Civilization of the Renaissance in Italy pot

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FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END* Redactor's Note: This version of Burckhardt is from the 2nd edition. Many later editions were issued, but this is the last with Burckhardt's own input. Burckhardt received nothing for his labors for this book, and so it is fitting that it is returned to the public domain. Italics are preserved and are bracketed by underscores (_). The Civilization of the Renaissance in Italy by Jacob Burckhardt Table of Contents Part One: The State as a Work of Art 1-1 Introduction 1-2 Despots of the Fourteenth Century 1-3 Despots of the Fifteenth Century 1-4 The Smaller Despotisms 1-5 The Greater Dynasties 1-6 The Opponents of the Despots 1-7 The Republics: Venice and Florence 1-8 Foreign Policy 1-9 War as a Work of Art 1-10 The Papacy 1-11 Patriotism Part Two: The Development of the Individual 2-1 Personality 2-2 Glory 2-3 Ridicule and Wit Part Three: The Revival of Antiquity 3-1 Introductory 3-2 The Ruins of Rome 3-3 The Classics 3-4 The Humanists 3-5 Universities and Schools 3-6 Propagators of Antiquity 3-7 Epistolography: Latin Orators 3-8 The Treatise, and History in Latin 3-9 Antiquity as the Common Source 3-10 Neo-Latin Poetry 3-11 Fall of the Humanists in the Sixteenth Century Part Four: The Discovery of the World and of Man 4-1 Journeys of the Italians 4-2 The Natural Sciences in Italy 4-3 Discovery of the Beauty of the Landscape 4-4 Discovery of Man 4-5 Biography in the Middle Ages 4-6 Description of the Outward Man 4-7 Description of Human Life Part Five: Society and Festivals 5-1 Equality of Classes 5-2 Costumes and Fashions 5-3 Language and Society 5-4 Social Etiquette 5-5 Education of the 'Cortigiano' 5-6 Music 5-7 Equality of Men and Women 5-8 Domestic Life 5-9 Festivals Part Six: Morality and Religion 6-1 Morality and Judgement 6-2 Morality and Immorality 6-3 Religion in Daily Life 6-4 Strength of the Old Faith 6-5 Religion and the Spirit of the Renaissance 6-6 Influence of Ancient Superstition 6-7 General Spirit of Doubt THE CIVILIZATION OF THE RENAISSANCE IN ITALY By Jacob Burckhardt Translated by S. G. C. Middlemore, 1878 Part I THE STATE AS A WORK OF ART INTRODUCTION This work bears the title of an essay in the strictest sense of the word. No one is more conscious than the writer with what limited means and strength he has addressed himself to a task so arduous. And even if he could look with greater confidence upon his own researches, he would hardly thereby feel more assured of the approval of competent judges. To each eye, perhaps, the outlines of a given civilization present a different picture; and in treating of a civilization which is the mother of our own, and whose influence is still at work among us, it is unavoidable that individual judgement and feeling should tell every moment both on the writer and on the reader. In the wide ocean upon which we venture, the possible ways and directions are many; and the same studies which have served for this work might easily, in other hands, not only receive a wholly Part I 5 different treatment and application, but lead also to essentially different conclusions. Such indeed is the importance of the subject that it still calls for fresh investigation, and may be studied with advantage from the most varied points of view. Meanwhile we are content if a patient hearing is granted us, and if this book be taken and judged as a whole. It is the most serious difficulty of the history of civilization that a great intellectual process must be broken up into single, and often into what seem arbitrary categories in order to be in any way intelligible. It was formerly our intention to fill up the gaps in this book by a special work on the 'Art of the Renaissance' an intention, however, which we have been able to fulfill only in part. The struggle between the Popes and the Hohenstaufen left Italy in a political condition which differed essentially from that of other countries of the West. While in France, Spain and England the feudal system was so organized that, at the close of its existence, it was naturally transformed into a unified monarchy, and while in Germany it helped to maintain, at least outwardly, the unity of the empire, Italy had shaken it off almost entirely. The Emperors of the fourteenth century, even in the most favourable case, were no longer received and respected as feudal lords, but as possible leaders and supporters of powers already in existence; while the Papacy, with its creatures and allies, was strong enough to hinder national unity in the future, but not strong enough itself to bring about that unity. Between the two lay a multitude of political units republics and despots in part of long standing, in part of recent origin, whose existence was founded simply on their power to maintain it. In them for the first time we detect the modern political spirit of Europe, surrendered freely to its own instincts. Often displaying the worst features of an unbridled egotism, outraging every right, and killing every germ of a healthier culture. But, wherever this vicious tendency is overcome or in any way compensated, a new fact appears in history the State as the outcome of reflection and calculation, the State as a work of art. This new life displays itself in a hundred forms, both in the republican and in the despotic States, and determines their inward constitution, no less than their foreign policy. We shall limit ourselves to the consideration of the completer and more clearly defined type, which is offered by the despotic States. The internal condition of the despotically governed States had a memorable counterpart in the Norman Empire of Lower Italy and Sicily, after its transformation by the Emperor Frederick Il. Bred amid treason and peril in the neighbourhood of the Saracens, Frederick, the first ruler of the modern type who sat upon a throne, had early accustomed himself to a thoroughly objective treatment of affairs. His acquaintance with the internal condition and administration of the Saracenic States was close and intimate; and the mortal struggle in which he was engaged with the Papacy compelled him, no less than his adversaries, to bring into the field all the resources at his command. Frederick's measures (especially after the year 1231) are aimed at the complete destruction of the feudal State, at the transformation of the people into a multitude destitute of will and of the means of resistance, but profitable in the utmost degree to the exchequer. He centralized, in a manner hitherto unknown in the West, the whole judicial and political administration. No office was henceforth to be filled by popular election, under penalty of the devastation of the offending district and of the enslavement of its inhabitants. The taxes, based on a comprehensive assessment, and distributed in accordance with Mohammedan usages, were collected by those cruel and vexatious methods without which, it is true, it is impossible to obtain any money from Orientals. Here, in short, we find, not a people, but simply a disciplined multitude of subjects; who were forbidden, for example, to marry out of the country without special permission, and under no circumstances were allowed to study abroad. The University of Naples was the first we know of to restrict the freedom of study, while the East, in these respects at all events, left its youth unfettered. It was after the examples of Mohammedan rules that Frederick traded on his own account in all parts of the Mediterranean, reserving to himself the monopoly of many commodities, and restricting in various ways the commerce of his subjects. The Fatimite Caliphs, with all their esoteric unbelief, were, at least in their earlier history, tolerant of all the differences in the religious faith of their people; Frederick, on the other hand, crowned his system of government by a religious inquisition, which will seem the more reprehensible when we remember that in the persons of the heretics he was persecuting the representatives of a free municipal life. Lastly, the internal police, and the kernel of the army for foreign service, was composed of Saracens who had been brought over from Sicily to Nocera and Lucera men who were deaf to the cry of misery and careless of the ban of the Church. At a later period the subjects, by whom the use of weapons had long been forgotten, were passive witnesses of the fall of Manfred and of the seizure of the government by Part I 6 Charles of Anjou; the latter continued to use the system which he found already at work. At the side of the centralizing Emperor appeared a usurper of the most peculiar kind; his vicar and son-in-law, Ezzelino da Romano. He stands as the representative of no system of government or administration, for all his activity was wasted in struggles for supremacy in the eastern part of Upper Italy; but as a political type he was a figure of no less importance for the future than his imperial protector Frederick. The conquests and usurpations which had hitherto taken place in the Middle Ages rested on real or pretended inheritance and other such claims, or else were effected against unbelievers and excommunicated persons. Here for the first time the attempt was openly made to found a throne by wholesale murder and endless barbarities, by the adoption in short, of any means with a view to nothing but the end pursued. None of his successors, not even Cesare Borgia, rivalled the colossal guilt of Ezzelino; but the example once set was not forgotten, and his fall led to no return of justice among the nations and served as no warning to future transgressors. It was in vain at such a time that St. Thomas Aquinas, born subject of Frederick, set up the theory of a constitutional monarchy, in which the prince was to be supported by an upper house named by himself, and a representative body elected by the people. Such theories found no echo outside the lecture - room, and Frederick and Ezzelino were and remain for Italy the great political phenomena of the thirteenth century. Their personality, already half legendary, forms the most important subject of 'The Hundred Old Tales,' whose original composition falls certainly within this century. In them Ezzelino is spoken of with the awe which all mighty impressions leave behind them. His person became the centre of a whole literature from the chronicle of eye-witnesses to the half-mythical tragedy of later poets. Despots of the Fourteenth Century The tyrannies, great and small, of the fourteenth century afford constant proof that examples such as these were not thrown away. Their misdeeds cried forth loudly and have been circumstantially told by historians. As States depending for existence on themselves alone, and scientifically organized with a view to this object, they present to us a higher interest than that of mere narrative. The deliberate adaptation of means to ends, of which no prince out of Italy had at that time a conception, joined to almost absolute power within the limits of the State, produced among the despots both men and modes of life of a peculiar character. The chief secret of government in the hands of the prudent ruler lay in leaving the incidence of taxation as far as possible where he found it, or as he had first arranged it. The chief sources of income were: a land tax, based on a valuation; definite taxes on articles of consumption and duties on exported and imported goods: together with the private fortune of the ruling house. The only possible increase was derived from the growth of business and of general prosperity. Loans, such as we find in the free cities, were here unknown; a well-planned confiscation was held a preferable means of raising money, provided only that it left public credit unshaken an end attained, for example, by the truly Oriental practice of deposing and plundering the director of the finances. Out of this income the expenses of the little court, of the bodyguard, of the mercenary troops, and of the public buildings were met, as well as of the buffoons and men of talent who belonged to the personal attendants of the prince. The illegitimacy of his rule isolated the tyrant and surrounded him with constant danger, the most honorable alliance which he could form was with intellectual merit, without regard to its origin. The liberality of the northern princes of the thirteenth century was confined to the knights, to the nobility which served and sang. It was otherwise with the Italian despot. With his thirst for fame and his passion for monumental works, it was talent, not birth, which he needed. In the company of the poet and the scholar he felt himself in a new position, almost, indeed, in possession of a new legitimacy. No prince was more famous in this respect than the ruler of Verona, Can Grande della Scala, who numbered among the illustrious exiles whom he entertained at his court representatives of the whole of Italy. The men of letters were not ungrateful. Petrarch, whose visits at the courts of such men have been so severely censured, Part I 7 sketched an ideal picture of a prince of the fourteenth century. He demands great things from his patron, the lord of Padua, but in a manner which shows that he holds him capable of them. 'Thou must not be the master but the father of thy subjects, and must love them as thy children; yea, as members of thy body. Weapons, guards, and soldiers thou mayest employ against the enemy with thy subjects goodwill is sufficient. By citizens, of course, I mean those who love the existing order; for those who daily desire change are rebels and traitors, and against such a stern justice may take its course.' Here follows, worked out in detail, the purely modern fiction of the omnipotence of the State. The prince is to take everything into his charge, to maintain and restore churches and public buildings, to keep up the municipal police, to drain the marshes, to look after the supply of wine and corn; so to distribute the taxes that the people can recognize their necessity; he is to support the sick and the helpless, and to give his protection and society to distinguished scholars, on whom his fame in after ages will depend. But whatever might be the brighter sides of the system, and the merits of individual rulers, yet the men of the fourteenth century were not without a more or less distinct consciousness of the brief and uncertain tenure of most of these despotisms. Inasmuch as political institutions like these are naturally secure in proportion to the size of the territory in which they exist, the larger principalities were constantly tempted to swallow up the smaller. Whole hecatombs of petty rulers were sacrificed at this time to the Visconti alone. As a result of this outward danger an inward ferment was in ceaseless activity; and the effect of the situation on the character of the ruler was generally of the most sinister kind. Absolute power, with its temptations to luxury and unbridled selfishness, and the perils to which he was exposed from enemies and conspirators, turned him almost inevitably into a tyrant in the worst sense of the word. Well for him if he could trust his nearest relations! But where all was illegitimate, there could be no regular law of inheritance, either with regard to the succession or to the division of the ruler's property; and consequently the heir, if incompetent or a minor, was liable in the interest of the family itself to be supplanted by an uncle or cousin of more resolute character. The acknowledgment or exclusion of the bastards was a fruitful source of contest and most of these families in consequence were plagued with a crowd of discontented and vindictive kinsmen. This circumstance gave rise to continual outbreaks of treason and to frightful scenes of domestic bloodshed. Sometimes the pretenders lived abroad in exile, like the Visconti, who practiced the fisherman's craft on the Lake of Garda, viewed the situation with patient indifference. When asked by a messenger of his rival when and how he thought of returning to Milan, he gave the reply, 'By the same means as those by which I was expelled, but not till his crimes have outweighed my own.' Sometimes, too, the despot was sacrificed by his relations, with the view of saving the family, to the public conscience which he had too grossly outraged. In a few cases the government was in the hands of the whole family, or at least the ruler was bound to take their advice; and here, too, the distribution of property and influence often led to bitter disputes. The whole of this system excited the deep and persistent hatred of the Florentine writers of that epoch. Even the pomp and display with which the despot was perhaps less anxious to gratify his own vanity than to impress the popular imagination, awakened their keenest sarcasm. Woe to an adventurer if he fell into their hands, like the upstart Doge Agnello of Pisa (1364), who used to ride out with a golden scepter, and show himself at the window of his house, 'as relics are shown,' reclining on embroidered drapery and cushions, served like a pope or emperor, by kneeling attendants. More often, however, the old Florentines speak on this subject in a tone of lofty seriousness. Dante saw and characterized well the vulgarity and commonplace which marked the ambition of the new princes. 'What else mean their trumpets and their bells, their horns and their flutes, but "come, hangmen come, vultures!"' The castle of the tyrant, as pictured by the popular mind, is lofty and solitary, full of dungeons and listening-tubes, the home of cruelty and misery. Misfortune is foretold to all who enter the service of the despot, who even becomes at last himself an object of pity: he must needs be the enemy of all good and honest men: he can trust no one and can read in the faces of his subjects the expectation of his fall. 'As despotisms rise, grow, and are consolidated, so grows in their midst the hidden element which must produce their dissolution and ruin.' But the deepest ground of dislike has not been stated; Florence was then the scene of the richest development of human individuality, while for the despots no other individuality could be suffered to live and thrive but their own and that of their nearest dependents. The control of the Part I 8 individual was rigorously carried out, even down to the establishment of a system of passports. The astrological superstitions and the religious unbelief of many of the tyrants gave, in the minds of their contemporaries, a peculiar color to this awful and God-forsaken existence. When the last Carrara could no longer defend the walls and gates of the plague-stricken Padua, hemmed in on all sides by the Venetians (1405), the soldiers of the guard heard him cry to the devil 'to come and kill him.' * * * The most complete and instructive type of the tyranny of the fourteenth century is to be found unquestionably among the Visconti of Milan, from the death of the Archbishop Giovanni onwards (1354). The family likeness which shows itself between Bernabo and the worst of the Roman Emperors is unmistakable; the most important public object was the prince's boar-hunting; whoever interfered with it was put to death with torture, the terrified people were forced to maintain 5,000 boar hounds, with strict responsibility for their health and safety. The taxes were extorted by every conceivable sort of compulsion; seven daughters of the prince received a dowry of 100,000 gold florins apiece; and an enormous treasure was collected. On the death of his wife (1384) an order was issued 'to the subjects' to share his grief, as once they had shared his joy, and to wear mourning for a year. The coup de main (1385) by which his nephew Giangaleazzo got him into his power one of those brilliant plots which make the heart of even late historians beat more quickly was strikingly characteristic of the man . In Giangaleazzo that passion for the colossal which was common to most of the despots shows itself on the largest scale. He undertook, at the cost of 300,000 golden florins, the construction of gigantic dikes, to divert in case of need the Mincio from Mantua and the Brenta from Padua, and thus to render these cities defenseless. It is not impossible, indeed, that he thought of draining away the lagoons of Venice. He founded that most wonderful of all convents, the Certosa of Pavia and the cathedral of Milan, 'which exceeds in size and splendor all the churches of Christendom.' The palace in Pavia, which his father Galeazzo began and which he himself finished, was probably by far the most magnificent of the princely dwellings of Europe. There he transferred his famous library, and the great collection of relics of the saints, in which he placed a peculiar faith. It would have been strange indeed if a prince of this character had not also cherished the highest ambitions in political matters. King Wenceslaus made him Duke (1395); he was hoping for nothing less than the Kingdom of Italy or the Imperial crown, when (1402) he fell ill and died. His whole territories are said to have paid him in a single year, besides the regular contribution of 1,200,000 gold florins, no less than 800,000 more in extraordinary subsidies. After his death the dominions which he had brought together by every sort of violence fell to pieces: and for a time even the original nucleus could with difficulty be maintained by his successors. What might have become of his sons Giovanni Maria (died 1412) and Filippo Maria (died 1447), had they lived in a different country and under other traditions, cannot be said. But, as heirs of their house, they inherited that monstrous capital of cruelty and cowardice which had been accumulated from generation to generation. Giovanni Maria, too, is famed for his dogs, which were no longer, however, used for hunting but for tearing human bodies. Tradition has preserved their names, like those of the bears of Emperor Valentinian I. In May, 1409, when war was going on, and the starving populace cried to him in the streets, _Pace! Pace!_ he let loose his mercenaries upon them, and 200 lives were sacrificed; under penalty of the gallows it was forbidden to utter the words pace and guerra, and the priests were ordered, instead of dona nobis pacem, to say tranquillitatem! At last a band of conspirators took advantage of the moment when Facino Cane, the chief Condotierre of the insane ruler, lay in at Pavia, and cut down Giovanni Maria in the church of San Gottardo at Milan; the dying Facino on the same day made his officers swear to stand by the heir Filippo Maria, whom he himself urged his wife to take for a second husband. His wife, Beatrice di Tenda, followed his advice. We shall have occasion to speak of Filippo Maria later on. And in times like these Cola di Rienzi was dreaming of founding on the rickety enthusiasm of the corrupt Part I 9 population of Rome a new State which was to comprise all Italy. By the side of rulers such as those whom we have described, he seems no better than a poor deluded fool. Despots of the Fifteenth Century The despotisms of the fifteenth century show an altered character. Many of the less important tyrants, and some of the greater, like the Scala and the Carrara had disappeared, while the more powerful ones, aggrandized by conquest, had given to their systems each its characteristic development. Naples for example received a fresh and stronger impulse from the new Aragonese dynasty. A striking feature of this epoch is the attempt of the Condottieri to found independent dynasties of their own. Facts and the actual relations of things, apart from traditional estimates, are alone regarded; talent and audacity win the great prizes. The petty despots, to secure a trustworthy support, begin to enter the service of the larger States, and become themselves Condottieri, receiving in return for their services money and immunity for their misdeeds, if not an increase of territory. All, whether small or great, must exert themselves more, must act with greater caution and calculation, and must learn to refrain from too wholesale barbarities; only so much wrong is permitted by public opinion as is necessary for the end in view, and this the impartial bystander certainly finds no fault with. No trace is here visible of that half-religious loyalty by which the legitimate princes of the West were supported; personal popularity is the nearest approach we can find to it. Talent and calculation are the only means of advancement. A character like that of Charles the Bold, which wore itself out in the passionate pursuit of impracticable ends, was a riddle to the Italians. 'The Swiss were only peasants, and if they were all killed, that would be no satisfaction for the Burgundian nobles who might fall in the war. If the Duke got possession of all Switzerland without a struggle, his income would not be 5,000 ducats the greater.' The mediaeval features in the character of Charles, his chivalrous aspirations and ideals, had long become unintelligible to the Italians. The diplomatists of the South. when they saw him strike his officers and yet keep them in his service, when he maltreated his troops to punish them for a defeat, and then threw the blame on his counsellors in the presence of the same troops, gave him up for lost. Louis XI, on the other hand, whose policy surpasses that of the Italian princes in their own style, and who was an avowed admirer of Francesco Sforza, must be placed in all that regards culture and refinement far below these rulers. Good and evil lie strangely mixed together in the Italian States of the fifteenth century. The personality of the ruler is so highly developed, often of such deep significance, and so characteristic of the conditions and needs of the time, that to form an adequate moral judgement on it is no easy task. The foundation of the system was and remained illegitimate, and nothing could remove the curse which rested upon it. The imperial approval or investiture made no change in the matter, since the people attached little weight to the fact that the despot had bought a piece of parchment somewhere in foreign countries, or from some stranger passing through his territory. If the Emperor had been good for anything, so ran the logic of uncritical common sense, he would never have let the tyrant rise at all. Since the Roman expedition of Charles IV, the emperors had done nothing more in Italy than sanction a tyranny which had arisen without their help; they could give it no other practical authority than what might flow from an imperial charter. The whole conduct of Charles in Italy was a scandalous political comedy. Matteo Villani relates how the Visconti escorted him round their territory, and at last out of it; how he went about like a hawker selling his wares (privileges, etc.) for money; what a mean appearance he made in Rome, and how at the end, without even drawing the sword, he returned with replenished coffers across the Alps. Sigismund came, on the first occasion at least (1414), with the good intention of persuading John XXIII to take part in his council; it was on that journey, when Pope and Emperor were gazing from the lofty tower of Cremona on the panorama of Lombardy, that their host, the tyrant Gabrino Fondolo, was seized with the desire to throw them both over. On his second visit Sigismund came as a mere adventurer; for more than half a year he remained shut up in Siena, like a debtor in gaol, and only with difficulty, and at a later period, succeeded in being crowned in Rome. And what can be thought of Frederick III? His journeys to Italy have the air of holiday-trips or pleasure-tours made at the expense of those who wanted him to confirm their prerogatives, or whose vanity is flattered to entertain an emperor. The latter was the case with Alfonso of Naples, who paid 150,000 florins for the honour of an Part I 10 [...]... character of a product of reflection Throughout the countries of the West the education of the individual soldier in the Middle Ages was perfect within the limits of the then prevalent system of defence and attack: nor was there any want of ingenious inventors in the arts of besieging and of fortification But the development both of strategy and of tactics was hindered by the character and duration of military... were the enjoyment of life and power, the increase of inherited advantages, the creation of the most lucrative forms of industry and the opening of new channels for commerce The writers of the time speak of these things with the greatest freedom We learn that the population of the city amounted in the year 1422 to 190,000 souls; the Italians were, perhaps, the first to reckon, not according to hearths,... bloodthirstiness is found, on the other hand, among the Varani of Camerino, the Malatesta of Rimini, the Manfreddi of Faenza, and above all among the Baglioni of Perugia We find a striking picture of the events in the last-named family towards the close of the fifteenth century, in the admirable historical narratives of Graziani and Matarazzo The Baglioni were one of those families whose rule never took the. .. afterwards The Greater Dynasties In treating of the chief dynasties of Italy, it is convenient t discuss the Aragonese, on account of its special character, apart from the rest The feudal system, which from the days of the Nor mans had survived in the form of a territorial supremacy of the Barons, gave a distinctive color to the political constitution of Naples; while elsewhere in Italy, excepting only in the. .. the coffin, weeping, while behind him came the relatives of Casella, each conducted by one of the gentlemen of the court: the body of the plain citizen was carried by nobles from the church into the cloister, where it was buried Indeed this official sympathy with princely emotion first came up in the Italian States At the root of the practice may be a beautiful, humane sentiment; the utterance of it,... neighbouring French army into the city, in order to make an end once for all of their opponents, the French certainly began by plundering and ruining the Ghibellines, but finished by doing the same to the Guelphs, till Tortona was utterly laid waste In Romagna, the hotbed of every ferocious passion, these two names had long lost all political meaning It was a sign of the political delusion of the people... to make The keynote of the Venetian character was, consequently, a spirit of proud and contemptuous isolation, which, joined to the hatred felt for the city by the other States of Italy, gave rise to a strong sense of solidarity within The inhabitants meanwhile were united by the most powerful ties of interest in dealing both with the colonies and with the possessions on the mainland, forcing the population... person by means of a bar, so that in conversing with him they were compelled to speak at the top of their voices At his court, the most brilliant in Europe, since that of Burgundy had ceased to exist, immorality of the worst kind was prevalent; the daughter was sold by the father, the wife by the husband, the sister by the brother The Prince himself was incessantly active, and, as son of his own deeds,... of the relations of individuals and classes to a variable whole The pictures of the great civic democracies in France and in Flanders, as they are delineated in Froissart, and the narratives of the German chroniclers of the fourteenth century, are in truth of high importance; but in comprehensiveness of thought and in the rational development of the story, none will bear comparison with the Florentines... enemies laid down their arms at the sight of him, greeting him reverently with uncovered heads, each honoring in him 'the common father of the men-at-arms.' The race of the Sforza has this special interest that from the very beginning of its history we seem able to trace its endeavors after the crown The foundation of its fortune lay in the remarkable fruitfulness of the family; Francesco's father, Jacopo, . plundering the director of the finances. Out of this income the expenses of the little court, of the bodyguard, of the mercenary troops, and of the public. elsewhere in the West. It was the age, indeed, in which the sons of the Popes were founding dynasties. In the sixteenth century, through the influence of foreign