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THÔNG TIN TÀI LIỆU
Cấu trúc
Utah State University
DigitalCommons@USU
Peculiar Portrayals: Mormons on the Page, stage, and Screen
Mark T. Decker
Michael Austin
Contents
Introduction
1. Center and Periphery: Mormons and American Culture in Tony Kushner’s Angels in America
2. Four Consenting Adults in the Privacy of Their Own Suburb: Big Love and the Cultural Significance of Mormon Polygamy
3. Teaching Under the Banner of Heaven: Testing the Limits of Tolerance in America
4. Avenging Angels: The Nephi Archetype and Blood Atonement in Neil LaBute, Brian Evenson, and Levi Peterson, and the Making of the Mormon American Writer
5. Elders on the Big Screen: Film and the Globalized Circulation of Mormon Missionary Images
6. “I Constructed in My Mind a Vast, Panoramic Picture”: The Miracle Life of Edgar Mint and Postmodern, Postdenominational Mormonism
7. Jane Austen in Mollywood: Mainstreaming Mormonism in Andrew Black’s Pride & Prejudice
8. Reality Corrupts; Reality Television Corrupts Absolutely
About the Contributors
Index
Nội dung
Utah State University DigitalCommons@USU All USU Press Publications USU Press 1-1-2010 Peculiar Portrayals: Mormons on the Page, stage, and Screen Mark T Decker Michael Austin Follow this and additional works at: http://digitalcommons.usu.edu/usupress_pubs Part of the History of Religion Commons Recommended Citation Decker, M T., & Austin, M (2010) Peculiar portrayals: Mormons on the page, stage, and screen Logan, Utah: Utah State University Press This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU For more information, please contact becky.thoms@usu.edu ! "#$%&'()! *(+(','%!"#$"%&'"%'()*'+,-*.'/(,-*.',%0'/1#**% !"#$%&'()!*(+(','%!"#$"%&'"%'()*'+,-*.'/(,-*.',%0'/1#**% 203(*0'45' !,#6'78'9*16*#',%0'!31),*:';*#&3(5'+#*&& ?"-,%.'=(,) @"A5#3-)('B'CDED'=(,)'/(,(*'=%3>*#&3(5'+#*&& ;::'#3-)(&'#*&*#>*0 =(,)'/(,(*'=%3>*#&3(5'+#*&& ?"-,%.'=7 =/=+#*&&8"#F/GH'IJKLDLKJMCELJJNLO'PA,A*#Q F/GH'IJKLDLKJMCELJJMLC'P*L4""6Q !,%*' (#,3(&8' j"[*>*#.' [3()3%' ()*' :,#-*#' ;$*#31,%' 13:L#3-)(&' $">*$*%(' "R' ()*' EIVD&8' 7)*' -#*,(*#' 1"%n31(.' ()"30*'("'"()*#&.'(),('()*5'1,%'#*1"%13:*'()*'&**$3%-:5' 3##*1"%13:,4:*'A,#(&'"R'()*3#'30*%(3(5'3%("','1")*#*%('[)":*8'd,R*'c*'("';$*#31,'(),('`5"30';#1)"(*#&k&5'13(5'3%),43(,%(8']*'&**'()3&' (#"A*'3%'()*'":0*&('"R':3(*#,#5'(*U(&.'J5.*K^)(*%@*[)/-21.05V'[)*%'^3:-,$*&)' &*%0&','1"*%'&""%',R(*#')*#'*UA*#3*%1*'3%'H*['Z#:*,%&',%0'4*R"#*')*#'&3%-'*>*#5L ()3%-'[#3((*%'"%'A,A*#'"#'*>*#5()3%-'(":0'("'$*8'8'8'8'F'[3&)'$"#*'A*"A:*' ,('Gg=k,%0'$"#*'A*"A:*'3%'-*%*#,:k["*',:[,5&'6%"[%.',%0'\-*#.' ,' 1,>*,(' 3&' 3%' "#0*#8' 7)*' %,##,(3>*' 4*:8b'Jc* [')&.V'c,%*'G*3%-','^,5'!"#$"%'3%'=(,).'F' @,%'/3>*';%5()3%-8b'J%$%"#%*G'"V'/*A(*$4*#'CD.'CDDJ.'JC8' ;4"31*&'R"#'&("&(' ,%0' >31*' A#*&30*%(' R"#' ,1,0*$31' ,RR,3#&' ,(' H*[$,%' =%3>*#&3(5' 3%' ]31)3(,.' X,%&,&8' j*' ),&' A*#&3(5.' ?"%-'G*,1)8'j*'),&'(,