THE TRADITION OF COURTLYLOVE IS AN ELABORATE
ATTITUDE OR CODE OF BEHAVIOR EUROPEAN THOUGHT
FROM THE TWELFTH CENTURYON . PREVIOSLY ,THE FRENCH
TROUBADOURS IN LANGUEDOC HAD SUNG THE PROVENCAL
LOVE SONG WHICH LATER BECAME INCORPORATED INTOTHE
LOVE POETRY OF THE MIDDLE AGES ,AND EVEN INTO OUR
CODE OF LOVE TODAY .MANY OF THE FEATURES OF THIS
SENTIMENT HAVE DISAPPEARED,BUT THEY FORMED A
MOMENTOUS BACKGROUND FOR EUROPEAN LITERATURE FOR
MORE THAN EIGHT HUNDRED YEARS .THE FRENCH POETS
WERE THE FIRST TOEXPRESS OR INVENT THE ROMANTIC
NOTION OF PASSION WHICH CHANGED THE ENTIRE
IMAGINATION OR DAILY LIFE OF THOSE AFFECTED . FOR THIS
REASON ,(PLACE YOUR NAME) FINDS IT ABSOLUTELY
UNAVOIDABLE TO VOTE THE ENTIRE FIRST CHAPTER OF HIS
ALLEGORY OF LOVE TO THE SENTIMENT OF COURTLY
LOVE,EVEN BEFORE HE BEGINS HIS DISCUSSION ON THE
ALLEGORICAL LOVE POETRY OF THE MIDDLE AGES .IN THE
ART OF COURTLYLOVE ,ANDREAS CAPELLANUS DEALS WITH
THE SUBJECT QUITE ADEQUATELY AND PARADOXICALLY . HIS
BOOK IS DIVIDED INTO TWO PARTS :FIRST, HOW ONE
CONTROLS AND DIRECTS HIS EMOTIONS IN THE EYES OF
HIS BELOVED ;AND SECOUNDLY ,HOW ONE SHOULD TRY TO
REJECT SECULAR LOVE AND CONCENTRATE ON A NOBLER
LOVE DIRECTED TOWARDS GOD . DISREGARDING THE
SECOUND PART ,CAPPELLANUS' WORK IS A GUIDE ON HOW
TO PREPARE SOMEONE PSYCHOLOGICALLY FOR A POSSIBLE
PHYSIOLOGICAL HAPPENING .IT IS THE EMBODIMENT OF THE
NOTION OF COURTLYLOVE AND THE GAME OF RHETORIC
WHICH IS PLAYED BETWEEN THE TWO PERSON INVOLVED
.THE RELATIONSHIP BETWEEN THEM DETERMINES THE
ULTIMATE GOAL OF THEIR GAME .IF THE LADY HAPPENS TO
BE A WOMEN OF HIGHER NOBILITY THAN THE MAN WHO IS
WOOING HER ,THEN HE MUST SATISFY HIMSELF WITH
NOTHING MORE THAN HER PRESENCE . HOWEVER ,IF THE
LADY IS OF A LESSER STATION IN LIFE ,OR ESPECIALLY OF A
PLEASANT CLASS ,THEN THE GAME IS DIRECTED TOWARDS
"GETTING HER INTO BED AS SKILLFULLY AS POSSIBLE , FOR
SHE CAN UNDERSTAND NO OTHER LANGUAGE. THE REWARD
OF COURTLYLOVE IS AN ENNOBLING CHARACTER WHICH IS
BOTH INTERNALLY AND EXTERNALLY REVEALING .ALTHOUGH
THE LOVER SUFFERS GREATLY IN LOVING PASSIONATELY
WHAT HE CANNOT HAVE ,HE ALSO TAKES GREAT CARE IN
LOOKING ,ACTING ,AND SPEAKING AS APPEALING AS HIS
LADY WOULD HAVE HIM .THE MAN BECOMES A CHANGED
PERSON WHEN HE BECOMES A LOVER ,FOR LOVE CONVERTS
MAN'SMOST AGGRESIVE INSTINCTS TO PASSIVE ONES .ANY
OVERWHELMING EMOTIONS IS DEVASTATING ,BUT COURTLY
LOVE TEACHES ONE HOW TO CONTROL AND DIRECT THESE
EMOTIONS ,WHICH ULTIMATELY BECOME AN ARTIN MODES OF
EXPRESSION.THE COURTLYLOVE TRADITION IS A LATIN
TRADITION .THE GERMANIC PEOPLE ,SUCH AS THE NORSEMEN
OR DANES ,WHO ARE REMOVED FROM THIS SPIRIT SPEAK
MOSTLY OF HEROIC DEEDS .THE DEEPEST EMOTIONS
EXPRESSED AMOUNG THEM ARE THOSE OF MAN FOR
MAN,MAN FOR HIS FEUDAL LORD ,OR MAN FOR HIS COUNTRY
.SUCH ARE THE TIES WHICH BIND ROLAND TO HIS LORD
,CHARLEMAGNE ,RATHER THAN TO HIS LADY .MARRIAGES HAD
NOTHING TO DO WITH COURTLYLOVE ,FOR THEY WERE
OFTEN ARRANGED FOR INTEREST .THE LOVER ALWAYS
LOOKED WITH REVERANCE UPON NOBLER WOMAN THAN
HIMSELF .ONE 'S WIFE AWS HIS OWN SUBJUGATED WOMAN
WHOM HE COULD HAVE AT ANY TIME .HOWEVER ,THIS SAME
WIFE WAS POBABLY THE BELOVED OF ANOTHER ,FOR LOVE
WAS USUALLY DIRECTED TOWARDS A MARRIED WOMAN
.THUS ,THE PHYSICAL CONQUEST OF A NOBLE LADY WAS
NOT THE AIM OF THE LOVER . THE ONLY VIRTUES HE COULD
EVER DARE TO CLAIM WERE OBEDIENCE TO HER SLIGHTEST
WISHES ANDSILENT ACQUIESCENCS TO HER REBUKES .THE
TYPICAL LOVE RELATIONSHIP BETWEEN A MARRIED LADY OF
NOBILITY AND LESSER KNIGHT WHO COURTED HER
FAITHFULLY IS FOUND IN CHRETIEN DE TROYES'LAUNELOT
.CHRETIEN BORROWS THE CONCEPTION OF THE ARTHURIAN
COURT ,AND USES IT AS THE BACKGROUND OR HOME OF
TRUE AND NOBLE LOVE .LAUNCELOT AND GUINEVERE ,KING
ARTHUR 'S QUEEN ,ARE SECRETLY IN LOVE .LEWIS AND
ILLUSTRATES LAUNCELOTS UNFAILING DEVOTION TO HER BY
MENTIONING SOME DANGERS LAUNCELOT MEETS WHEN
RESCUING HIS BELOVED FROM THE LAND OF GORRE .HE
LOSSES HIS HORSE QUITE EARLY IN HIS MISSION ,AND MUST
THEREFORE OVERCOME OTHER DIFFICULTIES ON FOOT.ON
THE WAY ,HE MEETS A DWARF DRIVING "A CART OF SHAME,"
AND HESITATES FOR A SHORT TIME AS TO WHETHER TO
MOUNT .LAUNCELOT THINKS OF HIS LADY AND DOES .THE
DISGRACE OF HIS RIDE ,AS PEOPLE SHOUT AND DEMAND HIS
CRIME,AND THE CROSSING OF THE BRIGDE INTO GORRE
FURTHER PROVE HIS LOVE .THE BRIGDE CONSISTED OF
SINGLE BLADEOF STEEL ,AND EVN AFTER THE WOUNDED
LAUNCELOT ARRIVES IN THE RPESENCE OF THE QUEEN , HE
IS IGNORED ,FOR SHE HAS HEARD OF HIS MOMENTARY
HESITATION IN ENTERING THE CART .LAUNCELOT 'S PREVIOUS
MERITS AND LABORS IN THE SERVICE OF HER LOVE DID NOT
COUNT .AND WHEN HE IS FINALLY FORGIVEN ,GUINEVERS
STILL TESTS HIM BY COMMANDING HIM TO DO HIS POOREST
IN A TOURNAMENT .LAUNECELOT IS FINALLY CARNALLY
REWARDED ,BUT HE DOES BESTOW DIVINE HONORS ON
GUINEVERE.HE KNEELS NEAR HER BED AND GENUFLECTS AS
HE LEAVES HERROOM .THIS LOVE RELIGION HE
DEMONSTRATES IS ASSOCIATED WITH THE PRESONIFIED
FIGURE OF LOVE HIMSELF .
. OF HIS ALLEGORY OF LOVE TO THE SENTIMENT OF COURTLY LOVE, EVEN BEFORE HE BEGINS HIS DISCUSSION ON THE ALLEGORICAL LOVE POETRY OF THE MIDDLE AGES .IN THE ART OF COURTLY LOVE ,ANDREAS CAPELLANUS. CHANGED PERSON WHEN HE BECOMES A LOVER ,FOR LOVE CONVERTS MAN'SMOST AGGRESIVE INSTINCTS TO PASSIVE ONES .ANY OVERWHELMING EMOTIONS IS DEVASTATING ,BUT COURTLY LOVE TEACHES ONE HOW TO CONTROL. CONTROLS AND DIRECTS HIS EMOTIONS IN THE EYES OF HIS BELOVED ;AND SECOUNDLY ,HOW ONE SHOULD TRY TO REJECT SECULAR LOVE AND CONCENTRATE ON A NOBLER LOVE DIRECTED TOWARDS GOD . DISREGARDING THE SECOUND