Photoshop CS5 Digital Classroom_tập 7 pptx

Defining the highlight and shadow 191Lesson 7, Creating a Good Image 7 7 With the highlight eyedropper ( ) selected, hover over the image and hold down the Alt/Option key, causing the image to again display in the posterized view. Here is where it might get tricky: add the Shift key to this con guration, your cursor changes into the Color Sampler too ( ). Click on the light area you can  nd in the logo art. A color sample appears on the image, but no change has yet been made to the image. Add a color sample to mark the lightest point in the image. If necessary, you can reposition the Color Sample by holding down the Shift key and dragging it to a newlocation. 8 Make sure that the Set White Point eyedropper is still selected, and click on the color sampler you just cr eated on the logo art. This has now de ned this area of the image as the lightest point of the tone curve and is adjusted to your newly de ned highlight color values. If this gives you unexpected results, you might have missed the color sampler. You can undo by pressing Ctrl+Z (Windows) or Command+Z (Mac OS), and then try clicking on the white area of the logo art again. Keep in mind that the color sample that you dropped is only a marker; you do not have to move the sampler to change the highlight. Now you will set the black, or darkest, part of your image. 9 Before you begin, press Ctrl+0 (zero) (Windows) or Command+0 (zero) (Mac OS) to make the image  t in the windo w. PSCS5.indb 191PSCS5.indb 191 4/8/2010 5:12:36 PM4/8/2010 5:12:36 PM 192 Defining the highlight and shadow Adobe Photoshop CS5 Digital Classroom 7 10 Select the shadow slider ( ) on the Curves Adjustments panel, and hold down the Alt/ Option key and drag the slider towards the left. When dragging the slider (slowly), notice that clipping appears, indicating (with darker colors) the shadow areas of this image. Notice that there are many shadow areas in this image, but we want to focus on the subject matter (the small boy). Slide to the left until you see the shadow areas increase in the folds of the boy’s clothing, and then release. To see the darkest parts of this image, hold down the Alt/Option key and slide the shadow slider to the right. Depending upon the input device you might have, many areas display as the darkest areas of an image. This is an indication that the input device, whether a scanner or camera, does not have a large dynamic range of tonal values that it can record. You might have to take a logical guess as to what is the darkest part of the image. PSCS5.indb 192PSCS5.indb 192 4/8/2010 5:12:38 PM4/8/2010 5:12:38 PM Defining the highlight and shadow 193Lesson 7, Creating a Good Image 7 11 Make sure that the Set Black Point eyedropper is selected, and then hold down the Alt+Shift (Windows) or Option+Shift (Mac OS) keys and click on the darkest shadow area to leave a color sampler To see the darkest parts of this image, hold down the Alt/Option key and slide the shadow slider to the right. 12 With the Set Black Point eyedropper still selected, click on the color sample that you dropped on the image. This has now been set as the darkest area of the image, using the values you input earlier in this example. You should already see a di erence in the image—a slight color cast has been r emoved and the colors look a little cleaner—but you are not done yet. The next step involves balancing the midtones (middle values) of the image. 13 Leave the Curves Adjustments panel visible for the next exercise. PSCS5.indb 193PSCS5.indb 193 4/8/2010 5:12:39 PM4/8/2010 5:12:39 PM 194 Adjusting the midtones Adobe Photoshop CS5 Digital Classroom 7 Adjusting the midtones In many cases, you need to lighten the midtones (middle values of an image) in order to make details more apparent in an image. 1 Select the center (midtone area) of the black curve and drag downwards (don’t worry about the colored curves, as Photoshop is making an overall change in this window). Move the curve downwards slightly to lighten the image in the midtones. This is the only visual correction that you will make to this image. You want to be careful that you do not adjust too much, as you can lose valuable information. BA C A. Quarter tones. B. Midtones. C. Three-quarter tones. PSCS5.indb 194PSCS5.indb 194 4/8/2010 5:12:40 PM4/8/2010 5:12:40 PM Adjusting the midtones 195Lesson 7, Creating a Good Image 7 2 Add a little contrast to your image by clicking on the three-quarter tone area of the black curve line (the area between the middle of the curve and the top, as shown in the  gure), then clicking and dragging up slightly. Again, this is a visual correction, so don’t make too drastic a change. Click and drag the three-quarter tone up slightly to lighten the image. 3 Keep the Curves dialog box open for the next section of this lesson. You can usually see a color cast by looking at the white and gray areas of an image, but, in some cases, you may not have any gray or white objects in your image. If these are art images, you may not want to neutralize them (for example, orange sunsets on the beach, or nice yellow candlelight images). Use the technique shown in this lesson at your discretion. It helps with a typical image, but it takes practice and experience to correct for every type of image. PSCS5.indb 195PSCS5.indb 195 4/8/2010 5:12:40 PM4/8/2010 5:12:40 PM 196 Setting the neutral Adobe Photoshop CS5 Digital Classroom 7 Understanding neutral colors A neutral is essentially anything in the image that is gray: a shade of gray, or even light to dark grays. A gray value is a perfect tool to help you measure color values, as it is composed of equal amounts of red, green, and blue. Knowing this allows you to pick up color inaccuracies by reading values in the Photoshop Info panel, rather than just guessing which colors need to be adjusted. The  rst image you see below is de nitely not correct, but exactly what is wrong? By looking at the Info panel, you can tell that the RGB values are not equal. In the second image, they are almost exactly equal. By looking at only the RGB values, you can tell that the image on the bottom is much more balanced than the image on the top. The neutrals in this image are not balanced; you can tell because the RGB values are not equal in value. The neutrals in this image are balanced; you can tell because the RGB values are equal. PSCS5.indb 196PSCS5.indb 196 4/8/2010 5:12:41 PM4/8/2010 5:12:41 PM Setting the neutral 197Lesson 7, Creating a Good Image 7 Setting the neutral In this section, you’ll balance the neutrals in the image. 1 With the Curves panel still open, set another Color Sampler marker by Shift+clicking on the gray tree shadows that is visible to the left of the subject. In this image, that is the neutral that you are using as a reference for this example. In your images, you might  nd a neutral in a shadow on a white shirt, a gray piece of equipment, or a counter top. Find a neutral gray in the image. Some photographers like to include a gray card (available at photo supply stores) in their images to help them color-balance their images. 2 If the Info panel is not open, choose Window > Info. The Info panel appears. In the Info panel, y ou see general information about RGB and CMYK values, as well as pinpoint information about the three Color Sampler markers you have created. You’ll focus only on the #3 marker, as the  rst two were to indicate highlight and shadow. PSCS5.indb 197PSCS5.indb 197 4/8/2010 5:12:42 PM4/8/2010 5:12:42 PM 198 Setting the neutral Adobe Photoshop CS5 Digital Classroom 7 Notice that to the right of the #3 marker in the Info panel, there are two values separated by a forward slash. You’ll focus only on the set of values to the right of the slash. Depending upon where you clicked in the gray area, you could have di erent values. The numbers to the left of the forward slash are the values before you started making adjustments in the Curves panel. The numbers to the right of the forward slash are the new values that you are creating with your curve adjustments. Focus on the values to the right of the forward slash. 3 Select the Set Gray Point button ( ). PSCS5.indb 198PSCS5.indb 198 4/8/2010 5:12:43 PM4/8/2010 5:12:43 PM Setting the neutral 199Lesson 7, Creating a Good Image 7 4 Click once on the #3 marker you created. The new color values may not be exactly the same, but they come closer to matching each other’s values. The Info panel after the #3 marker is selected as a gray point. If you want more advanced correction, you can enter each of the individual color curves and adjust them separately by dragging the curve up or down, while watching the values change in the Info panel. 5 Press Ctrl+S (Windows) or Command+S (Mac OS) to save your work  le. 6 If your Layers panel is not visible, choose Window > Layers. On the Layers panel, click on the visibility icon ( ) to the left of the Curves 1 adjustment layer to toggle o and on the curves adjustment you just made. Make sure that the Curves layer’s visibility is turned back on before you move on to the next section. Click on the visibility eye icon to turn o and on the adjustment layer. 7 Choose File > Save. Keep this  le open for the next part of this lesson. PSCS5.indb 199PSCS5.indb 199 4/8/2010 5:12:43 PM4/8/2010 5:12:43 PM 200 Sharpening your image Adobe Photoshop CS5 Digital Classroom 7 Sharpening your image Now that you have adjusted the tonal values of your image, you’ll want to apply some sharpening to the image. In this section, you’ll discover how to use unsharp masking. It is a confusing term, but is derived from the traditional (pre-computer) technique used to sharpen images. To simplify this example, you’ll  atten the adjustment layer into the Background layer. If you are an advanced user, you can avoid  attening by selecting the Background layer, Shift+clicking on the Curves 1 layer, then right-clicking (Windows) or Ctrl+clicking (Mac OS) and choosing Convert to Smart Object. This embeds the selected layers into your Photoshop  le, but allows you to view and work with them as one layer. If further editing is needed, you can simply double-click on the Smart Object layer, and the layers open in their own separate document. 1 Choose Flatten Image from the Layers panel menu, as shown in the  gure . Choose Flatten Image from the panel menu. PSCS5.indb 200PSCS5.indb 200 4/8/2010 5:12:45 PM4/8/2010 5:12:45 PM [...]... Bridge 2 Navigate to the ps07lessons folder, inside the pslessons folder on your hard drive Select the image named ps 070 2.CR2 This is a Camera Raw file from a Canon Rebel digital camera Note that each manufacturer has its own extensions; the CR2 extension is unique to Canon cameras Lesson 7, Creating a Good Image 205 7 Using the Camera Raw plug-in 3 Double-click on the ps 070 2.cr2 file to automatically... Also, there is a solution that is built right into Photoshop 1 Open the image named ps 070 2.psd, click and hold down on the Spot Healing Brush tool ( ) and drag down to select the Red Eye tool ( ) Choose File > Save As The Save As dialog box appears Navigate to the ps07lessons folder on your hard drive In the Name text field, type ps 070 2_work, choose Photoshop from the Format drop-down menu, and press... to automatically launch and open the file in Photoshop s Camera Raw plug-in The Camera Raw plug-in automatically launches when a Raw file is opened If you attempt to open a Raw file that is not recognized by the Camera Raw plug-in, you may need to update your plug-in Go to adobe.com to download the latest version 206 Adobe Photoshop CS5 Digital Classroom 7 Using the Camera Raw plug-in When the Camera... to hide or reveal the effect of each filter Adobe Photoshop CS5 Digital Classroom 7 Review Review Questions 1 Name an example of how a color sampler can be used 2 What color mode is typically used for color-correcting an image? 3 What is a neutral? How can you use it to color-correct an image? 4 How can you tell if an image has been corrected in Adobe Photoshop? 5 What is a DNG file? Answers 1 It is... original image 6 Choose File > Save, and then File > Close to close your ps 070 1_work files 7 Choose File > Close for the unsharp mask file created from your History panel When asked to save the changes, click Don’t Save Congratulations! You have finished the color-correction part of this lesson Lesson 7, Creating a Good Image 203 7 Sharpening your image Taking care of red eye Red eye typically occurs when... will find out how to apply masks and use other incredible Smart Object features in Lesson 10, “Get Smart in Photoshop. ” 202 Adobe Photoshop CS5 Digital Classroom 7 Sharpening your image Comparing your image with the original You can use the History panel in Adobe Photoshop for many functions In this section, you’ll use the History panel to compare the original image with your finished file 1 If the History... Displays the RGB readings that enable you to check your colors and balance E Basic panel: Contains the main controls, such as White Balance, Exposure, and Fill Light, among others 208 Adobe Photoshop CS5 Digital Classroom 7 Using the Camera Raw plug-in F Tone Curve panel: Adjusts the tone curve The Point tab must be brought to the front (by clicking on it) to activate point-by-point controls G Detail: Adjusts... girl’s face with the Brightness slider By using a combination of the Brightness and Recovery sliders, you can bring out additional detail without overexposing the highlights 210 Adobe Photoshop CS5 Digital Classroom 7 Using Camera Raw controls 3 Click on the Exposure slider and drag to the left until you reach the –0.35 mark, or type –.35 in the Exposure text field 4 Click on the Brightness slider... format that you should be able to open for many years to come Note that you can reopen the DNG over and over again, making additional changes without degrading the original image 212 Adobe Photoshop CS5 Digital Classroom 7 Saving a DNG file 1 Press the Save Image button in the lower-left corner of the Camera Raw dialog box The Save Options dialog box appears 2 Leave the Destination set to Save in Same Location,... Click the Open Image button The adjusted and cropped image is opened in Photoshop You can continue working on this file If you save the file now, you will see the standard Photoshop Save As dialog box Note that whatever you save is a copy of the original Camera Raw file—your DNG file remains intact Lesson 7, Creating a Good Image 213 7 Self study Reopening a DNG file You’ll now use Bridge to access your . indicate highlight and shadow. PSCS5.indb 197PSCS5.indb 1 97 4/8/2010 5:12:42 PM4/8/2010 5:12:42 PM 198 Setting the neutral Adobe Photoshop CS5 Digital Classroom 7 Notice that to the right of the. image 90 degrees clockwise. PSCS5.indb 207PSCS5.indb 2 07 4/8/2010 5:12:51 PM4/8/2010 5:12:51 PM 208 Using the Camera Raw plug-in Adobe Photoshop CS5 Digital Classroom 7 You’ll have an opportunity. Canon cameras. PSCS5.indb 205PSCS5.indb 205 4/8/2010 5:12:50 PM4/8/2010 5:12:50 PM 206 Using the Camera Raw plug-in Adobe Photoshop CS5 Digital Classroom 7 3 Double-click on the ps 070 2.cr2  le to