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db: THE LIST OF PROPOSALS FOR CONFERENCE THE NEW SPACE OF AUTHENTICITY PRAGUE 16 - 19 JUNE 2007 v 07.06.07 dv reg # Name Country/university or org UK/ Manchester Title of abstract How can the spectator support meaning making in the multimedia performance process? 3D vs.2D: Impact of Duality on Authenticity of Turkish Theater e-mail CV received (date) offer sent (date) accept rec’d (date) silvabirch@btinternet.com Y 21.03.07 18.04.07 dv 19.04.07 dv 17.06 or 18.06 preferred acevik@comu.edu.tr Y 26.02.07 18.04.07 dv 19.04.07 dv not the 19.06.07 19.06.07 preferred Birch, Silva Cevik, Adnan Turkey/ Canakkale Onsekiz Mart Univeristy Chen, Ming USA/ College of the Arts Kennesaw State University Authenticity in Theatrical Designs – What Does it Mean chenming.55@gmail.com Y 12.03.07 18.04.07 dv 27.04.07 dv Eynat-Confino, Irene ISRAEL/ Tel-Aviv University Theatre Space and Authenticity: From a Non Sequitur to a Real Make-believe eynconf@post.tau.ac.il Y 19.03.07 18.04.07 dv yes, informal p.davies@kent.ac.uk Y 22.05.07 dudaart@uni.torun.pl Y 06.03.07 18.04.07 dv claudine@research.haifa.ac.il Y 19.03.07 18.04.07 dv Metropolitan University Davies, Paul UK /University of Kent, Duda, Artur Poland/Nicolas Copernicus University Torun Elnecave, Claudine Israel Haifa University The Authentic and stylised use of colour in light on stage; A comparison and analysis of US and UK lighting designers use of saturated and tint colours (Re)creating real space for common Europe Roger Waters The Wall.Live in Berlin, July 21th 1990 Authenticity: the case of McBurney THE NEW SPACE OF AUTHENTICITY PRAGUE 16 - 19 JUNE 2007 db v 07.06.07 10 reg info (date sent) 11 reg made (31.05.07 deadline) 12 # and date/time in program 29.04.07 dv page of reg # Name Country/university or org Title of abstract e-mail hfeinerdesign@hotmail.com Feiner, Harry USA Scenography and the Authenticity of Theatrical Experience Groeschel, Phil USA/ University of Missouri Designer as Dramaturg Robert Wilson’s Danton’s Death phil.groeschel@gmail.com pamela.howard@onetel.net CV received (date) offer sent (date) accept rec’d (date) No 15.03.07 18.04.07 dv Y 21.03.07 18.04.07 dv 18.04.07 dv informal 11.03.07 18.04.07 dv informal ok 23.03.07 18.04.07 dv 19.04.07 dv 18.04.07 dv YES 19.94.07 dv 20.04.07 dv 18.04.07 dv 06.05.07 dv 18.04.07 dv YES 10 Howard, Pamela UK/ FRSA Reading authenticity in the Émigré’s experience: The Greek Passion by Martinu/Kazantzakis (Opera) 11 Itzhak, Tali ISRAEL/ Two Layers of Authenticity in Scenography tali.itzhaki@gmail.com Y 12 Larionow, Dominika POLAND/ University of Lodz The National Theater - What does it mean in Poland after 1989? larionow@gazeta.pl N 13 Lemaire, Veronique Chaque scenographe est source d’authenticite veroniquelemaire@hotmail.com Y 21.03.07 14 Leyko, Dr hab Malgorzata Theatre of the Empty Space (Shakespeare) malgorzataleyko@hotmail.com N N 15 Listengarten, Julia and Wood, Vandy In Search of New Authenticity in Staging Brecht’s Good Woman of Setzuan alxjul@aol.com and mwood@mail.ucf.edu Y 16.03.07 16 Lucas, Valerie Host and Ghosts The question of Authenticity in Site-Specific Performance vklucas@gmail.com N Belgique/Universite Catholique de Louvain-laNeuve POLAND/ University of Lodz USA/ University of Central Florida and Syracuse Stage University and Clemson University UK/ USA Ohio State University THE NEW SPACE OF AUTHENTICITY PRAGUE 16 - 19 JUNE 2007 db v 07.06.07 21.04.07 dv 10 reg info (date sent) 11 reg made (31.05.07 deadline) 12 # and date/time in program morning 19.06.07 at the latest (or earlier) 19.06.07 15h30 page of 4 reg # Name Country/university or org Title of abstract 17 Neilson, Patrick CANADA/ McGill University 18 Olkusz, Piotr Poland/ University of Lodz 19 Prykowska- Michalak, Karolina Poland/ University of Lodz 20 Quint, Cordula CANADA/ Mount Allison University 21 Rewa, Natalie CANADA/ Queen’s University What is Authentic Shakespeare? Quelle authenticité? Le théâtre contemorain polonais et les nouveaux média The space of liberty – the space of authenticities Contemporary Polish performance of opera and theater Undoing Authenticity: Irony and Aporia in Robert Wilson’s early Space-Time Experiments Michael Levine: production design for Wagner's Ring Cycle (2006) [rev 31.05] 22 Sosnovskaya, Anna Israel/ Haifa University x 23 Van Langendock, Katleen 24 Velemanova, Vera 25 Vivian, David 26 Zawistowska, Katarzyna BELGIUM/ University of Antwerp CZ/ Theatre Institute Praga CANADA/ Brock University Poland/ The Academy of Fine Arts in Gdansk Iconography by A.P Chekhov's plays Tactile Theatre On the (im)possibility of communication and intimacy in the work of Enrique Vargas and Felix Ruckert The Apartment-Theatre and its Authentic Space e-mail CV received (date) offer sent (date) accept rec’d (date) patrick.neilson@mcgill.ca Y 21.03.07 18.04.07 dv c/o larionow@gazeta.pl Y 04.04.07 18.04.07 dv kprykows@wp.pl Y 02.03.07 18.04.07 dv cordulaquint@hotmail.com N 16.04.07 20.04.07 dv 21.04.07 dv rewan@post.queensu.ca Y 28.03.07 18.04.07 dv 19.04.07 dv allasosn@research.haifa.ac.il Y 05.03.07 17.04.07 vkl/dv 19.04.07 dv katleen.vanlangendonck@ua.ac.be Y 21.03.07 18.04.07 dv 19.04.07 dv vera.velemanova@tiscali.cz Y 21.03.07 18.04.07 dv 20.04.07 dv dvivian@brocku.ca Inter/theater between the illusion of the stage and the reality/authenticity of the spectator oko_oko@wp.pl 10 reg info (date sent) 11 reg made (31.05.07 deadline) 12 # and date/time in program 19.04.07 dv NOT 18.06 17.06.07 or 18.06.07 NOT 19.06.07 YES Y 01.03.07 18.04.07 dv Not presenting THE NEW SPACE OF AUTHENTICITY PRAGUE 16 - 19 JUNE 2007 db v 07.06.07 page of 4 CV received (date) offer sent (date) accept rec’d (date) 10 reg info (date sent) 11 reg made (31.05.07 deadline) 12 # and date/time in program reg # Name Country/university or org 27 Cottis, Eillen E UK e.cottis@btinternet.com 28 Konstantinakou, Panayiota Greece/ University of Thessaloniki panayiota6@hotmail.com NOT PRESENTING 29 Bangham, Jerry US JBKudzu@aol.com NOT PRESENTING 30 Withdrawn participation 31 Gharavi, Lance and Pinholster, Jake USA/Arizona State University Raving the Real: Authenticity and Digital Performance in Caridad Svich’s Iphigenia… Lance.gharavi@asu.edu Y 21.03.07 18.04.07 dv 32 Kuksa, Iryna England/ Univeristy of Warwick The set-spectrum project – a new approach to studying scenography I.Kuksa@warwick.ac.uk Y 23.02.07 18.04.07 dv Germany Bund der Szenografen, Berlin USA/ James Madison University database project as contribution to the meeting in scenographic practice Thea Musgrave’s Simon Bolivar (1995): Staging Revolution anna.paterok@szenografen-bund.de no initial email posted 23.02.07 recontacted 18.04.07 shanahmg@jmu.edu Y 21.03.07 18.04.07 dv Title of abstract e-mail 08.06.07? TI 18.04.07 pending $ MAY ATTEND NOT ATTENDING (SI) informal 20.04.07 dv not presenting 33 Paterok Anna 34 Shanahan, Maureen G 35 Sordyl, Alina Poland/ Institute of Culture of the Silesian University in Katowice Aesthetical and communication conventions of reality at the Polish theater of television alinasordyl@tlen.pl Y 03.03.07 18.04.07 dv NO 27.04.07 dv NOT ATTENDING Vosyliute, Marta LITHUANIA/ Freelance visual artist Non-traditional spaces for theatre production and theatricality in Lithuanian visual arts marta_vo@hotmail.com Y 19.03.07 18.04.07 dv 08.05.07 dv NOT ATTENDING 36 THE NEW SPACE OF AUTHENTICITY PRAGUE 16 - 19 JUNE 2007 db v 07.06.07 NOT ATTENDING page of ... CV received (date) offer sent (date) accept rec’d (date) No 15.03.07 18.04.07 dv Y 21.03.07 18.04.07 dv 18.04.07 dv informal 11.03.07 18.04.07 dv informal ok 23.03.07 18.04.07 dv 19.04.07 dv. .. 19.04.07 dv allasosn@research.haifa.ac.il Y 05.03.07 17.04.07 vkl /dv 19.04.07 dv katleen.vanlangendonck@ua.ac.be Y 21.03.07 18.04.07 dv 19.04.07 dv vera.velemanova@tiscali.cz Y 21.03.07 18.04.07 dv. .. dv 19.04.07 dv 18.04.07 dv YES 19.94.07 dv 20.04.07 dv 18.04.07 dv 06.05.07 dv 18.04.07 dv YES 10 Howard, Pamela UK/ FRSA Reading authenticity in the Émigré’s experience: The Greek Passion by Martinu/Kazantzakis
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