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Architecture in Detail This page intentionally left blank Architecture in Detail Graham Bizley AMSTERDAM • BOSTON • HEIDELBERG • LONDON • NEW YORK • OXFORD PARIS • SAN DIEGO • SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Architectural Press is an imprint of Elsevier Architectural Press is an imprint of Elsevier Linacre House, Jordan Hill, Oxford OX2 8DP, UK 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA First edition 2008 Copyright © 2008, Graham Bizley. Published by Elsevier Ltd. All rights reserved The right of Graham Bizley to be identifi ed as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the publisher Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone (ϩ44) (0) 1865 843830; fax (ϩ44) (0) 1865 853333; email: permissions@elsevier.com. Alternatively you can submit your request online by visiting the Elsevier web site at http://elsevier.com/locate/permissions, and selecting Obtaining permission to use Elsevier material Notice No responsibility is assumed by the publisher for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions or ideas contained in the material herein. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data A catalog record for this book is availabe from the Library of Congress ISBN: 978-0-7506-8585-6 For information on all Architectural Press publications visit our web site at books.elsevier.com Printed and bound in Slovenia 08 09 10 10 9 8 7 6 5 4 3 2 1 v Contents Preface ix Why One Thing, not Another? 2 Projects Verulamium Hypocaust Building, St Albans 8 Muf Architecture/Art Bedford School Library, Bedford 12 Eric Parry Architects Digital Studio at Oxford Brookes School of Architecture, Oxford 16 Niall McLaughlin Architects Trevision Production Building, Vienna, Austria 20 Querkraft Architekten Crop Store, Renewable Energy Centre, Kings Langley, Hertfordshire 24 Studio E Architects Fountain on the Nikolaikirchhof, Leipzig, Germany 28 David Chipperfi eld Architects Youl Hwa Dang Publishing House, Paju Book City, Seoul, South Korea 32 Architecture Research Unit (ARU) and Metropolitan Architecture Research Unit (MARU) The Public Gallery, West Bromwich 36 Alsop Architects Kingsdale School Auditorium, Dulwich, London 40 de Rijke Marsh Morgan Architects Moggerhanger House, Bedfordshire 44 Inskip ϩ Jenkins Architects Tower of London Environs, London 48 Stanton Williams Architects City and County Museum, Lincoln 52 Panter Hudspith Architects A13 Artscape Project – Pump Control House, Barking and Dagenham 56 de Paor Architects Metropolitan Cathedral Campus, Liverpool 60 Falconer Chester Hall Architects St Paul’s Old Ford Church, Bow, London 64 Matthew Lloyd Architects vi Friars Halt Studio, Battle, East Sussex 68 Inglis Badrashi Loddo Architects Novy Dvur Monastery, Czech Republic 72 John Pawson Architects Summerhouse, Stoke Newington, London 76 Ullmayer Sylvester Architects Imperial War Museum Visitors Centre, Duxford, Cambridgeshire 80 London Bloc Architects Unicorn Theatre, London 84 Keith Williams Architects Museum of World Culture, Gothenburg, Sweden 88 Brisac Gonzalez Architects Alpine House, Kew Gardens, London 92 Wilkinson Eyre Architects Westfi eld Student Village, Queen Mary, University of London 96 Feilden Clegg Bradley Architects Carlisle Lane Housing, Waterloo, London 100 Pringle Richards Sharratt Architects National Gallery East Wing, London 104 Dixon Jones Architects National Assembly for Wales, Cardiff 108 Richard Rogers Partnership Queens Road Community Centre, Walthamstow, London 112 Greenhill Jenner Architects Sky Ear 116 Haque Design & Research Salvation Army Chapel, London 120 Carpenter Lowings Architects BBC Broadcasting House, London 124 MacCormac Jamieson Prichard Architects Education Resource Centre, Eden Project, Cornwall 128 Nicholas Grimshaw & Partners Hunterian Museum at the Royal College of Surgeons, London 132 Julian Bicknell & Associates Galleria Fashion Mall, Seoul, South Korea 136 UN studio Wembley Stadium Arch, London 140 World Stadium Team Victoria & Albert Museum Courtyard, London 144 Kim Wilkie Associates Contents vii Young Vic Theatre, London 148 Haworth Tompkins Architects House at Dalguise, Fife 152 ARC (Architecture, Research, Conservation) Des Moines Public Library, Iowa, USA 156 David Chipperfi eld Architects London Centre for Nanotechnology, University College London 160 Feilden Clegg Bradley Architects Newington Green House, London 164 Prewett Bizley Architects Project credits 168 Contents This page intentionally left blank ix Preface In April 2004 Building Design began publishing working details from contem- porary building projects that illustrate innovative construction techniques, forty of which are collated in this book. The projects have deliberately not been classifi ed and appear in the order in which they were originally pub- lished. They exemplify the forefront of thinking in building technology yet also address timeless problems of architectural detailing. The purpose of the details is not to provide ready-made solutions but to add to the resource base and stimulate thought. There are aspects of them all that can be criticised. Although the principles applied in solving different problems may be similar the fi nal details are always specifi c to the conditions of the particular situation. The projects are presented here in the belief that by offering a tentative analogous solution that can then be criticised, we gain insight into our own problem and fi nd fresh strands of thought to follow. I would like to thank all the architects, engineers and photographers who have allowed their work to be reproduced in this book. (A full list of credits for each project is given before the index at the back of the book.) Thank you also to Robert Prewett for many stimulating conversations and to Emily Pitt for her inspiration, advice and support.