The Non-Designer''''''''s Design Book- P4 doc
The Non-Designer''''s Design Book- P4 doc
... little
bylittJe.
After the initial powerfui greeting on the cover panel, the reader gets an
introduction to the mascot for the company on the next panel, then ~nally
opens to the inside of the brochure.
Url's~MS~nJlabCoats
UJf".,hi<l>, ... the ~ag (sometimes called the masthead). This is the piece
that sets the tone for the rest of the newsletter.
m...
Where’s the Money? Ideas on Book Promotion docx
... usually the title of the book, the author's name, the publisher's
imprint, and a picture of the front cover (without the text on it).
Check the back. There is the publisher's imprint ... with the same feel can work for you.
If you’re making a paperback, I suggest carefully inspecting the
cover of a traditionally published book. Notice the spine. There...
The Non-Designer''''s Design Book- P1 pdf
... gives the
reader a clear structure.
Umm
When gathering these four principles from the vast maze of design theory,
I thought there must be some appropriate and memorable acronym within
these ... in the series?
First I intellectually grouped the information together (in my head
or sketched onto
paper),
then physically set the text in groups on
the page. Notice the spacing betwe...
The Non-Designer''''s Design Book- P2 pptx
... to move the box
on the right even farther to the right, away from the big chart. keeping their
tops aligned. Or I might move the lower box farther away. Iwould adjust the
spacing between the three ... line and use it: Now the strong line on the right side of the text
and the strong line on the left side of the photograph are next to each other,
making each other stro...
The Non-Designer''''s Design Book- P3 pps
... read. The other is to aid in the
organIzation of the information. A reader should be able to instantly under-
stand the way the information is organized, the logical flow from one item to
another. ... again.
Find the most interesting thing on the page, or the most important, and
emphasize itf In this case, the most interesting is the dog's face and the
most import...
The Non-Designer''''s Design Book- P5 pdf
... ot the "0," the "t," and the
"s"
in the heodllne ond
the other Jines.
They are similar
but not the same. The border is not
the same visual weight as the type or the ... serifs on the ends of the strokes. The idea of removing the serifs was
a rather late development in the evolution of type and didn't become wildly
successful unt...
The Non-Designer''''s Design Book- P6 pdf
... to the title highlights
the difference in the structure of the
two typefaces-and strengthens
the contrast between the two.
III Part 2: Designing with Type
Structure
ty~:~:!i~
face belong
The ... different
"colors" in the black
and white text.
"Color" is created
by such variances
as the weight of the
letterforms, the
structure, the form,
the space...
The Non-Designer''''s Design Book- P7 potx
... adventure.
Some of the other books I've written
The Non-Designers Type
Book
The Non-Designers Web Book (with John Tollett)
The Non.Designers Scan and Print Book (with Sandee Cohen)
Robin Williams Design ... of top designers around the world.
Web sites
There is so much available on the web to help aspiring designers. Between the two
sites listed below. you will find everyt...
Tài liệu Web Application Design Patterns- P4 doc
... dur-
ing the checkout process, they are taken to the next page in the sequence — the
shipping information page.
On the other hand, applications that require users to log in before accessing
their ... either remain on the same page or are taken to
the next page in the sequence. For example, if users decide to log in on a prod-
uct details page, they remain on the same pag...