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0521642957 cambridge university press rhythm and will in victorian poetry may 1999

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This page intentionally left blank In Rhythm and Will in Victorian Poetry, Matthew Campbell explores the work of four Victorian poets – Tennyson, Browning, Hopkins and Hardy – as they show a consistent and innovative concern with questions of human agency and will The Victorians saw the virtues attendant upon a strong will as central to themselves and to their culture, and Victorian poetry strove to find an aesthetic form to represent this sense of the human will Through close study of the metre, rhyme and rhythm of a wide range of poems – including monologue, lyric and elegy – Campbell reveals how closely technical questions of poetics are related, in the work of these poets, to issues of psychology, ethics and social change He goes on to discuss more general questions of poetics, and the implications of the achievement of the Victorian poets in a wider context, from Milton through Romanticism and into contemporary critical debate Matthew Campbell is Lecturer in English Literature at the University of Sheffield, and co-editor of Beyond the Pleasure Dome: Writing and Addiction from the Romantics () He has published articles in Essays in Criticism, English, Tennyson Research Bulletin, Bulla´n and the European Journal of English Studies MMMMMM    -      RHYT HM AND WILL IN VICTORIAN POETRY CA MB RIDG E ST UD IES IN N I NE T EE N T H -C E N T U RY L I T E RA TUR E A ND CU L TUR E General editor Gillian Beer, University of Cambridge Editorial board Isobel Armstrong, Birkbeck College, London Terry Eagleton, University of Oxford Leonore Davidoff, University of Essex Catherine Gallagher, University of California, Berkeley D A Miller, Columbia University J Hillis Miller, University of California, Irvine Mary Poovey, New York University Elaine Showalter, Princeton University Nineteenth-century British literature and culture have been rich fields for interdisciplinary studies Since the turn of the twentieth century, scholars and critics have tracked the intersections and tensions between Victorian literature and the visual arts, politics, social organisation, economic life, technical innovations, scientific thought – in short, culture in its broadest sense In recent years, theoretical challenges and historiographical shifts have unsettled the assumptions of previous scholarly syntheses and called into question the terms of older debates Whereas the tendency in much past literary critical interpretation was to use the metaphor of culture as ‘background’, feminist, Foucauldian, and other analyses have employed more dynamic models that raise questions of power and of circulation Such developments have reanimated the field This series aims to accommodate and promote the most interesting work being undertaken on the frontiers of the field of nineteenth-century literary studies: work which intersects fruitfully with other fields of study such as history, or literary theory, or the history of science Comparative as well as interdisciplinary approaches are welcomed A complete list of titles published will be found at the end of the book RHYT HM AND WILL IN VI CT ORI AN POETRY M A TT H E W C A MP B E L L           The Pitt Building, Trumpington Street, Cambridge, United Kingdom    The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org © Matthew Campbell 2004 First published in printed format 1999 ISBN 0-511-03661-2 eBook (Adobe Reader) ISBN 0-521-64295-7 hardback For Valerie, Maeve and Hannah XXXXXX  Bibliography Bloom, Harold, Poetry and Repression, London: Oxford University Press,  Bradley, A C., A Commentary on In Memoriam, nd edn, London: Macmillan,  Brady, Ann, Pompilia: A 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London: Athlone Press,  Shelley, Percy Bysshe, Poetical Works, ed T Hutchinson, new edn, ed G M Matthews, Oxford: Oxford University Press,  Sheridan, Thomas, Lectures on the Art of Reading,  vols., Dublin: Samuel Whyte,  Sinfield, Alan, The Language of Tennyson’s In Memoriam, Oxford: Blackwell,  Dramatic Monologue, London: Methuen,  Alfred Tennyson, Oxford: Blackwell,  ‘‘‘That Which Is’’: The Platonic Indicative in In Memoriam ’, Victorian Poetry, vol  () Skeat, Walter William, ‘Scansion of English Poetry’, Transactions of the Philological Society, – Slinn, Warwick, Browning and the Fictions of Identity, London: Macmillan,  Smiles, Samuel, Self Help, new edn, London: John Murray,  Smith, James, ‘Wordsworth: A Preliminary Survey’, Scrutiny, vol , no  ( June ) Smith, J C and B Hogan, Criminal Law, th edn, London: Butterworth,  Spedding, James, ‘Arnold on Translating Homer’, Fraser’s Magazine For Town and Country, vol  ( June ) Steele, Joshua, Prosodia Rationalis: An Essay Towards Establishing the Melody and Bibliography  Measure of Speech, To be Expressed and Perpetuated by Peculiar Symbols, nd edn (), repr Menston: Scholars Press,  Steele, Timothy, Missing Measures: Modern Poetry and the Revolt Against Metre, Fayetteville: University of Arkansas Press,  Sussman, Herbert, Victorian Masculinities: Manhood and Masculine Poetics in Early Victorian Literature and Art, Cambridge: Cambridge University Press,  Symonds, J.A., ‘The Blank Verse of Milton’, Fortnightly Review, vol  (December ) Taylor, Dennis, Hardy’s Poetry, –, London: Macmillan,  Hardy’s Metres and Victorian Prosody, Oxford: Oxford University Press,  ‘Hardy’s Use of Tennyson’s In Memoriam’, Tennyson Research Bulletin, vol , no  () Tennyson, Alfred, The Poems of Tennyson, nd edn, ed Christopher Ricks,  vols., London: Longman,  In Memoriam A H H., ed Susan Shatto and Marion Shaw, Oxford: Oxford University Press,  The Tennyson Archive, ed Christopher Ricks and Aidan Day,  vols., New York: Garland,  Tennyson, An Introduction and a Selection, ed W H Auden, London: Faber,  The Letters of Alfred Lord Tennyson, ed Cecil Y Lang and Edgar F Shannon,  vols., Oxford: Oxford University Press, – Tennyson, Charles, Alfred Tennyson, London: Macmillan,  Tennyson, Charles and Hope Dyson, The Tennysons: Background to Genius, London: Macmillan,  Tennyson, Hallam, Alfred Lord Tennyson, A Memoir By His Son,  vols., London: Macmillan,  Thomson, Alastair W., The Poetry of Tennyson, London: Routledge,  Thornton, R K R., ed., All My Eyes See: The Visual World of Gerard Manley Hopkins, Sunderland: Ceolfrith Press,  Tillotson, Geoffrey, A View of Victorian Literature, Oxford: Oxford University Press,  Trager, G L and H L Smith, An Outline of English Structure, Norman, OK: Battenburg Press,  Tucker, Herbert, Browning’s Beginnings: The Art of Disclosure, Minneapolis: University of Minnesota Press,  Tennyson and the Doom of Romanticism, Cambridge: Harvard University Press,  Vance, Norman, Sinews of the Spirit: The Ideal of Christian Manliness in Victorian Literature and Religious Thought, Cambridge: Cambridge University Press,  Vendler, Helen, The Breaking of Style, Cambridge: Harvard University Press,  White, Norman, Hopkins, A Literary Biography, Oxford: Oxford University Press,   Bibliography Wittgenstein, Ludwig, Tractatus Logico-Philosophicus, trans D F Pears and B F McGuinness, London: Routledge,  Woolford, John, Browning the Revisionary, London: Macmillan,  Wordsworth, William, Poetical Works, ed Thomas Hutchinson, rev Ernest De Selincourt, Oxford: Oxford University Press,  The Prelude (Text of ), ed Ernest De Selincourt, corr Stephen Gill, Oxford: Oxford University Press,  Wright, Walter F., The Shaping of The Dynasts, Lincoln: University of Nebraska Press,  Yeats, William Butler, The Collected Poems, nd edn, London: Macmillan,  ‘A General Introduction For My Work’, in W B Yeats: Selected Criticism and Prose, ed A Norman Jeffares, London: Pan,  Index , , ,  n ,  n ,  n ; ‘Andrea Del Sarto’, –; ‘Essay on Shelley’, ,  n ; ‘Fra Lippo Lippi’, –; ‘In a Gondola’, ; ‘My Last Duchess’, –, –, , –; Paracelsus, ; Pauline, , –, , ; ‘Porphyria’s Lover’, –; Red Cotton Night-Cap Country, ; Ring and the Book, The, , , –, –, , –, , , ; Sordello, –, –, , , , , , –, , , , , ; ‘Two in the Campagna’, ,  Buckler, William,  Byron, Lord, , ,  n ; The Corsair,  Adler, Joshua,  n  Albright, Daniel,  n  Allen, Peter,  n  Allingham, William, –,  n  ‘Angelus, The’,  n  Aristotle, ; Nichomachean Ethics, –,  Arnold, Matthew, ,  Aquinas, St Thomas,  Armstrong, Isobel, , , , –, , , , , ,  n ,  n ,  n ,  n  Armstrong, Tim, , ,  n  Attridge, Derek, xi, , ,  n  Auden, W H , ,  Augustine, St,  Austin, J L , –, ,  n  Aviram, Amittai,  Ball, Patricia,  Barthes, Roland, ,  n  Bayley, John,  Beer, John,  n  Berry, Francis,  Bentham, Jeremy,  Bloom, Harold, –, , – Bradley, A C , , ,  n  Brady, Ann,  Brashear, William, , ,  n  Bridges, Robert, , , –, , , , , ,  n ; Milton’s Prosody, , , – n  Brimley, George, , , – Bristow, Joseph, Bronteă, Charlotte, n Brown, Daniel, ,  Brown, Susan, , ,  n  Browning, Elizabeth Barrett, , , , , , , –, , , , , , , ,  n ; Aurora Leigh, – Browning, Robert, , , , , , , , , , , –, –, , , , , Carlyle, Thomas, , , , , ; Heroes and Hero-Worship, , , , ; Sartor Resartus, – Chesterton, G K , ,  Clifford, W K , ,  Clough, Arthur Hugh, –, ,  n  Coleridge, Samuel Taylor, , , –, , , , , , ; Biographia Literaria, –, –, ; Christabel, –, , , ; Lyrical Ballads, – Cook, A K ,  Cooke, Michael,  Cowley, Abraham,  Culler, A Dwight, , , ,  n ,  n  Dante Alighieri, , ,  Darwin, Charles,  Davidson, Donald,  Davie, Donald, –, , ,  n ,  n  Davis, Philip,  Day, Aidan,  n  De Man, Paul,  Derrida, Jacques,  Devlin, Christopher,    Index Dixon, Richard Watson, ,  Donne, W B ,  Dowden, Edward, –,  Dryden, John,  Duffy (),  n  Dyson, Hope,  n  Ecclesiastes,  Eliot, T S , –, ,  n ,  n  Empson, William, –,  Esmarch, Charles,  Exodus, –, ,  Ferrier, J F , , , –, –,  FitzGerald, Edward, , , , –,  Fox, W J , ,  Fredeman, W E ,  Fussel, Paul,  Gardner, W H ,  Garwood, Helen,  n  Gladstone, William, ,  n  Goethe, Johann Wolfgang von, ,  Gransden, K W ,  n  Griffiths, Eric, , , , –,  n ,  n  Hair, Donald,  n  Hallam, Arthur Henry, , , , , , , , , , , , , , , –, , –,  n ; ‘Essay on the Philosophical Writings of Cicero’, –; ‘On The Characteristics of Modern Poetry’, , , , ; ‘On Sympathy’, –, ,  Hamilton, Sir William, ,  Hardy, Emma, , , –; Some Recollections, , , ,  Hardy, Florence: The Life of Thomas Hardy, –,  Hardy, Thomas, , , , , –, , , –; ‘After a Journey’, –; ‘At Castle Boterel’, , , ; ‘Bird Catcher’s Boy, The’, ; ‘Convergence of the Twain, The’, ; ‘During Wind and Rain’, –; Dynasts, The, –, –, ,  n ; ‘Haunter, The’, ; Human Shows, ; ‘In Time of The Breaking of Nations’, ; Moments of Vision, ; ‘Neutral Tones’, –; ‘Pedigree, The’, –, ; ‘Places’, –; Poems of –, , , –, ; Satires of Circumstance, ; ‘Sign Seeker, A’, ; ‘Under the Waterfall’, –; ‘Voice, The’, ; ‘Weathers’, –; ‘Wessex Heights’, ; ‘Where the Picnic Was’,  Hare, Julius,  Hartley, David, , ,  Hartmann, Geoffrey, , –, , ,  n  Hassett, Constance W ,  n  Hazlitt, William, , , , , ,  n  Hegel, Georg Wilhelm Friedrich, , ,  Hobsbaum, Philip, xi Hollander, John, xi, , , , – Homer,  Hopkins, Gerard Manley, xi, –, , , , , , , , –, , , , ,  nn  & , – n ; ‘As kingfishers catch fire’, , –; ‘Carrion Comfort’, ; ‘Harry Ploughman’, –, , , –, ; ‘Lines for a Picture of St Dorothea’, –, ; ‘On the Portrait of Two Beautiful Young People’, ; ‘Patience, hard thing’, ; ‘That Nature is an Heraclitean Fire’, –; ‘Tom’s Garland’, ; Wreck of the Deutschland, The, , –, ,  Horace, , – Horder, Jeremy,  n  Horne, R H , ,  n ,  n  Hughes, Linda K , , –,  n ,  n  Hunt, Leigh, ,  n  Hutton, R H ,  Jacobus, Mary, –,  n  Jakobson, Roman, ,  James, Henry, , , , , , ,  James, William, ,  Johnson, Samuel, –, , , ,  Joseph, Gerhard,  Kant, Immanuel, , , , , ,  Karlin, Daniel, , ,  n  Keats, John, , , , , –, , , , , ,  n  Kelly (),  Kerrigan, John, – Killham, John,  n  Kincaid, James, ,  n ,  n  Kipling, Rudyard,  Lang, Cecil,  Langbaum, Robert, , , , , ,  n ,  n  Latane´, Donald,  Leavis, F R , , ,  Loyola, St Ignatius: Spiritual Exercises, –, ,  Index Luke, St, ,  MacKenzie, Norman,  n  Mallock, W H ,  Mann, R J , ,  Matthew, St, ,  Maurice, F D , ,  n  McDonald, Peter, ,  Meynell, Wilfrid, – Mill, James,  Mill, John Stuart,  Miller, J Hillis, ,  n  Milton, John, , , , , , , –, , – n ; Lycidas, , , ; Paradise Lost, , , –, ; Samson Agonistes, –, , ,  n  Morgan, Thais E ,  Morris, William,  Newman, John Henry,  Nims, John Frederick,  n  Noel, Roden, – Nunokowa, Jeff,  n  Odyssey, The,  Omond, T S ,  Ong, Walter, –, ,  n ,  n  Orel, Harold,  n  Palgrave, Francis Turner,  Pater, Walter,  Patmore, Coventry, , , , , , , , ; ‘Essay on English Metrical Law’, , –, – Pattison, Robert, – n  Paul, St, –, –,  Paulin, Tom, , , ,  n  Peltason, Timothy, , , , , , ,  n ,  n  Philips, Catherine,  Plato: Protagoras,  Pope, Alexander, ,  n ; Essay on Criticism,  Pound, Ezra, ,  Pugin, Augustus,  Puttenham, George,  Rader, Ralph Wilson,  Ramazani, Jahan, –,  Ransome, John Crowe,  n  Reed, John R , xii, , ,  Richardson, James, ,  n  Ricks, Christopher, , , , , , , ,  n ,  n ,  n  Rosenblum, Dolores, Ryback,   Rossetti, Christina, , , , , ,  n ; Goblin Market, – Rousseau, Jean Jacques,  Ruskin, John, , , , , , , ,  n ; Stones of Venice, – Sacks, Peter, M , ,  Saintsbury, George, – Schopenhauer, Arthur, , , ,  n  Scott, Walter, , ,  n  Scotus, Duns, ,  Shakespeare, William, , –, –, ; Romeo and Juliet,  Shatto, Susan,  n  Shaw, Marion,  n  Shelley, Percy Bysshe, , , –, , , ; Adonais, , , Sidgewick, Henry,  Sidney, Sir Philip,  Sinfield, Alan, –, , , , , , ,  n ,  n  Slinn, Warwick,  Smiles, Samuel; Self Help, ,  Smith, James, ,  Sophocles, – Steele, Timothy,  n  Sussman, Herbert, ,  n  Swinburne, Algernon, , , , ,  n  Symonds, J A ,  Taylor, Dennis, , –, , , –, , , , ,  n ,  n ,  n  Tennyson, Alfred, xi, , , , , , –, , , –, , , , , , –, –, , , , –,  n ,  n , – n ; ‘Attempts at Classic Metres in Quantity’, ,  n ; ‘Break, Break, Break’, ; ‘Conrad! Why call thy life monotonous?’, –; Idylls of the King, , , ,  n ; In Memoriam, xii, , , , –, , , , , , , –, , –, , , ,  n ; ‘Locksley Hall’, , , ; ‘Locksley Hall Sixty Years After’, , ; ‘Lotos-Eaters, The’, , ; ‘Lucretius’, , ; ‘Mariana’, –, , ; Maud, , , , , , –, , , , , , ,  n ; ‘Morte d’Arthur’, ; Ode on the Death of the Duke of Wellington, , , –; ‘Oenone’, –, –, , ; ‘Oh! that ’twere possible’, –; ‘Palace of Art, The’, –, , ; Princess, The, , ; ‘Rizpah’, –, , ; ‘St Simeon Stylites’, –,  n ;  Index Tennyson, Alfred (cont.) ‘Tiresias’,; ‘Tithon’ / ‘Tithonus’, , –, , ; Translation of Horace’s Third Ode, –; ‘Ulysses’, , –, , –, , ; ‘Will’, – Tennyson, Charles,  n  Tennyson, Emily, , – Tennyson, Hallam, –, , , , ,  n ,  n  Thomson, Alastair,  Trager, G L , and Smith, H L , xi Trench, Richard Chevenix, ,  n  Tucker, Herbert, , , , –, , ,  n ,  n  Vance, Norman,  n  Walker, Frederick, , ,  n  Walsh (), ,  n  Wallace, Robert, xi, ,  n  Ward, William George,  Wedgewood, Julia, ,  n  Wellington, Duke of, –,  n  Whitman, Walt,  Wittgenstein, Ludwig,  Woolford, John, ,  Wordsworth, William, –, , –, , , , ,  n ,  n ; The Excursion,  n ; ‘Lucy’ poems, , –; Lyrical Ballads, –, , –; Michael, , –; Prelude, The, –; ‘Strange Fits of Passion’, –; ‘Thorn, The’,  Wright, Walter F ,  n  Yeats, William Butler, , , –, , , – Young, G M , ,  Zonana, Joyce,     -    General editor           , University of Cambridge Titles published  The Sickroom in Victorian Fiction: The Art of Being Ill by          , Washington University  Muscular Christianity: Embodying the Victorian Age edited by            , California State University, Northridge  Victorian Masculinities: Manhood and Masculine Poetics in early Victorian Literature and Art by              , Northeastern University  Byron and the Victorians by             , University of Minnesota  Literature in the Marketplace: Nineteenth-Century British Publishing and the Circulation of Books edited by         , University of California, Santa Cruz and         , Rice University  Victorian Photography, Painting and Poetry The Enigma of Visibility in Ruskin, Morris and the Pre-Raphaelites by           , University of Sussex Charlotte Bronteă and Victorian Psychology by               , University of Sheffield  The Gothic Body Sexuality, Materialism, and Degeneration at the Fin de Sie`cle by           , University of Colorado at Boulder  Rereading Walter Pater by             , Eastern Michigan University  Remaking Queen Victoria edited by          , Yale University and             , State University of New York, Stony Brook  Disease, Desire, and the Body in Victorian Women’s Popular Novels by         , University of Florida  Realism, Representation, and the Arts in Nineteenth-Century Literature by          , Middlebury College  Literary Culture and the Pacific: Nineteenth-Century Textual Encounters by           , King’s College, Cambridge  Professional Domesticity in the Victorian Novel: Women, Work and Home by            Victorian Renovations of the Novel Narrative Annexes and the Boundaries of Representation by          , Washington and Lee University  Actresses on the Victorian Stage Feminine Performance and the Galatea Myth by      , University of Leeds  Death and the Mother from Dickens to Freud Victorian Fiction and the Anxiety of Origins by        , New York University  Ancestry and Narrative in Nineteenth-Century British Literature Blood Relations from Edgeworth to Hardy by           , University of London  Dickens, Novel Reading, and the Victorian Popular Theatre by             After Dickens: Reading Adaptation and Performance by       , Georgetown University  Victorian Women Writers and the Woman Question edited by                , Kingston University, London  Rhythm and Will in Victorian Poetry by           , University of Sheffield

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