(Luận văn) linguistic features in english reviews of the latest high end cameras

MINISTRY OF EDUCATION AND TRAINING QUY NHON UNIVERSITY HÀ BẢO TOÀN a lu n n va p ie gh tn to LINGUISTIC FEATURES IN ENGLISH REVIEWS d oa nl w OF THE LATEST HIGH-END CAMERAS a nv a lu ll u nf FIELD: ENGLISH LINGUISTICS m CODE: 8.22.02.01 tz n oi z l gm @ m co Supervisor: Assoc Prof Dr NGUYỄN QUANG NGOẠN an Lu n va ac th si BỘ GIÁO DỤC VÀ ĐÀO TẠO TRƯỜNG ĐẠI HỌC QUY NHƠN HÀ BẢO TOÀN a lu n n va tn to ĐẶC TRƯNG NGÔN NGỮ TRONG CÁC BÀI ĐÁNH GIÁ p ie gh BẰNG TIẾNG ANH VỀ MÁY ẢNH CAO CẤP MỚI NHẤT d oa nl w a nv a lu NGÀNH: NGÔN NGỮ ANH MÃ SỐ: 8.22.02.01 ll u nf m tz n oi z gm @ m co l Người hướng dẫn: PGS.TS NGUYỄN QUANG NGOẠN an Lu n va ac th si i STATEMENT OF AUTHORSHIP This thesis does not contain any material which has been previously submitted as a requirement of a degree or diploma at any institution This thesis also does not contain any material which has been written or published by other another person except the reference is made in the text This work is completely implemented by myself Quy Nhon, 2020 a lu n n va tn to p ie gh Ha Bao Toan d oa nl w a nv a lu ll u nf m tz n oi z m co l gm @ an Lu n va ac th si ii ACKNOWLEDGEMENTS This thesis could not have been completed without the support of many people I would like to express the deepest respect and appreciation to those who provide me advice and assistance when I participated in this course, especially the time when I carried out this research First and foremost, I am deeply gratitude to my supervisor, Assoc Prof Dr Nguyen Quang Ngoan, who has kindly given me advice, useful references a lu and constant encouragement in this study Without his guidance and help, this n thesis would not have been complete n va tn to I would like to express my thanks to Mr Dang Trinh Truong Giang, an MA student of English Language from the previous course, for his advice and p ie gh reference during the time I participated in this course I also would love to express my gratefulness to all the lecturers of the oa nl w Department of Foreign Languages of Quy Nhon Univesity who have provided d me with precious knowledge in the field of English language a lu a nv Last but not least, my love is sent to my parents and my big thanks to my ll u nf friends who have back me up through many difficulties during this period so m that I can focus on the thesis and finish it in line tz n oi z m co l gm @ an Lu n va ac th si iii ABSTRACT With the explosion of online product reviews in the last two decades, online reviews are quickly becoming a research trend for linguists to understand their characteristics This study aims at investigating 2731 samples of lexical features and 399 samples of semantic functions in English reviews for the latest high-end cameras, under five videos of professional reviewers on Youtube Both quantitative and qualitative approaches with descriptive, analytic, and synthetic methods are employed to achieve the targets Based on the theory of a lu n lexicology of Quirk and Greenbaum (1973) as well as sematic functions of n va Lyons (1977) and Leech (1981), the theoretical framework suggests the criteria tn to for collecting and analyzing the samples The analysis reveals interesting results p ie gh concerning the five word classes (nouns, lexical verbs, adjectives, adverbs, and modal auxiliaries) contributing the lexicology of English reviews, as well as the oa nl w five semantic functions (informing, praising, denoting disappointment, suggesting, and others) in English camera reviews To be more specific, nouns, d a lu lexical verbs, and adjectives take a large contribution in review lexicology while a nv informing, praising, and denoting disappointment are the superior distributions ll u nf in semantic functions of English camera reviews The findings drawn out from m the study make some significant contribution to the teaching and learning of n oi descriptive language, as well as the people in the field of reviewing product tz z m co l gm @ an Lu n va ac th si iv TABLE OF CONTENTS STATEMENT OF AUTHORSHIP I ACKNOWLEDGEMENTS II ABSTRACT III TABLE OF CONTENTS .IV LIST OF TABLES .VIII LIST OF GRAPHS IX LIST OF ABBREVIATIONS AND CONVENTIONS X a lu CHAPTER INTRODUCTION n n va 1.1 RATIONALE tn to 1.2 AIM AND OBJECTIVES p ie gh 1.3 RESEARCH QUESTIONS 1.4 SCOPE OF THE STUDY oa nl w 1.5 SIGNIFICANCE OF THE STUDY d a nv a lu 1.6 DEFINITION OF TERMS 1.7 ORGANIZATION OF THE STUDY u nf ll CHAPTER LITERATURE REVIEW AND THEORETICAL BACKGROUND m tz n oi 2.1 PARTS OF SPEECH z 2.2 LANGUAGE FUNCTIONS gm @ 2.2.1 Semantic field l m co 2.2.2 Language functions 10 an Lu 2.3 LANGUAGE FOR REVIEW 13 n va 2.4 REVIEW OF PREVIOUS STUDIES 14 ac th si v 2.5 SUMMARY 17 CHAPTER RESEARCH METHODOLOGY 18 3.1 RESEARCH DESIGN 18 3.2 RESEARCH METHODS 18 3.3 DATA COLLECTION 19 3.4 DATA ANALYSIS 21 3.4.1 Analytical frameworks 21 a lu 3.4.2 Analytical methods 24 n n va 3.5 RELIABILITY AND VALIDITY 24 tn to CHAPTER FINDINGS AND DISCUSSION 26 p ie gh 4.1 LEXICAL FEATURES OF ENGLISH IN CAMERA REVIEWS 26 oa nl w 4.1.1 Nouns 28 4.1.1.1 Nouns denoting physical features 28 d 4.1.1.2 Nouns denoting non-physical features 29 a lu a nv 4.1.1.2.1 Nouns describing specifications and softwares 30 u nf 4.1.1.2.2 Nouns describing camera‟s functions 31 ll m tz n oi 4.1.1.3 Nouns denoting judgments 31 4.1.2 Lexical Verbs 32 z 4.1.2.1 Lexical verbs denoting actions 33 gm @ 4.1.2.2 Lexical verbs denoting emotions 34 l m co 4.1.2.3 Stative verbs 35 an Lu 4.1.3 Modal Verbs 36 n va 4.1.3.1 Modals denoting possibility and ability 36 ac th si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an vi 4.1.3.2 Modals denoting necessity 37 4.1.3.3 Modals denoting prediction and volition 37 4.1.4 Adjectives 38 4.1.4.1 Adjectives describing physical quality 39 4.1.4.2 Adjectives describing performance quality 40 4.1.4.3 Adjectives describing characteristic and judgment 41 4.1.5 Adverbs 42 a lu 4.1.5.1 Adverbs of manner 43 n n va 4.1.5.2 Adverbs of degree 44 p ie gh tn to 4.1.5.3 Adverbs of frequency 44 4.2 SEMANTIC FUNCTIONS OF ENGLISH IN CAMERA REVIEWS 45 oa nl w 4.2.1 Informing 47 4.2.2 Praising 49 d a nv a lu 4.2.3 Denoting disappointment 50 4.2.4 Suggesting 51 u nf ll 4.2.4.1 Hearer oriented suggesting 52 m tz n oi 4.2.4.2 Company oriented suggesting 53 4.2.5 Other functions 54 z gm @ 4.2.5.1 Predicting 55 4.2.5.2 Warning 56 l m co 4.2.5.3 Attracting 57 an Lu 4.2.5.4 Questioning 58 n va 4.2.5.5 Mixed functions 59 ac th Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an vii 4.3 SUMMARY 60 CHAPTER CONCLUSIONS AND IMPLICATIONS 61 5.1 CONCLUSIONS 61 5.1.1 Lexical features in English reviews of the latest high-end camera 62 5.2.2 Semantic functions in English reviews of the latest high-end camera 63 5.2 IMPLICATIONS 64 a lu 5.3 LIMITATIONS OF THE STUDY 65 n n va 5.4 SUGGESTIONS FOR FURTHER STUDY 66 tn to REFERENCES 67 DATA SOURCES 70 p ie gh APPENDIX oa nl w Camera Review – Canon EOS R Camera Review – Nikon Z6 d a nv a lu Camera Review – Sony A7R4 mark IV 13 Camera Review – Fujifilm X-H1 20 u nf ll Camera Review – Panasonic S1R 28 m tz n oi z m co l gm @ an Lu n va ac th Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an viii LIST OF TABLES N0 3.1 Tables Page Data overview of English reviews for the latest high-end 20 cameras on Youtube 3.2 The Linguistic Category Model proposed by Semin and 22 Fiedler (1991) in the study of Krishnamoorthy (2015) 3.3 Framework for analysis of lexical features in English camera 23 a lu reviews n 3.4 24 camera reviews n va Framework for analysis of semantic functions in English Distribution of lexicology in camera reviews 26 p ie gh tn to 4.1 Semantic function in English camera review 46 4.2 d oa nl w a nv a lu ll u nf m tz n oi z m co l gm @ an Lu n va ac th Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an PL-22 so you don't have (VS) to carry (VA) around a charger (NoP) 24 It also has (VS) no headphone jack (NoP) which for a camera (NoP) that's supposed (VS) to be used (VA) for video (NoN) 25 DISAP It is (VS) a huge (AdjP), huge (AdjP) oversight (NJ) and it has (VS) a 15 minute recording limit (NoN), for 4K video (NoN) for people, DISAP who are (VS) hybrid shooters (NoN) 26 Like, what is going (VA) on Fuji? DISAP 27 All those things can (mV) be fixed (VA), if you add (VA) a vertical (AdjP) grip (NoP), you could (mV) put (VA) more batteries (NoP) INFOR in it a lu n 28 But with extra (AdjCJ) batteries (NoP) that vertical (AdjP) grip DISAP n va (NoP) is gonna (VS) end up causing (VS) you $460 So now we've gone (VS) from a $1.900 camera (NoP) to and $2.350 cameras (NoP) which kind of puts (VA) it in a whole (AdvD) DISAP p ie gh tn to 29 different (AdjCJ) price range (NoP), right? Especially, when competitors offer (VA) those same (AdjCJ) things 30 oa nl w (NoN) built-in (AdjCJ) and you don't have (VS) to make (VA) your DISAP camera (NoP) all (AdvD) big (AdjP) and bulky (AdjP) d 31 Some more drawbacks (NJ), the glass (NoP) is (VS) more (AdvD) a lu and Nikon u nf There's (VS) no equivalent (AdjCJ) to 70-200 F2.8 for portraiture ll 32 DISAP a nv limited (AdjCJ) and you might (mV) be used (VA) to with Canon m (NoN), nor is there anything like an 85 millimeter F1.4 (NoP), that DISAP n oi will (mV) give (VA) you that level of background blur (NoN) tz 33 There's (VS) also no big (AdjP) glass (NoP) for wildlife (NoN), you DISAP z cannot (mV) get (VS) a 600 millimeter F4 (NoP) for it @ That cool, shutter speed dial (NoP) that I showed (VA) you, only So if you want (VS) to get (VS) to a half or a third of a stop (NoN), co 35 DISAP l works (VA) in full stops (NoN) gm 34 m you have (VS) to work (VA) two dials (NoP) in conjunction and look DISAP Lu (VA) at the screen (NoP), instead of looking (VA) at the nice (AdjQ) an n va ac th Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an PL-23 analog controls (NoP); and that kind of defeats (VS) the whole purpose 36 The touch screen (NoP), sucks (AdjQ)! DISAP 37 It just (AdvD) sucks (AdjQ) DISAP 38 If you try (VS) to flip (VA) through pictures (NoN), it just doesn't work (VA) well (AdvM) at all, and you end (VS) up just going (VA) DISAP back to the buttons (NoP) for it 39 And for sports (NoN), well it's (VS) workable (AdjQ) INFOR 40 But I would (mV) much (AdvD) rather have (VS) a D500 (NoP) which is (VS) faster (AdjQ), has (VS) a much (AdvD) bigger (AdjP) a lu n buffer (NoN), and has (VS) much (AdvD) better (AdjQ) subject OTHER n va tracking (NoN) to And let's talk (VA) about the X-trans sensor (NoP), instead of using (VA) a standard-bearer (AdjCJ) filter (NoN), like almost (AdvD) p ie gh tn to 41 every (AdvD) other sensor (NoP) in the world, they arranged (VA) INFOR the red green and blue filter (NoN) slightly (AdvD) different 42 oa nl w (AdjCJ), so all (AdvD) the green (NoN) is clumped (VA) together And Fuji says (VA) it's (VS) way (AdvD) better (AdjQ) but I don't d think (VS) it's (VS) way (AdvD) better (AdjQ); and every (AdvD) a lu DISAP (AdjQ) u nf And the noise (NoN) doesn't seem (VS) way (AdvD) better (AdjQ), ll 43 a nv test that I've seen (VA) doesn't show (VA) a way (AdvD) better DISAP m it seems (VS) exactly (AdvD) the same, except it does require (VA) n oi very (AdvD) different (AdjCJ) processing (NoP) tz And me, I continue (VS) to use (VA) Lightroom with it INFOR 45 I have tested (VA) the other apps and every (AdvD) Fuji enthusiast z 44 @ gm (NoP) tells you have (VS) to use (VA) Iridium or some other type of I shouldn't (mV) have (VS) to change (VA) the app that I use (VA), m 46 co pro photographer (NoN) INFOR l app, but a camera (NoP) should (mV) fit (VS) into my workflow as a Lu just to suit (VS) some novel (AdjCJ) type of sensor (NoP) that it has DISAP an n va ac th Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an PL-24 (VS), especially if I'm not seeing (VA) any real (AdjQ) results (NoN) out of it 47 So for me, the X-trans sensor (NoP) is (VS)n't an advantage (NJ), DISAP it‟s (VS) actually (AdvD) a disadvantage (NJ) 48 It's (VS) interesting (AdjCJ) that Fuji decided (VA) not to put (VA) it on their medium (AdjP) format (NoN) camera (NoP), maybe it's INFOR (VS) not better (AdjQ) after all 49 Check (VA) out that RAW dynamic range (NoN) INFOR 50 I just love (VE) having (VS) the aperture ring (NoP) on the lens PRAIS (NoP) because it gives (VA) my left hand something to (VA) a lu n 51 So you already love (VE) Fuji, how does the XH-1 (NoP) compared OTHER n va (VA) to the XT-2 (NoP)? Well, they're (VA) mostly (AdvD) the same (AdjCJ) camera (NoP), the software (NoN) is (VS) pretty much (AdvD) the same (AdjCJ), p ie gh tn to 52 the pictures (NoN) they take (VA) are (VS) exactly (AdvD) the INFOR same (AdjCJ), they have (VS) the same (AdjCJ) insufficient (AdjQ) 53 oa nl w batteries (NoP) The big (AdjP) difference is (VS) that the XH-1 (NoP) has (VS) d sensor stabilization (NoP), and if you use (VA) lenses (NoP), like a lu a nv this amazing (AdjQ) 16-55, that don't have (VS) image stabilization INFOR (NoP) built (AdjCJ) into the lens (NoP), that's (VS) really (AdvD) ll u nf important (NJ) The reason I stopped (VA) using (VA) the XT-2 (NoP) was (VS) m 54 n oi because the Fuji lenses (NoP) are (VS) so (AdvD) sharp (AdjP), that INFOR tz the reciprocal rule (NoN) does (VS)n't matter (NJ) You can (mV) use (VA) the reciprocal rule (NoN) and still show z 55 @ (VA) tons of handshake (NoN); because they're showing (VA) so l I needed (VE) a stabilized (AdjCJ) sensor (NoP) and now I have co 56 gm much (AdvD) detail (NoN) PRAIS PRAIS m (VS) it, so yeah, I like (VE) the XH-1 (NoP) better (AdjQ) than the an Lu XT-2 (NoP) for that n va ac th Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an PL-25 57 But, all of us on our team when we picked (VA) up the XH-1 (NoP), the first thing we said (VA) is (VS), it feels (VS) cheap (AdjP) and DISAP plasticky (AdjP) 58 And compared (VA) to the XT-2 (NoP), they‟re (VS) right (AdjQ) 59 The XT-2 (NoP) just (AdvD) feels (VS) better (AdjQ) in the hand, DISAP it's (VS) more (AdvD) solidly (AdjQ) built (NoP) 60 INFOR Even though I like (VE) the big (AdjP) grip (NoP) on the XH-1 (NoP), the XT-2 (NoP) just (AdvD) has (VS) that special (AdjCJ) INFOR something (NoP) 61 The XT-2 (NoP) is missing (VS) that top dial (NoP), but I prefer a lu n (VE) this, because I can (mV) still see (VA) all (AdvD) my settings n va (NoN) by looking (VA) at the analog dials (NoP) and it leaves (VA) me room for this exposure compensation dial (NoP) that I love (VE) having (VS) analog (NoP) p ie gh tn to 62 PRAIS This is (VS) what I love (VE) about Fuji, it‟s (VS) the analog PRAIS experience (NoN); I don't want (VS) an extra (AdjCJ) LCD screen 63 oa nl w (NoP) So, I'm (VS) kind of torn (VA) myself, I love (VE) the XT-2 (NoP) INFOR d more (AdvD); but the XH-1 (NoP) is (VS) just a more (AdvD) a lu 64 a nv practical (AdjCJ) camera (NoP) I just ran (VA) out of batteries (NoP); this is (VS) the Fuji way of u nf life, the best (AdjQ) shot finally appears (VS) and by then my DISAP ll m battery (NoP) dies (VS) n oi Just give (VA) us a bigger (AdjP) battery (NoP) Fuji! OTHER 66 So, it's (VS) time to talk (VA) about the elephant in the room, the tz 65 z Sony A7 mark (NoP) which is (VS) $2,000 camera (NoP), it's (VS) @ about the same price, it's (VS) mirrorless (NoP), it has (VS) most gm INFOR l (AdvD) of the great (AdjQ) features (NoN) that I just discussed Lu 67 m a bunch of other benefits (NJ) too co (VA) but it's (VS)a full-frame (AdjP) camera (NoP); and it has (VS) But the full-frame (AdjP) sensor (NoP) is (VS) the big (AdjP) one OTHER an n va ac th Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an PL-26 right? 68 It's (VS) 2.3 times bigger (AdjP) than this sensor (NoP), and in our tests and other people's tests, it means (VS) it has (VS) less (AdvD) INFOR than half the visible (AdjCJ) noise (NoN) at the same (AdjCJ) ISO (NoN) 69 It also means (VS) that you get (VS) access (VA) to full-frame (AdjP) lenses (NoP) so if you're (VS) a pro shooting (NoN) with a 70-200 on a full-frame (AdjP) body (NoP), you can (mV) get (VS) DISAP that for the Sony A7III (NoP); but you cannot (mV) get (VS) that effect (NoN), not the background (NoN) blur (AdjCJ), not the low- a lu light gathering capability (NoN), with the XH-1 (NoP) n n va 70 You're missing (VA) something, they said (VA) Mark also has (VS) DISAP day, so you don't have (VS) to worry (VE) about carrying it around p ie gh tn to a big (AdvD) huge (AdjP) battery (NoP) that literally lasts (VS) all 71 But the A7 mark (NoP) doesn't have (VS) like this awesome PRAIS (AdjQ) aperture dial (NoP), that I love (VE) I would (mV) rather feel (VS) the XH-1 (NoP) in my hands but I like oa nl w 72 (VA) the results (NoN) of the Sony A7 mark (NoP) better (AdjQ) The list of benefits (NJ) for the A7 mark (NoP) is (VS) actually d 73 a lu INFOR a nv pretty (AdvD) huge (AdjP) For sports (NoN), it is (VS) better (AdjQ)! OTHER 75 It has (VS) a way (AdvD) bigger (AdjP) buffer (NoN); the focusing ll u nf 74 m points (NoN) go to the edges of the frame (NoP) n oi 76 It can (mV) (VA) eye detect autofocus (NoN) and continuous tz z It tracks (VA) a subject as it moves (VA) side to side, far, far (AdvD) @ DISAP (NoN) without having to add (VA) a grip (NoP) l gm better (AdjQ); and it does (VA) a full (AdjCJ) 10 frames a second It can (mV) allow (VS) you to dual back-button autofocus (NoP), co 78 DISAP DISAP focus (NoN) which this (XH-1) camera can't (mV) 77 INFOR INFOR m where one does (VA) a single autofocus point (NoN), and another an Lu button (NoP) does (VA) eye-detect autofocus (NoN) n va ac th Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an PL-27 79 It can (mV) record (VA) video (NoN) to SD cards (NoP) for redundancy; and we found (VS) the video auto focusing (NoN) was DISAP (VS) just way more (AdvD) consistent (AdjCJ) and reliable (AdjCJ) 80 And Sony has (VS) real (AdjQ) pro-support (NoN) for the A7 mark (NoP); we've used (VA) it and it's (VS) been really (AdvD) good DISAP (AdjQ) 81 Fuji only has (VS) pro-support (NoN) for their medium format DISAP camera (NoP) a lu n 82 And finally, the system (NoN) INFOR 83 If you're shooting (VA) with a Sony A7 mark (NoP) and you n va decide (VS) you want (VS) to upgrade (VA) to a high (AdjP) SUGGE (NoP) p ie gh tn to resolution (NoN) camera (NoP), you get (VS) the A7R mark 84 Or if you want (VS) a dedicated (AdjCJ) fast (AdjQ), high- performance (AdjQ) sports body (NoP), you can (mV) get (VS) the SUGGE oa nl w Sony A9 (NoP) With the XH-1 (NoP), this is (VS) it DISAP 86 You're (VS) at the top rung, you can’t (mV) go (VA) above 24 d 85 a lu your growth a nv megapixels (NoN) with the X mounts (NoP), so it kind of limits (VA) u nf So should (mV) you get (VA) the XH-1 (NoP)? 88 If you're (VS) a Fuji user (NoN), it is (VS) the best (AdjQ) camera m SUGGE n oi (NoP) tz 89 OTHER ll 87 DISAP If you're (VS) an existing (AdjCJ) DSLR user (NoN) and you're z thinking (VS) about going (VA) mirrorless (NoP), the Fuji cameras SUGGE @ But if you don't need (VS) the sensor stabilization (NoP), the l 90 gm (NoP) give (VS) you the best (AdjQ) experience (NoN) Lu 91 SUGGE m better (AdjQ) co experience (NoN) on the XT-2 (NoP) is (VS) actually a little (AdvD) But if you are gonna (VS) get (VA) the high-end (AdjCJ) lenses SUGGE an n va ac th Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an PL-28 (NoP), you probably (AdvD) want the sensor stabilization (NoP) and this experience’s (NoN) stills (VS) better (AdjQ) than any other camera 92 If you're (VS) a practical (AdjCJ) person and you care (VA) about the final images (NoN) more (AdvD), if you have (VS) upward (AdjCJ) mobility (NoN) and you think (VS) you might (mV) want SUGGE (VS) to get (VA) big (AdjP) glass (NoP) or something, the Sony A7 mark (NoP) is (VS) probably (AdvD) a better (AdjQ) value (NJ) for you a lu n n va CAMERA REVIEW – PANASONIC S1R tn to CAMERA REVIEW – PANASONIC S1R p ie gh Functions Semantic Lexical Features If you were to design (VA) a brand-new (AdjP) mirrorless (AdjP) oa nl w camera (NoP), full-frame (AdjP) camera (NoP) for 2019; what sort OTHER d of features (NoN) would (mV) you include (VA)? Some would (mV) argue (VA) that you would (mV) just try (VS) to a nv a lu fit (VA) in as many features (NoN) as possible INFOR Well, that's (VS) what Panasonic did (VA) with the S1R (NoP) But is it enough just to have (VS) all (AdvD) these features (NoN)? OTHER How does this camera perform (VA) in a professional environmen n oi OTHER ll m tz (NoN)t? Well, we're gonna (VS) find (VA) out, this is (VS) the Henry's INFOR z gm @ review INFOR u nf The S1R delivers (VA) a 47 megapixel (NoN) full-frame (AdjP) l sensor (NoP), nearly twice the resolution (NoN) as the Panasonic co m S1 (NoP) And if that wasn’t (VS) enough, there is (VS) even a 187 megapixel INFOR an Lu INFOR n va ac th Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an PL-29 high resolution mode (NoN) for still-life photography (NoN) Long story short, there's (VS) resolution (NoN) to spare (VA) on INFOR this camera 10 And it rewards (VA) those that get (VS) the autofocus (NoN) right OTHER (AdjQ) 11 Panasonic has adopted (VA) a new (AdjP) L2 mount (NoP) system INFOR (NoP), this is (VS) in partnership with Sigma and Leica 12 As a result, the lens selection (NoN) is (VS) quite (AdvD) limited (AdjCJ), only about three lenses are (VS) available at the time of DISAP this recording a lu n 13 But I'm excited (VE) to see (VA) what is (VS) possible when you n va have (VS) three premier (AdjQ) manufacturers developing lenses tn to 14 INFOR (NoP) for a single (AdjP) mount (NoP) system (NoN) Shooting with this camera is (VS) an exercise in technique (NJ) and p ie gh OTHER maybe even an exercise itself The body (NoP) alone (AdjCJ) weighs (VS) over pounds; and 15 oa nl w adds (VA) the 24-105 f/4 lens (NoP) and you're looking (VA) at INFOR nearly (AdvD) pounds of camera technology (NoN) to support d (VA) in your hands a lu This weight (NoN) isn't (VS) wasted (AdjCJ) though INFOR 17 Users can (mV) expect (VA) some high-end (AdjCJ) dust and a nv 16 u nf INFOR ll water resistance (NoN) in the S1R (NoP) m 18 Just keep (VS) in mind though, if you're gonna (VS) be using (VA) n oi this camera for a long period of time, well, you may (mV) want (VS) So now that we're reintroduce (VA) to this camera the Panasonic z 19 tz to take (VA) some breaks @ co We have our model getting ready and we have a pretty extravagant INFOR m look going on Lu So this is gonna (VS) be a great (AdjQ) test (NoN) to see (VA) how an 21 l shoot setting (NoN) INFOR gm S1R (NoP), let's see (VA) how it performs (VA) in a professional 20 INFOR INFOR n va ac th Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an PL-30 much detail (NoN) we can (mV) pull (VA) from this camera 22 Panasonic has heiped (VA) their DFD and artificial intelligence INFOR integration (NoN) as differentiators in the market 23 But does the continuous autofocus (NoN) live (VA) up to the hype? OTHER 24 In short, yes INFOR 25 Whether its eyes, faces, people or pets, the continuous autofocus (NoN) felt (VS) very (AdvD) snappy (AdjCJ) and locked (VA) in PRAIS very (AdvD) quickly (AdvM) 26 When you look (VA) through the viewfinder (NoP) or the back LCD (NoP), you get (VS) a clear (AdjP) visual indication (NoN) PRAIS a lu n that the autofocus (NoN) is keeping (VA) up va 27 I will (mV) say (VA) though, in some instances, not all but some of n INFOR (AdjQ) and shifted (VA) between shots p ie gh tn to them, the autofocus (NoN) was (VS) a little too (AdvD) jumpy 28 Sometimes (AdvF) I'd (mV) ask (VA) my model to pose (VA) in certain ways and, as the head tilted (VA) or the neck move (VA), I INFOR oa nl w would (mV) see that the autofocus (NoN) is shifting (VA) a little bit (AdvD), more (AdvD) than I intended (VS) to d 29 And while you can (mV) tweak (VA) this a little bit (AdvD), you a lu a nv may (mV) just want (VS) to keep (VS) in mind that single point INFOR (NoN) or manual focus (NoN) will (mV) come (VS) in handy u nf ll (AdjCJ), in certain environments m 30 And I feel (VS) like it should (mV) be said (VA), no I am NOT n oi complaining (VA) that the autofocus (NoN) is (VS) too (AdvD) tz INFOR fast (AdjQ), you just have (VS) to be (VS) mindful (AdjCJ), @ So, the cool thing about this camera is (VS) that, you know, despite gm 31 z depending (VA) on what your subject is l its size and its heft (NoP), when you're (VS) in a shoot PRAIS co environment (NoN) that's (VS) actually things that you will (mV) m value (VA): being (VS) able (AdjP) to navigate (VA) the buttons Lu (NoP) easily (AdvM), having (VS) that space (NoN) for your entire an n va ac th Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an PL-31 (AdvD) hand to wrap (VA) around, these are (VS) small (AdjP) things that make (VS) a big (AdjP) difference 32 Or in this case, bigger (AdjP) things that make (VS) a big (AdjP) PRAIS enough difference 33 You get (VA) a lot of resolution (NoN), but on top of that you get (VS) to shoot (VA) up to frames per second (NoN) and you can INFOR (mV) have (VS) your ISO (NoN) go (VA) as high as 25600 34 While the S1 has (VS) an extra (AdjCJ) stop (NoN), that may (mV) be (VS) beneficial (AdjQ) for video shooters (NoN) or low-light INFOR shooters (NoN), this camera still offers (VA) a lot (AdvD) in terms a lu n of resolving power (NoN) n va 35 tn to 36 For most of its ISO range (AdvD), the noise (AdvD) was (VS) PRAIS either negligible (AdjCJ) or manageable (AdjCJ) In short, you'll (mV) have (VS) plenty (AdvD) of latitude (NoN) to p ie gh PRAIS capture (VA) the image (NoN) you want (VS) What's (VS) nice (AdjQ) about this camera (NoP) is (VS) the white 37 PRAIS 38 oa nl w balance (NoP), ISO (NoP) and exposure button (NoP) at the top They have (VS) a different (AdjCJ) feel (NoN) to a different d (AdjCJ) texture (NoP) in some cases, and they're (VS) different a lu PRAIS a nv (AdjCJ) levels (NoN); so even when I'm looking (VA) through the viewfinder (NoP), I know (VS) which button (NoP) I'm going (VA) ll u nf after And that's (VS) really (AdvD) crucial (AdjCJ) in a shoot setting m 39 n oi (NoN) like this, where we have (VS) a limited (AdjCJ) amount of PRAIS tz time to get (VS) the shots (NoN) that we're looking (VA) for Being (VS) able (AdjP) to work (VA) faster (AdjQ), it adds (VA) z 40 gm So not having (VS) to take (VA) my eye off the viewfinder (NoP) l 41 PRAIS @ up co because I know (VS) what button (NoP) I'm hitting (VA) here, PRAIS m that's (VS) something, that's (VS) really (AdvD) valuable (AdjCJ), Lu and it‟s (VS) things that more companies should (mV) start (VS) an n va ac th Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an PL-32 doing (VA) 42 Panasonic hasn't slouched (VA) on the video features (NoN) either 43 Being (VS) able (AdjP) to shoot (VA) 4k 60p (NoN) is (VS) great PRAIS (AdjQ) to have (VS) and the built-in (AdjCJ) image stabilization (NoP) means (VS) that you’ll (mV) be (VS) able (AdjP) to capture PRAIS (VA) some (AdvD) great (AdjQ) clips (NoN), even when you‟re (VS) handheld (AdjCJ) 44 I will (mV) say (VA) though, you’ll (mV) want (VS) to stabilize (VA) this camera with a gimbal (NoP) or tripod (NoP) for the best INFOR (AdjQ) results (NoN) a lu n 45 The footage (NoN) looks (VS) really (AdvD) clean (AdjP) at most n va of its ISO range (NoN), but the continuous autofocus (NoN), DISAP environments again (AdvF) p ie gh tn to definitely (AdvD) proved (VA) to be a challenge (NJ) in some 46 There're (VS) some menu options (NoN) to mitigate (VA) this, but the experience (NoN) is (VS) not perfect (AdjQ), and often (AdvF) DISAP oa nl w resulted (VS) in me having (VS) to (VA) multiple (AdjP) takes (NoP) Again, especially if you're shooting (VA) video (NoN) single point d 47 a lu INFOR a nv (NoN) or manual focus (NoN) will (mV) lead (VA) to the best (AdjQ) results (NoN) u nf 48 While on video (NoN), being (VS) able (AdjP) to shoot (VA) up to ll m 180 frames per second (NoN) in full (AdjP) HD (NoN) is (VA) also n oi something that is (VS) a bit of a differentiator (NJ) for a camera like tz this As expected (VS), the footage (NoN) was (VS) very (AdvD) clean z 49 @ (AdjP) very (AdvD) usable (AdjQ) and something that I was PRAIS l gm impressed (VE) by when using this camera There's (VS) a lot to love (VE) about the Panasonic S1R; the menu co 50 INFOR DISAP m system (NoN) is (VS) probably (AdvD) not one of them, it's (VS) an Lu really (AdvD) confusing (AdjCJ) n va ac th Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an PL-33 51 Not only are (VS) their menus (NoN), they're (VS) sub-menus DISAP (NoN) 52 And when I was using (VA) this thing, it just felt (VA) like certain options (NoP), where in sub menus (NoN) that didn't belong (VS) DISAP there, should (mV) be (VS) in another place 53 And I know (VS) what you're thinking (VS); there's (VS) a manual OTHER right; why not just read (VA) the manual 54 Well, who reads (VA) the manual? OTHER 55 In fact, there're (VS) two manuals with this camera INFOR 56 And even though I did peruse (VA) through them to get (VA) better a lu n (AdjQ) acclimated (VA) with this camera, it still didn't feel (VS) DISAP n va like a great (AdjQ) onboarding experiences (NoN) This camera has (VS) all the ports (NoP) you're going (VS) to need (VS), whether it's (VS) a full (AdjP) HDMI (NoP), microphone-in p ie gh tn to 57 (NoP) or a headphone jack (NoP) or even USB-C (NoP), you have PRAIS (VS) all (AdvD) the i/o ports (NoP) needed (VS) to get (VA) the 58 oa nl w job done (VA), for most of your shooting needs (NoN) The body (NoP) is also covered (VA) with this rubber texture a lu Covering the ports (NoP) and around the grip (NoP) that really a nv 59 PRAIS d (NoP) PRAIS (AdvD) feels (VS) solid (AdjP) in your hand u nf When you look (VA) through the viewfinder (NoP), you're ll 60 m welcomed (VE) with an over 5.7 million dot OLED viewfinder n oi PRAIS (NoN), and it absolutely (AdvD) gorgeous (AdjQ) to look (VA) Something that you know (VS) Panasonic is (VS) known (AdjCJ) z 61 tz through @ for, they were (VS) known (AdjCJ) for display technology (NoN) gm PRAIS l and you see (VA) that, when you look (VA) through the viewfinder Professionals (NoN) can (mV) expect (VS) an XQD (NoP) and SD m 62 co (NoP) Lu INFOR card slot (NoP) to manage (VA) all the data (NoN) that they're an n va ac th Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an PL-34 capturing (VA); 63 And the battery (NoP) is (VS) well (AdjQ) over 3,000 milliamps, it's (VS) about the size of a battery (NoP) that you'd (mV) find (VA) INFOR in high-end (AdjCJ) smartphones (NoP) 64 Quite simply the battery (NoP) lasts (VA) really (AdvD), really PRAIS (AdvD) long (AdjP); 65 And lasted (VA) the full (AdjP) duration of our shoot whether we were shooting (VA) pictures (NoN) or video (NoN) and lasted (VA) PRAIS until we were done (VA) with the camera (NoP) 66 When I got (VA) back to my office, there was (VS) still about 20% a lu PRAIS n or less, left (VA) on the battery (NoP) itself n va 67 But the cool thing is (VS) because I was offloading (VA) the footage PRAIS (NoP) and have (VS) it charge (VA) while that was happening p ie gh tn to (NoN) I could (mV) just plug (VA) this camera into a USB-C port (VA) as well There's (VS) one thing that a camera has (VS) or doesn't have (VS), 68 INFOR 69 oa nl w and that's (VS) a good (AdjQ) shutter sound (NoN) And I'm happy (VE) to report (VA), the shutter sound (NoN) on PRAIS d the S1R (NoP) is (VS) fantastic (AdjCJ), so for you ASMR a lu 70 a nv aficionado is (VS) out there, you can (mV) rest (VA) easy (AdjCJ) When I download (VA) the images (NoN) into capture one and u nf PRAIS ll looked (VA) at them, I was delighted (VA) m 71 Yes, that's (VS) the feeling (NJ) I felt (VS) when I was going (VA) tz 72 INFOR n oi through the pictures (NoN) As I was zooming (VA) in and making (VA) adjustment, being (VS) PRAIS z able (AdjP) to see (VA) how much detail (NoP) was resolved (VA) gm @ in this camera, made (VA) me smile (VE) Something that was (VS) very (AdvD) rewarding (AdjCJ) 74 But at the price point that this camera comes (VS) in at, you should co INFOR m (mV) expect (VS) no less Lu I guess (VS) you could (mV) say (VA) I'm glad (VE) that the files an 75 PRAIS l 73 PRAIS n va ac th Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an PL-35 (NoP) came (VA) out as great (AdjQ) as they did (VA) 76 I'm gonna (VS) go (VA) out on a limb here and say (VA) because of the size weight (NoP) and industrial design (NoP), Panasonic S1R PRAIS is (VS) on a camera that makes (VA) you want (VS) to take (VA) it everywhere with you 77 However, when you have (VS) a project to deliver (VA) whether it's (VS) for a client or for yourself, when things are (VS) on the line you can (mV) look (VA) at the S1R with confidence (NJ); knowing OTHER that it's gonna (VS) deliver (VA) on your creative needs (NoN) or get (VS) very, very (AdvD) close (AdvD) to it a lu n 78 After spending much time with the S1R, I can (mV) say (VA) the PRAIS n va experience (NoN) was (VS) rewarding (AdjCJ) The design (NoP) of the cameras definitely (AdvD) have (VS) deeper (AdjQ) features (NoN) such as an XQD and a SD card slot p ie gh tn to 79 (NoP), full (AdjP) HDMI out (NoP), a top LCD (NoP), they all PRAIS (AdvD) provide (VA) important (AdjCJ) and real-world (AdjCJ) 80 oa nl w benefits (NJ) that professionals (NoN) will (mV) appreciate (VE) There's (VS) still some room for improvement though; namely, the SUGGE d menu system (NoN) a lu It's (VS) something that could (mV) be refined (VA) and better SUGGE a nv 81 (AdjQ) can (mV) okay (VA) u nf 82 Also, I'd (mV) love (VE) to see more information communicator ll SUGGE m (NoN) on the top LCD (NoP) when the camera is off n oi 83 I feel (VS) like this is (VS) something that could (mV) be addressed tz SUGGE (VA), in a firmware update (NoN) This is (VS) also one of those cameras that tethered shooters (NoN) z 84 @ SUGGE will (mV) really (AdvD) have (VS) fun (AdjCJ) with gm To be (VS) able (AdjP) to capture (VA) these rich (AdjCJ) files l 85 co (NoN) into a program like capture one and have (VS) someone PRAIS m preview (VA) the details (NoN), while you're (VS) on location, you Lu really (AdvD) get (VS) to see (VA) the power of a product (NoP) an n va ac th Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn si C.vT.Bg.Jy.Lj.Tai lieu Luan vT.Bg.Jy.Lj van Luan an.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj Do an.Tai lieu Luan van Luan an Do an.Tai lieu Luan van Luan an Do an Stt.010.Mssv.BKD002ac.email.ninhd.vT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.LjvT.Bg.Jy.Lj.dtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn.Stt.010.Mssv.BKD002ac.email.ninhddtt@edu.gmail.com.vn.bkc19134.hmu.edu.vn