St. Marks vs. Notre Dame
St. Mark's Cathedral, built in 829AD, contains a plethora of different architectural and sculptural
influences from throughout the centuries. Although it was built in the Byzantine era its style is
rooted in the traditions of the Roman Empire (Demus). St. Mark's giant vaulted ceiling contains
five large timber frame domes which each rest on a group of four piers. One large central dome is
surrounded by four smaller domes in the pattern of a Greek cross (photo).
In order to support the base of the largest dome, four pendentives, or spherical triangles spring out
from the corners and are locked into a square formed by four huge arches. These pendentives are
used to create a smooth transition between the spherical shape of the dome and the square layout
of its base. This architectural solution was perfected during the Byzantine era and can be seen in
many churches (Demus). Each of the domed regions forms its own, separate Greek cross, yet each
of the smaller areas is interconnected with the entire building. Arched openings bring the viewer's
eye evenly and smoothly throughout the interior of the church as no area is compartmentalized
from the rest. The ceiling of the church is dome in a style which gives it the illusion that it is
floating in the air due to the use of giant archways resting on smaller piers (Demus). The
lightened visual effect is typical during the Byzantine era and is still an awe-inspiring artistic feat
today.
This style of "hanging" architecture is amplified by the sheets of polished marble and mosaics that
decorate the inside of the church. The decorations are a collection of art throughout the ages,
brought in from the world by trading ships (Yarwood). The mosaics and inlaid marble on the
floor have a rolling, wave-like pattern which recedes over them due to the constant settling and
flooding in piazza San Marco. These beautiful decorations personify the image of the Catholic
Church and its use of godly décor.
Notre Dame Cathedral in Paris was built in the High Gothic era and uses a ribbed vault to create
its magnificent vertical style (Yarwood). The exterior of the cathedral has large towering
buttresses which are the ribs (hence, ribbed vault) that create support for the vaults and keep the
church from collapsing. Instead of harnessing the force of the Church wanting to collapse
inwardly, such as in St. Marks, NotreDame Architects needed to control the outward thrust of the
Church walls which wanted to collapse outward. Since the outward thrust of the vaults created
much pressure of the areas where the ribs begin and adds to the downward force of the pointed
arches, flying buttresses were used on the outside of the building to counteract this pressure.
Notre Dame Cathedral varies greatly from that of St. Marks not only in it's architectural style, but
in it's presence as well. While both have a towering magnificence while viewed from the front
where the main entrance is present, it is NotreDame which can be viewed from 360 degrees and
completely appreciated in its Gothic style. St. Marks on the other hand is only meant to be viewed
from the piazza or the Basilica, which can only give you a frontal or aerial view. Unfortunately
this makes it impossible to view the powerful shape of the building from the exterior. Perhaps this
is why the interior and entrance are so heavily decorated with trinkets from around the world, such
as the four bronze horsemen brought from ancient Greece which tower over the public from the
tops of the entrance archways.
St. Mark's large cross shape creates a different atmosphere from the interior than in the Notre
Dame. While the former has a variety of intricate spaces from which the eye can move through,
the latter is mainly one large open area and does not follow the Romanesque 'Greek cross' style
(photo). The interior though, does not lack character in its use of space. The openness of the
cathedral and patterns of its vaulted ceiling exemplify the feeling of an upward presence. Each of
the churches manages to captivate its audience through different architectural tactics, yet both still
serve one purpose as a place to give praise and warship. NotreDame towers over its views with
forbidding towers, while St. Marks uses an intricate myriad of features to pull one in from the
outside. While each is unique in its own way, they both still stand today with all the elegance and
splendor of the time they were built.
1) http://www.greatbuildings.com/buildings/St_Marks.html
2) Otto Demus. The Church of San Marco in Venice. Washington, D.C.: The Dumbarton Oaks
Research Library and Collection Trustees for Harvard University, 1960. NA5621.V5D4
3) Doreen Yarwood. The Architecture of Europe. New York: Hastings House, 1974. ISBN
0-8038-0364-8. LC 73-11105. NA950.Y37. aerial perspective drawing, f208, p102
. St. Marks vs. Notre Dame
St. Mark's Cathedral, built in 829AD, contains a plethora. the
church from collapsing. Instead of harnessing the force of the Church wanting to collapse
inwardly, such as in St. Marks, Notre Dame Architects needed to