The cambridge companion to greek lyric

t h e ca m b r i d g e c o m p a n i o n t o g re e k l y ri c Greek lyric poetry encompassed a wide range of types of poem, from elegy to iambos and dithyramb to epinikion It particularly flourished in the archaic and classical periods, and some of its practitioners, such as Sappho and Pindar, had significant cultural influence in subsequent centuries down to the present day This Companion provides an accessible introduction to this fascinating and diverse body of poetry and its later reception It takes account of the exciting new papyrus finds and new critical approaches which have greatly advanced our understanding of both the corpus itself and of the socio-cultural contexts in which lyric pieces were produced, performed and transmitted Each chapter is provided with a guide to further reading, and the volume includes a chronology, glossary and guide to editions and translations A complete list of books in the series is at the back of this book Cambridge Collections Online © Cambridge University Press, 2010 Cambridge Collections Online © Cambridge University Press, 2010 THE CAMBRIDGE COMPANION TO GREEK LYRIC EDITED BY FELIX BUDELMANN Cambridge Collections Online © Cambridge University Press, 2010 cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi Cambridge University Press The Edinburgh Building, Cambridge cb2 8ru, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521849449 © Cambridge University Press 2009 This publication is in copyright Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press First published 2009 Printed in the United Kingdom at the University Press, Cambridge A catalogue record for this publication is available from the British Library Library of Congress Cataloguing in Publication data The Cambridge companion to Greek lyric / edited by Felix Budelmann p cm Includes bibliographical references and index isbn 978-0-521-84944-9 Greek poetry – History and criticism I Budelmann, Felix II Title pa3110.c26 2009 884′.0109–dc22 2009004022 isbn 978-0-521-84944-9 hardback isbn 978-0-521-61476-4 paperback Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate Cambridge Collections Online © Cambridge University Press, 2010 CONTENTS List of illustrations and maps Notes on Contributors Preface Citations, abbreviations and transliteration Introducing Greek lyric felix budelmann part i page viii xi xv xvii contexts and topics Genre, occasion and performance chris carey Greek lyric and the politics and sociologies of archaic and classical Greek communities simon hornblower 19 21 39 Greek lyric and gender eva stehle 58 Greek lyric and the place of humans in the world mark griffith 72 Greek lyric and early Greek literary history barbara graziosi and johannes haubold 95 Language and pragmatics giovan battista d’alessio 114 Metre and music luigi battezzato 130 v Cambridge Collections Online © Cambridge University Press, 2010 contents part ii poets and traditions 147 Iambos chris carey 149 Elegy antonio aloni 168 10 Alcman, Stesichorus and Ibycus eveline krummen 189 11 Alcaeus and Sappho dimitrios yatromanolakis 204 12 Anacreon and the Anacreontea felix budelmann 227 13 Simonides, Pindar and Bacchylides hayden pelliccia 240 14 Ancient Greek popular song dimitrios yatromanolakis 263 15 Timotheus the New Musician eric csapo and peter wilson 277 part iii reception 295 16 Lyric in the Hellenistic period and beyond silvia barbantani 297 17 Lyric in Rome alessandro barchiesi 319 18 Greek lyric from the Renaissance to the eighteenth century pantelis michelakis 336 19 Sappho and Pindar in the nineteenth and twentieth centuries margaret williamson 352 vi Cambridge Collections Online © Cambridge University Press, 2010 contents epilogue 20 Lyric and lyrics: perspectives, ancient and modern michael silk Chronology of select melic, elegiac and iambic poets Editions, commentaries, English translations, lexica, bibliographies Glossary List of works cited Index 371 373 386 388 396 400 449 vii Cambridge Collections Online © Cambridge University Press, 2010 ILLUSTRATIONS AND MAPS Wooden plaque showing sacrificial procession of women and musicians Corinthian, c third quarter sixth century BCE National Archaeological Museum, Athens, inv no 16464 © Ministry of Culture, Archaeological Receipts Fund page 85 Inside of a red-figure kylix attributed to Douris, showing aulos-player and singing symposiast Attic, c 480 BCE Staatliche Antikensammlung und Glyptothek, Munich, inv no 2646 ARV² 437.128 © Hirmer Verlag 86 Red-figure kylix signed by Douris, showing a school scene, including youths playing the aulos and writing on tablet (side a), and man and youth playing lyres and man holding scroll (side b) Attic, c 490–480 BCE Antikensammlung, Berlin, inv no F2285 ARV² 431.48 © bpk 87 Black-figure Siana cup attributed to the Heidelberg painter, showing choral group of dancers Attic, mid-sixth century BCE Allard Pierson Museum, Amsterdam, inv no 3356 ABV 66.57 88 Red-figure kalathos-psykter Obverse side, showing Sappho and Alcaeus Attic, c 480–470 BCE Staatliche Antikensammlung und Glyptothek, Munich, inv no 2416 ARV² 385.228 205 Red-figure hydria showing Sappho, attributed to the Group of Polygnotus Attic, c 440–430 BCE National Archaeological Museum, Athens, inv no 1260 ARV² 1060.145 © Ministry of Culture, Archaeological Receipts Fund 224 Red-figure hydria in the manner of the Niobid Painter, showing a seated female figure reading in the company of three other female figures Attic, c 440 BCE British Museum, London, inv no E190 ARV² 611.36 © The Trustees of the British Museum 225 Fragmentary red-figure kalyx-krater attributed to the Kleophrades painter, showing three men, one wearing headdress and carrying a parasol and one carrying a barbitos inscribed ANAKREON Attic, c 500 BCE ARV² 185.32 Nationalmuseet, Copenhagen, inv no 13365 237 viii Cambridge Collections Online © Cambridge University Press, 2010 list of illustrations and maps Jacques-Louis David, Sappho and Phaon, 1809 State Hermitage Museum, St Petersburg, inv no GE-5668 10 Théodore Chassériau, Sapho se précipitant dans la mer, 1846 Musée du Louvre Photo RMN / © Jean-Gilles Berizzi 11 Simeon Solomon, Sappho and Erinna in a Garden at Mytilene, 1864 Tate Collection, London, inv no T03063 357 358 359 The background on the front cover is a detail of P Lond 733 (the ending of Bacchylides 18 and the beginning of 19) The foreground is a black-figure plate showing an aulos player and a dancer holding a barbitos Athenian, late sixth century BCE Antikenmuseum und Sammlung Ludwig, Basel, Kä 421 ABV 294.21 Maps The Greek world in the archaic and early classical periods The major dialect areas during the archaic and classical periods xxii 121 ix Cambridge Collections Online © Cambridge University Press, 2010 Cambridge Collections Online © Cambridge University Press, 2010 list of works cited Piccirilli, L (1990) Plutarco: Le vite di Licurgo e di Numa Milan Pickard-Cambridge, A W (1962) Dithyramb, Tragedy and Comedy, 2nd edn., revised by T B L Webster Oxford (1968) The Dramatic Festivals of Athens, 2nd edn., revised by J Gould and D M Lewis Oxford Pickering, M (1988) ‘The study of vernacular song in England’, Jahrbuch für Volksliedforschung 33: 95–104 Pinsky, R (2000) ‘Ode to Meaning’, in Jersey Rain New York Pipili, M (2004) ‘Lakonische Vasen aus der Westnekropole von Samos’, Athenische Mitteilungen 119: 91–105 Pizzoccaro, M (1991) ‘L’Inno di Epidauro alla Madre degli dei (IG2, IV, 131 = Telesilla Diehl2 = PMG fr adesp 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