Adobe Photoshop CS3 for Photographers phần 1 docx

[...]... and 5 x 5 In addition to this the new sample sizes include: 11 x 11 , 31 x 31, 51 x 51, 10 1 x 10 1 pixels Figure 1. 8 The new, revised Brightness/Contrast image adjustment closely matches the Brightness and Contrast slider adjustments found in the Adobe Camera Raw dialog 7 chapter_ 01. indd 7 5/2/07 1: 53 :18 PM Martin Evening Adobe Photoshop CS3 for Photographers Black & White adjustments It is now easier to... simulation options 613 Color proofing for press output 614 CMYK proofing with an inkjet 615 Simulation and rendering intents 616 Chapter 14 : Output for Web 617 Sending images over the Internet . 618 Email attachments . 618 Uploading to a server 619 File formats for the Web 6 21 JPEG 6 21 Choosing the right compression... the screen grouped into multiple column docking zones and easily hidden or made visible by rolling the mouse to either Figure 1. 1 The Photoshop CS3 Windows PC layout 2 chapter_ 01. indd 2 5/2/07 1: 53:05 PM Chapter 1 What’s new in Adobe Photoshop CS3 Figure 1. 2 The new Photoshop CS3 Mac OS X layout In this screenshot the Layers, Channels and Paths palettes were placed in a third column docking zone You... .5 01 View options 502 Saving the mesh 502 Filter Gallery 505 Warp transforms .506 Chapter 11 : Image management 508 Launching Bridge . 511 Rotating the thumbnails and preview 511 Bridge preferences . 512 General preferences 512 Thumbnails preferences 513 Metadata preferences 514 Advanced... In this introductory chapter I have provided a shortlist of what’s new and offered a few brief examples of some of the things that you can now do in Photoshop and Bridge CS3 1 chapter_ 01. indd 1 5/2/07 1: 53: 01 PM Martin Evening Adobe Photoshop CS3 for Photographers Pen path appearance The path outlines that are created when you use the pen tool have now been made slightly bolder and are easier to see... Photomerge layout dialog Figure 1. 12 Shown here is the very first attempt at using Photomerge in Auto mode to align a set of 11 photographs, all shot from the same position I have used Photomerge quite a bit in the past, but the improved accuracy of the results has really been quite impressive 10 chapter_ 01. indd 10 5/2/07 1: 53:26 PM Chapter 1 What’s new in Adobe Photoshop CS3 Clone Source palette and options... Raw dialog Figure 1. 5 Here are the Camera Raw Tone Curve controls, shown using the Parametric Tone Curve editor mode Figure 1. 6 Shown here is the new Adobe Camera Raw 4.0 plug-in dialog, displaying the Basic panel, which features the new ACR controls such as: Recovery, Fill Light and Vibrance adjustments 5 chapter_ 01. indd 5 5/2/07 1: 53 :15 PM Martin Evening Adobe Photoshop CS3 for Photographers New... these two sliders In Figure 1. 7 you can see the new Curve display options which in this example were configured so that the Curves adjustments made to the individual color channels can be displayed overlaying the main composite channel curve shape Figure 1. 7 The new Photoshop CS3 Curves dialog 6 chapter_ 01. indd 6 5/2/07 1: 53 :18 PM Chapter 1 What’s new in Adobe Photoshop CS3 New Brightness and Contrast... merge the images together I added a layer mask filled with black to Layer 1 and painted with white to reveal the girl on the left and blend seamlessly with the layer below 9 chapter_ 01. indd 9 5/2/07 1: 53:22 PM Martin Evening Adobe Photoshop CS3 for Photographers Automatic Photomerge The new Align Content processing has also allowed the Photoshop team to update the Photomerge feature such that it can now... to expand the palettes Figure 1. 3 Don’t like the single row palette? Well, a click on the double-arrow icon in the Palette tab will allow you to toggle between the single and double row versions of the Tools palette 3 chapter_ 01. indd 3 5/2/07 1: 53:08 PM Martin Evening Adobe Photoshop CS3 for Photographers GPU settings Instead of relying on the Central Processor Unit (CPU) for the graphics processing, . Handling 11 6 File compatibility 11 6 Performance 11 9 RAM memory and scratch disks 12 0 Enhancing memory and performance 12 1 Scratch disks 12 1 Scratch disk performance 12 3 Interface connections 12 3 RAID. calibrator 10 8 Color management settings 11 0 Extras 11 1 Backing up image data 11 2 Photoshop preferences 11 3 General preferences 11 3 Interface 11 5 chapter_00.indd viichapter_00.indd vii 5/2/07 7:26:25. Slices 13 0 Plug-ins 13 1 Type preferences 13 2 Image capture and fi le output 13 4 Scanner software 13 5 The image histogram 13 6 16 bits per channel support 13 8 16 -bit and color space selection 13 9 Levels