Duke Ellington: An American Legacy
Where would music be had it not been for the men that
stepped before him.
The Motzarts and Beethovens, who wrote the music that today is
known as the
classics. These men were naturals in their own right, but these
people wrote
their music in the 17th and 18th century. Many people don't
realize all of the
changes that music had to go through between that period of music
and the
present day. One such musician stands alone at the top as one of
the movers and
innovators of the 20th century. He is Duke Ellington. Along
with his band, he
alone influenced millions of people both around the world and at
home. He gave
American music its own sound for the first time. Winton Marsalis
said it best
when he said "His music sounds like America." (Hajdu,72). These
days you can
find his name on over 1500 CS's(Illistated Encyclopedia of
Jazz,254). Duke's
legacy will live on for generations to come.
Duke Ellington was born Edward Kennedy Ellington, April
29, 1899 in
Washington D.C(The New Grove Dictionary of Jazz,330). His father
at the time
was employed as a butler yet always wanted the best for Duke. At
the young age
of seven Ellington took up the piano, because his father had
always wanted him
to become an artist(330). But how was Duke to become an artist
in a time when
blacks weren't given the same rights as everyone else. They went
to separate
schools. They were forced to the back of the bus and to use
separate bathrooms.
If Duke were to become some one he had much to come over.
One thing that we do know is that Duke was always looking
for attention
and dignity. There are even stories of how he would announce
from the top of
the stairs in the morning that he was coming down and demand that
his parents
applaud(Collier,9). Also when his cousins would come over he
would stand on the
front porch as they arrived and make them curtsy in front of
him(9). Of course
they didn't like that but they played along(10). From the
beginning Duke
Ellington wanted to be remembered by generations to come, That
would be
difficult being the son of a butler and black(The New Grove
Dictionary of
Jazz,330); in a time when Negroes had many obstacles including
the racism that
plagued the United States.
About ten years after he started to play piano, he made
his professional
debut. It was nothing glitzy just a pub in uptown(330). Back in
Ellington's
time black performers had to enter through back doors. He was on
his way, or
was he? In 1923 he experienced failure due to financial
instability(330). Most
people would have given up by now but not the Duke. He kept on
looking for work.
His relentless perseverance payed off. In 1924 Elmer Snowden
asked Duke
Ellington to join his band and he accepted without
question(Collier,45). So
Duke moved north to New York and joined the Washingtonians(46).
Elmer Snowden
was so impressed by his natural ability, that in 1927 he handed
his band over to
Ellington(Collier,72). It was the turning point in Ellingtons
life. He was now
the leader of a headlining bank at the Cotton Club. "The Cotton
Club smack dab
in the middle of Harlem-but Black people couldn't go there. It
was for whites
only," says Joe Louis(Gales,1995). Imagine the prestige of being
a Black in the
midst of White people. Ellington was finally rubbing shoulders
the upper class.
However he was not allowed to share his talent with his own kind.
His
inspiration for all his wonderful compositions never were heard
by them. It's
like writing a love song for someone and not being allowed to
share it. His
feelings and ideas were never expressed to the people that meant
the most to him,
his people(Johnson,59). At the time his legacy was only known by
the whites who
went to see him perform. It wasn't until later when Blacks began
to hear the
Duke's music for the first time.
Being headlined wasn't the only fame that the band
brought Duke
Ellington. In 1930 he took the group to Hollywood to appear in
the movie, Check
and Double Check(The New Grove Dictionary of Jazz,330).
Ellington was becoming
a household name. The attention and dignity that he had always
strived for as a
kid had finally come.
Ellington was not going to let opportunity get away from
him. During
the time from 1933 to 1939 he went on a huge world tour that
spanned the globe.
His tours took him from Japan, to Europe, to Africa, and
Austria(330)(The New
Grove Encyclopedia of Music and Musicians,658). Often times,
Ellington
supported his dreams out of his own pocket or from royalties
collected from his
ever growing and equally popular songbook(Duke is Still
Tops ,1). Duke
Ellington showed Black Americans today that you could be someone,
if you wanted
it badly enough. He was willing to put himself on the line in
order to gain
respect in a time when blacks received little respect in America.
DeSable
probably put it best when he said, "yet the man who was sent to
the Colored
People's Waiting Room at the same time was the toast of
Paris!"(Hajdu,72).
America was truly disregarding one of the greatest Americans
there ever will be.
His legacy is part of the America that we want people around the
world to see,
the Cinderella story, from relative obscurity to fame.
Duke will probably be remembered most for the over 3000
songs that he
composed during his lifetime. The most amazing part about
Ellington was the
most creative while he was on the road and busy.(The New Grove
Dictionary of
Jazz,330) It was during this time when he wrote his most famous
piece, "Mood
Indigo" which brought him world wide fame. When asked what
inspired him to
write, Ellington replied, "My men and my race are the inspiration
of my work. I
try to catch the character and mood and feeling of my people"
(Johnson 58).
Duke wrote from the heart. Unlike now adays when writers write
for money,
Duke's music was at the next level of musicianship. One of feel
and love for
what he was doing.
The other aspect about Duke that makes his writings so
great was his
wide range of styles that he could write in. During his
lifetime, Ellington
was able to sign his name to a Broadway musical, "Beggers
Holiday", a ballet,
"The River", and a full length movie score, Anatomy of a
Murder.(Hajdu,73).
Some of his more interesting music came from the period when he
wrote in a
classical style. What makes his music so interesting is how it
sounds so much
like Beethoven yet, there is an underlying jazz feel to the
music. This is
something that is very unique to his writing. What is even more
amazing is
knowing that Duke basically taught harmony to himself and that
his vast
knowledge of arranging music came from experimenting with his
band(The New Grove
Dictionary of Jazz,331). Just as a chemist learns and creates in
a lab,
Ellington used his band to learn and create. Duke was no match
for Father Time
though. As death crept up on Duke Ellington, he began writing
liturgical music.
His most famous piece was, "In the Beginning God," which was
written for
orchestra chorus and soloist. Again he was still able to keep an
underlying
jazz feel.
People began to take note of one the greatest composers
that ever lived.
Duke once used the phrase "beyond category" to describe singer
Ella Fitzgerald
(Johnson,58). Who would ever think that people would ever think
of Duke in that
category as well. One of New York University's Music Department
Chairmen Percy
Granger ranked Ellington as on the three greatest composers in
the history of
music, sharing honors with J. S. Bach and Frederick Delius. (58)
What makes
Ellingtons accomplishments even more significant is that despite
being the first
Negro to gain such a distinction, he was the first and only
American to do so.
More and more people began to give Duke the respect that he
always strived for.
In the very beginning, Duke wanted to be respected but now awards
and other
recognitions filled his life. Finally, in 1967 he received
Honorary Doctorates
from both Harvard and Yale and later became the only jazz
musician to receive an
honorary degree from Columbus University(The Illustrated
Encyclopedia of
Jazz,244). Greatness in his own country was now upon him. Later
in 1969, Nixon
awarded him the Presidential Medal of Freedom, the highest
civilian medal of
honor(244). The American government wasn't the only government
to honor this
truly great man. Duke was so revered after a trip to Togo that
the government
issued a stamp in his honor. (The New Grove Encyclopedia of Music
and
Musicians,658) Above all, his greatest distinction had to have
been, being the
first jazz musician to be named to the Royal Academy of Music in
Sweden(658).
With all of Ellington's awards, Honorary Doctorates, and honors,
he still
remained humble. When asked about not winning American's top
prize for
composers, Duke replied, "fate is just being kind to me. It
doesn't want me to
become famous to young." (Johnson 59)
His music will surely live on for generation to come but
more
importantly will the man behind the music be remembered? In a
day and age when
people are on the go, will they listen to his music done by
another artist and
not realize that the artist they are listening to is not the
author?13 Saying
Tony Bennett wrote Satin Doll is like saying Disney wrote the
Nutcracker. Duke
Ellington had to go through a lot just to be heard when America
was keeping
their African American artists under a cover. Not only should
Ellington be
remembered as a great composer, but he should be remembered as a
leading figure
of Civil Rights like Martin Luther King Jr. who always saw the
glass half full
instead of half empty. In his autobiography he writes,"Gray
skies are just
clouds passing over." (Gayles, 1995). That sums up the man.
Optimistic and
always striving to accomplish more.
Works Cited
Camus, Albert. Gales Quotaions. Who said What. December 1995.
Detroit: Gale
Research Inc. 1995. CD-ROM.
Collier, James Lincoln. Duke Ellington. New York:MacMillan. 1991.
"Duk is Still Tops. Ellington's Relevance goes Beyond Music."
Chicago Tribune,
13 December 1995, Tempo, p.1.
"Ellington, Duke." The Illustrated Encyclopedia of Jazz. 1978 ed.
"Ellington, Duke." The New Grove Dictionary of Jazz. 1988 ed.
"Ellington, Duke." The New Grove Encyclopedia of Music and
Musicians. 1980
ed.
Hajdu, David. "Sofisticated Gentleman" Entertainment Weekly. 31
May 1996.
p.72-73.
Johnson, Robert. "On his 96th Birthday, Duke Ellington
Proclaimed 'BEYOND
CATAGORY' by Critics of his Great Music." Jet. 15 May 1995.
p.58-61.
. p.1.
" ;Ellington, Duke. " The Illustrated Encyclopedia of Jazz. 1978 ed.
" ;Ellington, Duke. " The New Grove Dictionary of Jazz. 1988 ed.
" ;Ellington, . and creates in
a lab,
Ellington used his band to learn and create. Duke was no match
for Father Time
though. As death crept up on Duke Ellington, he began