (Santa Fe, NM) 43 Waddell Trading (Scottsdale, AZ) 8,9 Dancing Rabbit Gallery, The (Southlake, TX) 23 Native Jewelers Society Western Trading Post (Casa Grande, AZ) 42 Dennis June Gallery (Scottsdale, AZ) 35 Native POP (Rapid City, SD) 176 18, 19 40 Yellowhorse, Alvin (Lupton, AZ) 42 150 Yokuts Ghost Dance Friendship Gambling Tray: LOUISA FRANCISCO, c 1890 30¾”D 20 spi/10 cpi, Weft materials: sedge, redbud and bracken fern root Yokuts Friendship Bowl: MARY SAMPSON, wife of Sampson Jack, Dunlap, CA c 1890 10” H x 20” D 14spi/10 cpi, Weft materials: sedge, redbud and bracken fern root Yokuts Friendship Bottleneck: LOUISA FRANCISCO, c 1895, 7¾”H x 12¾”D 23 spi/10 cpi, Weft materials: sedge, redbud and bracken fern root Yavapai Olla: MRS COMEHULA at Camp McDowell c 1900, 30”H x 25½”D 20 spi/6 cpi, Weft materials: mulberry and devil’s claw Mono Lake Paiute Degikup: LUCY TELLES, Yosemite, CA 1926, 6½” H x 11½” D 28 spi/8 cpi, Weft materials: sedge, redbud and bracken fern root Washo Digikup: LOUISA KEYSER (Dat so la lee), 1902, inv LK-30 , 13 3/8”H x 5/8”D 27 spi /6 cpi, Weft materials: willow, redbud and bracken fern root - 2 - 3 SCHWED@PACBELL.NET ALEXSCHWED.COM S TAR R H A R D R I DG E and C H R I S PA P PA N Two Man Show, February 22 – March 16, 2019 Artist Reception: Friday, February 22 from – pm Starr Hardridge, The Persistence of Fire, acrylic on canvas, 24" h x 18" w Chris Pappan Top: The Return pt (detail), graphite/pencil, map collage, and acrylic on Evanston Municipal ledger dated 1925, 18" h x 23" w Bo om: Definition 4, graphite/pencil, map collage, and acrylic on Evanston Municipal ledger dated 1925, 23" h x 18" w 544 South Guadalupe Street, Santa Fe, NM 87501 | 505.954.9902 | www.blueraingallery.com ... Devices EDITORIAL JOSHUA ROSE Editor) joshuarose@nativeamericanartmagazine.com ROCHELLE BELSITO (Managing Editor) rbelsito@nativeamericanartmagazine.com MICHAEL CLAWSON (Deputy Editor) ALYSSA... but part of her heart will always be in the Southwest Erin e Rand Erin E Rand is a former editor of American Art Collector, Western Art Collector, Native American Art and American Fine Art Magazine... lredwine@nativeamericanartmagazine.com CHRISTIE CAVALIER (Senior Account Executive) ccavalier@nativeamericanartmagazine.com ANITA WELDON (Senior Account Executive) aweldon@nativeamericanartmagazine.com