... few other words ei has the sound of i long.In great, break, and steak ea has the sound of a long; in heart and hearth it has the sound of a Italian, and intear and bear it has the sound of a ... come, and thus get the key to the accent.It will be seen that rules are of little value, in this as in other departments ofthe study of language. The mainthing is to form the habit of observing ... that of leading the student through the maze of a new science and teaching him the skill of an old art, exemplified in a long line of masters.By way of preface we may say that the mastery of the...
... 1.22. The Artof Poser and Photoshop: The Official Guide14Figure 1.17Viewing the minimizedpalette TheArtof Poser and Photoshop: The Official Guide16Figure 1.20Access the expanded view of the AdjustmentLayers ... one ofthe tabs and peel it off into the openportion ofthe document, and it will become a new window. To add more tabs to the new window, you simply click on the one ofthe remaining tabs and ... TheArtof Poser and Photoshop: The Official Guide6Figure 1.2Applying the Rotate ViewtoolFigure 1.3A view of the ArrangeDocumentcommand inaction Chapter 1 ■ Poser and Photoshop...
... view ofthe texture applied to the shirt and Figure 1.44shows the final results. The Artof Poser and Photoshop: The Official Guide24Figure 1.35Initial modifi-cation of the UV texturewith the Hue/Saturationadjustmentlayer ... as part of the current project. See Figure 1.60. The Artof Poser and Photoshop: The Official Guide36Figure 1.59Establish the quality of the previewedthumbnailsFigure 1.60Establish the rating ... PhotoDownloader TheArtof Poser and Photoshop: The Official Guide202. Click and hold the 3D Tools icon in the Tools palette to view the variety of com-mands that are available. Activate the 3D Rotate...
... inFigure 1.130.2. Select the hip and pull it upward and to the left. Note how the feet and any part of the body between the feet andthe hip continue to point toward the ground plane.See Figure ... posedusing forward kinematics. TheArtof Poser and Photoshop: The Official Guide66Figure 1.119 The Face cam-era’s viewpointFigure 1.120View of the Face room To the left of your animation scene, ... that the advantage of cameras like the Hand camera is that it willzoom in on the hand and rotate around it so that you can focus just on that body partonly. This works the same for all of the...
... up the texture for the entire face. This includes the front, side, and rear ofthe head and the texture for both the underside and top ofthe tongue located in the lower-right and lower-left corners ... Photoshop and create the mountain scene into which you’ll integrate the Poser head. TheArtof Poser and Photoshop: The Official Guide106Figure 2.17Desaturate the texture mapFigure 2.18View of the desaturatedmap ... clicking the symbol that looks like a camera on the rightside ofthe Preview tab to preview the final look. Figure 2.13 shows the Render button. The Artof Poser and Photoshop: The Official...
... 2.31Warping the texture to the portrait TheArtof Poser and Photoshop: The Official Guide120Figure 2.39Apply the angled jitterFigure 2.40Apply the scat-tering TheArtof Poser and Photoshop: The ... of Poser and Photoshop: The Official Guide110Figure 2.23Widen the falloff to con-sume the headFigure 2.24Change the color of the light source TheArtof Poser and Photoshop: The Official ... detail to the subject. The Artof Poser and Photoshop: The Official Guide114Figure 2.29Create the grassy plain TheArtof Poser and Photoshop: The Official Guide118Figure 2.35Create the stream...
... background TheArtof Poser and Photoshop: The Official Guide166Figure 3.54Apply the gra-dient behind the body aswell as behind the raised hand of the lightgoddessFigure 3.55Apply the gra-dient ... to fake the appearance of a three-dimensional object. The top and front-right sides ofthe box in this exampleare created with the use ofthe yellow lines. The front and top sections ofthe box ... you’re going to pose the left hand. Select the Hand camera and open the parameters for the hand so that you’ll be able to view the controls for every aspect of the hand. With these you can apply...
... from the model. See Figure 3.58. The Artof Poser and Photoshop: The Official Guide168Figure 3.58Apply the gra-dient streaksaround the perimeter of the modelGive the Goddess Wings1. Go to the ... 4.10. TheArtof Poser and Photoshop: The Official Guide188Figure 4.12Choose con-crete.jpg asyour new tex-tureFigure 4.13Display of the PoserSurfacepanel TheArtof Poser and Photoshop: The ... of the hair layers. Next, Select the Smudge tool and set the opacity to 50%. Use the brushthat you created in Figure 3.72 and blend the stands of hair using an Opacity set-ting of 50%. On the...
... Place these bands under-neath the transparent tube layers so that they create the backside ofthe cylinder. The Artof Poser and Photoshop: The Official Guide234Figure 5.24Select a portion of the ... overall texture. The higher the number, the more extreme the contrast will become; the lower the number, the flat-ter the tonality will be. The Artof Poser and Photoshop: The Official Guide252Figure ... portion of the textureto be used as the metalbands around the tubeFigure 5.25Wrap the tex-ture around the base and top of the tube TheArtof Poser and Photoshop: The Official Guide240Figure 5.34ImportedKelvin...
... tonenear the base of the tube TheArtof Poser and Photoshop: The Official Guide262Figure 5.75Apply the image map to the Specular_ColorchannelFigure 5.76Apply the image map to the Bumpchannel ... 259Figure 5.71View of the Image_Mapnode added to the X Scalechannel TheArtof Poser and Photoshop: The Official Guide260Figure 5.72View of the Image_Mapnode added to the Y ScalechannelFigure ... with the character, so access the layer with the stone figures and edit out some ofthe stone detail by applying a50% gray mask in the shape ofthe tube. The gray mask will leave some of the...
... 6.46. The Artof Poser and Photoshop: The Official Guide308Figure 6.41Position the bark detail over the left shin TheArtof Poser and Photoshop: The Official Guide294Figure 6.17Apply ivy land-scape.jpg ... a Shadow Blur Radius of 18. This option controls the edgefeathering ofthe shadow detail. The higher the number, the softer the shadow; the lower the number, the sharper the edge. Render your ... to restrict the detail to the shape ofthe leg. Since you want to restrict this detail to the outline ofthe object,you need to create a selection in the shape ofthe figure. Go to the figure...