creativity and innovation in the music industry

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creativity and innovation in the music industry

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[...]... for the Edison-phonograph 1896 marks the year in which Edison finally recognized the potential of the phonograph as an entertainment instrument Edison Phonograph Works’ main factory began to produce ‘‘coin -in- the- slot’’ machines At last, the phonographic industry had evolved into the music- box industry In Europe and in the United States, more and more music- box producers joined the business.15 This, in. .. Roosevelt, and Uriah H Painter Hubbard was the father -in- law of the inventor of the telephone, Alexander Graham Bell Hubbard was also simultaneously active in the management of the Bell Telephone Co and the New England Telephone Co 12 2 The Emergence of the Phonographic Industry Within the Music Industry its application as an office machine The Edison Speaking Phonograph Company was instructed to produce and. .. Association 14 2 The Emergence of the Phonographic Industry Within the Music Industry At the first plenary meeting on May 28–29, 1890 in Chicago, stenographers and office employees protested against the introduction of the phonograph as a dictation machine This is one more piece of evidence that in its early period the phonographic industry was a part of the office machine industry The design of the machines signified... sheet music At the heart of the music industry during the last third of the nineteenth century were music publishers and promoters, whose market power depended on the technological base of music concerts and the subsequent distribution of music through mass-produced sheet music Sheet music was the vehicle for the mass dissemination of music, and music publishers were at the center of the music business... operated the ‘‘Bar américain’’ at the Place Pigalle in Paris At a fair in Vincennes they had seen an Edison-phonograph and imported the machine from England in order to install it in their bar to amuse their patrons The success was so immense that the brothers decided in 1894 to have the machines rebuilt in the Parisian suburb of Belleville and, simultaneously, to manufacture the requisite cylinders in the. .. the recording and replaying machines remained in the foreground The phonograms, whether in cylinder or record form, were merely a provisional concern This was reflected in the available repertoire recorded during the phonogram’s 24 2 The Emergence of the Phonographic Industry Within the Music Industry early phase Initially, what was of true importance was to simply convince the people of the wonders... developed into industrial corporations in the nineteenth 1.1 Aim and Structure of the Book 3 century that rationalized each individual aspect of the labor process Large print runs and cost advantages could thus be attained Until the beginning of the twentieth century, the music publishing industry sat center-stage in the music industry s value-adding chain This changed around 1900, however, due to the quick... ‘‘Victor Talking Machines’’ and the replay media ‘‘Victor Records’’ In 1901, Johnson and Berliner emerged as the undisputed winners of the lawsuits, and the federal court terminated the provisional court order against the Berliner companies From now on, they once again were allowed to call their machines ‘‘Gramophones’’ The fortunate ending of the patent disputes inspired Johnson and Berliner to work... of creativity and innovation, I see my work expressing an epistemological humility: I am merely concerned with generating a model capable of explaining how different levels of novelty emerged and succeeded in the music industry of the twentieth century In the final chapter, I will apply this model to the value-adding chain as it currently continues to dominate the industrial production of music and investigate... and in Vienna from 1772 P Tschmuck, Creativity and Innovation in the Music Industry, DOI: 10.1007/978-3-642-28430-4_2, Ó Springer-Verlag Berlin Heidelberg 2012 9 10 2 The Emergence of the Phonographic Industry Within the Music Industry Europe’s capitals are being celebrated like princes, we could justly say that the dust of Moritz Schlesinger’s boots is still visible on their laurel crowns’’.2 These . Phonographic Industry Within the Music Industry 2.1 The Phonograph as Business Machine The music industry did not originate with the invention of the phonograph and the record but with the beginning of. for the emergence of innovation and creativity in the music industry by retelling and interpreting its history, from Thomas Alva Edison’s invention of the phonograph in 1877 to the latest innovations.

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  • GetFullPageImage

  • Front matter

    • Creativity and Innovationin the Music Industry

      • Preface

      • Acknowledgments

      • Contents

      • Introduction

        • 1 Introduction

          • 1.1…Aim and Structure of the Book

          • 1.2…Implications of Culture Institutions Studies

          • The Emergence of the Phonographic Industry Within the Music Industry

            • 2 The Emergence of the Phonographic Industry Within the Music Industry

              • 2.1…The Phonograph as Business Machine

              • 2.2…‘‘Coin-in-the-Slot’’-Machines

              • 2.3…Records and Gramophones

              • 2.4…Herr Doctor Brahms Plays the Piano

              • The Music Industry Boom Until 1920

                • 3 The Music Industry Boom Until 1920

                  • 3.1…The Global Competition in the Phonographic Industry

                  • 3.2…The U.S.-Market Before World War I

                  • 3.3…The European Market During World War I

                  • 3.4…The Music Repertory on Record Between 1900 and 1920

                    • 3.4.1 Waltzes and Operas from Europe

                    • 3.4.2 The Tin Pan AlleyTin Pan Alley Monopoly

                    • New Technology and the Emergence of Jazz

                      • 4 New Technology and the Emergence of Jazz

                        • 4.1…The Phonographic Industry’s Business Cycle from 1920 to 1945

                        • 4.2…The Phonographic Industry and Broadcasting in the U.S. and Europe

                        • 4.3…‘‘Race Music’’ and ‘‘Hillbilly’’

                        • 4.4…Electrical Recording

                        • The Music Industry as Radio Industry

                          • 5 The Music Industry as Radio Industry

                            • 5.1…Recession and Depression on the U.S. Phonogram Market

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