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[...]... define standard methods of compression encoding and decoding to allow products from different manufacturers to communicate effectively This has led to the development of a number of key International Standards for image andvideo compression, including the JPEG, MPEG and H.26× series of standards 1.3 MPEG-4AND H.264 MPEG-4 Visual and H.264 (also known as Advanced Video Coding) are standards for the... researchers and students to understand and apply them effectively Videoand image compression is a complex and extensive subject and this book keeps an unapologetically limited focus, concentrating on the standards themselves (and in the case of MPEG-4 Visual, on the elements of the standard that support coding of ‘real world’ video material) and on videocoding concepts that directly underpin the standards... the standards have been shaped and developed, discussing the composition and procedures of the VCEG and MPEG standardisation groups The chapter summarises the content of the standards and gives practical advice on how to approach and interpret the standards and ensure conformance Related image andvideocoding standards are briefly discussed Chapters 5 and 6 focus on the technical features of MPEG-4. .. standard H.263 A videocoding standard H.264 A videocoding standard HDTV High Definition Television Huffman codingCoding method to reduce redundancy HVS Human Visual System, the system by which humans perceive and interpret visual images hybrid (CODEC) CODEC model featuring motion compensation and transform IEC International Electrotechnical Commission, a standards body Inter (coding) Coding of video. .. N4668, MPEG-4 Overview, http://www.m4if.org/resources/ Overview.pdf, March 2002 2 Video Formats and Quality 2.1 INTRODUCTION Videocoding is the process of compressing and decompressing a digital video signal This chapter examines the structure and characteristics of digital images andvideo signals and introduces concepts such as sampling formats and quality metrics that are helpful to an understanding... capture and representation of video in digital form, colour-spaces, formats and quality measurement Chapter 3 covers the fundamentals of video compression, concentrating on aspects of the compression process that are common to both standards and introducing the transform-based CODEC ‘model’ that is at the heart of all of the major videocoding standards Chapter 4 looks at the standards themselves and examines... can be achieved by encoding the processed data using an entropy coding scheme such as Huffman coding or Arithmetic coding Image andvideo compression has been a very active field of research and development for over 20 years and many different systems and algorithms for compression and decompression have been proposed and developed In order to encourage interworking, competition and increased choice,... Gordon University and advises a number of companies on video compression technology issues Foreword Work on the emerging “Advanced VideoCoding standard now known as ITU-T Recommendation H.264 and as ISO/IEC 14496 (MPEG-4) Part 10 has dominated the videocoding standardization community for roughly the past three years The work has been stimulating, intense, dynamic, and all consuming for those of us... Characteristics of a typical natural video scene (Figure 2.1) that are relevant forvideo processing and compression include spatial characteristics (texture variation within scene, number and shape of objects, colour, etc.) and temporal characteristics (object motion, changes in illumination, movement of the camera or viewpoint and so on) H.264 andMPEG-4Video Compression: VideoCodingfor Next-generation Multimedia... web (still just a postagestamp video window but the choice and reliability of video streams is growing all the time) Chat to your friends and family by PC videophone These activities are now commonplace and unremarkable, demonstrating that digital video is well on the way to becoming a ubiquitous H.264 andMPEG-4Video Compression: VideoCodingfor Next-generation Multimedia C 2003 John Wiley & Sons, .