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The laws guide to nature drawing

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The Laws Guide to Nature Drawing and Journaling THE LAWS GUIDE TO NATURE DRAWING AND JOURNALING THE LAWS GUIDE TO NATURE DRAWING AND JOURNALING Written and Illustrated by John Muir Laws in joyful, ins.

THE LAWS GUIDE TO NATURE DRAWING AND JOURNALING THE LAWS GUIDE TO NATURE DRAWING AND JOURNALING Written and Illustrated by John Muir Laws in joyful, inspired collaboration with Emilie Lygren Heyday, Berkeley, California This book was made possible by the generous support of the S D Bechtel, Jr Foundation © 2016 by John Muir Laws All rights reserved No portion of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage or retrieval system, without permission in writing from Heyday Library of Congress Cataloging-in-Publication Data is available Cover Art: John Muir Laws Cover Design: Leigh McLellan Design Interior Design/Typesetting: John Muir Laws with Leigh McLellan Design Orders, inquiries, and correspondence should be addressed to: Heyday P.O Box 9145, Berkeley, CA 94709 (510) 549-3564, Fax (510) 549-1889 www.heydaybooks.com 10 CONTENTS Acknowledgments Why Keep a Nature Journal? OBSERVATION AND INTENTIONAL CURIOSITY PROJECTS THAT FOCUS AWARENESS Collections and Field Guides • Finding Patterns, Exceptions, and Changes over Time • Recording Events • Maps, Cross Sections, and Block Diagrams METHODS OF DEEPENING INQUIRY Writing • Diagramming • Depicting Birdsong • Lists • Counting and Measuring • Data Tools • Your Curiosity Kit VISUAL THINKING AND DISPLAYING INFORMATION Taking Notes • Structuring Your Thoughts • Plans, Projections, and Sections • Organizing a Page: Titles, Icons, Frames, Callouts, and Arrows YOUR JOURNALING KIT AND MATERIALS Field Kits • Essential Tools • The Right Journal • Your Palette NATURE DRAWING You Can Do It • Flow • Structure and Shape • Blocking In • Linework • Value • Color • Details and Texture • How to Show Depth • Composition • Shortcuts and Hacks MEDIA-SPECIFIC TECHNIQUES Graphite • The Non-Photo Blue Pencil • Water Soluble Pens • Markers • Ball-Point Pens • Toned Paper • Colored Pencils • Iris Step by Step • Watercolor Pencils • Watercolors • Gouache • Heron Step by Step • Rock Pigments HOW TO DRAW ANIMALS Insect Anatomy • Ladybug Step by Step • Insect Textures • Butterfly Step by Step • Transparent Wings Step by Step • Spiders • Amphibians and Reptiles • Ensatina Step by Step • Leopard Frog Step by Step • Scales • Birds • Lazuli Bunting Step by Step • Song Sparrow • Birds in Flight • Duck Profile Step by Step • Assembling a Mallard • Sketching Waders • RedTailed Hawk Step by Step • Mammals • Muscles and Fur • Mule Deer, Bear, and Mountain Lion Step by Step • Tracking HOW TO DRAW WILDFLOWERS Flower Symmetry • Foreshortening • Coned-Shaped Flowers Step by Step • Leaves and Petals • Plant Textures • Mushrooms Step by Step HOW TO DRAW TREES, NEAR AND FAR Contour Lines • Shadows, Branches, and Bark Texture • Conifers • Douglas Fir Step by Step • Oak Tree Step by Step • Rethinking Trees HOW TO DRAW LANDSCAPES Landscapitos • Rocks • Rock Outcrop Step by Step • Sketching Mountains • Mountain Landscapes Step by Step • Grasses • Oak Woodland Step by Step • Coniferous Forest Edge Step by Step • Waterfalls • Drawing Water and Waves • Clouds • Sunsets • Mountain Sunset Step by Step A Final Thought Notes References About the Author ACKNOWLEDGMENTS I am deeply grateful to the mentors, teachers, patrons, and companions who supported, inspired, and trained me to what I love Ericsson, K Anders “Training History, Deliberate Practice and Elite Sports Performance: An Analysis in Response to Tucker and Collins Review—What Makes Champions?” British Journal of Sports Medicine 47 (2013): 533–535 doi:10.1136/bjsports-2012-091767 Ericsson, K Anders, Ralf Th Krampe, and Clemens Tesch-Römer “The Role of Deliberate Practice in the Acquisition of Expert Performance.” Psychological Review 100, No (1993): 363–406 Ericsson, K Anders, Roy W Roring, and Kiruthiga Nandagopal “Giftedness and Evidence for Reproducibly Superior Performance.” High Ability Studies 18, No (2007): 3–56 Farnsworth, John S., Lyn Baldwin, and Michelle Bezanson “An Invitation for Engagement: Assigning and Assessing Field Notes to Promote Deeper Levels of Observation.” Journal of Natural History Education and Experience (2014): 12–20 Galef, Julia “Surprise! 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Be Grateful.” TED video, filmed June 2013, 14:30, posted Nov 2014 http://www.ted.com/talks/david_steindl_rast_want_to_be_happy_be_grate ful/transcript?language=en#t-6853 Talarico, Jennifer M., and David C Rubin “Confidence, Not Consistency, Characterizes Flashbulb Memories.” Psychological Science 14, No (Sept 2003): 455–461 Watkins, Philip C., Kathrane Woodward, Tamara Stone, and Russell L Kolts “Gratitude and Happiness: Development of a Measure of Gratitude, and Relationships with Subjective Well-Being.” Social Behavior and Personality 31, No (2003): 431–452 OTHER RESOURCES Look for teachers and artists who inspire you Study their work and writing If you are able, attend classes or workshops with them or find videos of them at work to see how they create their art in real time There are several essential books that should be on every nature journaler’s shelf These have greatly influenced my work This book is not a substitute or replacement for any of these, but a part of the conversation I recommend this starter library as resources become available: Keeping a Nature Journal, by Clare Walker Leslie and Charles E Roth (Storey Publishing, 2003); Artist’s Journal Workshop, by Cathy Johnson (North Light, 2011); Drawing on the Right Side of the Brain (The Definitive 4th Edition), by Betty Edwards (Tarcher, 2012); The Sketchnote Handbook, by Mike Rohde (Peachpit, 2012); A Life in Hand, by Hannah Hinchman (Gibbs Smith, 1999); The Simple Secret to Better Painting, by Greg Albert (North Light Books, 2003); and William D Berry: 1954–1956 Alaskan Field Sketches, by Elizabeth Berry (University of Alaska Press, 1989) ABOUT THE AUTHOR Naturalist, educator, and artist John Muir Laws (Jack) passionately loves nature and celebrates life with curiosity, creativity, and humor His sketches are informed by careful observation, extensive field experience lots of practice Jack’s connection with nature began with explorations when he was a child, a regular part of family trips His love of the outdoors and confidence in the wild grew through participating in Scouting His mother gave him a sketchbook to record his discoveries in, and the world of nature journaling opened up With the encouragement of his grandmother he drew constantly, and his ability to observe and draw grew together Jack has taught nature and science education since 1983 He loves teaching and sharing inspiration with others and gives classes, lectures, and field courses, and consults with individuals and organizations Near his home in the San Francisco Bay Area he leads the Nature Journal Club, offering free monthly workshops and field trips to a vibrant community of artists, explorers, naturalists, and poets He is a Research and Education Associate of the California Academy of Sciences and a TogetherGreen Conservation Leadership Fellow of the National Audubon Society In 2011 he was selected as the artist for International Migratory Bird Day Jack writes and illustrates books about the natural history of California and art, including Sierra Birds: A Hiker’s Guide (2004), The Laws Guide to the Sierra Nevada (2007), The Laws Pocket Guide to the San Francisco Bay Area (2009), and The Laws Guide to Drawing Birds (2012), and is a regular contributor to Bay Nature magazine with his “Naturalists Notebook” column ABOUT HEYDAY Heyday is an independent, nonprofit publisher and unique cultural institution We promote widespread awareness and celebration of California’s many cultures, landscapes, and boundary-breaking ideas Through our well-crafted books, public events, and innovative outreach programs we are building a vibrant community of readers, writers, and thinkers THANK YOU It takes the collective effort of many to create a thriving literary culture We are thankful to all the thoughtful people we have the privilege to engage with Cheers to our writers, artists, editors, storytellers, designers, printers, bookstores, critics, cultural organizations, readers, and book lovers everywhere! We are especially grateful for the generous funding we’ve received for our publications and programs during the past year from foundations and hundreds of individual donors Major supporters include: Advocates for Indigenous California Language Survival; Anonymous (3); Arkay Foundation; Judith and Phillip Auth; Judy Avery; Carol Baird and Alan Harper; Paul Bancroft III; The Bancroft Library; Richard and Rickie Ann Baum; BayTree Fund; S D Bechtel, Jr Foundation; Jean and Fred Berensmeier; Joan Berman; Barbara Boucke; Beatrice Bowles, in memory of Susan S Lake; John Briscoe; David Brower Center; Helen Cagampang; California Historical Society; California Rice Commission; California State Parks Foundation; California Wildlife Foundation/California Oak Foundation; Joanne Campbell; The Campbell Foundation; Candelaria Fund; James and Margaret Chapin; Graham Chisholm; The Christensen Fund; Jon Christensen; Cynthia Clarke; Community Futures Collective; Lawrence Crooks; Lauren and Alan Dachs; Nik Dehejia; Topher Delaney; Chris Desser and Kirk Marckwald; Lokelani Devone; Frances Dinkelspiel and Gary Wayne; Doune Trust; The Durfee Foundation; Megan Fletcher and J.K Dineen; Michael Eaton and Charity Kenyon; Richard and Gretchen Evans; Friends of the Roseville Library; Furthur Foundation; The Wallace Alexander Gerbode Foundation; Patrick Golden; Erica and Barry Goode; Wanda Lee Graves and Stephen Duscha; The Walter and Elise Haas Fund; Coke and James Hallowell; Theresa Harlan and Ken Tiger; Cindy Heitzman; Carla Hills; Leanne Hinton and Gary Scott; Sandra and Charles Hobson; Nettie Hoge; Claudia Jurmain; Kalliopeia Foundation; Judith Lowry and Brad Croul; Marty and Pamela Krasney; Robert and Karen Kustel; Guy Lampard and Suzanne Badenhoop; Thomas Lockard and Alix Marduel; Thomas J Long Foundation; Bryce Lundberg; Sam and Alfreda Maloof Foundation for Arts & Crafts; Michael McCone; Nion McEvoy and Leslie Berriman; Moore Family Foundation; Michael J Moratto, in memory of Major J Moratto; Stewart R Mott Foundation; Karen and Thomas Mulvaney; Richard Nagler; National Wildlife Federation; Native Arts and Cultures Foundation; The Nature Conservancy; Nightingale Family Foundation; Steven Nightingale and Lucy Blake; Northern California Water Association; Panta Rhea Foundation; Pease Family Fund; Jean Pokorny; Jeannene Przyblyski; Steven Rasmussen and Felicia Woytak; Susan Raynes; Restore Hetch Hetchy; Robin Ridder; Spreck and Isabella Rosekrans; Alan Rosenus; The San Francisco Foundation; Toby and Sheila Schwartzburg; Stephen M Silberstein Foundation; Ernest and June Siva, in honor of the Dorothy Ramon Learning Center; William Somerville; Carla Soracco; John and Beverly Stauffer Foundation; Radha Stern, in honor of Malcolm Margolin and Diane Lee; Liz Sutherland; Roselyne Chroman Swig; TomKat Charitable Trust; Jerry Tome and Martha Wyckoff; Thendara Foundation; Sonia Torres; Michael and Shirley Traynor; The Roger J and Madeleine Traynor Foundation; Lisa Van Cleef and Mark Gunson; Stevens Van Strum; Patricia Wakida; Marion Weber; Sylvia Wen; John Wiley & Sons, Inc.; Peter Booth Wiley and Valerie Barth; Bobby Winston; Dean Witter Foundation; Yocha Dehe Wintun Nation; and Yosemite Conservancy BOARD OF DIRECTORS Guy Lampard (Chairman), Richard D Baum, Barbara Boucke, Steve Costa, Lokelani Devone, Nettie Hoge, Marty Krasney, Michael McCone (Chairman Emeritus), Jeannene Przyblyski, Alexandra Rome, Sherrie Smith-Ferri, Sonia Torres, Michael Traynor, and Lisa Van Cleef GETTING INVOLVED To learn more about our publications, events and other ways you can participate, please visit www.heydaybooks.com .. .THE LAWS GUIDE TO NATURE DRAWING AND JOURNALING THE LAWS GUIDE TO NATURE DRAWING AND JOURNALING Written and Illustrated by John Muir Laws in joyful, inspired collaboration... exploration but there was something different happening here The ducks tended to orient their breasts toward the water and their backs to the land, often with their heads turned over their backs... are they oriented?” “Are they all facing the same way?” “How does this change as the wind direction shifts?” “How close are they to each other?” “Are there any differences between the ducks at the

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