An American Legacy Where would music be had it not been for the
men that stepped before him. The Motzarts and Beethovens, who wrote
the music that today is known as the classics. These men were naturals
in their own right, but these people wrote their music in the 17th and 18th
century. Many people don't realize all of the changes that music had to
go through between that period of music and the present day. One such
musician stands alone at the top as one of the movers and innovators of
the 20th century. He is Duke Ellington. Along with his band, he alone
influenced millions of people both around the world and at home. He
gave American music its own sound for the first time. Winton Marsalis
said it best when he said "His music sounds like America." (Hajdu,72).
These days you can find his name on over 1500 CS's(Illistated
Encyclopedia of Jazz,254). Duke's legacy will live on for generations to
come. DukeEllington was born Edward Kennedy Ellington, April 29, 1899
in Washington D.C(The New Grove Dictionary of Jazz,330). His father at
the time was employed as a butler yet always wanted the best for Duke.
At the young age of seven Ellington took up the piano, because his
father had always wanted him to become an artist(330). But how was
Duke to become an artist in a time when blacks weren't given the same
rights as everyone else. They went to separate schools. They were
forced to the back of the bus and to use separate bathrooms. If Duke
were to become some one he had much to come over. One thing
that we do know is that Duke was always looking for attention and dignity.
There are even stories of how he would announce from the top of the
stairs in the morning that he was coming down and demand that his
parents applaud(Collier,9). Also when his cousins would come over he
would stand on the front porch as they arrived and make them curtsy in
front of him(9). Of course they didn't like that but they played along(10).
From the beginning DukeEllington wanted to be remembered by
generations to come, That would be difficult being the son of a butler and
black(The New Grove Dictionary of Jazz,330); in a time when Negroes
had many obstacles including the racism that plagued the United States.
About ten years after he started to play piano, he made his
professional debut. It was nothing glitzy just a pub in uptown(330). Back
in Ellington's time black performers had to enter through back doors. He
was on his way, or was he? In 1923 he experienced failure due to
financial instability(330). Most people would have given up by now but
not the Duke. He kept on looking for work. His relentless perseverance
payed off. In 1924 Elmer Snowden asked DukeEllington to join his band
and he accepted without question(Collier,45). So Duke moved north to
New York and joined the Washingtonians(46). Elmer Snowden was so
impressed by his natural ability, that in 1927 he handed his band over to
Ellington(Collier,72). It was the turning point in Ellingtons life. He was
now the leader of a headlining bank at the Cotton Club. "The Cotton
Club smack dab in the middle of Harlem-but Black people couldn't go
there. It was for whites only," says Joe Louis(Gales,1995). Imagine the
prestige of being a Black in the midst of White people. Ellington was
finally rubbing shoulders the upper class. However he was not allowed to
share his talent with his own kind. His inspiration for all his wonderful
compositions never were heard by them. It's like writing a love song for
someone and not being allowed to share it. His feelings and ideas were
never expressed to the people that meant the most to him, his
people(Johnson,59). At the time his legacy was only known by the whites
who went to see him perform. It wasn't until later when Blacks began to
hear the Duke's music for the first time. Being headlined wasn't the only
fame that the band brought Duke Ellington. In 1930 he took the group to
Hollywood to appear in the movie, Check and Double Check(The New
Grove Dictionary of Jazz,330). Ellington was becoming a household
name. The attention and dignity that he had always strived for as a kid
had finally come. Ellington was not going to let opportunity get away
from him. During the time from 1933 to 1939 he went on a huge world
tour that spanned the globe. His tours took him from Japan, to Europe, to
Africa, and Austria(330)(The New Grove Encyclopedia of Music and
Musicians,658). Often times, Ellington supported his dreams out of his
own pocket or from royalties collected from his ever growing and equally
popular songbook(Duke is Still Tops ,1). DukeEllington showed Black
Americans today that you could be someone, if you wanted it badly
enough. He was willing to put himself on the line in order to gain respect
in a time when blacks received little respect in America. DeSable
probably put it best when he said, "yet the man who was sent to the
Colored People's Waiting Room at the same time was the toast of
Paris!"(Hajdu,72). America was truly disregarding one of the greatest
Americans there ever will be. His legacy is part of the America that we
want people around the world to see, the Cinderella story, from relative
obscurity to fame. Duke will probably be remembered most for the over
3000 songs that he composed during his lifetime. The most amazing part
about Ellington was the most creative while he was on the road and
busy.(The New Grove Dictionary of Jazz,330) It was during this time
when he wrote his most famous piece, "Mood Indigo" which brought him
world wide fame. When asked what inspired him to write, Ellington
replied, "My men and my race are the inspiration of my work. I try to
catch the character and mood and feeling of my people" (Johnson 58).
Duke wrote from the heart. Unlike now adays when writers write for
money, Duke's music was at the next level of musicianship. One of feel
and love for what he was doing. The other aspect about Duke that
makes his writings so great was his wide range of styles that he could
write in. During his lifetime, Ellington was able to sign his name to a
Broadway musical, "Beggers Holiday", a ballet, "The River", and a full
length movie score, Anatomy of a Murder.(Hajdu,73). Some of his more
interesting music came from the period when he wrote in a classical style.
What makes his music so interesting is how it sounds so much like
Beethoven yet, there is an underlying jazz feel to the music. This is
something that is very unique to his writing. What is even more amazing
is knowing that Duke basically taught harmony to himself and that his vast
knowledge of arranging music came from experimenting with his
band(The New Grove Dictionary of Jazz,331). Just as a chemist learns
and creates in a lab, Ellington used his band to learn and create. Duke
was no match for Father Time though. As death crept up on Duke
Ellington, he began writing liturgical music. His most famous piece was,
"In the Beginning God," which was written for orchestra chorus and
soloist. Again he was still able to keep an underlying jazz feel.
People began to take note of one the greatest composers that ever lived.
Duke once used the phrase "beyond category" to describe singer Ella
Fitzgerald (Johnson,58). Who would ever think that people would ever
think of Duke in that category as well. One of New York University's
Music Department Chairmen Percy Granger ranked Ellington as on the
three greatest composers in the history of music, sharing honors with J.
S. Bach and Frederick Delius. (58) What makes Ellingtons
accomplishments even more significant is that despite being the first
Negro to gain such a distinction, he was the first and only American to do
so. More and more people began to give Duke the respect that he
always strived for.In the very beginning, Duke wanted to be respected but
now awards and other recognitions filled his life. Finally, in 1967 he
received Honorary Doctorates from both Harvard and Yale and later
became the only jazz musician to receive an honorary degree from
Columbus University(The Illustrated Encyclopedia of Jazz,244).
Greatness in his own country was now upon him. Later in 1969, Nixon
awarded him the Presidential Medal of Freedom, the highest civilian
medal of honor(244). The American government wasn't the only
government to honor this truly great man. Duke was so revered after a
trip to Togo that the government issued a stamp in his honor. (The New
Grove Encyclopedia of Music and Musicians,658) Above all, his greatest
distinction had to have been, being the first jazz musician to be named to
the Royal Academy of Music in Sweden(658). With all of Ellington's
awards, Honorary Doctorates, and honors, he still remained humble.
When asked about not winning American's top prize for composers, Duke
replied, "fate is just being kind to me. It doesn't want me to become
famous to young." (Johnson 59) His music will surely live on for
generation to come but more importantly will the man behind the music
be remembered? In a day and age when people are on the go, will they
listen to his music done by another artist and not realize that the artist
they are listening to is not the author?13 Saying Tony Bennett wrote
Satin Doll is like saying Disney wrote the Nutcracker. DukeEllington had
to go through a lot just to be heard when America was keeping their
African American artists under a cover. Not only should Ellington be
remembered as a great composer, but he should be remembered as a
leading figure of Civil Rights like Martin Luther King Jr. who always saw
the glass half full instead of half empty. In his autobiography he
writes,"Gray skies are just clouds passing over." (Gayles, 1995). That
sums up the man. Optimistic and always striving to accomplish more.An
American LegacyDanny SwartzCollege Prep 14-16WrightDec. 18,
1996Works CitedCamus, Albert. Gales Quotaions. Who said What.
December 1995. Detroit: Gale Research Inc. 1995.
CD-ROM.Collier, James Lincoln. Duke Ellington. New York:MacMillan.
1991."Duk is Still Tops. Ellington's Relevance goes Beyond Music."
Chicago Tribune, 13 December 1995, Tempo, p.1."Ellington,
Duke." The Illustrated Encyclopedia of Jazz. 1978 ed."Ellington, Duke."
The New Grove Dictionary of Jazz. 1988 ed."Ellington, Duke." The New
Grove Encyclopedia of Music and Musicians. 1980 ed.Hajdu,
David. "Sofisticated Gentleman" Entertainment Weekly. 31 May 1996.
p.72-73.Johnson, Robert. "On his 96th Birthday, Duke
Ellington Proclaimed 'BEYOND CATAGORY' by Critics of his
Great Music." Jet. 15 May 1995. p.58-61.
. p.1." ;Ellington,
Duke. " The Illustrated Encyclopedia of Jazz. 1978 ed." ;Ellington, Duke. "
The New Grove Dictionary of Jazz. 1988 ed." ;Ellington, . learns
and creates in a lab, Ellington used his band to learn and create. Duke
was no match for Father Time though. As death crept up on Duke
Ellington, he began