Tài liệu hạn chế xem trước, để xem đầy đủ mời bạn chọn Tải xuống
1
/ 527 trang
THÔNG TIN TÀI LIỆU
Thông tin cơ bản
Định dạng
Số trang
527
Dung lượng
1,69 MB
Nội dung
The Project Gutenberg EBook of Villette, by Charlotte Brontë This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Villette Author: Charlotte Brontë Posting Date: August 23, 2010 [EBook #9182] Release Date: October, 2005 First Posted: September 12, 2003 [Last updated: March 2, 2016] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK VILLETTE *** Produced by Delphine Lettau, Charles Franks and Distributed Proofreaders VILLETTE BY CHARLOTTE BRONTË CONTENTS CHAPTER I BRETTON II PAULINA III THE PLAYMATES IV MISS MARCHMONT V TURNING A NEW LEAF VI LONDON VII VILLETTE VIII MADAME BECK IX ISIDORE X DR JOHN XI THE PORTRESS'S CABINET XII THE CASKET XIII A SNEEZE OUT OF SEASON XIV THE FÊTE XV THE LONG VACATION XVI AULD LANG SYNE XVII LA TERRASSE XVIII WE QUARREL XIX THE CLEOPATRA XX THE CONCERT XXI REACTION XXII THE LETTER XXIII VASHTI XXIV M DE BASSOMPIERRE XXV THE LITTLE COUNTESS XXVI A BURIAL XXVII THE HÔTEL CRÉCY XXVIII THE WATCHGUARD XXIX MONSIEUR'S FÊTE XXX M PAUL XXXI THE DRYAD XXXII THE FIRST LETTER XXXIII M PAUL KEEPS HIS PROMISE XXXIV MALEVOLA XXXV FRATERNITY XXXVI THE APPLE OF DISCORD XXXVII SUNSHINE XXXVIII CLOUD XXXIX OLD AND NEW ACQUAINTANCE XL THE HAPPY PAIR XLI FAUBOURG CLOTILDE XLII FINIS VILLETTE CHAPTER I BRETTON My godmother lived in a handsome house in the clean and ancient town of Bretton Her husband's family had been residents there for generations, and bore, indeed, the name of their birthplace—Bretton of Bretton: whether by coincidence, or because some remote ancestor had been a personage of sufficient importance to leave his name to his neighbourhood, I know not When I was a girl I went to Bretton about twice a year, and well I liked the visit The house and its inmates specially suited me The large peaceful rooms, the well-arranged furniture, the clear wide windows, the balcony outside, looking down on a fine antique street, where Sundays and holidays seemed always to abide—so quiet was its atmosphere, so clean its pavement—these things pleased me well One child in a household of grown people is usually made very much of, and in a quiet way I was a good deal taken notice of by Mrs Bretton, who had been left a widow, with one son, before I knew her; her husband, a physician, having died while she was yet a young and handsome woman She was not young, as I remember her, but she was still handsome, tall, wellmade, and though dark for an Englishwoman, yet wearing always the clearness of health in her brunette cheek, and its vivacity in a pair of fine, cheerful black eyes People esteemed it a grievous pity that she had not conferred her complexion on her son, whose eyes were blue—though, even in boyhood, very piercing—and the colour of his long hair such as friends did not venture to specify, except as the sun shone on it, when they called it golden He inherited the lines of his mother's features, however; also her good teeth, her stature (or the promise of her stature, for he was not yet full-grown), and, what was better, her health without flaw, and her spirits of that tone and equality which are better than a fortune to the possessor In the autumn of the year —— I was staying at Bretton; my godmother having come in person to claim me of the kinsfolk with whom was at that time fixed my permanent residence I believe she then plainly saw events coming, whose very shadow I scarce guessed; yet of which the faint suspicion sufficed to impart unsettled sadness, and made me glad to change scene and society Time always flowed smoothly for me at my godmother's side; not with tumultuous swiftness, but blandly, like the gliding of a full river through a plain My visits to her resembled the sojourn of Christian and Hopeful beside a certain pleasant stream, with "green trees on each bank, and meadows beautified with lilies all the year round." The charm of variety there was not, nor the excitement of incident; but I liked peace so well, and sought stimulus so little, that when the latter came I almost felt it a disturbance, and wished rather it had still held aloof One day a letter was received of which the contents evidently caused Mrs Bretton surprise and some concern I thought at first it was from home, and trembled, expecting I know not what disastrous communication: to me, however, no reference was made, and the cloud seemed to pass The next day, on my return from a long walk, I found, as I entered my bedroom, an unexpected change In, addition to my own French bed in its shady recess, appeared in a corner a small crib, draped with white; and in addition to my mahogany chest of drawers, I saw a tiny rosewood chest I stood still, gazed, and considered "Of what are these things the signs and tokens?" I asked The answer was obvious "A second guest is coming: Mrs Bretton expects other visitors." On descending to dinner, explanations ensued A little girl, I was told, would shortly be my companion: the daughter of a friend and distant relation of the late Dr Bretton's This little girl, it was added, had recently lost her mother; though, indeed, Mrs Bretton ere long subjoined, the loss was not so great as might at first appear Mrs Home (Home it seems was the name) had been a very pretty, but a giddy, careless woman, who had neglected her child, and disappointed and disheartened her husband So far from congenial had the union proved, that separation at last ensued—separation by mutual consent, not after any legal process Soon after this event, the lady having over-exerted herself at a ball, caught cold, took a fever, and died after a very brief illness Her husband, naturally a man of very sensitive feelings, and shocked inexpressibly by too sudden communication of the news, could hardly, it seems, now be persuaded but that some over-severity on his part—some deficiency in patience and indulgence—had contributed to hasten her end He had brooded over this idea till his spirits were seriously affected; the medical men insisted on travelling being tried as a remedy, and meanwhile Mrs Bretton had offered to take charge of his little girl "And I hope," added my godmother in conclusion, "the child will not be like her mamma; as silly and frivolous a little flirt as ever sensible man was weak enough to marry For," said she, "Mr Home is a sensible man in his way, though not very practical: he is fond of science, and lives half his life in a laboratory trying experiments—a thing his butterfly wife could neither comprehend nor endure; and indeed" confessed my godmother, "I should not have liked it myself." In answer to a question of mine, she further informed me that her late husband used to say, Mr Home had derived this scientific turn from a maternal uncle, a French savant; for he came, it seems; of mixed French and Scottish origin, and had connections now living in France, of whom more than one wrote de before his name, and called himself noble That same evening at nine o'clock, a servant was despatched to meet the coach by which our little visitor was expected Mrs Bretton and I sat alone in the drawing-room waiting her coming; John Graham Bretton being absent on a visit to one of his schoolfellows who lived in the country My godmother read the evening paper while she waited; I sewed It was a wet night; the rain lashed the panes, and the wind sounded angry and restless "Poor child!" said Mrs Bretton from time to time "What weather for her journey! I wish she were safe here." A little before ten the door-bell announced Warren's return No sooner was the door opened than I ran down into the hall; there lay a trunk and some bandboxes, beside them stood a person like a nurse-girl, and at the foot of the staircase was Warren with a shawled bundle in his arms "Is that the child?" I asked "Yes, miss." I would have opened the shawl, and tried to get a peep at the face, but it was hastily turned from me to Warren's shoulder "Put me down, please," said a small voice when Warren opened the drawingroom door, "and take off this shawl," continued the speaker, extracting with its minute hand the pin, and with a sort of fastidious haste doffing the clumsy wrapping The creature which now appeared made a deft attempt to fold the shawl; but the drapery was much too heavy and large to be sustained or wielded by those hands and arms "Give it to Harriet, please," was then the direction, "and she can put it away." This said, it turned and fixed its eyes on Mrs Bretton "Come here, little dear," said that lady "Come and let me see if you are cold and damp: come and let me warm you at the fire." The child advanced promptly Relieved of her wrapping, she appeared exceedingly tiny; but was a neat, completely-fashioned little figure, light, slight, and straight Seated on my godmother's ample lap, she looked a mere doll; her neck, delicate as wax, her head of silky curls, increased, I thought, the resemblance Mrs Bretton talked in little fond phrases as she chafed the child's hands, arms, and feet; first she was considered with a wistful gaze, but soon a smile answered her Mrs Bretton was not generally a caressing woman: even with her deeplycherished son, her manner was rarely sentimental, often the reverse; but when the small stranger smiled at her, she kissed it, asking, "What is my little one's name?" "Missy." "But besides Missy?" "Polly, papa calls her." "Will Polly be content to live with me?" "Not always; but till papa comes home Papa is gone away." She shook her head expressively "He will return to Polly, or send for her." "Will he, ma'am? Do you know he will?" "I think so." "But Harriet thinks not: at least not for a long while He is ill." Her eyes filled She drew her hand from Mrs Bretton's and made a movement to leave her lap; it was at first resisted, but she said—"Please, I wish to go: I can sit on a stool." She was allowed to slip down from the knee, and taking a footstool, she carried it to a corner where the shade was deep, and there seated herself Mrs Bretton, though a commanding, and in grave matters even a peremptory woman, was often passive in trifles: she allowed the child her way She said to me, "Take no notice at present." But I did take notice: I watched Polly rest her small elbow on her small knee, her head on her hand; I observed her draw a square inch or two of pocket-handkerchief from the doll-pocket of her doll-skirt, and then I heard her weep Other children in grief or pain cry aloud, without shame or restraint; but this being wept: the tiniest occasional sniff testified to her emotion Mrs Bretton did not hear it: which was quite as well Ere long, a voice, issuing from the corner, demanded—"May the bell be rung for Harriet!" I rang; the nurse was summoned and came "Harriet, I must be put to bed," said her little mistress "You must ask where my bed is." Harriet signified that she had already made that inquiry "Ask if you sleep with me, Harriet." "No, Missy," said the nurse: "you are to share this young lady's room," designating me Missy did not leave her seat, but I saw her eyes seek me After some minutes' silent scrutiny, she emerged from her corner "I wish you, ma'am, good night," said she to Mrs Bretton; but she passed me mute "Good-night, Polly," I said "No need to say good-night, since we sleep in the same chamber," was the reply, with which she vanished from the drawing-room We heard Harriet propose to carry her up-stairs "No need," was again her answer—"no need, no need:" and her small step toiled wearily up the staircase On going to bed an hour afterwards, I found her still wide awake She had arranged her pillows so as to support her little person in a sitting posture: her hands, placed one within the other, rested quietly on the sheet, with an oldfashioned calm most unchildlike I abstained from speaking to her for some time, but just before extinguishing the light, I recommended her to lie down "By and by," was the answer "But you will take cold, Missy." She took some tiny article of raiment from the chair at her crib side, and with it covered her shoulders I suffered her to do as she pleased Listening awhile in the darkness, I was aware that she still wept,—wept under restraint, quietly and cautiously On awaking with daylight, a trickling of water caught my ear Behold! there she was risen and mounted on a stool near the washstand, with pains and difficulty inclining the ewer (which she could not lift) so as to pour its contents into the basin It was curious to watch her as she washed and dressed, so small, busy, and noiseless Evidently she was little accustomed to perform her own toilet; and the buttons, strings, hooks and eyes, offered difficulties which she encountered with a perseverance good to witness She folded her night-dress, she smoothed the drapery of her couch quite neatly; withdrawing into a corner, where the sweep of the white curtain concealed her, she became still I half rose, and advanced my head to see how she was occupied On her knees, with her forehead bent on her hands, I perceived that she was praying Her nurse tapped at the door She started up "I am dressed, Harriet," said she; "I have dressed myself, but I do not feel neat Make me neat!" "Why did you dress yourself, Missy?" "Hush! speak low, Harriet, for fear of waking the girl" (meaning me, who now lay with my eyes shut) "I dressed myself to learn, against the time you leave me." "Do you want me to go?" "When you are cross, I have many a time wanted you to go, but not now Tie my sash straight; make my hair smooth, please." "Your sash is straight enough What a particular little body you are!" "It must be tied again Please to tie it." "There, then When I am gone you must get that young lady to dress you." "On no account." "Why? She is a very nice young lady I hope you mean to behave prettily to her, Missy, and not show your airs." "She shall dress me on no account." "Comical little thing!" "You are not passing the comb straight through my hair, Harriet; the line will be crooked." "Ay, you are ill to please Does that suit?" "Pretty well Where should I go now that I am dressed?" "I will take you into the breakfast-room." "Come, then." They proceeded to the door She stopped "I want to tell you something," I said: "I want to tell you all." "Speak, Lucy; come near; speak Who prizes you, if I do not? Who is your friend, if not Emanuel? Speak!" I spoke All escaped from my lips I lacked not words now; fast I narrated; fluent I told my tale; it streamed on my tongue I went back to the night in the park; I mentioned the medicated draught—why it was given—its goading effect—how it had torn rest from under my head, shaken me from my couch, carried me abroad with the lure of a vivid yet solemn fancy—a summer-night solitude on turf, under trees, near a deep, cool lakelet I told the scene realized; the crowd, the masques, the music, the lamps, the splendours, the guns booming afar, the bells sounding on high All I had encountered I detailed, all I had recognised, heard, and seen; how I had beheld and watched himself: how I listened, how much heard, what conjectured; the whole history, in brief, summoned to his confidence, rushed thither, truthful, literal, ardent, bitter Still as I narrated, instead of checking, he incited me to proceed he spurred me by the gesture, the smile, the half-word Before I had half done, he held both my hands, he consulted my eyes with a most piercing glance: there was something in his face which tended neither to calm nor to put me down; he forgot his own doctrine, he forsook his own system of repression when I most challenged its exercise I think I deserved strong reproof; but when have we our deserts? I merited severity; he looked indulgence To my very self I seemed imperious and unreasonable, for I forbade Justine Marie my door and roof; he smiled, betraying delight Warm, jealous, and haughty, I knew not till now that my nature had such a mood: he gathered me near his heart I was full of faults; he took them and me all home For the moment of utmost mutiny, he reserved the one deep spell of peace These words caressed my ear:— "Lucy, take my love One day share my life Be my dearest, first on earth." We walked back to the Rue Fossette by moonlight—such moonlight as fell on Eden—shining through the shades of the Great Garden, and haply gilding a path glorious for a step divine—a Presence nameless Once in their lives some men and women go back to these first fresh days of our great Sire and Mother—taste that grand morning's dew—bathe in its sunrise In the course of the walk I was told how Justine Marie Sauveur had always been regarded with the affection proper to a daughter—how, with M Paul's consent, she had been affianced for months to one Heinrich Mühler, a wealthy young German merchant, and was to be married in the course of a year Some of M Emanuel's relations and connections would, indeed, it seems, have liked him to marry her, with a view to securing her fortune in the family; but to himself the scheme was repugnant, and the idea totally inadmissible We reached Madame Beck's door Jean Baptiste's clock tolled nine At this hour, in this house, eighteen months since, had this man at my side bent before me, looked into my face and eyes, and arbitered my destiny This very evening he had again stooped, gazed, and decreed How different the look—how far otherwise the fate! He deemed me born under his star: he seemed to have spread over me its beam like a banner Once—unknown, and unloved, I held him harsh and strange; the low stature, the wiry make, the angles, the darkness, the manner, displeased me Now, penetrated with his influence, and living by his affection, having his worth by intellect, and his goodness by heart—I preferred him before all humanity We parted: he gave me his pledge, and then his farewell We parted: the next day —he sailed CHAPTER XLII FINIS Man cannot prophesy Love is no oracle Fear sometimes imagines a vain thing Those years of absence! How had I sickened over their anticipation! The woe they must bring seemed certain as death I knew the nature of their course: I never had doubt how it would harrow as it went The juggernaut on his car towered there a grim load Seeing him draw nigh, burying his broad wheels in the oppressed soil—I, the prostrate votary—felt beforehand the annihilating craunch Strange to say—strange, yet true, and owning many parallels in life's experience —that anticipatory craunch proved all—yes—nearly all the torture The great Juggernaut, in his great chariot, drew on lofty, loud, and sullen He passed quietly, like a shadow sweeping the sky, at noon Nothing but a chilling dimness was seen or felt I looked up Chariot and demon charioteer were gone by; the votary still lived M Emanuel was away three years Reader, they were the three happiest years of my life Do you scout the paradox? Listen I commenced my school; I worked— I worked hard I deemed myself the steward of his property, and determined, God willing, to render a good account Pupils came—burghers at first—a higher class ere long About the middle of the second year an unexpected chance threw into my hands an additional hundred pounds: one day I received from England a letter containing that sum It came from Mr Marchmont, the cousin and heir of my dear and dead mistress He was just recovering from a dangerous illness; the money was a peace-offering to his conscience, reproaching him in the matter of, I know not what, papers or memoranda found after his kinswoman's death— naming or recommending Lucy Snowe Mrs Barrett had given him my address How far his conscience had been sinned against, I never inquired I asked no questions, but took the cash and made it useful With this hundred pounds I ventured to take the house adjoining mine I would not leave that which M Paul had chosen, in which he had left, and where he expected again to find me My externat became a pensionnat; that also prospered The secret of my success did not lie so much in myself, in any endowment, any power of mine, as in a new state of circumstances, a wonderfully changed life, a relieved heart The spring which moved my energies lay far away beyond seas, in an Indian isle At parting, I had been left a legacy; such a thought for the present, such a hope for the future, such a motive for a persevering, a laborious, an enterprising, a patient and a brave course—I could not flag Few things shook me now; few things had importance to vex, intimidate, or depress me: most things pleased—mere trifles had a charm Do not think that this genial flame sustained itself, or lived wholly on a bequeathed hope or a parting promise A generous provider supplied bounteous fuel I was spared all chill, all stint; I was not suffered to fear penury; I was not tried with suspense By every vessel he wrote; he wrote as he gave and as he loved, in full-handed, full-hearted plenitude He wrote because he liked to write; he did not abridge, because he cared not to abridge He sat down, he took pen and paper, because he loved Lucy and had much to say to her; because he was faithful and thoughtful, because he was tender and true There was no sham and no cheat, and no hollow unreal in him Apology never dropped her slippery oil on his lips—never proffered, by his pen, her coward feints and paltry nullities: he would give neither a stone, nor an excuse—neither a scorpion; nor a disappointment; his letters were real food that nourished, living water that refreshed And was I grateful? God knows! I believe that scarce a living being so remembered, so sustained, dealt with in kind so constant, honourable and noble, could be otherwise than grateful to the death Adherent to his own religion (in him was not the stuff of which is made the facile apostate), he freely left me my pure faith He did not tease nor tempt He said:— "Remain a Protestant My little English Puritan, I love Protestantism in you I own its severe charm There is something in its ritual I cannot receive myself, but it is the sole creed for 'Lucy.'" All Rome could not put into him bigotry, nor the Propaganda itself make him a real Jesuit He was born honest, and not false—artless, and not cunning—a freeman, and not a slave His tenderness had rendered him ductile in a priest's hands, his affection, his devotedness, his sincere pious enthusiasm blinded his kind eyes sometimes, made him abandon justice to himself to do the work of craft, and serve the ends of selfishness; but these are faults so rare to find, so costly to their owner to indulge, we scarce know whether they will not one day be reckoned amongst the jewels * * * * * And now the three years are past: M Emanuel's return is fixed It is Autumn; he is to be with me ere the mists of November come My school flourishes, my house is ready: I have made him a little library, filled its shelves with the books he left in my care: I have cultivated out of love for him (I was naturally no florist) the plants he preferred, and some of them are yet in bloom I thought I loved him when he went away; I love him now in another degree: he is more my own The sun passes the equinox; the days shorten, the leaves grow sere; but—he is coming Frosts appear at night; November has sent his fogs in advance; the wind takes its autumn moan; but—he is coming The skies hang full and dark—a wrack sails from the west; the clouds cast themselves into strange forms—arches and broad radiations; there rise resplendent mornings—glorious, royal, purple as monarch in his state; the heavens are one flame; so wild are they, they rival battle at its thickest—so bloody, they shame Victory in her pride I know some signs of the sky; I have noted them ever since childhood God watch that sail! Oh! guard it! The wind shifts to the west Peace, peace, Banshee—"keening" at every window! It will rise—it will swell—it shrieks out long: wander as I may through the house this night, I cannot lull the blast The advancing hours make it strong: by midnight, all sleepless watchers hear and fear a wild south-west storm That storm roared frenzied, for seven days It did not cease till the Atlantic was strewn with wrecks: it did not lull till the deeps had gorged their full of sustenance Not till the destroying angel of tempest had achieved his perfect work, would he fold the wings whose waft was thunder—the tremor of whose plumes was storm Peace, be still! Oh! a thousand weepers, praying in agony on waiting shores, listened for that voice, but it was not uttered—not uttered till; when the hush came, some could not feel it: till, when the sun returned, his light was night to some! Here pause: pause at once There is enough said Trouble no quiet, kind heart; leave sunny imaginations hope Let it be theirs to conceive the delight of joy born again fresh out of great terror, the rapture of rescue from peril, the wondrous reprieve from dread, the fruition of return Let them picture union and a happy succeeding life Madame Beck prospered all the days of her life; so did Père Silas; Madame Walravens fulfilled her ninetieth year before she died Farewell THE END End of the Project Gutenberg EBook of Villette, by Charlotte Brontë *** END OF THIS PROJECT GUTENBERG EBOOK VILLETTE *** ***** This file should be named 9182-8.txt or 9182-8.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/9/1/8/9182/ Produced by Delphine Lettau, Charles Franks and Distributed Proofreaders Updated editions will replace the previous one—the old editions will be renamed Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission If you do not charge anything for copies of this eBook, complying with the rules is very easy You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research They may be modified and printed and given away—you may do practically ANYTHING with public domain eBooks Redistribution is subject to the trademark license, especially commercial redistribution *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.net/license) Section 1 General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8 1.B "Project Gutenberg" is a registered trademark It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement See paragraph 1.C below There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works See paragraph 1.E below 1.C The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenbergtm electronic works Nearly all the individual works in the collection are in the public domain in the United States If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others 1.D The copyright laws of the place where you are located also govern what you can do with this work Copyright laws in most countries are in a constant state of change If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work The Foundation makes no representations concerning the copyright status of any work in any country outside the United States 1.E Unless you have removed all references to Project Gutenberg: 1.E.1 The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net 1.E.2 If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9 1.E.3 If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work 1.E.4 Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm 1.E.5 Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License 1.E.6 You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.net), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1 1.E.7 Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9 1.E.8 You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works 1.E.9 If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark Contact the Foundation as set forth in Section 3 below 1.F 1.F.1 Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment 1.F.2 LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3 YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE 1.F.3 LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from If you received the work on a physical medium, you must return the medium with your written explanation The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem 1.F.4 Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE 1.F.5 Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions 1.F.6 INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause Section 2 Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org Section 3 Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service The Foundation's EIN or federal tax identification number is 64-6221541 Its 501(c)(3) letter is posted at http://pglaf.org/fundraising Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S federal laws and your state's laws The Foundation's principal office is located at 4557 Melan Dr S Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr Gregory B Newby Chief Executive and Director gbnewby@pglaf.org Section 4 Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements We do not solicit donations in locations where we have not received written confirmation of compliance To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States U.S laws alone swamp our small staff Please check the Project Gutenberg Web pages for current donation methods and addresses Donations are accepted in a number of other ways including including checks, online payments and credit card donations To donate, please visit: http://pglaf.org/donate Section 5 General Information About Project Gutenberg-tm electronic works Professor Michael S Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S unless a copyright notice is included Thus, we do not necessarily keep eBooks in compliance with any particular paper edition Most people start at our Web site which has the main PG search facility: http://www.gutenberg.net This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks ... "How can I possibly know anything so strange? Is there one day out of the seven when he is otherwise than on the other six?" "To be sure! Can't you see? Don't you know? I find him the most excellent on a Sunday; then we have him the whole day, and he is quiet, and, in the evening, so... Paulina took much interest in the coming of these friends; she had frequently heard of them; they were amongst those of whom Graham oftenest spoke After dinner, the young gentlemen were left by themselves in the dining-room, where they soon became very merry and made a... her ears at the first words I uttered, and then lying down on the mat with her face against the flags; nor could either Warren or the cook root her from that position: she was allowed to lie, therefore, till she chose to rise of her own accord