this must be the place film online subtitrat
THIS MUST BE THE PLACE
Ngày tải lên :
17/10/2013, 18:20
...
2
THIS MUST BE THE PLACE
Product Placement,
American Idol,
and Ford’s
Multimillion-Dollar Mistake
REMEMBER THAT COMMERCIAL
you saw on American Idol two nights ago? The one where the ... more, the sheer potency of the branded logos the ones that had
placed their products strategically throughout the program or advertised during
the program—had actually inhibited the recall of the ...
between the drink and the emotions provoked by the show. Similarly, Cingular
became associated as the instrument through which contestants can either
accomplish their dreams or at the very least become...
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One source of evaluation will obviously be the trainees themselves
Ngày tải lên :
17/04/2013, 09:22
... guided to the students how to write the
answers. The teacher also helped them remember the programme when they asked. They
spent about one hour on remembering, thinking and answering the questions. ... thô.
3.3.5. Reorganizing the contents
The survey results suggest that ESP should be taken placed in the course 4 when the
learners finish General English. The writer of this minor thesis would like ... discourse. There is, therefore, no need to focus closely on
the surface forms of the language. The focus should rather be on the underlying interpretive
strategies, which enable the learner...
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WRITING THE SHORT FILM (Third Edition)
Ngày tải lên :
17/10/2013, 11:15
... slightly goofy—and their innocent exuberance on the beach quickly
endear them to us. They treat one another and the young woman they meet
with old-fashioned courtesy, and the wardrobe they lug about ... and empty beach. The scene is shot and cut in a
leisurely way, and the young men behave as though they had all the time
in the world. But as soon as they begin their journey through the streets
and ... postmodern films or videos.
THE EVOLUTION OF THE SHORT FILM
At the outset of film being created as an art, all films were short. Indeed,
until 1913, all films were 15 minutes long or less. Only after the...
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Writing the short film 3th - Part 9
Ngày tải lên :
17/10/2013, 23:15
... right into the middle of things. In this case, because
the film is to be so short, it makes sense to open with a scene showing the
boy and his father in the tower as if they’d been there for some ... the stronger the antagonist, the stronger
the conflict, and the harder the protagonist must struggle to achieve his or
her goal. The decision as to who or what should be the antagonist in a film
script ... Daedalus after the story outline about Icarus.
2. What Is Icarus’s Situation at the Beginning of the Script?
The shorter the film or video is to be, the more license is given the
scriptwriter...
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Writing the short film 3th - Part 10
Ngày tải lên :
20/10/2013, 19:15
... his father, the sea, the sky, the sun, and the gulls that perch
on the open parapets. Imagine a pile of the feathers he’s gathered and the
ways he invents to play with them—trying to make them ... with the gull
feathers, in the answer to Question 2, and knowing that the climax must take
place during his flight, it first seemed to us that the catalyst, or agent for
change, in the script must ... script must be the moment when Daedalus conceives of
escaping on wings made of feathers and wax. The difficulty was that
Daedalus was not our protagonist. Therefore the question became this: How
could...
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Writing the short film 3th - Part 11
Ngày tải lên :
20/10/2013, 19:15
... to the climax? The
ending? During the two men’s descent down the high outside wall of the
mansion, footsteps can be heard approaching in the yard below. The
youth loses his nerve and freezes. The ... To be believable, the character’s capacity
for out-of -the- ordinary behavior needs to have been glimpsed by the audi-
ence—even if not recognized for what it is—at some point in the story before
it ... live-
action world, believability of behavior doesn’t matter as much.) For example,
in the outline above, Icarus ordinarily obeys his father without question, if
sullenly, until the moment in the flight...
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Writing the short film 3th - Part 12
Ngày tải lên :
24/10/2013, 17:15
... in
the first page or so of Thelma and Louise. Reading the script or viewing the film
for the first time, we are enough engaged by the two women—what they are
doing and what they are saying—to be ... actions,
should always be noted: these can often be more revealing than speech.
Remember that your purpose in doing this exercise is to hear the intervie-
wee out, not to control the way in which the interview ... necessary—and, in
the short film, it shouldn’t be much—can often be given through behavior,
or through dialogue whose primary purpose is to forward the dramatic
action, as in the excerpt from Thelma and...
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Writing the short film 3th - Part 13
Ngày tải lên :
24/10/2013, 17:15
... Writing the Short Film
Ch06.qxd 9/27/04 6:05 PM Page 76
THE RATIONALE BEHIND THE CHANGES
The father’s inner action is to get the mother to tell the child about the divorce
without his having to be ... Very likely because of this, his profound identification with the character
of the Beast in his 1945 rendition of Beauty and the Beast helped shape the writ-
ing and performance of the “monster’s” ... seemed better to avoid breaking
up their exchange, because removing the interruption increased the tension
between them, and holding off on the audience’s discovery of Annie under
the table until the...
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Writing the short film 3th - Part 14
Ngày tải lên :
29/10/2013, 00:15
... Mark the crises, ending with the climax. Cut out each of these episodes,
however short. Lay the pieces out in their current order on a table or the
floor, and then begin to shuffle them about. ... them in
viewing the film.
82 Writing the Short Film
Ch07.qxd 9/27/04 6:05 PM Page 82
Ch07.qxd 9/27/04 6:05 PM Page 86
In Sob Story, Matthew Goldenberg and Michael Slavens give us this first
glimpse ... also read bit parts, if necessary. It is best to have the actors read
through the script slowly to themselves at least once to get the sense of it,
before the actual reading aloud. Plan to leave...
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Writing the short film 3th - Part 15
Ngày tải lên :
29/10/2013, 00:15
... powerful the resist-
ance, whether through the antagonist or other forces, the greater the conflict
potential. Remember that barriers to the character’s goal may be external (a
place, another person) ... antagonist in a story, the
greater the struggle of the protagonist. If the goal of the story is to portray
heroic behavior, the role of the antagonist can be crucial. If the goal is more
to portray ... the character want, desire, or need to achieve this goal?
The greater the desire of the character, the greater the potential for conflict.
The parallel with regard to the plot is also true: the...
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This potent fence - the holy sin of grief
Ngày tải lên :
01/11/2013, 10:20
... sin-drawn line between the dead and the
living found a discursive parallel in the contrast between the celestial
object celebrated by the poem and the fallen language in which the
poem had to be written. ... distinction
between the grief they felt and the poem itself as a second-rate expres-
sion of that grief. In this they echoed Donne, who questioned, at the
death of the fifteen-year-old Elizabeth Drury, the ... On the one hand,
the death of a saint posed a grim reminder that earth was not heaven.
The holy sin of grief
On the other, it proved that the terrifying space between the two realms
could be...
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Writing the short film 3th - Part 16
Ngày tải lên :
07/11/2013, 23:15
... accomplished. Will he be the fall guy for the IRS?
The story can unfold in a few ways, but in any case, the bureaucrat at the
Treasury should be the fall guy. Clearly, the bureaucrat at the IRS is someone
we ... confine the film to the prepara-
tions for the march and the aftermath. The scenes should clarify the
relationship by highlighting the sense of trust on the part of the wife, and the
planning and ... more
intense the story will be.
We can distract the audience from the true nature of the neighbor by mak-
ing the neighbor an attractive woman. The initial impression should be that
the husband...
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Writing the short film 3th - Part 17
Ngày tải lên :
07/11/2013, 23:15
... throughout the writing process. In order to
reinforce the sense of being inside the story with the character, the writer
should rely on visual detail to cement the believability of the character, place,
time, ... range from the time of day to the climate to
a place, clothing, gait, mode of interaction, and so on. The greater the visual
detail in the script, the greater the believability in the story.
One ... subtext. The best structural
choices are made when the writer is thoroughly familiar with the narrative
characteristics of the genre. Structure is the shape of the plot.
The Scene
The scene is the...
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