the photoshop darkroom 2 creative digital transformations

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the photoshop darkroom 2 creative digital transformations

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[...]... layers and ma using the Screen selective areas even lighter 26 ) blending mode (pages 25 – 24 The Photoshop Darkroom 2 >> Using Screen blending mode The artful dodger Photoshop comes with a couple of tools obviously intended for photographers who remember the chemical darkroom: the Burn Tool and the Dodge Tool In the chemical darkroom, burning made selected areas in prints darker by exposing these areas longer... paint on the layer mask A Ballet with Reality 23 raw rescue, part 2: the photoshop layer experience 7 ush Tool in Paint with the Br ific ow to make spec the image wind contrast d add areas lighter an to the image The Brush Tool at work Since the layer mask in the “Lighter layer is selected in the Layers palette, ” the “paint” you are applying with the Brush Tool is going on the layer mask not onto the actual... version hter areas into the lig al The virtucted copy is seille strip in the F m 5 Hold down the Shift key and click both versions of the image in the Filmstrip to select them 6a oto From the Lightroom Ph O ►  Edit In      pen as menu choose Layers in Photoshop   18 The Photoshop Darkroom 2 6b An       d the two versions appear as two layers in both layers Photoshop By default, using the filename are named... PD2: 123 – 125 means The Photoshop Darkroom 2: Creative Digital Transformations (Focal Press: 20 11), pages 123 – 125 t! Be redundan Backup software Synchronization software for redundant backup Hard drives are the best bet but all hard drives eventually fail You have to backup your backup drives! and ! orth publish  Go f and print RAID 5 (good balance between performance, safety, and cost, see PD1: 27 )... point 30 The Photoshop Darkroom 2 ame? What’s in a nhe cloning tool in ame for t most The official hn Clone Stamp Tool But,call it te Photoshop issers I come in contact withit here Photoshop u ol So that’s what I’ll call the Clone To Set it up 1 Select the Clone Tool from the Toolbox The Photoshop Way Back Machine Way back when in Photoshop versions 1 through 5.5, the Clone Stamp Tool was called the Rubber... and 2 on page 32 to archivelayers.) of the image and then flatten the Next Step Cloning and painting out the tripod legs (p ages 36–37) The Patch Tool Another retouching tool, the Patch Tool, is sort of like the Clone Tool on steroids The Patch Tool is grouped with several retouching tools on the Photoshop Toolbar After cloning out Ed’s feet, a line dividing the marble tiles was missing here With the. .. from Lightroom The two vers appear as layers ions Photoshop Layers in the palette            7 Now you’re in P hotoshop Rename the layers “Lighter” and “Darker ” stacked one   The two layers are r in the Layers on top of the othe that at this palette This means e the “Lighter” point you can only se e top of the layer since it is at th25, you’ll use a – stack On pages 22 ting to blend the layer mask... are the Brush and Gradient Tools 2 1 Make er” sure the “Light lected in the layer is se Layers palette On the Layer menu , choose Layer Mask      ide ►  H All layer mask A black Hide All “Lighter” appears on the hiding the layer, completely layer “Lighter” er” layer is the “Lightlayer stack Since he on top of trs palette, only in the Layre is visible in the that laye shop window Photo 22 The Photoshop. .. 5% and 15% The reason for this is that surfaces such as the top of the railing have edges If you used a completely soft brush, you would end up with a blurry edge rather than a realistic hard edge Choose Layers > Flatten Image   to merge all the layers together There is now one “Background” layer in the Layers palette Palettes are pa nels, too 32 The Photoshop Darkroom 2 In your version of Photoshop. .. catalog References used in this book 8 Many of the topics shown in this workflow roadmap are covered in this book, or in the first Photoshop Darkroom book When there is a cross-reference, it’s listed with the abbreviation for the book and the page number Backing Up PD1: 15–17 means The Photoshop Darkroom: Creative Digital Post-Processing (Focal Press: 20 10), pages 15–17 Hardware: Recordable media such . Darkroom book.Whenthereisa cross-reference,it’slistedwith the abbreviation for the bookand the pagenumber. PD1: 15–17means The Photoshop Darkroom: Creative Digital Post-Processing (FocalPress: 20 10),pages15–17. PD2: 123 – 125 means The Photoshop. The Photoshop darkroom 2 : creative digital transformations / Harold Davis, Phyllis Davis. p. cm. Includes index. ISBN-13: 978-0 -24 0-81531 -2 ISBN-10: 0 -24 0-81531-9 1. Adobe Photoshop. 2. . photographer. The Photoshop Darkroom 2: Creative Digital Transformations follows The Photoshop Darkroom: Creative Digital Post-Processing and can be read either as a sequel to the rst volume or on its

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Mục lục

  • Chapter 1: A Ballet with Reality

    • Everything you always wanted to know about Digital Asset Management (DAM)

    • Shooting RAW and JPEG at the same time

    • In which Ed’s feet make an appearance

    • Multi-RAW processing using Lightroom

    • Layers and masking in Photoshop

    • Painting on a layer mask

    • Using Screen blending mode

    • Creative coloring and toning

    • Transformations are for people, too!

    • Contrasting a figure with a black background

    • Head, shoulders, knees, and toes …

    • Chapter 2: Making the Unseen Visible

      • Photographing on a lightbox

      • Hand-HDR Imaging for Transparency

      • Creating a transparent poppy medley

      • Combining layers for transparency

      • Photo Compositing to Create a World in a Shadow

      • Photographing to create the shadow

      • Creating a translucent marble and its shadow

      • Chapter 3: Building the Impossible

        • Harold’s Manifesto: Losing the Chains of Reality

        • Stairs à la Escher

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