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Learning Objectives
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The Cathedral of Notre-Dame, Chartres, France. ca. 1134–1220. © Adam Woolfitt/Corbis. [Fig. 6.1]
Moses window, Abbey Church of Saint-Denis, Saint-Denis, France. 1140–44. © Bednorz-images, Cologne. [Fig. 6.2]
Saint-Denis and the Gothic Cathedral
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West facade, Chartres Cathedral, France. ca. 1134–1220; south spire ca. 1160; north spire, 1507–13. © Bednorz-images, Cologne. [Fig. 6.3]
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Stained Glass
The Tree of Jesse window, Chartres Cathedral. ca. 1150–70. © Dean Conger/Corbis. [Fig. 6.4]
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Gothic Architecture
Rose window and lancets, north transept, Chartres. ca. 1210–30. Angelo Hornak, London. [Fig. 6.5]
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Rib vaulting. [Fig. 6.6]
Flying buttresses, Cathedral of Notre-Dame, Paris, France. 1211–90. John Bryson/Photo Researchers, Inc. [Fig. 6.7]
Flying buttresses, Cathedral of Notre-Dame, Paris, France. 1211–90. [Fig. 6.8]
West facade, Amiens Cathedral, France. 1220–36/40, and continued through the 15th century. © Stuart Black/Robert Harding World Imagery/Corbis. [Fig. 6.9]
Gothic Sculpture
Jamb statues, west portal, Chartres Cathedral. 1145–70. © Bednorz-images, Cologne. [Fig. 6.10]
Jamb statues, south transept portal, Chartres Cathedral. ca. 1215–20. © Bednorz-images, Cologne. [Fig. 6.11]
Annunciation and Visitation, central portal, west facade, Reims Cathedral, Reims, France. Angel of the Annunciation, ca. 1245–55; Virgin of the Annunciation, 1245; Visitation group, ca. 1230–33. © Photo Scala, Florence. [Fig. 6.12]
Music in the Gothic Cathedral: Growing Complexity
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The Rise of the University
Heloise and Abelard
Jacobello and Pier Paolo dalle Masegne (fl. 1383–1409). Law Students, relief decorating the tomb of a law professor at the University of Bologna. ca. 1200. Marble. Museo Civico, Bologna, Italy/Giraudon/Bridgeman Images. [Fig. 6.13]
The Education of Women
Thomas Aquinas and Scholasticism
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The Radiant Style and the Court of Louis IX
Interior, Upper Chapel, Sainte-Chapelle, Paris. 1243–48. Sonia Halliday Photographs. [Fig. 6.14]
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The Gothic Style in the French Ducal Courts
The Miniature Tradition
Anonymous Flemish architects. Town Hall (center and right) and Greffe (left), Bruges, Belgium. Town Hall 1376–1402; Greffe 1534–37. © Bednorz-images, Cologne. [Fig. 6.15]
Limbourg Brothers. January: The Feast of the Duke of Berry, from Les Très Riches Heures du Duc du Berry. ca. 1415. Illumination on parchment. 6-3/4" × 4-1/2". Musée Condé, Chantilly. © RMN-Grand Palais (domaine de Chantilly)/René-Gabriel Ojéda. [Fig. 6.16]
Limbourg Brothers. February: Winter Scene, from Les Très Riches Heures du Duc du Berry. ca. 1415. Illumination on parchment. 6-3/4" × 4-1/2". Musée Condé, Chantilly. © RMN-Grand Palais (domaine de Chantilly)/René-Gabriel Ojéda. [Fig. 6.17]
Civic and Religious Life in Siena and Florence
Central Italy in about 1494, showing the Republics of Florence and Siena and the Papal States. [Fig. Map 6.1]
Ambrogio Lorenzetti. Allegory of Good Government, Effects of Good Government in the City in the Sala della Pace, Palazzo Pubblico, Siena. 1338–39. Fresco. © Studio Fotografico Quattrone, Florence. [Fig. 6.18a]
Ambrogio Lorenzetti. Allegory of Good Government, Effects of Good Government in the City in the Sala della Pace, Palazzo Pubblico, Siena. 1338–39. Fresco. © Studio Fotografico Quattrone, Florence. [Fig. 6.18b]
Siena and Florence: Commune and Republic
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Painting: A Growing Naturalism
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Duccio and Simone Martini
Duccio di Buoninsegna. Maestà, main panel of Maestà Altarpiece, from Siena Cathedral. 1308–11. Tempera and gold on wood. 7' × 13'6-1/4". Museo dell'Opera del Duomo, Siena. © Studio Fotografico Quattrone, Florence. [Fig. 6.19]
Simone Martini. Maestà, Council Chamber, Palazzo Pubblico, Siena. ca. 1311–17, repaired 1321. Fresco. 25' × 31' 9". © Photo Scala, Florence. [Fig. 6.20]
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Cimabue and Giotto
Cimabue. Madonna Enthroned with Angels and Prophets, from high altar of Santa Trinità, Florence. ca. 1285. Tempera and gold on wood. 11' 7-1/2" × 7' 4". Galleria degli Uffizi, Florence. © Studio Fotografico Quattrone, Florence. [Fig. 6.21]
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Giotto di Bondone. Madonna Enthroned with Angels and Saints, from Church of the Ognissanti, Florence. ca. 1310. Tempera and gold on wood. 10' 8" × 6' 8-1/4". Galleria degli Uffizi, Florence. © Studio Fotografico Quattrone, Florence. [Fig. 6.22]
Closer Look
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Giotto. The Life of Christ and the Virgin frescoes. 1305–06. Scrovegni Chapel, Padua. © Studio Fotografico Quattrone, Florence. [Fig. 6-CL.1]
Giotto di Bondone. The Lamentation, Scrovegni Chapel, Padua. 1305–6. Fresco. 78-1/2" × 73". © Studio Fotografico Quattrone, Florence. [Fig. 6-CL.2]
Giotto. The Adoration of the Magi, Scrovegni Chapel, Padua. 1305–06. Fresco. 78-1/2" × 73". Scrovegni Chapel, Padua. ©Studio Fotografico Quattrone, Florence. [Fig. 6-CL.3]
The Spread of Vernacular Literature in Europe
Dante's Divine Comedy
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The Black Death and Its Aftermath
Literature after the Black Death: Boccaccio's Decameron
Jean Le Noir. Pages with The Three Living (left) and The Three Dead (right) from the Psalter and Book of Hours of Bonne of Luxembourg. Before 1349. Grisaille, color, gilt, and brown ink on vellum. 5" × 3-1/2". The Metropolitan Museum of Art, New York. The Cloisters Collection, 1969 (69.86). Image copyright © The Museum/Art Resource/Photo Scala, Florence. [Fig. 6.23]
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Andrea Del Castagno. Francesco Petrarca. ca. 1450. Fresco transferred to wood. 97-1/4" × 60-1/4". Galleria degli Uffizi, Florence. Erich Lessing/akg-images. [Fig. 6.24]
Petrarch's Sonnets
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Chaucer's Canterbury Tales
Wife of Bath, from Geoffrey Chaucer's Canterbury Tales ("The Ellesmere Chaucer"). ca. 1400–05. Illumination on vellum. Victoria and Albert Museum, London. The Art Archive/Victoria and Albert Museum London/Eileen Tweedy. [Fig. 6.25]
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Christine de Pizan: An Early Feminist
Anonymous, La Cité des Dames de Christine de Pizan. ca. 1410. Illumination on parchment, page size 4-3/4" × 7". Bibliothèque nationale de France. [Fig. 6.26]
Continuity & Change
Dance of Death. ca. 1490. Woodcut. Courtesy of the Library of Congress, Washington, D. C. Lessing J. Rosenwald Collection. [Fig. 6.27]