Wile Adobe InDesign CS5 Bible phần 1 pdf

Make a bigger impact with better designs Create animations and interactive documents Learn new CS5 tools and techniques Gruman The book you need to succeed! Push the limits of InDesign with this in-depth guide Whether you want to produce eye-catching ads, flashy newsletters, or interactive PDFs, this detailed guide shows you how to do it using InDesign CS5. No matter what your level of experience, everything you need is right here. From thorough coverage of new CS5 features, to tricks and techniques from publishing pros, to how to create winning client presentations— if you want to master InDesign, this is the book you need to succeed! Companion Web Site • Work efficiently with layers, master pages, and multiple page sizes • Create text and graphics frames and add metadata captions • Place objects where you want them with smart tools • Build timelines and animation, or embed movies and sound • Create client presentations, work in groups, and collaborate over the Web • Edit Photoshop ® , Illustrator ® , and PDF files from within InDesign Companion Web Site Visit www.indesigncentral.com for additional tools, updates, resources, tips, and more. Galen Gruman is principal at The Zango Group and a veteran desktop-publishing guru. A frequent contributor to Macworld, CIO , InfoWorld and other publications, he has also been editor of Macworld , West Coast bureau chief of Computerworld , and executive editor of InfoWorld.com. He is the author of Adobe InDesign CS4 and coauthor of 22 other books on desktop publishing. Shelving Category: COMPUTERS / Image Processing Reader Level: Beginning to Advanced $49.99 USA $59.99 Canada Companion Web Site • Additional tools, updates, resources, and more Adobe ® InDesign ® CS5 Quickly select overlapped objects with the content grabber Set headline text to span multiple columns Adjust object’s relative size using the Gap tool Galen Gruman InDesign ® CS5 Adobe ® 8-Page Color Insert! • Striking, full-color examples show you what you can achieve 01_607169-ffirs.indd ii01_607169-ffirs.indd ii 4/22/10 7:37 PM4/22/10 7:37 PM Adobe ® InDesign ® CS5 Bible 01_607169-ffirs.indd i01_607169-ffirs.indd i 4/22/10 7:37 PM4/22/10 7:37 PM 01_607169-ffirs.indd ii01_607169-ffirs.indd ii 4/22/10 7:37 PM4/22/10 7:37 PM Adobe ® InDesign ® CS5 Bible Galen Gruman 01_607169-ffirs.indd iii01_607169-ffirs.indd iii 4/22/10 7:37 PM4/22/10 7:37 PM Adobe ® InDesign ® CS5 Bible Published by Wiley Publishing, Inc. 10475 Crosspoint Boulevard Indianapolis, IN 46256 www.wiley.com Copyright © 2010 by Wiley Publishing, Inc., Indianapolis, Indiana Published by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada ISBN: 978-0-470-60716-9 Manufactured in the United States of America 10 9 8 7 6 5 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as per- mitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, 201-748-6011, fax 201- 748-6008, or online at http://www.wiley.com/go/permissions. LIMIT OF LIABILITY/DISCLAIMER OF WARRANTY: THE PUBLISHER AND THE AUTHOR MAKE NO REPRESENTATIONS OR WARRANTIES WITH RESPECT TO THE ACCURACY OR COMPLETENESS OF THE CONTENTS OF THIS WORK AND SPECIFICALLY DISCLAIM ALL WARRANTIES, INCLUDING WITHOUT LIMITATION WARRANTIES OF FITNESS FOR A PARTICULAR PURPOSE. NO WARRANTY MAY BE CREATED OR EXTENDED BY SALES OR PROMOTIONAL MATERIALS. THE ADVICE AND STRATEGIES CONTAINED HEREIN MAY NOT BE SUITABLE FOR EVERY SITUATION. THIS WORK IS SOLD WITH THE UNDERSTANDING THAT THE PUBLISHER IS NOT ENGAGED IN RENDERING LEGAL, ACCOUNTING, OR OTHER PROFESSIONAL SERVICES. IF PROFESSIONAL ASSISTANCE IS REQUIRED, THE SERVICES OF A COMPETENT PROFESSIONAL PERSON SHOULD BE SOUGHT. NEITHER THE PUBLISHER NOR THE AUTHOR SHALL BE LIABLE FOR DAMAGES ARISING HEREFROM. THE FACT THAT AN ORGANIZATION OR WEBSITE IS REFERRED TO IN THIS WORK AS A CITATION AND/OR A POTENTIAL SOURCE OF FURTHER INFORMATION DOES NOT MEAN THAT THE AUTHOR OR THE PUBLISHER ENDORSES THE INFORMATION THE ORGANIZATION OR WEBSITE MAY PROVIDE OR RECOMMENDATIONS IT MAY MAKE. FURTHER, READERS SHOULD BE AWARE THAT INTERNET WEBSITES LISTED IN THIS WORK MAY HAVE CHANGED OR DISAPPEARED BETWEEN WHEN THIS WORK WAS WRITTEN AND WHEN IT IS READ. For general information on our other products and services or to obtain technical support, please contact our Customer Care Department within the U.S. at (877) 762-2974, outside the U.S. at (317) 572-3993 or fax (317) 572-4002. Library of Congress Control Number: 2010926829 Trademarks: Wiley and related trade dress are registered trademarks of Wiley Publishing, Inc., in the United States and other countries, and may not be used without written permission. All other trademarks are the property of their respective owners. Wiley Publishing, Inc., is not associated with any product or vendor mentioned in this book. Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. 01_607169-ffirs.indd iv01_607169-ffirs.indd iv 4/22/10 7:37 PM4/22/10 7:37 PM About the Author Galen Gruman is the principal at The Zango Group, an editorial development and book produc- tion firm. As such, he has produced multiple books for Wiley Publishing. He is author or coauthor of 24 other books on desktop publishing, as well as coauthor of the Mac OS X Snow Leopard Bible. Gruman led one of the first successful conversions of a national magazine to desktop publishing in 1986 and has covered publishing technology since then for several publications, including Layers Magazine; Macworld, whose staff he was a member of from 1991 to 1998; and InfoWorld, for which he began writing in 1986 and of which he is now executive editor. 01_607169-ffirs.indd v01_607169-ffirs.indd v 4/22/10 7:37 PM4/22/10 7:37 PM Credits Acquisitions Editor Aaron Black Project Editor Chris Wolfgang Technical Editor Jonathan Woolson Copy Editor Scott Tullis Editorial Director Robyn Siesky Editorial Manager Cricket Krengel Business Manager Amy Knies Senior Marketing Manager Sandy Smith Vice President and Executive Group Publisher Richard Swadley Vice President and Executive Publisher Barry Pruett Project Coordinator Patrick Redmond Graphics and Production Specialists Andrea Hornberger Jennifer Mayberry Quality Control Technician Melissa Cossell Proofreading and Indexing Christine Sabooni Word Co Indexing Services Media Development Project Manager Laura Moss Media Development Assistant Project Manager Jenny Swisher Media Development Associate Producer Josh Frank Shawn Patrick Doug Kuhn Marilyn Hummel To my wonderful extended family for their ongoing support and encouragement: my partner Ingall; my mother Leah; my in-laws the Bulls, Belskys, and Hills; and my brothers Darius and Stephen 01_607169-ffirs.indd vi01_607169-ffirs.indd vi 4/22/10 7:37 PM4/22/10 7:37 PM vii A fter seven versions of InDesign, you have to wonder what more can Adobe do to improve it in meaningful ways. In the case of InDesign CS5 — the eighth version of the leading desk- top publishing program — Adobe came up with two directions for major improvement. One is reworking the selection and object-manipulation tools to make them more straightforward to use while also more flexible and powerful. Such changes are felt in many places, from the Layers and Links panels to the basic Selection and Direct Selection tools, as well as in the controls over frame fitting, object styles, step-and-repeat, page controls, and in the new multiple-page-size, text column-spanning, and Gap tool features. The other major change is moving InDesign further into the realm of nonprint publishing, in this edition through the addition of major new animation capabilities that let you create interactive Adobe SWF files from InDesign. Plus there are a raft of improvements relating to hyperlinks, inter- active buttons, use of media files such as video and sounds, and PDF file creation. If you don’t work on nonprint documents, I think you’ll find the selection and object-manipulation changes more than sufficient reason to move to InDesign CS5. But I also urge you to become famil- iar with the creation of nonprint documents — in this electronic world, information will be pub- lished in all sorts of ways, and sticking with just one medium is a path to obsolescence. That’s why this book gives more weight to nonprint document tools than past editions have, and why InDesign’s designers are steadily adding such capabilities. Use them. These two major movements (improving object manipulation and delving further into the nonprint publishing) have led to dozens of functionality additions and capability improvements (check out Appendix B for the whole list) that are well designed and manage not to get in the way of all the other features you know and love — a real challenge for a program as complex and feature-rich as InDesign. But of course, there are lots of other refinements in InDesign CS5 that Adobe’s engineers and designers were able to add in beyond the major new areas of improvement. For example, Windows 7 users will now find that InDesign supports the gestures enabled by the new genera- tion of touchscreen PCs (Mac users got this capability in InDesign CS4). InDesign users can now work with tracked changes in their layouts, no longer seeing this ability limited to InCopy users. And plug-ins, renamed extensions, are now managed across all Creative Suite applications with a common tool, the Extension Manager. These three examples show the range of areas where Adobe has made improvements. Layout artists have an incredibly powerful tool in the form of InDesign to let them deliver on their creative aspirations and vision. I hope that this book helps you achieve and indeed increase those ambitions. 02_607169-fpref.indd vii02_607169-fpref.indd vii 4/22/10 7:37 PM4/22/10 7:37 PM 02_607169-fpref.indd viii02_607169-fpref.indd viii 4/22/10 7:37 PM4/22/10 7:37 PM [...]... 10 7 Part II: Document Fundamentals 10 9 Chapter 4: Creating, Opening, and Saving Documents . . . . . . . . . . . .  11 1 Taking Stock before You Begin 11 1 Setting Up a New Publication 11 2 Creating new documents 11 3 Creating your own document types .11 6 Opening Documents and Templates 11 7 Opening documents versus opening templates 12 0 Working... 10 Scroll bars 11 Pasteboard, pages, and guides 12 Page controls .12 Reveal pop-up menu 13 Application frame 13 Application bar 13 Using Tools 14 Selecting tools 15 Understanding what the tools do .16 Selection tool 16 Direct Selection tool 17 Page tool... Navigating by page number 14 8 Navigating with the menus and shortcuts 14 9 Navigating with the Pages panel 14 9 Working with specialty page controls 15 0 Transparency alert 15 1 Rotated page views 15 1 Page transitions .15 2 Color labels 15 3 Adjusting page layouts 15 3 Summary 15 6 Chapter 6: Working with Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ... 411 Opening a closed path 411 Using the Scissors tool 412 Joining Paths . 413 Working with Compound Paths . 413 Examples of compound paths in use . 414 Create transparent areas within a path 414 Apply a single background color or graphic across several shapes 414 Quickly create complex shapes 415 Creating compound paths . 415 ... 710 The Color Management pane 711 The Advanced pane 712 Bitmap printing . 712 OPI settings 712 Transparency flattening 713 The Summary pane 713 Working with Spot Colors and Separations . 713 Managing color and ink output . 713 Adjusting screen angles 716 Working with Transparency . 716 Using... 809 Using Scripts . 810 Script tips 810 Script locations 811 Scripting principles 811 Exploring JavaScript 813 Learning the language . 813 What you need to write and run scripts 813 Running your script . 814 Saving your script 815 Exploring AppleScript . 815 xxxiv ... exporting 16 6 Rearranging layers 16 7 Merging layers .16 7 Deleting layers .16 8 Controlling guides 16 8 Summary 16 9 Chapter 7: Creating Layout Standards  . . . . . . . . . . . . . . . . . . . . . . . . .  17 1 Creating and Applying Master Pages 17 2 The Pages panel .17 3 Creating a new master page .17 6 Basing a... templates 18 6 Creating documents from templates 18 6 Storing Objects in Libraries .18 6 Adding and deleting library objects 19 0 Cataloging library objects 19 1 Copying library objects onto document pages 19 3 Working with Styles 19 3 Creating styles 19 4 Modifying styles 19 6 Applying styles 19 6 Managing styles... 13 9 Copying and moving pages .13 9 Working within a document 13 9 Working across documents 14 0 xvii Contents Starting documents on a left page 14 1 Controlling page shuffling .14 2 Creating gatefold spreads 14 2 Working with page numbers 14 4 Dividing a document into sections 14 5 Navigating pages .14 7 Navigating... 10 0 xvi Contents Customizing menus 10 1 Color management settings .10 2 Modifying Defaults for Documents, Text, and Objects 10 2 Document defaults 10 3 Text defaults 10 4 Object defaults 10 4 Modifying Defaults for Views 10 5 Setting Color and Style Defaults 10 6 Reverting Preferences and Defaults 10 7 Summary . PM Adobe ® InDesign ® CS5 Bible 01_ 60 716 9-ffirs.indd i 01_ 60 716 9-ffirs.indd i 4/22 /10 7:37 PM4/22 /10 7:37 PM 01_ 60 716 9-ffirs.indd ii 01_ 60 716 9-ffirs.indd ii 4/22 /10 7:37 PM4/22 /10 7:37 PM Adobe ® InDesign ® . InDesign ® CS5 Bible Galen Gruman 01_ 60 716 9-ffirs.indd iii 01_ 60 716 9-ffirs.indd iii 4/22 /10 7:37 PM4/22 /10 7:37 PM Adobe ® InDesign ® CS5 Bible Published by Wiley Publishing, Inc. 10 475 Crosspoint. Fundamentals 10 9 Chapter 4: Creating, Opening, and Saving Documents............. 11 1 Taking Stock before You Begin 11 1 Setting Up a New Publication 11 2 Creating new documents 11 3 Creating