Boss turns and leaves the room. Chuck and Thomas are
speechless. Chuck reaches into his drawer and pulls out
a plastic bag.
CHUCK
I guess I won’t give him this.
THOMAS
What is it?
CHUCK
Jogging pants.
(shrugging)
No forwarding address.
Chuck tosses them to Thomas.
CHUCK
Here, use them with passion.
Thomas looks down at the bag.
THOMAS
Things aren’t so good, are they Chuck?
CHUCK
No, my friend, they’re not.
Chuck throws down the letters in his hand.
CHUCK
Well! Screw this, I’m gettin’ outta this hell hole. I
got a mildly attractive wife and two bug-eyed kids
waitin’ for me. You comin’?
THOMAS
Naw. Her letter comes today.
Chuck throws on his coat.
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CHUCK
Wanna see what I found today?
He holds up the drawing of the dead Santa.
CHUCK
Nice, huh?
THOMAS
Who sent that?
Chuck crumples the picture into a ball and throws it
onto the sorting table.
CHUCK
A very misdirected child.
There’s a CLUNK from above.
CHUCK
I’ll leave you two alone.
A pat on the back and Chuck’s gone. Silence.
The letter travels its whispering path and lands in front
of Thomas. He rips open the envelope.
AMANDA (V.O.)
My dearest Joshua. I am writing to you for what
may be the last time. The little hope I’ve been
clinging to is gone.
CUT TO:
EXT. STREET—AFTERNOON
Thomas rides down the street between two long
snow banks. He notices nothing. The world does not exist.
AMANDA (V.O.)
Once, I could believe that a miracle could fall
from the sky. But as the season becomes colder, I
now know that I can’t stay in a life that doesn’t
need me.
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Amanda’s letter flaps inside the plastic basket.
CUT TO:
EXT. STREET
We follow a scruffy pair of shoes making tracks down
the sidewalk. A black bag bounces against his knees.
Shouting and police sirens can be heard.
CUT TO:
EXT. STREET
Thomas’s wheels crunch through the cold winter air.
CUT TO:
EXT. STREET
The scruffy pair of shoes, now attached to a scruffy
looking man round the corner and SLAM!!! Right into
Thomas. Police round the corner.
The man untangles himself and flees, dropping the black
bag on the road. Police pound past.
Silence. Bicycle wheels spinning. Thomas reaches over
and pulls the bag close to him. He slowly unzips it and
looks in.
CUT TO:
EXT. SHOP—AFTERNOON
Thomas’s bicycle slides to a stop in front of a small
second-hand shop. In the window, a Santa suit stands
glowing in the cold afternoon light. Thomas cuffs the
kickstand and dismounts.
CUT TO:
EXT. STREET—CHRISTMAS EVE—LATE AFTERNOON
Christmas decorations droop across the street top,
smothering the air with Christmas joy. Snow pours out
of the sky. The faint sound of Booker T & the MGs
playing “Santa Claus Is Coming to Town.”
Then, out of the snow, barreling down the street is
Thomas.
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His bicycle is decorated like a Mr. Magoo version of a
Norman Rockwell Santa sled. A plastic Rudolf the Red-
Nosed Reindeer with a glowing cherry red nose is wired
to the front. A transistor radio propped up in his basket
blares Booker T. Thomas sits decked head to waist in the
Santa costume from the store window. On his legs are
the orange jogging pants from Chuck.
The black bag sticks out of his mail sack.
Madly, he steers his bike through the snow. He cuts
sharp right down the next block.
CUT TO:
EXT. EMPIRE STATE BUILDING—NIGHT
A Salvation Army Santa Claus stands in the cold next to
his empty money pot senselessly ringing his bell. Thomas
buzzes up past him and curbs his bike. He steps onto the
pavement, grabs the bag and pats Rudolf on the head.
THOMAS
Don’t go away, I’ll be back in a zip.
He approaches the entrance.
DARREL (O.S.)
Yo, Santa!
A group of young black kids rouse Thomas from
behind. DARREL, the leader of the boys, struts up to
Thomas and pushes him in the back. Thomas turns in
confusion.
DARREL
Santa, I’m talking to you.
His friends walk up and surround Thomas.
DARREL
Yeah, I was just wondering if you got any presents
in that bag for me.
The boys laugh.
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THOMAS
What?
He pulls a knife from under his jacket.
DARREL
Let’s get this over with. Give me your money.
The kids pull in tighter. Thomas looks over to the
Salvation Army Santa and back to the kid.
DARREL
Come on, man. I don’t need this crap tonight.
THOMAS
Can I ask you a question?
Darrel’s thrown back by his sincerity.
DARREL
(looking around to his boys)
A fuckin’ crazy man.
(back to Thomas)
Yeah, OK. What?
THOMAS
You ever believe in Santa Claus?
All the boys laugh.
THOMAS
As a kid?
DARREL
I don’t believe in no fairy tales, and I sure as hell
never expected no handouts. I got schooled pretty
quick that what you take is what you get. So to
answer your question, I never had a chance to
believe in no Santi Claus.
THOMAS
I’m sorry.
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DARREL
Yeah, so am I.
Thomas grabs a couple hundred dollars from his pouch.
THOMAS
(dropping the bills into Darrel’s open hands)
That’s all I can give you.
Thomas disappears into the Empire State Building. As he
trails off down the hallway, satchel in hand, the camera
PANS UP to the top of the Empire State Building.
DISSOLVE TO:
INT. AMANDA’S HOUSE—NIGHT
CLOSE-UP on a framed postcard of King Kong scaling
the side of the Empire State Building. SCREAMS and
HOWLS blare from off-screen. The camera DOLLIES
OVER to Amanda, who stands at the kitchen sink, plate
in hand, carefully listening to an old transistor radio
which rests on the window sill. A NEWS CASTER
continues:
NEWSCASTER (O.S.)
The police don’t seem to know what to do. Nothing
like this has ever happened on Christmas Eve . . .
EXT. AMANDA’S HOUSE
Thomas sits on his bike across the street watching
Amanda through the window. A pile of Amanda’s letters
neatly tied under a red velvet bow sits in his basket.
Thomas straightens his eyebrows and readjusts his
beard.
THOMAS
Hello, my name is Thomas Fupper. I know you
don’t know me, but I . . . (he inhales deeply) I am
in love with you.
He grabs the letters and dismounts his bike. Swiping his
hand along Rudolf’s body, he gives him a quick pat on
the head and moves toward the house.
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EXT. AMANDA’S FRONT WALK
Long strides. Slowing as they approach the door. Smooth
yellow paint surrounds the buzzer. Thomas’s long bony
finger reaches in. He pauses. Moving closer, now shaking.
The door bell shrieks. He beckons the dreaded buzzer.
THOMAS
Hello, my name is Thomas . . .
From inside he hears the VOICE OF THE NEWSCASTER.
INSERT RADIO:
NEWSCASTER (O.S.)
The riots started shortly after a man apparently dressed
as Santa Claus threw approximately forty thousand
dollars off of the top of the building . . .
CUT BACK TO:
The voice trails off. LOUD SCREAMS AND POLICE
SIRENS are heard from inside the transmitted world.
Thomas stands stunned.
Fire. Howling sirens. It can’t be real.
He falters back, unable to comprehend the repercussions
of his actions. Suddenly the door opens. Thomas jumps
and drops the letters. They tumble and spill across the
front steps. He glances down at the letters and back to
Amanda, who quickly recognizes them as hers.
Embarrassment contorts in her saddened eyes.
THOMAS
I, I . . .
He slowly backs away as Amanda looks down at the
letters.
THOMAS
(continuing to back up)
I . . . I’m sorry.
He turns and bolts right into his bike, causing it to come
crashing down with him. He stumbles to his feet and
takes off down the block.
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. life that doesn’t
need me.
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Amanda’s letter flaps inside the plastic basket.
CUT TO:
EXT decorations droop across the street top,
smothering the air with Christmas joy. Snow pours out
of the sky. The faint sound of Booker T & the MGs
playing “Santa