Before&After BAmagazine.com ® i U X Howtoindthe perfect color Getting that just-right color is part art, part science We’ll show you Continued Continued Perfectcolor 0453 Before&After BAmagazine.com ® i U X Howtoindtheperfectcolor Hiddeninyourphotoisthecolorpaletteyouneed.Here’showtogetitout No single visual element has more effect on a viewer than color Color gets attention, sets a mood, sends a message But what colors are the right ones? The key is that color is relational Colors don’t exist in a vacuum but are always seen with other colors Because of this, you can design a colorcoordinated document based on the colors in any element on the page Here’s how Here’sthesituation:Wehave anacademicschedulefora women’scollegetodesign, andforaphotowehavethis no-nonsense,freckle-faced model.Thegoalistolook fresh,aliveandpersonal(no buildingsandgroundsshots) whileconveyingthesense thattheprogramisserious andbusinesslike.Anote oftrendinesswillbegood. Colorisinvolvedinallofit of 16 Perfectcolor 0453 Before&After ® Perfect color BAmagazine.com of 16 i U X Lookclose,closer,closest Every photo has a natural color palette First step is to ind it and organize it Zoom in on your photo, and you’ll be astonished by how many colors you see Atnormalviewingdistance (left)weseeafewdozen colors:skintones,redhair, blueeyes,bluejacket,but zoomcloser,andweseemillions!Firststepistoreduceall thosecolorstoamanageable few;youwant16,32,64tops. InPhotoshop,irstduplicate thephotolayer(soyoudon’t losetheoriginal),thenselect Filter> Pixelate>Mosaic(right). AlargeCellSizegivesyouvery fewcolors;ifyouneedmore, reducethesize of 16 Perfectcolor 0453 Before&After Perfect color ® BAmagazine.com of 16 i U X Pulloutthecolors Now extract colors with the eyedropper tool Work from the biggest color (the one you see most of ) to the smallest For contrast, pick up dark, medium and light pixels of each Workirstonthebigcolors.Thesearethe onesyouseeataglance;herskinandhair colorsandbluejacket.Thendothesmall colors—hereyes,lips,thehighlightsin herhairandsoftshadows.Youcanseein thisimagealightsideandashadowside; it’ssubtle,butpayattention.Finisheach areabeforemovingon.Sortyourresults bycolor,theneachcolorbyvalue(lightto dark).Discardlookalikes.You’llbethrilled bywhatyouind Lightside Hair Face Shadowside Hair Jacket of 16 Perfectcolor 0453 Before&After ® Perfect color of 16 BAmagazine.com i U X Tryeachoneon Place the photo on a swatch of each color The results are pretty, aren’t they? What’s fun is that this will always look good, because the colors you’re using are already there Warmcolors Thesearethewarmcolors— pinks,salmons,sepias, browns—ofthered-haired model.Thewarmercolors makeherlooksofterand morefeminine.Thesecolors wouldbegoodforacosmeticmessageoracaring message Coolcolors Thecoolcolors—blues, mainly—makeforamore serious,businesslikerelationshipandconveyadirect, to-the-pointmessage.Note thatasthevaluesgetdarker, herfacegetsperceptually brighterandappearstorise offthepagetowardyou of 16 Perfectcolor 0453 Before&After ® Perfect color of 16 BAmagazine.com i U X Addtothecolors The next step is to add more colors Select any of the colors, and locate it on the color wheel The purpose of a color wheel is to show you a color’s relationship to other colors Pickanyofthephoto’scolors— let’susethisblue—andindits generalvicinity*onthecolor wheel.We’llcallthisthebase color.Wealreadyknowthatthe basecolorgoeswiththephoto. Ourjobnowistoindcolors thatgowiththebasecolor. Keepinmindthatiftypeor othergraphicisinvolved(pretty typical),you’llneedbothdark andlightcolorsforcontrast *Becausethewheelisdeliberately basic,youwillrarelymakeanexact match.It’sonlyaguide. of 16 Perfectcolor 0453 Before&After ® Perfect color of 16 BAmagazine.com i U X Createcolorpalettes From your base color, you can now create an exciting range of coordinated color palettes Values can mix For example, medium blue works with light teal and dark violet Monochromatic Firstarethedark,mediumandlight valuesofthebasecolor.Thisisamonochromaticpalette.Ithasnocolordepth, butitprovidesthecontrastofdark, mediumandlightthat’ssoimportant togooddesign Analogous Onecolorstepeithersideofthebase colorareitsanalogouscolors.Analogous colorsshareundertones(here,bluegreen,blue,andblue-violet),which createbeautiful,low-contrastharmony. Analogouspalettesarerichandalways easytoworkwith. of 16 Perfectcolor 0453 Before&After ® Perfect color of 16 Complement Directlyoppositethebasecolorisits complement—inthiscase,theorange range.Whatthecomplementbringsis contrast.Acoloranditscomplement conveyenergy,vigorandexcitement. Typically,thecomplementisusedina smalleramountasanaccent;aspotof orangeonablueield,asshownabove BAmagazine.com i U X Splitcomplement Onestepeitherwayarethecomplement’sownanalogouscolors.This paletteiscalledasplitcomplement.Its strengthisinthelow-contrastbeauty ofanalogouscolors,plustheadded punctuationofanoppositecolor.In thiscase,thebluewouldmostlikely beusedastheaccent of 16 Perfectcolor 0453 Before&After ® Perfect color of 16 Complement/analogous Thismixedpaletteisthesameasthe splitcomplementbutwithmorecolor. Itsaddedrangeyieldssoft,richharmonyonthewarmsideandsharp,icy contrastonthecoldside,anintense andexcitingcombination. BAmagazine.com i U X Analogous/complement Colorsanalogoustoourbasecolormake coolharmonypunctuatedbyahotspotof complementarycolor.Keepinmindthat oppositesofthesamevaluetendtoight butcomplementwhendifferent(below). Thisiswhyyouwanttoeyedropperdark, mediumandlightvaluesofeachcolor Oppositecolors, samevalue Oppositecolors, differentvalues of 16 Perfectcolor 0453 Before&After ® Perfect color BAmagazine.com 10 of 16 i U X Editandapply Design the page, and now it’s time to make color choices How to pick? The key is to think message Weigh each against the original purpose by asking, which colors meet the goal? * Mitner Allbusiness—Blueiseveryone’sfavoritecolor.What’s interestinghereisthatblueandorangearenativeto thephoto,givingitexcellentnaturalcontrast.Theblue backgroundswallowsherjacket,allowingherintensegaze toliftrightoffthepage.Handsomeandbusinesslike FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION *Reviewthedesigngoalonpage2 10 of 16 Perfectcolor 0453 Before&After ® Perfect color 11 of 16 Mitner i U X BAmagazine.com Serious—Thispalettebeganinthedeepredofherhair, andforanaccenttooktwostepstowardyellow.Hereyes andjacket,whichonbluerecededintothebackground, nowstandincontrast.Notethattheredinherhairisa merehighlight,butillingthepageitacquiresrealweight. Serious,warm,drawsthereaderin FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION 11 of 16 Perfectcolor 0453 Before&After ® Perfect color 12 of 16 Mitner BAmagazine.com i U X Intense—Thehighlightsinherhaircarrythispage;the blueaccentlendscontrastanddepth.Anunexpected pointofinterestistheyellowheadline,whichseemscut outofthephoto.Dimensionallylat,thismixisintenseand engaging(andwouldwinthedesigncontest),butittakes adaringclienttochooseit FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION 12 of 16 Perfectcolor 0453 Before&After ® Perfect color 13 of 16 Mitner FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION BAmagazine.com i U X Casual—Analogoustotheblue—asteptowardgreen—is teal,abeautifulcolornotinthephoto.Itsdifferenceadds depthandvibrancyandrelaxesthemessagesomewhat;it’s trendiernow,moreapproachable.Hereyes,whichagainst bluelookedblue,nowlookgreen.Typecolor,stilllight orange,isasoftcontrast Reminder:Valuesmix.Youcan alwaysusedark,mediumand lightofanycolor.Notehereboth mediumandlightteal 13 of 16 Perfectcolor 0453 Before&After ® Perfect color 14 of 16 Mitner BAmagazine.com i U X Pretty—Onesteptheotherwayisblue-violet,another colornotinthephoto.Blue-violetisashifttowardred;the resultisaslightlylatterimage,becauseface,hairandbackgroundarenowmorealike.Blue-violetisacoolcolornormallyassociatedwithsoftness,femininity,andspringtime (withundertonesoffreshness) FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION 14 of 16 Perfectcolor 0453 Before&After ® Perfect color BAmagazine.com 15 of 16 i U X Articleresources Typefaces Colors 1(a–b)TrajanBold|a)36pt,b)8pt 2TrajanRegular|18pt Mitner FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION 1a 1b Mitner FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION Mitner FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION Mitner FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION Mitner FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION 10 Images 3Rubberball.com C0M40Y60K0 C100M60Y0K45 C0M40Y100K0 C0M90Y80K45 C0M25Y60K0 C60M0Y20K15 10 C30M0Y12K0 11 C100M90Y0K25 12 C60M50Y0K15 11 12 15 of 16 Perfectcolor 0453 Before&After ® Perfect color BAmagazine.com 16 of 16 SubscribetoBefore&After Did you enjoy this article? Subscribe, and become a more capable, conident designer for pennies per article To learn more, go to http://www.bamagazine.com/Subscribe i U X Before&Aftermagazine Before&Afterhasbeensharingitspracticalapproach tographicdesignsince1990.Becauseourmodernworld hasmadedesignersofusall(readyornot),Before& Afterisdedicatedtomakinggraphicdesignunderstandable,usefulandevenfunforeveryone. To pass along a free copy of this article to JohnMcWadePublisherandcreativedirector GayeMcWadeAssociatepublisher VincentPascual Staffdesigner DexterMarkAbelleraStaffdesigner others, click here Editorialboard GwenAmos,CarlWinther E-mailthisarticle Joinoure-list To be notiied by e-mail of new articles as they become available, go to http://www.bamagazine.com/email Before&Aftermagazine 323LincolnStreet,Roseville,CA95678 Telephone916-784-3880 Fax916-784-3995 E-mailmailbox@bamagazine.com wwwhttp://www.bamagazine.com Copyright©2005Before&Aftermagazine,ISSN 1049-0035.Allrightsreserved Youmaypassthisarticlearound,butyoumaynotalter it,andyoumaynotchargeforit.Youmayquotebrief sectionsforreview.Ifyoudothis,pleasecreditBefore &Aftermagazine,andletusknow.Tofeaturefree Before&AfterarticlesonyourWebsite,pleasecontact us.Forpermissiontoincludeallorpartofthisarticlein anotherwork,pleasecontactus 16 of 16 | Printing formats Perfectcolor 0453 Before&After BAmagazine.com ® i U X Before&Afterismadetoityourbinder Before & After articles are intended for permanent reference All are titled and numbered For the current table of contents, click here To save time and paper, a paper-saver format of this article, suitable for one- or two-sided printing, is provided on the following pages Forpresentationformat Print:(Specifypages1–16) Forpaper-saverformat Print:(Specifypages18–25) Print Format:Landscape PageSize:FittoPage Save Presentationformator Paper-saverformat Back | Paper-saver format Howtoindthe perfect color Getting that just-right color is part art, part science We’ll show you No single visual element has more effect on a viewer than color Color gets attention, sets a mood, sends a message But what colors are the right ones? The key is that color is relational Colors don’t exist in a vacuum but are always seen with other colors Because of this, you can design a colorcoordinated document based on the colors in any element on the page Here’s how 0453 Howtoindperfectcolor Here’sthesituation:Wehave anacademicschedulefora women’scollegetodesign, andforaphotowehavethis no-nonsense,freckle-faced model.Thegoalistolook fresh,aliveandpersonal(no buildingsandgroundsshots) whileconveyingthesense thattheprogramisserious andbusinesslike.Anote oftrendinesswillbegood. Colorisinvolvedinallofit Before&After|www.bamagazine.com 1 of Howtoindperfectcolor 0453 Lookclose,closer,closest Every photo has a natural color palette First step is to ind it and organize it Zoom in on your photo, and you’ll be astonished by how many colors you see Atnormalviewingdistance (left)weseeafewdozen colors:skintones,redhair, blueeyes,bluejacket,but zoomcloser,andweseemillions!Firststepistoreduceall thosecolorstoamanageable few;youwant16,32,64tops. InPhotoshop,irstduplicate thephotolayer(soyoudon’t losetheoriginal),thenselect Filter> Pixelate>Mosaic(right). AlargeCellSizegivesyouvery fewcolors;ifyouneedmore, reducethesize Pulloutthecolors Now extract colors with the eyedropper tool Work from the biggest color (the one you see most of ) to the smallest For contrast, pick up dark, medium and light pixels of each Workirstonthebigcolors.Thesearethe onesyouseeataglance;herskinandhair colorsandbluejacket.Thendothesmall colors—hereyes,lips,thehighlightsin herhairandsoftshadows.Youcanseein thisimagealightsideandashadowside; it’ssubtle,butpayattention.Finisheach areabeforemovingon.Sortyourresults bycolor,theneachcolorbyvalue(lightto dark).Discardlookalikes.You’llbethrilled bywhatyouind Lightside Hair Face Shadowside Hair Jacket 0453 Howtoindperfectcolor Before&After|www.bamagazine.com 2 of Howtoindperfectcolor 0453 Tryeachoneon Place the photo on a swatch of each color The results are pretty, aren’t they? What’s fun is that this will always look good, because the colors you’re using are already there Warmcolors Thesearethewarmcolors— pinks,salmons,sepias, browns—ofthered-haired model.Thewarmercolors makeherlooksofterand morefeminine.Thesecolors wouldbegoodforacosmeticmessageoracaring message Coolcolors Thecoolcolors—blues, mainly—makeforamore serious,businesslikerelationshipandconveyadirect, to-the-pointmessage.Note thatasthevaluesgetdarker, herfacegetsperceptually brighterandappearstorise offthepagetowardyou Addtothecolors The next step is to add more colors Select any of the colors, and locate it on the color wheel The purpose of a color wheel is to show you a color’s relationship to other colors Pickanyofthephoto’scolors— let’susethisblue—andindits generalvicinity*onthecolor wheel.We’llcallthisthebase color.Wealreadyknowthatthe basecolorgoeswiththephoto. Ourjobnowistoindcolors thatgowiththebasecolor. Keepinmindthatiftypeor othergraphicisinvolved(pretty typical),you’llneedbothdark andlightcolorsforcontrast *Becausethewheelisdeliberately basic,youwillrarelymakeanexact match.It’sonlyaguide. 0453 Howtoindperfectcolor Before&After|www.bamagazine.com 3 of Howtoindperfectcolor 0453 Createcolorpalettes From your base color, you can now create an exciting range of coordinated color palettes Values can mix For example, medium blue works with light teal and dark violet 0453 Howtoindperfectcolor Monochromatic Firstarethedark,mediumandlight valuesofthebasecolor.Thisisa monochromaticpalette.Ithasnocolor depth,butitprovidesthecontrastof dark,mediumandlightthat’sso importanttogooddesign Analogous Onecolorstepeithersideofthebase colorareitsanalogouscolors.Analogous colorsshareundertones(here,bluegreen,blue,andblue-violet),which createbeautiful,low-contrastharmony. Analogouspalettesarerichandalways easytoworkwith. Complement Directlyoppositethebasecolorisits complement—inthiscase,theorange range.Whatthecomplementbringsis contrast.Acoloranditscomplement conveyenergy,vigorandexcitement. Typically,thecomplementisusedina smalleramountasanaccent;aspotof orangeonablueield,asshownabove Splitcomplement Onestepeitherwayarethecomplement’sownanalogouscolors.This paletteiscalledasplitcomplement.Its strengthisinthelow-contrastbeauty ofanalogouscolors,plustheadded punctuationofanoppositecolor.In thiscase,thebluewouldmostlikely beusedastheaccent Before&After|www.bamagazine.com 4 of Howtoindperfectcolor 0453 Complement/analogous Thismixedpaletteisthesameasthe splitcomplementbutwithmorecolor. Itsaddedrangeyieldssoft,richharmonyonthewarmsideandsharp,icy contrastonthecoldside,anintense andexcitingcombination. Analogous/complement Colorsanalogoustoourbasecolormake coolharmonypunctuatedbyahotspotof complementarycolor.Keepinmindthat oppositesofthesamevaluetendtoight butcomplementwhendifferent(below). Thisiswhyyouwanttoeyedropperdark, mediumandlightvaluesofeachcolor Oppositecolors, samevalue Oppositecolors, differentvalues Editandapply Design the page, and now it’s time to make color choices How to pick? The key is to think message Weigh each against the original purpose by asking, which colors meet the goal? * Allbusiness—Blueiseveryone’sfavoritecolor.What’s interestinghereisthatblueandorangearenativeto thephoto,givingitexcellentnaturalcontrast.Theblue backgroundswallowsherjacket,allowingherintensegaze toliftrightoffthepage.Handsomeandbusinesslike Mitner FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION *Reviewthedesigngoalonpage2 0453 Howtoindperfectcolor Before&After|www.bamagazine.com 5 of Howtoindperfectcolor 0453 Serious—Thispalettebeganinthedeepredofherhair, andforanaccenttooktwostepstowardyellow.Hereyes andjacket,whichonbluerecededintothebackground, nowstandincontrast.Notethattheredinherhairisa merehighlight,butillingthepageitacquiresrealweight. Serious,warm,drawsthereaderin Mitner FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION Intense—Thehighlightsinherhaircarrythispage;the blueaccentlendscontrastanddepth.Anunexpected pointofinterestistheyellowheadline,whichseemscut outofthephoto.Dimensionallylat,thismixisintenseand engaging(andwouldwinthedesigncontest),butittakes adaringclienttochooseit Mitner FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION 0453 Howtoindperfectcolor Before&After|www.bamagazine.com 6 of Howtoindperfectcolor 0453 Casual—Analogoustotheblue—asteptowardgreen—is teal,abeautifulcolornotinthephoto.Itsdifferenceadds depthandvibrancyandrelaxesthemessagesomewhat;it’s trendiernow,moreapproachable.Hereyes,whichagainst bluelookedblue,nowlookgreen.Typecolor,stilllight orange,isasoftcontrast Mitner FALLSCHEDULE Reminder:Valuesmix.Youcan alwaysusedark,mediumand lightofanycolor.Notehereboth mediumandlightteal SCHOOLOFBUSINESSADMINISTRATION Pretty—Onesteptheotherwayisblue-violet,another colornotinthephoto.Blue-violetisashifttowardred;the resultisaslightlylatterimage,becauseface,hairandbackgroundarenowmorealike.Blue-violetisacoolcolornormallyassociatedwithsoftness,femininity,andspringtime (withundertonesoffreshness) Mitner FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION 0453 Howtoindperfectcolor Before&After|www.bamagazine.com 7 of Howtoindperfectcolor 0453 Articleresources Typefaces Colors 1(a–b)TrajanBold|a)36pt,b)8pt 2TrajanRegular|18pt Mitner FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION 1a 1b Mitner FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION Images 3Rubberball.com SCHOOLOFBUSINESSADMINISTRATION Mitner FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION Mitner FALLSCHEDULE SCHOOLOFBUSINESSADMINISTRATION C100M60Y0K45 C0M40Y100K0 C0M90Y80K45 C0M25Y60K0 C60M0Y20K15 11 C100M90Y0K25 FALLSCHEDULE C0M40Y60K0 10 C30M0Y12K0 Mitner 12 C60M50Y0K15 10 11 12 SubscribetoBefore&After Before&Aftermagazine Before&Afterhasbeensharingitspracticalapproach tographicdesignsince1990.Becauseourmodernworld hasmadedesignersofusall(readyornot),Before& Afterisdedicatedtomakinggraphicdesignunderstandable,usefulandevenfunforeveryone. Did you enjoy this article? Subscribe, and become a more capable, conident designer for pennies per article To learn more, go to http://www.bamagazine.com/Subscribe To pass along a free copy of this article to JohnMcWadePublisherandcreativedirector GayeMcWadeAssociatepublisher VincentPascual Staffdesigner DexterMarkAbelleraStaffdesigner others, click here Editorialboard GwenAmos,CarlWinther E-mailthisarticle Before&Aftermagazine 323LincolnStreet,Roseville,CA95678 Telephone916-784-3880 Fax916-784-3995 E-mailmailbox@bamagazine.com wwwhttp://www.bamagazine.com Joinoure-list To be notiied by e-mail of new articles as they become available, go to http://www.bamagazine.com/email Copyright©2005Before&Aftermagazine,ISSN 1049-0035.Allrightsreserved Youmaypassthisarticlearound,butyoumaynotalter it,andyoumaynotchargeforit.Youmayquotebrief sectionsforreview.Ifyoudothis,pleasecreditBefore &Aftermagazine,andletusknow.Tofeaturefree Before&AfterarticlesonyourWebsite,pleasecontact us.Forpermissiontoincludeallorpartofthisarticlein anotherwork,pleasecontactus 0453 Howtoindperfectcolor Before&After|www.bamagazine.com 8 of Howtoindperfectcolor 0453 ... brighterandappears to rise off the pagetowardyou Add to the colors The next step is to add more colors Select any of the colors, and locate it on the color wheel The purpose of a color wheel is to show you... Perfect color of 16 BAmagazine.com i U X Add to the colors The next step is to add more colors Select any of the colors, and locate it on the color wheel The purpose of a color wheel is to show you... 0453 How to ind perfect color Before&After|www.bamagazine.com 6 of How to ind perfect color 0453 Casual—Analogous to the blue—asteptowardgreen—is teal,abeautiful color notin the photo.Itsdifferenceadds