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0521812410 cambridge university press byron poetics and history jan 2003

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This page intentionally left blank CAMBRIDGE STUDIES IN ROMANTICISM   BYRON, POETICS AND HISTORY Jane Stabler offers the first full-scale examination of Byron’s poetic form in relation to historical debates of his time Responding to recent studies of publishing and audiences in the Romantic period, Stabler argues that Byron’s poetics developed in response to contemporary cultural history and his reception by the English reading public Drawing on extensive new archive research into Byron’s correspondence and reading, Stabler traces the complexity of the intertextual dialogues that run through his work For example, Stabler analyses Don Juan alongside Galignani’s Messenger – Byron’s principal source of news about British politics while in Italy – and refers to hitherto unpublished letters between Byron’s publishers and his friends revealing a powerful impulse among his contemporaries to direct his controversial poetic style to their own political ends This fascinating study will be of interest to Byronists and, more broadly, to scholars of Romanticism in general   is Lecturer in English at the University of Dundee She is the author of The Longman Critical Reader on Byron () and Burke to Byron, Barbauld to Baillie – ()     General editors Professor Marilyn Butler Professor James Chandler University of Oxford University of Chicago Editorial board John Barrell, University of York Paul Hamilton, University of London Mary Jacobus, University of Cambridge Kenneth Johnston, Indiana University Alan Liu, University of California, Santa Barbara Jerome McGann, University of Virginia David Simpson, University of California, Davis This series aims to foster the best new work in one of the most challenging fields within English literary studies From the early s to the early s a formidable array of talented men and women took to literary composition, not just in poetry, which some of them famously transformed, but in many modes of writing The expansion of publishing created new opportunities for writers, and the political stakes of what they wrote were raised again by what Wordsworth called those ‘great national events’ that were ‘almost daily taking place’: the French Revolution, the Napoleonic and American wars, urbanisation, industrialisation, religious revival, an expanded empire abroad and the reform movement at home This was an enormous ambition, even when it pretended otherwise The relations between science, philosophy, religion and literature were reworked in texts such as Frankenstein and Biographia Literaria; gender relations in A Vindication of the Rights of Woman and Don Juan; journalism by Cobbett and Hazlitt; poetic form, content and style by the Lake School and the Cockney School Outside Shakespeare studies, probably no body of writing has produced such a wealth of response or done so much to shape the responses of modern criticism This indeed is the period that saw the emergence of those notions of ‘literature’ and of literary history, especially national literary history, on which modern scholarship in English has been founded The categories produced by Romanticism have also been challenged by recent historicist arguments The task of the series is to engage both with a challenging corpus of Romantic writings and with the changing field of criticism they have helped to shape As with other literary series published by Cambridge, this one will represent the work of both younger and more established scholars, on either side of the Atlantic and elsewhere For a complete list of titles published see end of book BYRON, POETICS AND HISTORY JANE STABLER           The Pitt Building, Trumpington Street, Cambridge, United Kingdom    The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org © Jane Stabler 2004 First published in printed format 2002 ISBN 0-511-03000-2 eBook (Adobe Reader) ISBN 0-521-81241-0 hardback For NHR and MGQR all these things – like most things are a lottery – it may be as well at least to have the ticket drawn (, , pp –) Bibliography  Whale, John, Imagination Under Pressure, –: Aesthetics, Politics and Utility (Cambridge University Press, ) Wilson, Frances (ed.), Byromania: Portraits of the Artist in Nineteenth- and TwentiethCentury Culture (London and Basingstoke: Macmillan, ) Wolcot, John, The Works of Peter Pindar To which is prefixed Some Account of his Life,  vols (London: Walker and Edwards, ) Wolfson, Susan J., ‘Keats’s Isabella and the “Digressions” of “Romance”’, Criticism  (), – ‘Couplets, Self, and The Corsair’, Studies in Romanticism  (),  – ‘“Their She Condition”: Cross-Dressing and the Politics of Gender in Don Juan’, ELH  (), – “A Problem Few Dare Imitate”: Sardanapalus and “Effeminate Character”’, ELH  (), – Formal Charges: The Shaping of Poetry in British Romanticism (Stanford University Press, ) Wollstonecraft, Mary, Political Writings, (ed.) Janet Todd (Harmondsworth: Penguin, ) A Short Residence in Sweden, (ed.) Richard Holmes (Harmondsworth: Penguin, ) Wood, Gerald C., ‘The Metaphor of the Climates and Don Juan’, Byron Journal  (), – Wood Nigel (ed.), Don Juan, Theory in Practice Series (Buckingham: Open University Press, ) Woodring, Carl, Politics in English Romantic Poetry (Cambridge, Mass.: Harvard University Press, ) Woolf, Virginia, To the Lighthouse (London: Collins, ; repr ) Wordsworth, William, The Excursion (), facsimile of st edn (Oxford: Woodstock Books, ) The Prelude: , , , (eds.) Jonathan Wordsworth, M.H Abrams and Stephen Gill (New York and London: W.W Norton, ) The Letters of William and Dorothy Wordsworth, (ed.) Ernest De Selincourt, nd edn, The Middle Years, –, (rev.) Mary Moorman and Alan G Hill (Oxford University Press, ) Poetical Works, (ed.) Ernest De Selincourt (Oxford and New York: Oxford University Press, ; repr ) Wordsworth, William and Samuel Taylor Coleridge, Lyrical Ballads, (eds.) R.L Brett and A.R Jones (London: Methuen, ; repr ) Worton, Michael, and Judith Still (eds.), Intertextuality: Theories and Practices (Manchester University Press, ) Yeats, William Butler (ed.), The Oxford Book of Modern Verse, – (New York: Oxford University Press, ) ‘Z’, ‘The Cockney School of Poetry, No ’, Blackwood’s Magazine  (), – Index Abrams, M.H ,  Natural Supernaturalism  advertising ,  Akenside, Mark The Pleasures of Imagination  Alfieri, Vittorio  Amarasinghe, Upali ,  America ,  Anacreon  anti-homosexuality  aporia  Ariosto , ,  aristocrats ,  Aristotelian criticism , n Auden, W.H ,  Augustanism , , , , n Austen, Jane , ,  Northanger Abbey  Persuasion ,  Pride and Prejudice  authority ,  Babbitt, Irving –,  Baillie, Joanna A Series of Plays  Bakhtin, Mikhail carnival and chronotype ,  Baldick, Chris  Barbauld, Anna , , ,  Eighteen Hundred and Eleven  Baring, Alexander, first Baron Ashburton  Barrell, John ,  Barthes, Roland , , ,  The Pleasure of the Text – Barton, Anne , – Bate, Jonathan , , , –,  Baudrillard, Jean  Beattie, James , ,  Beatty, Bernard , , – Byron’s Don Juan  Beaty, Frederick L , ,  Byron the Satirist  Beaumont, Francis and Fletcher, John  Philaster –,  Beecroft, Mrs  Beerbohm, Max  Behman, Jacob  Behrendt, Stephen C  Bennett, Andrew ,  Bernini, Lorenzo  Bible  Daniel  Deuteronomy  Old Testament  Psalms  ‘Big Six’, the ,  biography  Bishop, Elizabeth ‘The Bight’  ‘The Map’  Black, Joel Dana  Blackstone, Bernard  Blair, Hugh  Lectures  Blessington, Lord and Lady , , , – Bloom, Harold , , , , ,  Clinamen ,  Tessera ,  see also influence body, the , ,  Boileau, Nicholas , n Bolingbroke, Henry St John, first Viscount ,  Bonaparte, Napoleon , , , , , , , , , , ,  Bounty, The, mutiny on  Bowie, Andrew  Bowles, William Lisle , , , , , , ,  see also Pope, Alexander, Pope/Bowles controversy  Index Boyd, Elizabeth French ,  British foreign/economic policy , , –, ,  British Library  Brougham, Henry Peter, Baron  Brower, Reuben  Browning, Elizabeth Barrett ,  Aurora Leigh  letter to Miss Mitford  ‘Stanzas on the Death of Lord Byron’  Browning, Robert  Burdett, Sir Francis , , , ,  Burgess, Sir James Bland  Burke, Edmund , , , , ,  Byron, Lady ,  Byron, George Gordon, Lord (i) biographical details alleged instability  anti-Romantic, as  aristocratic identity/disillusion , , , , , , , , –, , , , n arms/crest  biograph/y/ical myth –, –, ,  Busby incident – casinos in Venice – death –,  ‘divorce’ from publisher  Drury Lane Theatre ,  epic style  financial affairs –, ,  first political readings of – friends , , , , , ,  Guiccioli marriage ,  increasing professionalism  influence of Charles Churchill – involvement in Portsmouth/Hanson scandal  isolation at Lake Leman  leaving England , , , , , , n letters , , , , , –, –, , , , , –, , , , –, ,  –, , ,  n library, sale of , , , ,  manservant  marriage/settlement and separation , , , ,  meditation on gambling – mobilit´e , , , –n peerage ,  ‘perversity’ , , ,  political ‘ownership’ of his verse  possible return to England  Ravenna Journal  Ravenna shooting incident   Regency dandy, as  rocking-horse glee  shifting political identity  – sister , n theatricality ,  visit to Churchill’s grave  voting in Lords , , – (ii) writings Age of Bronze, The , , , , , –, , , , –, , , ,  Beppo , –, , , ,  Cain ,  Childe Harold’s Pilgrimage –, , , –, , , , , , , , , , , –, ,  n, n canto  ,  canto  , , ,  early cantos , , , , ,  ‘Churchill’s Grave’  Complete Miscellaneous Prose, The , , , ,  Complete Poetical Works, The – Corsair, The , , , ,  Deformed Transformed, The , , ,  ‘Detached Thoughts’ – Don Juan , , , , , , , –, , , , , , , , , , , , , –, , , , , , , , , , , , , , , –, , , , , , , , , , , –, ,  cantos  and  , , , ,  canto  , , , ,  cantos  and  (writings between) – canto  (‘harem episode’) , , , , , –, ,  –, ,  cantos  and  (‘siege cantos’) , , , , , ,  –, , –,  cantos  and xi – cantos  and  (writings between) ,  canto  , – canto   ‘English cantos’ , , , , , , , , , , , , , ,  ‘Russian cantos’ – dramatic writing , – English Bards and Scotch Reviewers , –, , , , , ,  ‘Epistle to Hobhouse’  ‘Fare Thee Well’  ‘Farewell Petition to JCH Esq.’   Index Byron, George Gordon, Lord (cont.) ‘Farewell to Malta’ ,  – Fugitive Pieces  Giaour, The , ,  Hints from Horace , , , , , , –, , , , ,  Hours of Idleness ,  Island, The , , , , , , , , – ‘Isles of Greece, The’  Lara , ,  Letter to John Murray Esqre , , , , , , ,  Manfred , –,  Marino Faliero , , –,  Memoirs  n ‘Observations Upon Observations’  ‘On Southey Detached Thought’  ‘On this day I complete my thirty sixth year’  ‘Parenthetical Address, by Dr Plagiary’ – Poems ()  Poems on His Domestic Circumstances  Sardanapalus  Siege of Corinth, The – ‘Some Observations Upon an Article in Blackwood’s’ ,  ‘To a Lady Weeping’  ‘To the Earl of Clare’ – Vision of Judgement, The  Werner  Byronic hero, the , , ,  Cambridge education ,  Campbell, George , ,  ‘Ship’  Canning, George , , , , , , n canon(s) ,  Carlyle, Thomas Sartor Resartus  Castelnau, Gabriel de, Marquis , ,  Casti, Giambattista  Castlereagh, Robert Stewart, Viscount , –, , , ,  Catherine the Great – Cato Street Conspiracy ,  Catullus ,  Cawthorne, James ,  censorship , ,  Centlivre, Susannah  Cervantes Saavedra, Miguel de ,  Don Quixote  Chandler, James England in   Chateaubriand, Francois-Ren´e, viscomte de  Chaucer, Geoffrey ,  Christensen, Jerome ,  Christianity  Churchill, Charles , –, , , ,  ‘An Epistle to William Hogarth’  ‘Dedication to the Sermons’  ‘Duellist, The’  Ghost, The –, n Gotham ,  Independence  Journey, The  Rosciad, The – see also Tooke, William Cixous, H´el`ene ,  class , , , , , ,  classical education/ideals/myths , , , , , , , , , , –, , , , , ,  see also Horace Cobbett, William , ,  Cochran, Peter  Cockney School , , , , , , , , , ,  coffee house society  Cohen, Francis (Francis Palgrave) , –,  Coleridge, Samuel Taylor , , , ,  –, , , , ,  Biographia Literaria  ‘The Rime of the Ancient Mariner’  Colman, George –,  Colman, George (the Elder) –,  commodification , ,  Conder, Josiah ,  conduct literature  Congress/of Verona/system , , , , ,  Congreve, William ,  Love for Love – Mourning Bride, The  Conrad, Peter Shandyism: The Character of Romantic Irony – Cooke, Michael G ,  country house ,  Cowper, William , , n Cox, Jeffrey  Crabbe, George  Croker, J.W , –, –,  Croly, George  Cronin, Richard , , – In Search of the Pure Commonwealth  Crowe, William  Index cultural hierarchy/high and low culture  Curll, Edmund  Curran, Stuart ,  Curtis, Paul – Curtis, Sir William , ,  Dallas, Charles –,  Dante Alighieri ,  Darwin, Erasmus  de Almeida, Hermione  de Man, Paul De Quincey, Thomas , de Staăel, Madame – De La Litt´erature  deconstruction , , ,  democracy/idea of , , , , ,  Derrida, Jacques  jouissance  desire ,  Diakonova, Nina  difference , , , ,  displacement ,  dissent  Dryden, John , , , , , , , , ,  Annus Mirabilis  Mac Flecknoe ,  Dyer, Gary , –, ,  Eagleton, Terry  Edgeworth, Maria  Letters for Literary Ladies  Elfenbein, Andrew Byron and the Victorians  Eliot, T.S  Ellice, Edward  empire/imperialism , ,  empiricism  Empson, William ,  England/Englishness , , , , , , , , , , , , , , , , , , –, , , n London , , , , ,  England, A.B  Enlightenment ,  epistolary conversation  Erasmus, Desiderius  erasure  Essex, George, Earl of ,  Europe , , , , , , , , ,  evangelicalism ,  Fall, The  fascism   female sexuality/experience –,  feminine, the , –, , , , , , –, , , , , , , , ,  –, –, , , , , –, n, n see also women readers and writers feminism , , ,  Fenelon, Francois  Fielding, Henry ,  Amelia  film ,  Chinatown  Foote, Samuel  formalist criticism  Forteguerri, Niccolo  Foscolo, Ugo –,  Fowler, Alastair  Fox, Charles ,  Fox, Henry  France , ,  Paris  Revolution , , ,  Franklin, Caroline , ,  Frere, John Hookham ,  Whistlecraft ,  Galperin, William – Garber, Frederick  Gay, John  The Beggar’s Opera  gender ,  genius, definition of  genre/generic boundaries , , , , , , , , , , , , , , , , n, n, n George III  George IV  Giddens, Anthony  Gifford, William , , , , , , , , , , , , , , n Baviad  Gilroy, Amanda  Godwin, William n Goethe, Johann Wolfgang von  Goldsmith, Oliver –, –, , ,  She Stoops to Conquer  The Good-Natured Man  The Sister – gothic, the , , ,  Graham, Peter W (ed.)  Byron’s Bulldog , , ,  Greece , , , , , ,  Greek Committee  Guiccioli, Teresa , ,   Index Hamann, Johann Georg  Hanson, John ,  Hardy, Lady  Hartman, Geoffrey  Haslett, Moyra , , ,  Byron’s Don Juan  Hazlitt, William –, , , , –,  –, , , ,  ‘Essay on Wit and Humour’ – ‘On Genius and Common Sense’ – ‘On the Past and Future’  n Spirit of the Age, The – ‘Whether Genius is Conscious of its Powers’ – ‘hell’ (gaming club)  Hemans, Felicia ,  ‘The Lost Pleiad’  Hessey, James Augustin  historicism  history ,  Hobhouse, John , , , , , , –, , , , , , , , , , , , , , , , ,  n, n,  n ‘A Trifling Mistake’  Hogarth, William ‘The Bruiser’  ‘Sigismund’  Holland, Lord and Lady , , , , , , , , , –,  n Hollander, John  Homer , , ,  Iliad ,  n Hone, William  Hope, Thomas Anastasius  Horace –, , , , , , n Ars Poetica , , –, ,  see also poetics/poetic practices Hume, David  Hunt, Henry ,  Hunt, John , , , , , , , , ,  Hunt, Leigh , , , –, , , , , , , , , ,  –, ,  n Autobiography  ‘The Book of Beginnings’  The Story of Rimini ,  Ultra-Crepidarius  Hunter, J Paul  ideology , , , ,  imagination  Inchbald, Elizabeth British Theatre  India ,  influence , , , , n Ireland/Irishness ,  Irigaray, Luce ,  Iser, Wolfgang  Italy , , , , , –, , , , , , , ,  Pisan circle , , , –, , , , n politics and Revolution , , n James VI and I  Jardine, Alice  Jeffrey, Francis , , , –, –, , , , , , , ,  Jews/Jewishness ,  Johnson, E.D.H ,  Johnson, Dr Samuel  –, , –, , , , –, , , n Lives of the Poets  Jones, Steven E  Joshua, John Earl of Carysfort  journalism/newspapers , , , , , , –, , , n Courier, The , , , , ,  court and social columns – crime columns – Herald, The  Galignani’s Messenger , , , –, –, –, n, n Galignani’s Weekly Repertory or Literary Gazette , n Grub Street ,  n Morning Chronicle –, ,  North Briton  pamphlet war  Times, The , ,  Yorkshire Gazette n see also periodicals Joyce, James ,  A Portrait of the Artist as a Young Man  Kames, Lord  Keach, William  Keats, John , , , , , , , , n, n Endymion – ‘Eve of St Agnes, The’  Hyperion poems  ‘Sleep and Poetry’ , –,  Kelsall, Malcolm , , ,  Kermode, Frank  Index Kierkegaard, Søren  Kinnaird, Douglas , , , , , –, , –,  Kristeva, Julia  Lacan, Jacques , ,  Law, the ,  Lafitte, Jacques  Lake School/poets , , , , , ,  Lamb, Charles ,  Landon, Letitia Elizabeth (L.E.L.)  landscape , , , , ,  Lawrence, Sir Thomas  Leask, Nigel  legitimation  Lempri`ere, John  Lennard, John  libertinism , –,  literary marketplace , , , , , , ,  see also commodification literary theory, use of ,  literary tour  Liverpool, Lord  Lockwood, Thomas  Londonderry, Lady  Longinus ,  Longman & Co (publisher)  Luther, Martin  Lyotard, Jean-Francois  McGann, Jerome , , , , , , , , , , , , , , , , –, , , , ,  Complete Poetical Works [of Byron] (ed.) – Don Juan in Context , – Fiery Dust  The Poetics of Sensibility  Mackintosh, Sir James  Machiavelli, Niccol`o  Malta ,  Mandeville, Bernard de  Manning, Peter J –, , , ,  ‘The Art of Allusion’  Marchand, Leslie A  Marvell, Andrew  ‘The Garden’  Marxist criticism  Mathias, T.J ,  Medwin, Thomas , ,  Mellor, Anne K English Romantic Irony  Melville, Herman   Merivale, John Herman  Mill, John Stuart  Miller, Nancy K  Milton, John , , , , , , , , , , , n Paradise Lost –, –, , , , , –, n misogyny , n Mitchell, Leslie  Modernism/male domination of –,  modernity ,  monstrous, the –, , , , , , , , n Montagu, Lady Mary Wortley ,  Montaigne – Montmorency, Mathieu Jean F´elicit´e  Moore, Thomas , , , , , , , , , , ,  n The Works of Lord Byron  Morritt, J.B.S ,  Muldoon, Paul  Mullan, John – Murray, John (publisher) , , –, , , , , , , , , , –, , , , , , , , , , , , , , , , , ,  Archive , , , , , , , , , n music  counter-voice  popular song  Nabokov, Vladimir ,  nationality  Nature/natural history/science , ,  Cuvier  Memoirs of Mammoth Bones  miners’ safety lamp n perpetuum mobile n Newbery, John The Art of Poetry on a New Plan – Newgate prison  Newlyn, Lucy  Newton, Isaac  Nicholson, Andrew Complete Miscellaneous Prose [of Byron]  novels/ists ,  O’Neill, Michael Romanticism and the Self-Conscious Poem  Osborne, Thomas  Ovid ,  Owenson, Sydney, Lady Morgan Ida of Athens   Index Paine, Tom  parliament ,  House of Commons ,  House of Lords , , , ,  (proxy book/voting in latter , , –) Parry, William  partisan politics ,  anti-Jacobinism ,  Jacobinism ,  liberalism –, ,  radicalism , , , , , , , , , , , , ,  reformism , , , , , , , , ,  n revolutionary, the , , ,  n Tory/ism/press , , , , , , , , , , , , , , , ,  Whig/gism , , , , , , , , , , , , , , , , , , , , , , , , ,  patriarchy ,  patriotism , , , , , , , ,  Peacock, Thomas Love novels of n periodicals , ,  Anti-Jacobin, The, or Weekly Examiner , , , ,  Antijacobin Review – Blackwood’s , , , , , , – British Critic , , , , –n Critical Review ,  Eclectic Review –, ,  Edinburgh Review , , , –, , , ,  Gentleman’s Magazine – Journal Encyclop´edique  Lady’s Monthly Museum  Liberal, The , , , , , ,  Literary Chronicle  Literary Gazette  Monthly Monitor  Monthly Review, The ,  Murray’s Magazine n New European, The  Quarterly Review , –, , , , –,  Rambler  Scots Magazine  Yellow Dwarf  see also reviewers/ing Perri, Carmela  Persius  Peterloo  phatic communication  philhellenism ,  Pindar, Peter (John Wolcot)  Pitt, William, ‘the Younger’ , ,  Plato ,  Plutarch  poetics/poetic practices  – allusion , , , , , , , , , , , , , , , , –, , , , , , , , , , –, , , , , , , n, n, n, n, n ambiguity , –, ,  asides , , , , , , , , , , , , , , , , ,  association of ideas ,  balked movement  ballad  bathos  blank verse , , , , , , n blanks for names  burlesque , , –, ,  caesura  canto see Byron, writings clich´e ,  close reading  – closure  collage ,  coterie verse  couplets , , , , , , , –, , , , , , , , , , , ,  n, n decorum , , , , ,  defamiliarisation , ,  diversity n doggerel  double entendre  double rhyme  echoes , , , ,  elegy , ,  enjambement , , n epic , , , , , ,  euphemism  feminine rhyme , , , n footnotes –, ,  foreign words , , , , n, n fragment/s/ation , , , , , , , ,  gloss  hemistich  hudibrastics , , n imagery , , – improvisatori  n incongruity , , n indelicacy n innuendo  Index inspiration  intertextuality , , , –, , , , , , , , –, n inverted commas  irony , , , , , , , , , , , , , , ,  irregularity  italics ,  juxtaposition , , , , , , , , , ,  n lampoon –,  line  lists  lyric , , , , n masculine rhyme ,  metaphor , , , , , n metre  military jargon  missing lines n mixed forms/hybridity , , , , , , n monosyllables  mood ,  narrative , , , –, , , , , , , ,  ‘New School’  ode – originality  ottava rima , , , , , , , , –, , , , , , , , , , , , , ,  palimpsest  paradox , n para-rhyme n parenthesis/brackets , , , , , , , , , , , , , ,  parody , , , , , , , , , , n pastoral , n periodical poetry  personification  picaresque  Pindar/ics ,  plot  present tense  process of composing n prosody, rules of  punctuation  punning , ,  quotation/marks , , , , , , ,  reportage , – rhetoric ,  rhyme , , , , , , , , , , , , , , , ,  n  risk – romance , ,  simultaneity ,  slang , ,  Spenserian stanza ,  subscription poetry  swearing  syllable ,  syllepsis n tenor n terza rima ,  tone , , , , , , , , , , , , , , , , , ,  translation ,  travel poetry  typography , ,  unity , , , , , , , , , , , , n variant readings , – vatic, the  vehicle n verse epistle ,  verse paragraphs n verse/satire , , , , , –, , , , –, , , –, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , n, n, n Horatian , –, ,  Juvenalian , , , , , , , ,  versification , , , , n word  word play  Pope, Alexander , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , –, , , , , , , , , , , n, –n,  n, n, n An Essay on Man  Dunciad, The , , , , –, , , , , n ‘Dying Christian to His Soul, The’ n ‘Eloisa to Abelard’ ,  ‘Epilogue to the Satires’  ‘Epistle to a Lady’  ‘Epistle to Bathurst’  Imitations of Horace  Pope/Bowles controversy , , , , , , , , , , , , n Rape of the Lock, The  Porter, Seymour Teulon  – Portsmouth, Earl of   Index Portugal  postcolonialism  postmodernism , , ,  post-structuralism ,  Pound, Ezra Cantos  Pratt, Willis W ,  prayer book burial service , – pre-Victorian period  Prior, Matthew , –, , ,  n Proust, Marcel Remembrance of Things Past  psychoanalysis , , n public sphere ,  publishers/ing , ,  Pulci, Luigi , , , , , , , ,  n Queen Caroline  –, , –, , n race  Racine, Jean  Rajan, Tilottama Dark Interpreter – reader response  –, , –, –, , n reception , , , , , , , , , , , , –, , , , , ,  Reform Act  Regency , , ,  religious belief  reviewers/ing , , , , , , , , –, , –, , –, –, , , , –, , , , , –, , , , , –, , , –, –n Reynolds, Sir Joshua , , , , –,  Discourses ,  Ridenour, George M  Roberts, William , –, –, ,  Robinson, Henry Crabb  Rochefoucault, Fran¸cois de la, Duc  Roe, Nicholas  Rogers, Samuel ,  Rose, William The Court of Beasts  Ross, William T  Rothschild, Baron Nathan  Rousseau, Jean-Jacques  Royal Society  Ruskin, John ,  Russia  Sappho  Schlegel, Friedrich  Schopenhauer, Arthur  Schor, Naomi  Scotland ,  – Edinburgh  – Royal Tour  – Scott, Sir Walter , , , , , , –, , , ,  sensibility ,  sentimental, the , , , , , , , , , n Shaftesbury, Earl of ,  Characteristicks  Shakespeare, William , , –, , –, , , , –, , – Antony and Cleopatra  Coriolanus – Hamlet , , , , –, , n  Henry IV , –,  –,  Henry V , –  Henry VI  Julius Caesar  King Lear , , , , , , n Macbeth , , , –, ,  Measure for Measure  Merchant of Venice, The  Othello ,  –, ,  Richard III , ,  Timon of Athens  Twelfth Night , ,  Winter’s Tale, The n Shelley, Mary , , , , , ,  Shelley, Percy , , , , , , , n Adonais  Hellas  Witch of Atlas, The  Shelley, Sir Timothy  Sheridan, Richard Brinsley , ,  School for Scandal –,  The Camp  Simpson, David  sincerity  Smiles, Samuel A Publisher and His Friends , ,  Smith, Charlotte  Smollett, Tobias  Solomon  Sotheby, Merivale  Southey, Robert ,  Joan of Arc  Southwell,  Spain , , ,  Spenser, Edmund  see also poetics Steffan, Truman Guy ,  Stephenson, William A ,  Index Sterne, Laurence , , –, , , , ,  Tristram Shandy ,  –, , ,  Stevens, Wallace  structuralism  sublime/ity , , , , , , , , , ,  Swift, Jonathan , , , , , , , , ,  ballads  Symonds, John Addington  Tacitus  taste , , , , , , , , , , , , , , , , , , , , , , , ,  Taylor, John  television  Terry, Richard  Thayer, Mary Rebecca  theatre/theatricality/drama , , , , , , , , , ,  acting/actors ,  animals on stage  audiences , , , , , n, n comedy , , , , ,  comedy of manners – cross-dressing  Drury Lane –, , , ,  Garrick, David , n German drama – ‘mental theatre’ ,  novelty – performance , , , , ,  ‘popular theatre’  prologues and epilogues – resources  Restoration comedy – Shakespearean allusion  –, , –,  – stage directions  stage plays ,  tragedy , , , , ,  writing for – Theobald, Lewis  Tillotson, Geoffrey  Tillotson, John  Tooke, William (ed.)  The Poetical Works of Charles Churchill –,  tradition , , , , ,  transcendence , ,   travel/ogue , –, , , , , , n Trelawny, Edward – Turkish government  utilitarianism ,  value(s) , , , , , , n Virgil , ,  Voltaire  walking parties  Walpole, Sir Robert ,  Wandering Jew  Warton, Joseph , , , , –n Waterloo , , ,  Webb, Daniel  Webster, Sir James Wedderburne – Weinbrot, Howard D  Wellington, Duke of , , , ,  Wesley, John  Whale, John  Whitbread, Samuel ,  Wilkes, John ,  Williams, Edward  Williams, Jane  Wilson, Frances  Wilson Knight, G , ,  Wolcot, John (Peter Pindar)  Wolfson, Susan , ,  Formal Charges  Wollstonecraft, Mary n women readers and writers ,  –, , , , , ,  –, , , , n see also feminine, the Woodhouse, Richard – Woodring, Carl  Woolf, Virginia To the Lighthouse  Wordsworth, William ,  –, , , , , , , , , , ,  ‘Essay, Supplementary to the Preface’  Excursion, The , – ‘Fenwick Notes’  Lyrical Ballads , ,  ‘Michael’  Prelude, The  ‘Tintern Abbey’ ,  Yeats, W B ,      general editors   University of Oxford   University of Chicago  Romantic Correspondence: Women, Politics and the Fiction of Letters     British Romantic Writers and the East: Anxieties of Empire    Edmund Burke’s Aesthetic Ideolog y Language, Gender and Political Economy in Revolution    Poetry as an Occupation and an Art in Britain, –    In the Theatre of Romanticism: Coleridge, Nationalism, Women     Keats, Narrative and Audience    Romance and Revolution: Shelley and the Politics of a Genre    Literature, Education, and Romanticism Reading as Social Practice, –    Women Writing about Money: Women’s Fiction in England, –    Shelley and the Revolution in Taste: The Body and the Natural World    William Cobbett: The Politics of Style    The Rise of Supernatural Fiction, – .   Women Travel Writers and the Language of Aesthetics, –     Napoleon and English Romanticism    Romantic Vagrancy: Wordsworth and the Simulation of Freedom    Wordsworth and the Geologists    Wordsworth’s Pope: A Study in Literary Historiography     The Politics of Sensibility Race, Gender and Commerce in the Sentimental Novel    Reading Daughters’ Fictions, – Novels and Society from Manley to Edgeworth    Romantic Identities: Varieties of Subjectivity, –     Print Politics: The Press and Radical Opposition in Early Nineteenth-Century England    Reinventing Allegory     British Satire and the Politics of Style, –    The Romantic Reformation Religious Politics in English Literature, –     De Quincey’s Romanticism Canonical Minority and the Forms of Transmission    Coleridge on Dreaming Romanticism, Dreams and the Medical Imagination    Romantic Imperialism: Universal Empire and the Culture of Modernity    Ideology and Utopia in the Poetry of William Blake     Sexual Politics and the Romantic Author    Lyric and Labour in the Romantic Tradition    Poetry and Politics in the Cockney School Keats, Shelley, Hunt and their Circle     Rousseau, Robespierre and English Romanticism    Contesting the Gothic Fiction, Genre and Cultural Conflict, –    Romanticism, Aesthetics, and Nationalism     Romantic Poets and the Culture of Posterity    The Crisis of Literature in the s Print Culture and the Public Sphere    Romantic Atheism: Poetry and Freethought, –    Romanticism and Slave Narratives Transatlantic Testimonies    Imagination Under Pressure, – Aesthetics, Politics, and Utility    Romanticism and the Gothic Genre, Reception, and Canon Formation, –    Romanticism and the Human Sciences Poetry, Population, and the Discourse of the Species          c      The Poetics of Spice Romantic Consumerism and the Exotic    British Fiction and the Production of Social Order, –     Women Writers and the English Nation in the s    Literary Magazines and British Romanticism    Women, Nationalism and the Romantic Stage Theatre and Politics in Britain, –    British Romanticism and the Science of the Mind    The Anti-Jacobin Novel: British Conservatism and the French Revolution .   Romantic Austen Sexual Politics and the Literary Canon    Byron and Romanticism             ed                The Romantic National Tale and the Question of Ireland    Byron, Poetics and History   ...This page intentionally left blank CAMBRIDGE STUDIES IN ROMANTICISM   BYRON, POETICS AND HISTORY Jane Stabler offers the first full-scale examination of Byron s poetic form in relation to historical... Introduction: Byron and the poetics of digression   ‘Scorching and drenching’: discourses of digression among Byron s readers   ‘Breaches in transition’: eighteenth-century digressions and Byron s... Dundee University Library, Edinburgh University Library, Glasgow University Library, the House of Lords Record Office, the National Library of Scotland, Stirling University Library, St Andrews University

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