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ThePhotoshopLightroom Workbook
282
Let’s export some les for our Indian Creek job into a job folder. For
our work ow in this job, we are going to create a set of dng les,
a set of small jpg les for the copyright o ce and four full-size tif
les of our client’s selects from the web gallery that we had already
posted for their review.
STEPS FOR EXPORT
1. Select all your images in the Library Grid Mode (you don’t have
to select them all unless you want to process them all – this all
depends on your work ow).
2. Click on the Export button (left of the toolbar).
3. The Export dialog box will pop up.
4. Export Location: We are choosing Export To: Speci c folder.
Choose your hard drive where your job folders are located (we
have a hard-drive setup dedicated to holding all our job folders)
( Figure 13.22 ).
5. Create a new job folder on that drive by clicking on New folder
( Figure 13.23 ).
6. Name the folder with the le naming convention for the job.
Our job folder name is 20080616_indiancreek_job.
7. After you name the folder, choose Create ( Figure 13.24 ).
8. Then click Choose back in the directory window. You will be
brought back to the Export dialog box.
9. Check Put in Subfolder: Give the subfolder the le naming
convention for your job and le type you are creating. We will
create DNGs for our rst type of le for this job. Our subfolder is
20080616_indiancreek_dng. For our work ow, we do NOT click
on Add to This Catalog or Stack with Original ( Figure 13.25 ).
FIG 13.22 Export Dialog Box
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FIG 13.25 Exporting DNG les to Job Drive
FIG 13.23 Job Drive
FIG 13.24 Job Folder on Job Drive
10. Existing Files: Choose Ask what to do. There should not be any
existing les in this job folder, but we keep this selected as a
precaution.
11. File Naming: Under the Template drop-down menu, choose
Filename. This preserves the lename that we already have
given to our les. If you wanted to rename your les to a
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284
di erent naming convention for your client’s needs, this is
where you can do it ( Figure 13.26 ).
FIG 13.26 Filename for DNG les
FIG 13.27 DNG Preview Options
12. File Settings: This is where you choose what type of le you
will be exporting. Choose the format, and then you will get
di erent options for each type of format. Under Format choose
DNG. The DNG options that we choose are:
●
JPG Preview: Medium Size
●
Image Conversion Method: Preserve Raw Image
●
Options: Check Compressed (lossless) ( Figure 13.27 ).
13. Image Sizing: This is where you can upres/downres and resize
your les if needed. Since DNG les are raw, we cannot check
any of these options. We would choose our parameters in this
section for any jpg, psd or ti les.
14. Output Sharpening: Lightroom allows output sharpening
for Screen or Print, using algorithms based on Pixel Genius’s
Photokit Sharpener. Since we are creating DNGs, there is no
output sharpening, but we would use this feature for our
processed les.
15. Metadata: There are three choices under Metadata. You can
minimize the embedded Metatdata, (which only includes the
copyright) which D-65 does not recommend. We do choose
Write Keywords as Lightroom Hierarchy option so that the
hierarchial order of the keywords is visible in your processed
les. We do not Add Copyright Watermarks on our les, but it is
a great idea for proofs for wedding photographers.
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16. Post-Processing: We might or might not do any post-processing
from export depending upon the job. Check the advanced
Chapter 16 for more information on Post-Processing on Export .
17. Click on Export. Your RAW les will be converted to DNG and
wind up in a DNG subfolder of the job folder in your job folder
hard drive (
Figure 13.28 ).
(A)
FIG 13.28 Exporting DNG’s to Job Folder
(B)
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We will repeat the same Export steps for JPGs (or whatever type of
le you may need for the job).
EXPORTING JPEGs: The following specs are for jpg les for the
copyright o ce. We send small jpg and not high-resolution les
because there have been cases of theft at the copyright o ce
since it is a public place.
1. All the images are selected in the Library Grid Mode.
2. Choose Export. The Export dialog box will pop up.
3. Change the subfolder name to 20080616_indiancreek_jpg.
4. Under File Naming Template, keep Filename.
5. Under File Settings: Format will be JPG. Quality is 80. Color
Space sRGB.
6. Under Image Sizing: Check Resize to Fit and drop down to
Width and Height. Width is 600 and height is 600 pixels.
Resolution is 72 pixels per inch.
7. Output Sharpening: Check Sharpen For Screen. Amount
Standard. Sharpening is not critical for the copyright o ce, but
if we are going to the extent to produce these les, we might
as well sharpen them for screen use.
8. Metadata: Choose Write Keywords as Lightroom Hierarchy.
9. Post-Processing: After Export, click on Do nothing.
10. Click on Export. Your RAW les will be converted to JPGs and
wind up in a JPG subfolder of the job folder in your job folder
hard drive ( Figure 13.29 ).
EXPORTING TIFs FOR THE CLIENT: We are delivering these TIFFs
in ColorMatch RGB. Ideally we would deliver in CMYK for print use,
but we only deliver in CMYK if we get complete cooperation from
the client. When we deliver in RGB, we like to deliver in ColorMatch
RGB because it is very close to CMYK. Delivering in Adobe98 is like
saying ‘ See all of this color, well you can’t have it. ’ When delivering
in ColorMatch, the client can see and have all of the color.
1. We select the four images our client chose in the Library Grid
Mode.
2. Click on Export.
3. The Export dialog box will pop up. Change the subfolder name
to 20080616_indiancreek_cf.
4. Under File Naming Template, keep Filename.
5. Under File Settings
Format: TIFF
Compression: None
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FIG 13.29 JPG options for Export to Job Folder
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FIG 13.30 Color Pro les for Ti le Export
Color Space: Choose Other. The Choose Pro les dialog box will
appear, check Include Display Pro les at the bottom left. Then
check ColorMatch RGB. Choose OK ( Figure 13.30 ).
6. Under Image Sizing: Do not check Resize to Fit. We are sending
full-size les to the client. Resolution is 266 ppi, which is two
times the line screen of 133 for the press the client is using.
7. Output Sharpening: Lightroom’s Output Sharpening is for
Screen and InkJet Printing. For web press printing, we would
opt for the third-party plug-in Pixel Genius Photokit Sharpener,
or leave output sharpening up to the client.
8. Metadata: Choose Write Keywords as Lightroom Hierarchy.
9. Post-Processing: After Export, click on Do nothing.
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FIG 13.31 Ti options for Export to job Folder
10. Click on Export. The four RAW les that the client selected will
be converted to TIFFs and wind up in a TIFF subfolder of the
job folder in your job folder hard drive.
11. Click on Export ( Figure 13.31 ).
The beauty of this is that you can export all of these at the same
time. You do not have to wait until one group is done to xport
another group. It is being done in the background. On the top left
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This is an example of a job folder
after the images have been
exported into the three different
subfolders. The job folder will be
archived on at least two external
‘job folder’ hard drives.
FIG 13.32 Job Folder with DNG, JPG and Ti les
of the Library, Lightroom will show you that three operations are in
progress. If you wanted to cancel one of the operations, just click
on the X key. In Figure 13.32 below shows Job Folder with DNG, JPG
and Ti les.
UPRESING ON EXPORT
Lightroom does an excellent job with upresing as well. The upres
is done with a proprietary algorithm similar to bi-cubic smoother.
We demonstrated going down in size to create smaller jpg les for
the copyright o ce, but you can also create larger les very easily.
Follow the same steps as above, and then under Image Sizing, put
in the width and height either in inches, pixels or centimeters as
per your le requirements. If you wanted to make a 13 ϫ 19 print,
put in those numbers. It’s that easy
THE WORKFLOW CONTINUES DEPENDING UPON YOUR NEEDS.
Your and your client’s needs for export may be quite di erent,
but can be accomplished exactly the same way, using job
folders for organization .
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291
CHAPTER 14
Archiving
B
ackup is important, but backup is not preservation. The goal
of D-65 is to have an EXACT DUPLICATE of our catalog and all
of our image les on multiple media in multiple locations.
An archive should be made regularly because computers are not
100% reliable. Hard disks malfunction, viruses and worms corrupt
data, and people can make simple mistakes like deleting when
they didn’t mean to. Having an archive means you can recover
from such things, with little if any data lost.
As Hurricane Wilma passed over Miami Beach, we watched and
took photographs from our 17th- oor apartment, which faces
the Atlantic Ocean on the front side and the intercoastal on the
backside. We live on a very narrow section of Miami Beach, which
is roughly one foot above sea level. Our building ooded, our
docks were destroyed, and as the storm intensi ed we watched
the roof come o of the building next store. As we looked out
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[...]... explore a few of the advanced features that further the power of Lightroom, Edit in Photoshop and Post-Processing on Export Edit in PhotoshopThe first feature to examine is Edit in Photoshop, or keyboard shortcut Command E Lightroom provides the ability to go directly from a file in Lightroom into Photoshop, work on the file in Photoshop, and then to save the file with those changes back into Lightroom Please... remove this watermark 297 ThePhotoshopLightroom Workbook In each year folders are folders for each job named yyyymmdd_ jobname, and in each job folder are the raw files and corresponding xmp files as in Figure 14.6 The folders are organized by yyyymmdd_jobname These folders contain the raw files and the xmp sidecar files The files themselves inside the folder structure FIG 14.6 The Lightroom_ Catalog folder... (Lightroom Library) and our Catalog The structure of that drive looks like Figure 14.5 One Terabyte internal hard drive that holds images and the Lightroom_ Catalog The drive is named Lightroom_ Library Folders of images and xmp files are organized by yyyymmdd_jobname in each calendar year The Lightroom_ Catalog and Previews are held in the catalog folder on the Lightroom_ Library drive FIG 14.5 D65 Lightroom_ Library... remove this watermark 295 ThePhotoshopLightroom Workbook The Catalog Backup The Catalog Backup in Lightroom s Catalog Preferences is a backup of the Catalog While the preferences clearly say Catalog Backup, most photographers fail to recognize exactly what this means It means exactly what it says It is a backup of the Catalog It is not backing up any of the images associated with the catalog So if you... field when shooting and a desktop at the studio/home for processing and management in Lightroom If the ‘main’ Library and Catalog live on my ‘main’ computer’s external drive in the studio/home, how do I sync the Catalog on my laptop or other computers with the ‘main’ Library and Catalog? There are several ways to do this, and we will review them here Most of them are rather confusing, but D-65 has found... and they wreck lives and destroy property After each of these events you can usually find a news clip where a reporter asks someone if they were able to save or salvage any of their belongings You know the scenario because you have seen it hundreds of times There is a man or woman crying at the scene of what was once their house devastated, because they lost everything When they can salvage items, they... within Lightroom, but it is important to understand exactly what they do and more importantly what they don’t do When we first import files into Lightroom, the import dialog box offers a backup Import Backup This backup causes confusion to many photographers They assume that they have a full backup of the imported files, but in fact this backup only provides a backup of the exact structure of the files... to File (Command S) Figure 15.5 shows the 20080622_denver folder with all the raw files and corresponding xmp files (7) We return home and plug the external drive into our main computer at the studio or at home (8) We start Lightroom on the main computer and choose Import from the lower left-hand corner of the Library Module We select the folder to import (9) The Import Photos dialog box will pop up... www.verypdf.com to remove this watermark 311 ThePhotoshopLightroom Workbook to add the lightning as new material and replace or update the indiancreek folder at home with the changes made in the field (7) Verify that in Lightroom s Catalog Settings, you have either checked Automatically Write Changes into XMP or, after you are done tweaking all your files, selected all of them and chosen Save Metadata to File... contains two files, the Lightroom_ CatalogPreviews.lrdata and the Lightroom_ Catalog.lrcat files (Figures 14.7 and 8) The Catalog Folder has two files, Lightroom_ Catalog Previews Irdata and Lightroom_ Catalog.lrcat files FIG 14.7 298 Please purchase PDF Split-Merge on www.verypdf.com to remove this watermark Archiving FIG 14.8 Internal Backup and Backup to a Drobo Making the Backups The Lightroom_ Library . watermark.
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The Catalog Backup
The Catalog Backup in Lightroom s Catalog Preferences is a backup
of the Catalog. While the. watermark.
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The folders are organized by
yyyymmdd_jobname. These
folders contain the raw files
and the .xmp sidecar files.
The