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Lecture Jazz (Tenth edition) Chapter 10 Miles Davis

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Trumpet player Miles Davis (1926–1991) was a leading personality among the giants of jazz. He was born into a relatively affluent family in Alton, Illinois. In this chapter will introduce you to Miles Davis.

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Tenth Edition

Chapter 10

PowerPoint

by Sharon Ann Toman, 2004

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Miles Davis (1926-1991)

 Leading personality among the giants of jazz

 Trumpet player

 Born into a a relatively affluent family in

Alton, Illinois

Attended Julliard Conservatory for a short

time (1945)

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Miles Davis (1926-1991)

 Played with Earl Hine’s band, Claude Thornhill’s

band, and Charlie Parker

 Its seems that no matter what Davis played on his

horn…it had a rather sad feeling to it

 Played more scale-oriented improvisations rather

than chord-oriented improvisations

 Important association with Gil Evans on recordings

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Miles Davis/Cool

 He was not destined to be known only for his

contribution to the development of cool jazz

 But rather he was an innovative force in the

evolution of jazz

 Always searching for new, fresh, exciting

ways to play his music

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Miles Davis/Cool

 Used an amplification of his trumpet in

“Summertime” from Porgy and Bess

 Of all the stylistic periods contributed to or

initiated by Davis, it was the cool period

which he is most connected

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Miles Davis/Small Groups

 Within the small group format his

explorations led him to another stylistic

breakthrough “fusion”

 Around the 1950’s, Davis’ music centered

around a quintet for about 2 years

 Then this quintet lead to his sextet

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Miles Davis/Small Groups

 He had started to develop the playing style that

characterizes much of his later work during the

1950’s

 His playing style used a softer tone of the cool era

 Slowed down melodic activity

 Phrasing became fragmented which left open

spaces for the rhythm section

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Miles Davis/Modal

 By 1958…his playing style used modal

scales and slower moving harmonies

 He suspended his melodies above the

harmony…the result was the lack of

harmonic movement which seemed to

disassociate the melody

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Miles Davis/Modal

 Davis successfully carried music through the

transition from bop to cool and again on to a

modal jazz

 The next recording would launch players like

John Coltrane

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Miles Davis/Jazz/Rock Fusion

 As rock began to dominate the pop music culture…

Davis faced the dilemma confronted by most leaders

in jazz

 Imported the energy of rock into jazz

 “In a Silent Way” released in 1969 was the 1 st truly

addressed the rock issue

 That is……….maintaining leadership as styles

changed

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Miles Davis/Jazz Pop

 This musical mix is more commercial and

some of the musical material is even drawn

from the popular music scene like a song by

Cyndi Lauper

 Despite the new format, Davis’ style is still

recognizable through his melodic style

(plaintive, fragmented, and somewhat

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Miles Davis/Legacy

 His ability to sense new directions in music

 A maverick among jazz musicians

 Emotional content of his music

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Miles Davis/Legacy

 He entered the jazz world in the bop period

as a performer but…left it as a leader who

found his own signature of jazz

 His later style imported the energy of rock

music into jazz

 Known as a “stylistic explorer” in the jazz

world

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