3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 4 pot
3D in Photoshop: The Ultimate Guide for Creative Professionals
... OBJ,KMZ, U3D and 3DS. For more information on format specifics, see AppendixA: File Formats. The easiest way to access these partner websites is byopening up the link found in the 3D menu under the ... Lightingwith Stephen Burns 15310.1. Importing 3D Using 3DVIA 15410.2. Creating the Layout 15710.3. Texturing the Walls of the Buildings 17010.4. Lighting the 3D model 17310.5. Adding the ... methods,products, instructions, or ideas contained in the material herein.British Library Cataloguing in Publication Data 3D in photoshop: the ultimate guide for creative professionals. 1. Adope photoshop....
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3D in Photoshop: The Ultimate Guide for Creative Professionals doc
... Lightingwith Stephen Burns 15310.1. Importing 3D Using 3DVIA 15410.2. Creating the Layout 15710.3. Texturing the Walls of the Buildings 17010.4. Lighting the 3D model 17310.5. Adding the ... OBJ,KMZ, U3D and 3DS. For more information on format specifics, see AppendixA: File Formats. The easiest way to access these partner websites is byopening up the link found in the 3D menu under the ... to the finalvision. The fundamental workflow is creating or obtaining the 3D model,adding/editing materials, adding/editing lights, adjusting shadows and othereffects, and then finally rendering...
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3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 1 ppt
... Getting Started 14 4Chapter 10 Painting, Texturing and Lightingwith Stephen Burns 15 3 10 .1. Importing 3D Using 3DVIA 15 4 10 .2. Creating the Layout 15 7 10 .3. Texturing the Walls of the Buildings ... 24Part II 3D in Photoshop 27Chapter 3 Getting Started with 3D in Photoshop 293 .1. Workspace and the 3D Panel 293.2. Importing 3D 31 v 3.3. Converting to 3D 31 3.3 .1. 3D Postcard 31 3.3.2. 3D Shape ... 6 1. 4. Lights 7 1. 4 .1. Point Light 7 1. 4.2. Infinite Light 8 1. 4.3. Spot Light 8 1. 4.4. Image-Based Light 9 1. 5. Materials 9 1. 5 .1. Photoshop- Supported Material Properties 11 1. 6. UVs 16 1. 6 .1. ...
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3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 2 docx
... in the Preferences for 3D settings.FIG 2. 5 Image on the left has a hard shadow casting on the ground plane compared to the image on the right with a soft shadow.| 3D in Photoshop 22 2. 3. Other ... place any painted detail into the right corresponding place in the 2D texture. It may be necessary to start witha little painting in 3D before attempting to paint directly into the 2D image sothat ... anddiamond 2. 4. See Table 2. 1 for more common refraction indexes.TABLE 2. 1 Refractive Index for common materials. You can find the setting for this in the 3D Materials Panel (at the bottom of the panel).Rendering:...
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3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 3 pptx
... http://www.3dvia.com /photoshop (Figure 3. 3). 3. 3. Converting to 3D Creating 3D has never been easier since the introduction of 3D in Photoshop. There are five ways now in Photoshop CS5 Extended to create real 3D geometries. ... can access the commands to create 3D from the 3D menu orstart from the 3D Scene panel Figure 3. 4. 3. 3.1. 3D Postcard The easiest way to create 3D is by taking a layer and generating a 3D plane, ... help with painting in 3D. Note: It is recommended for faster performance to paint in the Interactive(Painting) or OpenGL mode.4 .3. 1. Optimal Positioning of your 3D Model for PaintingTo give...
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3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 4 pot
... whilesaving a certain (non-editable) amount of VRAM for capabilities outside of 3D in Photoshop. In other words, the operating system and other parts of Photoshop are using som e of the installed ... Tracing and the section before this (5 .4 Adding and Editing Shadows) for more informationon how to do this.5.6. Final RenderingRendering your final scene is an important step in the 3D design ... applied.| 3D in Photoshop 62 Constraints are used as handles for modifying the front surface of the Repoussé patch. The constraints can be manipulated directly by the constraint tools. The rest of the...
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3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 5 pdf
... second, thinner line for the blind furthest away. Using the Blend Tool in Illustrator a blend was generated between the two lines giving the result of the lines getting thinner as they moved ... move the object.Using the adjustment tools, the In nite Light 1 was adjusted to point towards the bottle in the same direction as the sun in the Venetian scene.FIG 8. 15 The lighting for the ... up, the texture for FIG 8.9 The result of the 3D Wine Bottle created from wine label layer.FIG 8.10 Wine bottle is rotated into the desired position for the ad.| 3D in Photoshop 82 With the...
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3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 6 doc
... available in Photoshop in the last coupleversions, getting really involved, seemingly complex 3D art (like the 3D artyou will see in this chapter) into Photoshop would have involved another 3D application ... 8.37 The final scene for the ad with the bottle floating in the water.| 3D in Photoshop 96 Step 2: Now go into the Layers panel and create a new blank layer. Open the Swatches panel and choose the ... from the stack.| 3D in Photoshop 100 Step 16: With the lights in place, go into the 3D panel one last time and clickon the first icon at the top to access the Scene settings. Go down to the quality...
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3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 7 ppsx
... change the Mesh Quality setting we changed in Step 2to Best. Remember, you can get back into the Repoussé settings for the phoneby going into the Mesh section of the 3D panel, selecting the mesh ... help. Working in the third dimension in Photoshop requiresrather different thinking when editing. When editing a layer with multiplemeshes like this you can select the meshes in the Mesh 3D panel ... places both 3D objects into a single 3D layer.Step 9: Go under the Window menu and choose 3D to open the 3D panel.Click on the second icon to open the Mesh section of the 3D panel. At the topof...
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3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 8 ppt
... letters.| 3D in Photoshop 146 Painting, Texturing andLighting with Stephen BurnsWith the introduction of 3D capabilities starting in CS3, concept artists had the potential to introduce 3D models into ... done for photography, Dassaut Sytemscreated 3DVIA. We will use their 3D importer plugin for Photoshop to| 3D in Photoshop 154 a 3D postcard and merged it with the rest of the 3D elements. The ... plane.Notice the spotlight wireframe shows the light above the plane shiningthrough down to the main surface plane. When rendered we will see the word Photoshop shining on the ground plane. The next thing...
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3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 9 potx
... 2: Just as you did in Figure 10.38 you are going to find the surface in the 3D Materials panel for the tallest building in the rear (GraphicMaterial_10).Again, you can use the Select Material ... map.jpg” into the Reflection properties of the “GraphicMaterial_10” surface.| 3D in Photoshop 178 10.4. Lighting the 3D modelOne of the significant additions to the CS5 3D engine is the ability ... image.Painting, Texturing and Lighting with Stephen Burns|171 Step 4: Now do the exactly same thing to the building in the foreground for “GraphicMaterial_8” and use “building_reflect 1.jpg” for the...
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3D in Photoshop The Ultimate Guide for Creative Professionals PHẦN 10 doc
... 86, 97Painting on 3D: introduction, 40–1positioning of 3D model, 41–4tiles, 44unwrapped textures, 43Painting, texturing and lighting (Stephen Burns): 3D texturing engine, 1533DVIA, 154–7depth ... and view the differences in depth effectcreated by altering the focalplane value.Creating the Lenticular e interlacingStep 8: At the bottom of the 3D Render Settings dialog set the Stereo ... bones and skinning in Photoshop but we havetaken the time to try and preserve this information from the COLLADA file. Ifyou have a skinned model in COLLADA and you bring it into Photoshop youwill...
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hackers beware the ultimate guide to network security phần 4 ppsx
... reconnected to the network. The only way to avoid the ramifications of the bubonic Denial of Service was to physically disconnect it from the network or find a way to stop the network attack. The ... cases, the user either had to open the attachment to launch the attack or have Auto Preview turned on. Some of these exploits were launched when the email was downloaded from the server to the ... 10. 246 .68 .48 : [root@seclinux1 eric]# ./targa 10. 246 .68 .48 10. 246 .68 .48 -t0 targa 1.0 by Mixter Leetness on faxen wings: To: 208. 246 .68 .48 - 208. 246 .68 .48 Repeats: 1 Type: 0 “ Hackers Beware...
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hackers beware the ultimate guide to network security phần 5 pot
... first combines the password with the salt and then computes the hash. The system not only stores the hash, but also the salt with the user ID. Now, when a user authenticates to the system and ... five times to overcome the restriction, finally changing them back to the old passwords. In other words, users figured out how to bypass the security restrictions. The administrator fixed this ... Packet Capture Another way to capture password hashes is to sniff them from the network as people log on. If someone can compromise a machine that is connected to the network, and they can sniff...
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hackers beware the ultimate guide to network security phần 8 pot
... with the external computer, 10 .88 .88 .88 . Taking the last two digits of the port number gives the display number, so the display of the “ Hackers Beware “ New Riders Publishing 579 The ... to “ Hackers Beware “ New Riders Publishing 584 SunOS 5.5.1 1 086 58- 01 SunOS 5.5.1_x86 1 086 59-01 SunOS 5.5 1 086 56-01 SunOS 5.5_x86 1 086 57-01 AdminSuite Version Patch ID 2.3 1044 68- 18 ... server with the grep command, which are normally in the lower 6000 range. # netstat -an | grep ":60[0-9][0-9]" # 10.99.99 is the internal network tcp 0 0 10 .88 .88 .88 :1364 10.99.99.99:6000...
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