lyzing Moior ond Minor scoles in oll forms, pupils should be ossigned John Thompson's SCALE SPELLER, o. Wriiing Book for Home Work[r]
32 Fronz Liszl, Hungorion musicion, wos considered one of the greotest pionists of oll time He is probobly best remembered for his Hungorion Rhopsodies ond the fomous liebeslroum He composed three liebestrciume, bul No is eosily the most populor The excerpt below is the first theme from the third liebesfroum which still enfoys world-wide populority Liebestraum No Franz Liszt ( arr Andante I a a t - J utp r II ?)* ti2tQ d D a-r 7F, = _ - l- W Qp -r lt 14 '- ) 33 , 9.2 ufr - ,-Ql ) + 1-= = t I j mf 53> =:> m.p d+ I -F I li leoco cresc )?)+ )+ I a tl I _ - dr +F- 4-> D+ #tt pp L _, a a l4 ,o \\-.]I.Co +:= +:+t I i /- 84 Cross Hond Here is o cross-hond piece in which you should try to poss the figures from one hond to the other withouf ony noticeoble breok Ploy the left hond occomponiment chords with thin sloccoto so os not to obtrude on the melody tones in the right hond The Fountain Allegretto b r.h oL'e I /' a : ) ^"w -+ +' st T 5,' \1 , a _: a) A \ L2 W M.Co l:tz:r -t v + + O a 35 d - A\ r a) A \ e -t d a i.a a- _-7 e -'= J 36 Chord Study Preporotory Exercise Evening Harmonies Moderato 41 9' a I I -t€l t€ ,./ n7e | -t^ -b- i: l: a a p atrlarg U- ? pp I I e E gpp /a 39 Try o very io moke this piece sound os spooky os possible Leorn it slowly ot first, then work up the speed to br,isk tempo Allegro vivace Hobgohlins fr* l> t> > S: lr -7 40 _ > O r- L-J AI :-_ - W.M.Co rrr:t hr+lG 4l , t fitf*t g*l)*l> tl l' \ : -l\ It a ' | ! lT tr CTESC, '-2-'- "" ' l-; .t -1 : t- O Z DW-._-\\ TW 'Z -aH n 'ef A rT T trf \ r : -' \ a T{ -'-+4 ' | I 'r -{ l; tf - r=\ :>Tr 54 \\' .2 ^ f *T- A r -+ I 42 Gypry music hos oll the obsence of restroint which chorocterizes this wondering roce of people lt is usuolly in the form of on lmprovisolion, which is to soy, it is mode up os they go, ond therefore follows no sel musicol pottern lt moy stort in one Key ond end in onother cnd it olwoys follows the vorying moods of the performer, ronging from deepest meloncholy to fiery obondon Loment, which is o slow, mournful song of depression This breoks, withoui worning, info o fost ond furious donce rhythm, occomponied by the beoiing of pois ond pons by those members of the tribe who locked musicol instruments Usuolly See it begins with o losson or if you discover lhe moods in fhe following piecd ond give to it os much controst os possible Cyp.y Life Maestoso | -\ _- _J l^l af Tl I - * | J t+ e 43 Vivace o - \ t) A Lr' ffx |^e i'\ r *\ fml gD: A ) p\ - +-\ ?- , - E -i , 'LL)-t -? A^ Presto> l=\ A A a tf;t l '.tbe- 44 Semper Fidelis Morch John \ Philip (atr t Sousa > ': a fr: - +' +' ti - - I 5- f' 2, F' 2, r-t1- a 8i ti rt) t: gi fr&: l) 3r -\ - a #' + a* O a +' +' ) +' t- 46 a 1\ 24 + d+ *i ta rl.f I V q l -I-:- ,,JIII\ t l -w- ,4 a I v ta, *: ri ,*i vlr;L T - rl l- 11 -n Forming Minor Scoles The Po ro Porollel Minor scole begins on 3rd ond 6th degrees one holf-step The llef Minor Approoch the scme key os the Moior scole ond is formed by lowering the C MAJOR SCALE C MINOR SCALE (Earmonic) The Relotive Minor Ap p roo ch The Relotive Minor scole begins on fhe 6th degree of the Moior scole lt is formed by roising the 7th degree (of the minor scole) one ho/f-sfep C MAJOR SCALE A MINOR SCALE (Earmonic) The Porollel Minor scole hos the sorne Key note os its Moior The Relotive Minor scole hos the some Key signolure os its Moior SCALE SPELLER The excmples shown obove ore {or Horr,ronic Minovs on)y For proctice in Writing, Ploying ond ,Anolyzing Moior ond Minor scoles in oll forms, pupils should be ossigned John Thompson's SCALE SPELLER, o Wriiing Book for Home Work Published by The Willis Music Compony 'W.M.Co.zsze Certitirste of Qerit This certifies that has successfully completed P6RT SIX OF John Thompson's EASIEST PIANO COURSE and is eligible for promotion to P6RT SEUEN Teacher L ... figures from one hond to the other withouf ony noticeoble breok Ploy the left hond occomponiment chords with thin sloccoto so os not to obtrude on the melody tones in the right hond The Fountain... a _: a) A \ L2 W M.Co l:tz:r -t v + + O a 35 d - A\ r a) A \ e -t d a i.a a- _-7 e -''= J 36 Chord Study Preporotory Exercise Evening Harmonies Moderato 41 9'' a I I -t€l t€ ,./ n7e | -t^ -b-... tf - r=\ :>Tr 54 \'' .2 ^ f *T- A r -+ I 42 Gypry music hos oll the obsence of restroint which chorocterizes this wondering roce of people lt is usuolly in the form of on lmprovisolion, which