"Historical Dictionary of Modern Chinese Literature" by Li-hua Ying - Part 45 pps

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"Historical Dictionary of Modern Chinese Literature" by Li-hua Ying - Part 45 pps

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412 • BIBLIOGRAPHY Knapp, Bettina. “A Cheng’s ‘The King of the Trees’: Exile and the Chinese Re- education Process.” In David Bevan, ed., Literature and Exile. Amsterdam: Rodopi, 1990, 91–106. Lonergan, Ross. “Tradition and Modernity in Ah Cheng’s ‘The Chess King.’” B.C. Asian Review 2 (1988). Louie, Kam. “The Short Stories of Ah Cheng: Daoism, Confucianism and Life.” Australian Journal of Chinese Affairs 18 (1987): 1–14. Mair, Denis C. “Ah Cheng and His King of Chess.” In Yang Bian, ed., The Time Is Not Ripe: Contemporary China’s Best Writers and Their Stories. Beijing: Foreign Languages Press, 1991, 1–14. Wang, Ban. “Citation of Discourse and Ironic Debunking in Ah Cheng’s Work.” In Wang, Narrative Perspective and Irony in Selected Chinese and American Fiction. Lewiston, NY: Edwin Mellen Press, 2002. Wang, David. “Tai Hou-ying, Feng Chi-Ts’ai and Ah Cheng: Three Approaches to the Historical Novel.” Asian Culture Quarterly 16, 2 (1988): 70–88. 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Lin, Min. “The Search for the ‘Unknowable’ and the Quest for Modernity in Con- temporary Chinese Intellectual Discourse: A Philosophical Interpretation of Bei Dao’s Short Story ‘13 Happiness Street.’” Journal of the Oriental Society of Australia 22–23 (1990–91): 57–70. Lin, Min, and Maria Galikowski. “Bei Dao’s ‘13 Happiness Street’ and the Young Generation’s Quest for the ‘Unknowable.’” In Lin and Galikowski, The Search for Modernity: Chinese Intellectuals and Cultural Discourse in the Post-Mao Era. New York: St. Martin’s Press, 1999, 89–102. McDougall, Bonnie S. “Bei Dao’s Poetry: Revelation and Communication.” Mod- ern Chinese Literature 1, 2 (1985): 225–52. ——— . “Zhao Zhenkai’s Fiction: A Study in Cultural Alienation.” Modern Chinese Literature 1, 1 (1984): 103–30. Williams, Philip. “A New Beginning for the Modernist Chinese Novel: Zhao Zhenkai’s Bodong.” Modern Chinese Literature 5, 1 (1989): 73–90. BIBLIOGRAPHY • 415 Bian Zhilin Fung, Mary M. Y. “Editor’s Introduction.” In Bian Zhilin, The Carving of Insects. Ed. Mary M. Y. Fung; trs. Mary M. Y. Fung and David Lunde. Hong Kong: Renditions Books, 2006, 11–34. Haft, Lloyd. Pien Chih-lin: A Study in Modern Chinese Poetry. Dordrecht: Foris Publications, 1983. Bing Xin Bien, Gloria. “Images of Women in Ping Hsin’s Fiction.” In A. Palandri, ed. Women Writers of 20th-Century China. Eugene: Asian Studies Publications, University of Oregon, 1982, 19–40. Bouskova, Marcela. “The Stories of Ping Hsin.” In Jaroslav Prusek, Studies in Modern Chinese Literature. Berlin: Akademie-Verlag, 1964, 114–29. ——— . “On the Origin of Modern Chinese Prosody: An Analysis of the Prosodic Components in the Works of Ping Hsin.” Archiv Orientalni 32, 5 (1946): 619–43. Larson, Wendy. “Female Subjectivity and Gender Relations: The Early Stories of Lu Yin and Bing Xin.” In X. Tang and L. Kang, eds. Politics, Ideology, and Literary Discourse in Modern China: Theoretical Interventions and Cultural Critique. Durham, NC: Duke University Press, 1993, 278–99. McDougall, Bonnie. “Disappearing Women and Disappearing Men in May Fourth Narrative: A Post-Feminist Survey of Short Stories by Mao Dun, Bing Xin, Ling Shuhua, and Shen Congwen.” In McDougall, Fictional Authors, Imagi- nary Audiences: Modern Chinese Literature in the Twentieth Century. Hong Kong: Chinese University Press, 2003, 133–70. Pao, King-li. “Ping Hsin, A Modern Chinese Poetess.” Literature East and West 8 (1964): 58–72. Can Xue Cai, Rong. “In the Madding Crowd: Self and Other in Can Xue’s Fiction.” China Information 11, 4 (Spring 1997): 41–57. Lu, Tonglin. “Can Xue: What Is So Paranoid in Her Writing?” In Lu, Gender and Sexuality in Twentieth Century Chinese Literature and Society. Albany: State University of New York Press, 1993, 175–204. 416 • BIBLIOGRAPHY Posborg, Susanne. “Can Xue: Tracing Madness.” In Wendy Larson and Anne Wedell-Wedellsborg, eds., Inside Out: Modernism and Postmodernism in Chinese Literary Culture. 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Evocation of the Past in Taipei jen.” Journal of Asian Studies 35, 1 (1975): 31–47. Lee, Mabel. “In Lu Hsun’s Footsteps. Pai Hsien-yung, A Modern Chinese Writer.” Journal of the Oriental Society of. Irony in Chinese Avant-Garde Fiction. Ann Arbor: University of Michigan Press, 2002, 129–49. ——— . “Can Xue: Ever-Haunting Nightmares.” In Yang, The Chinese Postmodern: Trauma and Irony in Chinese

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