Virtual Art From Illusion to Immersion phần 10 ppt

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Hallisch-Frankisches Museum (Tokyo 1993) Ulrike Gabriel: Perceptual Arena: Space Paradox Interactive Environment, Canon Artlab 3, Tokyo (Tokyo 1996a) Seiko Mikami: Molecular Informatics: Morphogenetic Substance via Eyetracking, Canon Art Lab, Tokyo References 400 (Tokyo 1996b) 3D-Beyond the Stereography, ed T Moriyama Tokyo: Tokyo Metropolitan Museum of Photography (Tokyo 1997) ICC Concept Book Tokyo: NTT InterCommunication... A-Life’s party, 308–320 Animals See A-Volve; Transgenic art Anthropology, new, 226 Archetypes, 221, 229, 230, 261n34 Architectonic designs/structures, 151 Architecture, and computers, 165 Ars combinatoria, 230–231 Art and science, 3–4, 216, 324–325 ART+ COM, 288, 289 Art history, 4, 6 Artificial intelligence (AI), 220, 223– 225, 315 Artificial life, 7, 279, 281, 297, 323– 324 See also A-Life Artificial... Wenzel, Elisabeth, 168 Werner, Anton von, 92, 104 105 , 112–113, 118, 121, 122, 125, 130n25, 137n113 See also Battle of Sedan, The; Sedan panorama rotunda as artist and power player, 99 101 conception of art, 100 photograph, 99 and Sedan panorama rotunda, 124 strategy and work of, 113–118 Author Index 406 The Charge of the Cavalry, 117 Wertheim, Margret, 13 Wesenberg, 73n17 Whittock, Nathaniel, 59–60 Wiener,... 7, 279, 281, 297, 323– 324 See also A-Life Artificial space, 29 Artist, depersonalization of, 122 Artistic style, relinquishment of, 122 Balustrade, 58–59 Banff Center for the Arts, 174 Barriers, eradication of, 144–145 See also Observer Battle of Champigny, The (Robida), 108 , 109 Battle of Sedan, The (Werner), 6, 91, 94, 95, 105 , 107 108 , 110 112 See also Sedan panorama rotunda battle in the picture,... Fruhgeschichte 24: 67–72 Wheatstone, C 1838 Contributions to the physiology of vision Part I On some remarkable and hitherto unobserved phenomena of binocular vision Philosophical Transactions of the Royal Society of London 128, Part II: 371–394 Whitelaw, Mitchell 1998 Tom Ray’s hammer: Emergence and excess in A-Life art Leonardo 31, no 5: 377–381 Whitley, William T 1968 Artists and Their Friends in... 91–92 political objectives, 101 103 , 109 power of illusion, suggestion, and immersion, 96–98 Subject Index 408 Catholic Church See Christian church CAVE (Cave Automatic Virtual Environment), 3, 4, 18n1, 237, 238, 245, 247, 276–278, 314 Ceiling panoramas, Baroque, 32, 46– 52 Center for Advanced Visual Studies (CAVS), 175 Centre for the Advanced Inquiry in the Interactive Arts (CAiiA), 12, 21n36, 176,... media-driven epistemology of, 285– 286, 345 subhistory, 278–285 ‘‘telepistemological’’ implications, 285–291 Teleview, 153 Subject Index 415 Virtual art See also specific topics concept of ‘‘the work’’ in processual or, 204–207 and media evolution, 173–176 nature of, 3 types of, 3 Virtual images See Virtual reality(ies), dynamic images Virtual image spaces, 5, 167 Virtual reality(ies), 6, 7, 15, 169, 200, 229–231... specific topics Tierra, 316–318 Time and space, unity of, 27, 31 ‘‘Totalization,’’ 339–340, 349 Touch, user’s sense of, 275 Tour de la Gare-Robe, 35 Traces (Penny), 276–278, 290 Trances, 26–27 Transgenic art, 326–330 ‘‘Traveling Panoramist, The’’ (cartoons), 66 Trompe l’oeil, 15–16, 48, 62 T_Vision, 288 Uirapuru (Kac), 271–272 Ultima Ratio (Plewe), 234–236 Urbino, 37 User interface See Interface Utopias... Through the looking glass: Beyond user interfaces Internal paper, September Sausalito CA: Autodesk References 395 Wallach, Alan 1990 Making a picture of the view from Mount Holyoke Bulletin of the Detroit Institute of Arts 66, no 1: 35–46 Walser, Randal 1988 On the road to Cyberia Internal paper, November Sausalito, CA: Autodesk Walser, Randal 1990 The emerging technology of cyberspace In Ars Electronica... Photography (Tokyo 1997) ICC Concept Book Tokyo: NTT InterCommunication Center (Toronto 1995) Press Enter: Between Seduction and Disbelief, ed Alison Reid Toronto: The Power Plant Contemporary Art Gallery at Harbourfront Centre (Warsaw 1995) Lab 5 International Film, Video and Computer Art Exhibition, Centre of Contemporary Art, Warsaw ¨ (Zurich 1989) Imitationen, ed Jorg Huber Frankfurt/Main: Stroemfeld/Roter . Eye- tracking, Canon Art Lab, Tokyo. References 400 (Tokyo 1996b) 3D-Beyond the Stereography, ed. T. Moriyama. Tokyo: Tokyo Met- ropolitan Museum of Photography. (Tokyo 1997) ICC Concept Book. Tokyo: NTT. pp. 91–94. Munich: Boer. Sakane, Itsuo. 1989. Introduction to Interactive Art. In Wonderland of Science Art Invitation to Interactive Art, pp. 3–8; 38–42. Kawasaki: Kanagawa Science Park. Sandby,. Human factors: Issues in virtual environments. Presence: Tele- operators and Virtual Environments 7, no. 4: 327–351. References 391 Stedelijk Museum, Amsterdam, and City Gallery Wellington, eds.