Professional Information Technology-Programming Book part 37 potx

.1. Where to Find the Pieces for Your Collage or Montage The problem with composites is that you don't always have immediate access to the photos that you need at the time the image is put together. And the trouble is other people's photos (as all pros know) can't be used for commercial purposes without express permission and probably some payment on your part. The first thing that comes to mind is stock photos. In the past, traditional stock agencies concentrated on the big money markets. That's fine if you're doing an ad that has a budget for stock photos. But what if you're just creating an illustration for an internal brochure or for an illustration on a small client's web site? 9.1.1. Collecting Your Own Stock Photos In the course of your daily business, keep your eye out for objects and props that you could possibly use in your own stock photos. For one thing, you should take a photo of the sky every time it looks interesting. Collect all types of clouds, sunrise, and sunset shots. Shoot the sky every different seasons of the year. The most common use for montage is placing an interesting sky into a scene that was taken when you didn't have time to wait for just the right time, season, and weather. You might also consider puppies, flying planes, flying birds, cyclists, skateboarders, and people viewing something. Here are some guidelines for collecting your own stock:  Try to shoot subjects against a contrasting and uncluttered background.  Shoot in conditions that produce few, if any, shadows or reflections. It's much easier to add highlights and shadows to simulate the lighting that predominates in a background photo than eliminate them. This topic is covered in the "Lighting and Casting Shadows" section later in this chapter.  Shoot the subject from several angles and distances. You will want to match angle and distance when you place the images in the target montage.  Put the objects into their own category folders or "collections" and give them uniform category keywords so you can find them quickly when you need them. 9.1.2. Using Adobe Stock Photos Adobe now includes its own stock photo library in Photoshop CS2 (and all other CS2 applications). Make sure your computer is online, open Bridge, and choose Edit Search Adobe Stock Photos. Adobe represents most of the major commercial stock photo agencies and you can use a keyword to search through all of their libraries. Thumbnails appear in the window just as if they were on your own hard drive. Right-click on an image and you get an in-context menu to download a low-resolution comp of any image at no charge. The comp images aren't at a high enough resolution for commercial print purposes, but they're large enough to fill a full screen. So you could make a low-resolution image of your background photo and then incorporate the comp into it as a test before you commit to buying the photo. Figure 9-2 shows how easy it is to search for stock photos in the Bridge interface. Now, the only problem is that if you're just looking for a bird to fly through your sky or a mouse to peer out of your kitchen cupboard you may find these prices to be more than you'd care to pay. On the other hand, if the alternative is to take the time to go make the photo yourself, you'll find most of these prices quite affordable. You can always check the price without having to go through a major process by highlighting the thumbnail of the image you're interested in and clicking the Get Price button. A dialog will appear that displays the full range of price information. If you want, you can even then download the photo right there on the spot. Figure 9-2. Browsing Adobe stock photos in Camera Raw. There are also many very affordableand sometimes, even freestock agencies popping up on the scene. The following are some that I find very useful. These agencies are also good outlets for your own photosespecially those that would otherwise be surplus. iStockphoto (www.istockphoto.com) This large and heavily advertised stock agency charges between $1 and $20 for images, depending on their physical size. For most collage purposes, you'll be paying less than $5. O'Reilly authors often use iStockphoto when they simply don't have time to take the photo needed to illustrate a given point. (I may even resort to that myself before this book is done.) Shutterstock (www.shutterstock.com) This site has about half a million photos in all categories. You buy a subscription for a limited time and are then able to download as many images as you need. There is a limit, however, of 25 images on any given day. Inmagine PhotoSubscribe (www.photosubscribe.com) This is the subscription service for Inmagine, on of the largest stock agencies. There are numerous subscription plans, for example you can buy by collections, by the month, or by the year. There's also a collection of pre- knocked out images for lower prices so if you find the image you want, at least you won't have to spend the time doing the knockout work yourself. 9.2. Making a Collage Putting individual pictures together in such a way t hat they create a feeling or tell a story is relatively easy. The main hurdle is collecting the photos you feel will tell that story. If you have to collect them from existing pictures, start by collecting as many as possible, then use Bridge to Light Table and winnow them. Pick the shots that do the most to tell the story you want to tell. If you are photographing a scene to turn it into a collage, think in terms of long, medium, and close-up shots. You want have as many perspectives as possible. For example, if your collage was intended to be a poster of a farmer's market, it might help to include a long shot of the venue. That long shot might even become a background over which all the other photos are imposed. Then you want to photograph both the prepared and the freshly picked foods. And, of course, you want some of the colorful or well-known participants in this event. NOTE Before you make a collage, it's a good idea to make sure you've done all the workflow steps that image is going to require. Duplicate and flatten the original before bringing into the collage. Otherwise, you could end up with hundreds of layers in the composite photo. Now you can start putting your collage together: 1. Decide roughly how many images wide and how many images high you want your collage to be. Then decide what the full resolution width and height of the collage will be. Divide that width and height by about two- thirds of the full-resolution. Then you will know how many images you'll need for the entire composition. 2. Assign a five-star rating on that number of images in Bridge. From Bridge's Unfiltered menu, choose Show 5 stars. 3. Add a keyword that designates the name of the poster. (This will make it easier to find the same collection of images should you move onto to Lightroom, Aperture, Capture One, or some other image management program.) 4. Open Photoshop and choose File New. The New dialog opens. Enter the width and height you want your final project to be and then complete all the other entries as shown in Figure 9-3. Figure 9-3. The New dialog for creating a new, black background for a collage. 5. Start putting together your collage. Go to Bridge; only your five-star images should be showing. Press Cmd/Ctrl- A to select all. Now scroll down to make sure you haven't also collected folders and unrelated files from other Adobe CS applications. If you have, press Cmd/Ctrl-click on each of the strays to take them out of the collection. Now press Return/Enter to open all the five- star files in Photoshop. 6. Drag each image onto the New background one at a time. The background will probably be larger than you want it to be, but that's a good thingit's much better to maintain fidelity by scaling down. Choose the Move tool and drag the new layer to the approximate location where you want it to be. 7. Press Cmd/Ctrl-T. A Transform marquee will appear around your image. If you want to resize it proportionately, press Shift and drag a corner handle. If you want to rotate the image, place the cursor just outside a corner handle. When the cursor changes to a curved double- headed arrow, drag from side to side and watch it rotate. The further you drag from a corner, the more precisely you'll be able to rotate. 8. To crop the image, make a selection in the shape you want to fit it inside of. Then invert the selection (Cmd/Ctrl-Shift-I) and click the Mask icon at the bottom of the Layers palette. The layer mask is always a good idea in this application because you can modify it to show more or less of the image once the whole composite is arranged. Also, it's very easy to make a new mask without having to reload a new image. 9. Repeat Steps 69 until all of your images are in place. If you want to hide one image behind another, go to the Layers palette and just drag its layer further down in the stack. You may have to do this several times to get all of the images in the right stacking order. 10. Since you usually want all the outside images to be direct attention to the center of the collage. Often, you can do that by flipping the image horizontally. To do that, choose Edit Transform Flip Horizontal. NOTE If you do a lot of collages, you may want to use the Shape tools to cut out images in certain shapes. You can even invent your own shapes and draw them with the Pen tool or in Adobe Illustrator. If you do it in Illustrator, you'll have to import the shapes into Photoshop (see Photoshop Help if you don't know how to do that). . can't be used for commercial purposes without express permission and probably some payment on your part. The first thing that comes to mind is stock photos. In the past, traditional stock agencies. and clicking the Get Price button. A dialog will appear that displays the full range of price information. If you want, you can even then download the photo right there on the spot. Figure. take the photo needed to illustrate a given point. (I may even resort to that myself before this book is done.) Shutterstock (www.shutterstock.com) This site has about half a million photos