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[...]... The conservationof artefacts and buildings has a long history, but the positive emergence of conservation as a profession can be said to date from the foundation of the International Institute for the Conservationof Museum Objects (IIC) in 1950 (the last two words of the title being later changed to Historic and Artistic Works) and the appearance soon after in 1952 of its journal Studies in Conservation. .. field of conservation conflicts of values on aesthetic, historical, or technical grounds are often inevitable Rival attitudes and methods inevitably arise in a subject which is still developing and at the core of these differences there is often a deficiency of technical knowledge That is one of the principal raisons d’être of this series In most of these matters ethical principles are the subject of. .. specializations but also emphasized the cohesion of conservators and their subject as an interdisciplinary profession The use of the term Conservation in the title of this series refers to the whole subject of the care and treatment of valuable artefacts, both movable and immovable, but within the discipline conservation has a meaning which is distinct from that of restoration Conservation used in this specialized... under its auspices, of the International Centre for the Study of the Preservation and the Restoration of Cultural Property (ICCROM), in Rome, was a further advance The Centre was established in 1959 with the aims of advising internationally on conservation problems, co-ordinating conservation activators and establishing standards of training courses A significant confirmation of professional progress... Albert Neher Head, FurnitureConservation Victoria and Albert Museum London UK Shayne Rivers Senior Conservator, Furniture Victoria and Albert Museum London UK Roy Thomson Chief Executive Leather Conservation Centre Northampton UK Jonathan Thornton Professor Art Conservation Department Buffalo State College Buffalo, NY USA Neil Trinder Furniture Conservator, specializing in the conservationof boullework... Courtesy of the V&A Picture Library Figure 1.14 Courtesy of the V&A Picture Library Figure 1.15 Courtesy of the V&A Picture Library Figure 1.16 Courtesy of Christies Images Ltd, 2002 Figure 1.17 Courtesy of the V&A Picture Library Figure 1.18 Courtesy of the V&A Picture Library Figure 1.19 Courtesy of the V&A Picture Library Figure 1.20 Courtesy of the V&A Picture Library Plate 5 Courtesy of Winterthur... Figure 5.1 Courtesy of the V&A Picture Library Figure 5.2 Courtesy of The Art Conservation Department, Buffalo State College, Buffalo, NY Figure 5.3 Drawing by Liz Wray Figure 5.4 Courtesy of The Art Conservation Department, Buffalo State College, Buffalo, NY Figure 5.5 Courtesy of The Art Conservation Department, Buffalo State College, Buffalo, NY Figure 5.6 Courtesy of The Art Conservation Department,... with permission Figure 5.8 Courtesy of The Art Conservation Department, Buffalo State College, Buffalo, NY Figure 5.9 Courtesy of The Art Conservation Department, Buffalo State College, Buffalo, NY Figure 5.10 Courtesy of the V&A Picture Library Figure 5.11 Courtesy of The Art Conservation Department, Buffalo State College, Buffalo, NY Figure 5.12 Courtesy of The Art Conservation Department, Buffalo State... 13.15 Courtesy of the Victoria and Albert Museum, London Figure 14.15 Courtesy of Arnold Wiggins and Sons Ltd Figure 14.16 Courtesy of Arnold Wiggins and Sons Ltd Figure 14.17 Courtesy of Arnold Wiggins and Sons Ltd Figure 14.18 Courtesy of Arnold Wiggins and Sons Ltd Figure 14.19 Courtesy of The Art Conservation Department, Buffalo State College, Buffalo, NY Figure 14.20 Courtesy of The Art Conservation. .. NY Figure 13.16 Courtesy of Degussa Hüls Figure 15.1 Courtesy of The Art Conservation Department, Buffalo State College, Buffalo, NY Figure 13.17 Courtesy of Degussa Hüls Figure 15.2 Courtesy of Jodie Lee Utter Figure 14.1 Courtesy of Arnold Wiggins and Sons Ltd Figure 15.3 Courtesy of The Art Conservation Department, Buffalo State College, Buffalo, NY Figure 14.2 Courtesy of Arnold Wiggins and Sons . (Kühn)
Conservation of Brick (Warren)
Conservation of Building and Decorative Stone (Ashurst, Dimes)
Conservation of Earth Structures (Warren)
Conservation of. (Tímár-Balázsy, Eastop)
Conservation and Exhibitions (Stolow)
Conservation and Restoration of Ceramics (Buys, Oakley)
Conservation and Restoration of Works of Art and