0521551331 cambridge university press the drawings of michelangelo and his followers in the ashmolean museum may 2007

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0521551331 cambridge university press the drawings of michelangelo and his followers in the ashmolean museum may 2007

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P1: JZP 0521551331pre CUNY160/Joannides 521 55133 January 10, 2007 This page intentionally left blank vi 19:34 P1: JZP 0521551331pre CUNY160/Joannides 521 55133 January 10, 2007 THE DRAWINGS OF MICHELANGELO AND HIS FOLLOWERS IN THE ASHMOLEAN MUSEUM This volume comprises a full and detailed catalogue of drawings by and after Michelangelo in the Ashmolean Museum The Ashmolean possesses the third largest collection in the world of drawings by Michelangelo – after the Casa Buonarroti and the British Museum – and a rich group of drawings by Michelangelo’s pupils and close associates, as well as a number of contemporary copies after drawings by the master that have subsequently been lost It also houses a significant number of copies, the majority of the sixteenth century, after Michelangelo’s works in all media, that shed light on his reputation and influence among his contemporaries and immediate successors The catalogue is preceded by two introductions The first provides the fullest account yet published of the history and provenance of Michelangelo’s drawings; the second surveys the various types of drawing that Michelangelo practised and gives a synoptic account of his stylistic development as a draughtsman All the Ashmolean’s autograph drawings by Michelangelo, and most of the associated drawings and the copies, came from the collection of Sir Thomas Lawrence, the greatest collection of Old Master Drawings ever formed in Britain This volume contains two detailed appendices that endeavour to trace as exactly as possible the histories of all the drawings by or after Michelangelo that Lawrence owned, both before he acquired them and after they were dispersed Paul Joannides, Professor of Art History at the University of Cambridge, has published widely on the painting, sculpture, architecture, and, in particular, the drawings of the Italian Renaissance Among his major publications in this area are his standard account The Drawings of Raphael and his Inventaire of drawings by and after Michelangelo in the Louvre He has also written on topics in French painting of the later eighteenth and early nineteenth centuries i 19:34 P1: JZP 0521551331pre CUNY160/Joannides 521 55133 January 10, 2007 ii 19:34 P1: JZP 0521551331pre CUNY160/Joannides 521 55133 January 10, 2007 The Drawings of Michelangelo and His Followers in the Ashmolean Museum PAUL JOANNIDES iii 19:34 CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge CB2 8RU, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521551335 © Paul Joannides 2007 This publication is in copyright Subject to statutory exception and to the provision of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press First published in print format 2007 eBook (EBL) ISBN-13 978-0-511-28474-8 ISBN-10 0-511-28474-8 eBook (EBL) ISBN-13 ISBN-10 hardback 978-0-521-55133-5 hardback 0-521-55133-1 Cambridge University Press has no responsibility for the persistence or accuracy of urls for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate P1: JZP 0521551331pre CUNY160/Joannides 521 55133 January 10, 2007 To Catherine Whistler Jon Whiteley Timothy Wilson and above all Marianne Joannides v 19:34 P1: JZP 0521551331pre CUNY160/Joannides 521 55133 January 10, 2007 vi 19:34 P1: JZP 0521551331pre CUNY160/Joannides 521 55133 January 10, 2007 19:34 contents Preface Acknowledgements The Dispersal and Formation of Sir Thomas Lawrence’s Collection of Drawings by Michelangelo Michelangelo’s Drawings page ix xiii 45 the catalogue Wholly or Partially Autograph Sheets (Cats 1–57) 59 Copies of Lost and Partially Lost Drawings (Cats 58–61) 281 Copies of Surviving Drawings (Cats 62–67) 293 Studio Drawings and Drawings of Undetermined Status (Cats 68–80) 309 Copies of Sculptures (Cats 81–85) 337 Copies After Paintings (Cats 86–104) 347 Copies of Architecture (Cats 105–106) 373 Miscellaneous (Cats 107–114) 376 appendices Appendix Drawings by or Attributed to Michelangelo in William Young Ottley’s Sales Texts Commentary Appendix Sir Thomas Lawrence’s Collection of Drawings by and After Michelangelo Texts Commentary 397 397 400 408 408 431 List of Former Owners 451 Concordance to the Major Catalogues of Michelangelo’s Drawings 453 Concordance of Ashmolean Inventory Numbers with the Present Catalogue 457 vii P1: JZP 0521551331pre CUNY160/Joannides viii 521 55133 January 10, 2007 CONTENTS Bibliography 459 Index 1: Drawings by and after Michelangelo and his close associates in collections other than that of the Ashmolean Museum; other works of art and architecture by Michelangelo and works executed by other artists to his designs (excluding appendices) 475 Index 2: Works by artists other than Michelangelo and works not directly related to him (excluding appendices) 488 19:34

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  • Cover

  • Half-title

  • Title

  • Copyright

  • Dedication

  • Contents

  • Preface

  • Acknowledgements

  • The Drawings of Michelangelo and his Followers in the Ashmolean Museum

  • The dispersal and formation of sir thomas lawrence's collection of drawings by michelangelo

    • I. The dispersal

    • II. The formation of sir thomas lawrence's collection of michelangelo drawings

    • III. The michelangelo collections of jean-baptiste wicar and william young ottley

    • IV. The collections of casa buonarroti: formation and dispersal

    • V. Other collections

    • Notes

    • Michelangelo's drawings

      • Approaches

      • The make-up of the corpus

      • Drawing types

        • Figural

        • Architectural and/or Decorative Designs

        • Rates of survival

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