Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1

Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1 Sat practise test 1

Answer Sheets A B D E C O O O O O A B D E C O O O O O 11 A B D E C O O O O O 16 A B D E C O O O O O A B D E C O O O O O A B D E C O O O O O 12 A B D E C O O O O O 17 A B D E C O O O O O A B D E C O O O O O A B D E C O O O O O 13 A B D E C O O O O O 18 A B D E C O O O O O A O B D E C O O O O A O B D E C O O O O 14 A O B D E C O O O O 19 A B D E C O O O O O A B D E C O O O O O 10 A B D E C O O O O O 15 A B D E C O O O O O 20 A B D E C O O O O O A B D E C O O O O O A B D E C O O O O O 12 A B D E C O O O O O 17 A B D E C O O O O O SECTION A B D E C O O O O O A B D E C O O O O O 13 A B D E C O O O O O 18 A B D E C O O O O O A B D E C O O O O O A B D E C O O O O O 14 A B D E C O O O O O 19 A B D E C O O O O O A B D E C O O O O O 10 A B D E C O O O O O 15 A B D E C O O O O O 20 A B D E C O O O O O A O 11 A O E O 16 A O E O 21 A B D E C O O O O O A B D E C O O O O O A B D E C O O O O O A B D E C O O O O O 17 A B D E C O O O O O 24 A B D E C O O O O O A B D E C O O O O O 10 A B D E C O O O O O 18 A B D E C O O O O O 25 A B D E C O O O O O SECTION A B D E C O O O O O 11 A B D E C O O O O O 19 A B D E C O O O O O 26 A B D E C O O O O O A B D E C O O O O O 12 A B D E C O O O O O 20 A B D E C O O O O O 27 A B D E C O O O O O A O E O 13 A O E O 21 A O E O 28 A B D E C O O O O O A B D E C O O O O O 14 A B D E C O O O O O 22 A B D E C O O O O O 29 A B D E C O O O O O A B D E C O O O O O 15 A B D E C O O O O O 23 A B D E C O O O O O 30 A B D E C O O O O O A B D E C O O O O O 16 A B D E C O O O O O A B D E C O O O O O A B D E C O O O O O 15 A B D E C O O O O O 22 A B D E C O O O O O A B D E C O O O O O A B D E C O O O O O 16 A B D E C O O O O O 23 A B D E C O O O O O E O 17 A O E O 24 A B D E C O O O O O SECTION SECTION B O B O C O C O D O D O E O B O B O C O C O D O D O B O B O C O C O D O D O A O E O 10 A O A B D E C O O O O O 11 A B D E C O O O O O 18 A B D E C O O O O O 25 A B D E C O O O O O A B D E C O O O O O 12 A B D E C O O O O O 19 A B D E C O O O O O 26 A B D E C O O O O O A O B D E C O O O O 13 A O B D E C O O O O 20 A O 27 A B D E C O O O O O A B D E C O O O O O 14 A B D E C O O O O O 21 A B D E C O O O O O A B D E C O O O O O A B D E C O O O O O 12 A B D E C O O O O O 17 A B D E C O O O O O SECTION A B D E C O O O O O A B D E C O O O O O 13 A B D E C O O O O O 18 A B D E C O O O O O A B D E C O O O O O A B D E C O O O O O 14 A B D E C O O O O O 19 A B D E C O O O O O A B D E C O O O O O 10 A B D E C O O O O O 15 A B D E C O O O O O 20 A B D E C O O O O O A O 11 A O 16 A O 21 A B D E C O O O O O A B D E C O O O O O B O B O C O C O D O D O E O B O B O C O C O D O D O E O B O C O D O B D E C O O O O B O C O D O E O Copyright © 2005 Thomson Peterson’s, a part of The Thomson Corporaton SAT is a registered trademark of the College Entrance Examination Board, which was not involved in the production of and does not endorse this product Answer Sheets SECTION A B D E C O O O O O A B D E C O O O O O A B D E C O O O O O 13 A B D E C O O O O O A B D E C O O O O O A B D E C O O O O O 10 A B D E C O O O O O 14 A B D E C O O O O O A B D E C O O O O O A B D E C O O O O O 11 A B D E C O O O O O 15 A B D E C O O O O O A O A O 12 A O 16 A B D E C O O O O O B D E C O O O O B D E C O O O O B D E C O O O O SECTION For Questions 1–13: Only answers entered in the ovals in each grid area will be scored You will not receive credit for anything written in the boxes above the ovals 10 11 12 13 Copyright © 2005 Thomson Peterson’s, a part of The Thomson Corporaton SAT is a registered trademark of the College Entrance Examination Board, which was not involved in the production of and does not endorse this product Practice Test Section 20 Questions j Time—25 Minutes 12345678901234567890123456789012123456789012345678901234567890121234567 12234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 Directions: Read each of the passages carefully, then answer the questions that come after them 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 The answer to each question may be stated overtly or only implied You will not have to use 7 12234567890123456789012345678901212345678901234567890123456789012123456 outside knowledge to answer the questions—all the material you will need will be in the passage 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 itself In some cases, you will be asked to read two related passages and answer questions about 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 their relationship to one another Mark the letter of your choice on your answer sheet 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 Musical notes, like all sounds, are a result of In this passage, musical notes are used 1234567890123456789012345678901212345678901234567890123456789012123456 the sound waves created by movement, like the primarily to 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 (A) illustrate the difference between rush of air through a trumpet Musical notes 1234567890123456789012345678901212345678901234567890123456789012123456 are very regular sound waves The qualities of human-produced and nonhuman7 12234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 these waves—how much they displace molproduced sound 1234567890123456789012345678901212345678901234567890123456789012123456 ecules, and how often they so—give the note (B) demonstrate the difference between 12234567890123456789012345678901212345678901234567890123456789012123456 its particular sound How much a sound wave 1234567890123456789012345678901212345678901234567890123456789012123456 musical sound and all other sound 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 displaces molecules affects the volume of the 1234567890123456789012345678901212345678901234567890123456789012123456 (C) provide an example of sound note How frequently a sound wave reaches 1234567890123456789012345678901212345678901234567890123456789012123456 properties common to all sound 1234567890123456789012345678901212345678901234567890123456789012123456 your ear determines whether the note is high2 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (D) convey the difference between 1234567890123456789012345678901212345678901234567890123456789012123456 or low-pitched When scientists describe how 1234567890123456789012345678901212345678901234567890123456789012123456 musical pitch and frequency pitch 1234567890123456789012345678901212345678901234567890123456789012123456 high or low a sound is, they use a numerical (E) explain the connection between 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 measurement of its frequency, such as “440 1234567890123456789012345678901212345678901234567890123456789012123456 number and letter names for sounds 1234567890123456789012345678901212345678901234567890123456789012123456 vibrations per second,” rather than the letters 1234567890123456789012345678901212345678901234567890123456789012123456 77 musicians use 12234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 12234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 12345678901234567890123456789012123456789012345678901234567890121234567 Copyright © 2005 Thomson Peterson’s, a part of The Thomson Corporaton SAT is a registered trademark of the College Entrance Examination Board, which was not involved in the production of and does not endorse this product 12345678901234567890123456789012123456789012345678901234567890121234567 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 All of the following are true statements The passage cites Walker’s interaction 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 about pitch, according to the passage, with Langston Hughes as 34567890123456789012345678901212345678901234567890123456789012123456 12 1234567890123456789012345678901212345678901234567890123456789012123456 EXCEPT: 34567890123456789012345678901212345678901234567890123456789012123456 12 (A) instrumental in her early work being 34567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 (A) Nonmusical sounds cannot be published 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 referred to in terms of pitch (B) influential in her decision to study at 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 (B) Pitch is solely determined by the Northwestern University 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 frequency of the sound wave (C) not as important at the time it 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 (C) Pitch is closely related to the happened as it is now, due to 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 vibration of molecules Hughes’ fame 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 (D) Pitch cannot be accurately described (D) a great encouragement for Walker’s 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 with letter names confidence as a poet 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 (E) Humans’ perception of pitch is not (E) important to her choice to study at 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 affected by the intensity of the New Orleans University 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 sound wave 34567890123456789012345678901212345678901234567890123456789012123456 12 The passage suggests that Walker’s 34567890123456789012345678901212345678901234567890123456789012123456 12 Line Margaret Walker, who would become 34567890123456789012345678901212345678901234567890123456789012123456 12 decision to become a poet 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 one of the most important twentieth7 34567890123456789012345678901212345678901234567890123456789012123456 12 (A) occurred before she entered college century African-American poets, was 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 (B) was primarily a result of her interac- born in Birmingham, Alabama, in 1915 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 tion with Hughes (5) Her parents, a minister and a music 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 (C) was not surprising, given her teacher, encouraged her to read poetry 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 upbringing and philosophy even as a child Walker 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (D) occurred after her transfer to completed her high school education at 1234567890123456789012345678901212345678901234567890123456789012123456 77 Northwestern University Gilbert Academy in New Orleans and 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 (E) was sudden and immediately (10) went on to attend New Orleans Univer7 1234567890123456789012345678901212345678901234567890123456789012123456 successful 1234567890123456789012345678901212345678901234567890123456789012123456 sity for two years It was then that the 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 important Harlem Renaissance poet 1234567890123456789012345678901212345678901234567890123456789012123456 Langston Hughes recognized her talent Questions 5–10 are based on the following 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 and persuaded her to continue her passage 34567890123456789012345678901212345678901234567890123456789012123456 12 (15) education in the North She transferred 34567890123456789012345678901212345678901234567890123456789012123456 12 1234567890123456789012345678901212345678901234567890123456789012123456 Line F Scott Fitzgerald was a prominent to Northwestern University in Illinois, 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 American writer of the twentieth century where she received a degree in English in 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 This passage comes from one of his short 1234567890123456789012345678901212345678901234567890123456789012123456 1935 Her poem, “For My People,” 1234567890123456789012345678901212345678901234567890123456789012123456 stories and tells the story of a young John 1234567890123456789012345678901212345678901234567890123456789012123456 which would remain one of her most (5) Unger leaving home for boarding school 34567890123456789012345678901212345678901234567890123456789012123456 12 (20) important works, was also her first 34567890123456789012345678901212345678901234567890123456789012123456 12 John T Unger came from a family 34567890123456789012345678901212345678901234567890123456789012123456 12 publication, appearing in Poetry maga34567890123456789012345678901212345678901234567890123456789012123456 12 that had been well known in Hades—a 1234567890123456789012345678901212345678901234567890123456789012123456 zine in 1937 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 small town on the Mississippi River—for 7 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 several generations John’s father had 1234567890123456789012345678901212345678901234567890123456789012123456 77 (10) held the amateur golf championship 34567890123456789012345678901212345678901234567890123456789012123456 12 1234567890123456789012345678901212345678901234567890123456789012123456 through many a heated contest; Mrs 34567890123456789012345678901212345678901234567890123456789012123456 12 1234567890123456789012345678901212345678901234567890123456789012123456 Unger was known “from hot-box to 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 hot-bed,” as the local phrase went, for 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 12345678901234567890123456789012123456789012345678901234567890121234567 Copyright © 2005 Thomson Peterson’s, a part of The Thomson Corporaton SAT is a registered trademark of the College Entrance Examination Board, which was not involved in the production of and does not endorse this product 12345678901234567890123456789012123456789012345678901234567890121234567 1234567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 her political addresses; and young John So the old man and the young shook 34567890123456789012345678901212345678901234567890123456789012123456 12234567890123456789012345678901212345678901234567890123456789012123456 (15) T Unger, who had just turned sixteen, hands, and John walked away with tears 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 had danced all the latest dances from streaming from his eyes Ten minutes 12234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 New York before he put on long troulater he had passed outside the city limits 12234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 sers And now, for a certain time, he was (60) and he stopped to glance back for the last 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 to be away from home time Over the gates the old-fashioned 34567890123456789012345678901212345678901234567890123456789012123456 12234567890123456789012345678901212345678901234567890123456789012123456 (20) That respect for a New England Victorian motto seemed strangely 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 education which is the bane of all attractive to him His father had tried 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 provincial places, which drains them time and time again to have it changed to 7 12234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (65) yearly of their most promising young something with a little more push and 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 men, had seized upon his parents verve about it, such as “Hades—Your 34567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 (25) Nothing would suit them but that he Opportunity,” or else a plain “Welcome” 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 should go to St Midas’s School near sign set over a hearty handshake pricked 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 Boston—Hades was too small to hold out in electric lights The old motto was a 7 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (70) their darling and gifted son Now in little depressing, Mr Unger had 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 Hades—as you know if you ever have thought—but now 1234567890123456789012345678901212345678901234567890123456789012123456 (30) been there—the names of the more So John took his look and then set 12234567890123456789012345678901212345678901234567890123456789012123456 fashionable preparatory schools and his face resolutely toward his destination 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 colleges mean very little The inhabitants And, as he turned away, the lights of 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (75) have been so long out of the world that, Hades against the sky seemed full of a 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 though they make a show of keeping warm and passionate beauty 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (35) up-to-date in dress and manners and 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 literature, they depend to a great extent 1234567890123456789012345678901212345678901234567890123456789012123456 The tone of line 28 can best be described as on hearsay, and a function that in Hades 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 (A) compassionate would be considered elaborate would (B) sincere 1234567890123456789012345678901212345678901234567890123456789012123456 doubtless be hailed by a Chicago 12234567890123456789012345678901212345678901234567890123456789012123456 (C) sardonic 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (40) beef-princess as “perhaps a little tacky.” 1234567890123456789012345678901212345678901234567890123456789012123456 (D) dismayed John T Unger was on the eve of 12234567890123456789012345678901212345678901234567890123456789012123456 (E) understated 1234567890123456789012345678901212345678901234567890123456789012123456 departure Mrs Unger, with maternal 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 fatuity, packed his trunks full of linen The “Chicago beef-princess” (lines 39–40) 7 1234567890123456789012345678901212345678901234567890123456789012123456 suits and electric fans, and Mr Unger 1234567890123456789012345678901212345678901234567890123456789012123456 can best be described as representing the 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (45) presented his son with an asbestos 1234567890123456789012345678901212345678901234567890123456789012123456 Chicago upper class by way of which 1234567890123456789012345678901212345678901234567890123456789012123456 pocket-book stuffed with money 1234567890123456789012345678901212345678901234567890123456789012123456 literary device? “Remember, you are always welcome 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 here,” he said “You can be sure, boy, (A) Anachronism 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 that we’ll keep the home fires burning.” (B) Simile 1234567890123456789012345678901212345678901234567890123456789012123456 (50) “I know,” answered John huskily (C) Apostrophe 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 “Don’t forget who you are and where (D) Metaphor 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 you come from,” continued his father (E) Neologism 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 proudly, “and you can nothing to 7 12234567890123456789012345678901212345678901234567890123456789012123456 harm you You are an Unger—from 34567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 (55) Hades.” 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 12345678901234567890123456789012123456789012345678901234567890121234567 Copyright © 2005 Thomson Peterson’s, a part of The Thomson Corporaton SAT is a registered trademark of the College Entrance Examination Board, which was not involved in the production of and does not endorse this product 12345678901234567890123456789012123456789012345678901234567890121234567 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 The phrase “maternal fatuity” (line 10 The names Hades, St Midas, and Unger 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 42–43), suggests that suggest that the passage can be considered 34567890123456789012345678901212345678901234567890123456789012123456 12 1234567890123456789012345678901212345678901234567890123456789012123456 a(n) 34567890123456789012345678901212345678901234567890123456789012123456 12 (A) John will not need linen suits and 34567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 electric fans at St Midas’s (A) epic poem 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 (B) John’s mother packed frantically and (B) euphemism 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 ineffectively (C) aphorism 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 (C) John’s mother was excessively (D) satire 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 doting (E) allegory 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 (D) John resented his mother packing for 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 him Questions 11–20 are based on the following 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 (E) John never enjoyed linen suits or passage 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 electric fans 34567890123456789012345678901212345678901234567890123456789012123456 12 This passage discusses the work of Abe Kobo, a 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 Japanese novelist of the twentieth century From the conversation between John and 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 his father in paragraphs 3–6, it can be 1234567890123456789012345678901212345678901234567890123456789012123456 Line Abe Kobo is one of the great writers of 1234567890123456789012345678901212345678901234567890123456789012123456 inferred that John feels 1234567890123456789012345678901212345678901234567890123456789012123456 postwar Japan His literature is richer, 34567890123456789012345678901212345678901234567890123456789012123456 12 less predictable, and wider-ranging than (A) rejected and angry 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 that of his famed contemporaries, (B) melancholic but composed 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 (5) Mishima Yukio and Nobel laureate Oe (C) impassive and indifferent 34567890123456789012345678901212345678901234567890123456789012123456 12 Kenzaburo It is infused with the passion 34567890123456789012345678901212345678901234567890123456789012123456 12 (D) resigned but filled with dread 34567890123456789012345678901212345678901234567890123456789012123456 12 and strangeness of his experiences in 34567890123456789012345678901212345678901234567890123456789012123456 12 (E) relieved but apprehensive 34567890123456789012345678901212345678901234567890123456789012123456 12 Manchuria, which was a Japanese colony 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 on mainland China before World War II John’s meditation on the town’s sign in 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (10) Abe spent his childhood and much of his paragraph serves in the passage prima7 1234567890123456789012345678901212345678901234567890123456789012123456 youth in Manchuria, and, as a result, rily to suggest a contrast between 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 the orbit of his work would be far less 34567890123456789012345678901212345678901234567890123456789012123456 12 (A) John’s love of Victorian things and 34567890123456789012345678901212345678901234567890123456789012123456 12 controlled by the oppressive gravitational 1234567890123456789012345678901212345678901234567890123456789012123456 his father’s love of modern things 34567890123456789012345678901212345678901234567890123456789012123456 12 pull of the themes of furusato (home34567890123456789012345678901212345678901234567890123456789012123456 12 (B) his father’s commercialism and 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (15) town) and the emperor than his contem7 1234567890123456789012345678901212345678901234567890123456789012123456 John’s sentimentality poraries’ 1234567890123456789012345678901212345678901234567890123456789012123456 (C) John’s previous role as a part of the 1234567890123456789012345678901212345678901234567890123456789012123456 Abe, like most of the sons of Japa2 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 town and his new role as nostalgic 1234567890123456789012345678901212345678901234567890123456789012123456 nese families living in Manchuria, did 1234567890123456789012345678901212345678901234567890123456789012123456 outsider 1234567890123456789012345678901212345678901234567890123456789012123456 return to Japan for schooling He entered 7 (D) his father’s naivety and John’s 34567890123456789012345678901212345678901234567890123456789012123456 12 (20) medical school in Tokyo in 1944—just in pragmatism 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 time to forge himself a medical certificate (E) the old-fashioned atmosphere in the 34567890123456789012345678901212345678901234567890123456789012123456 12 1234567890123456789012345678901212345678901234567890123456789012123456 claiming ill health; this allowed him to town before John’s father influenced 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 avoid fighting in the war that Japan was 1234567890123456789012345678901212345678901234567890123456789012123456 it and its current modernity 1234567890123456789012345678901212345678901234567890123456789012123456 already losing and return to Manchuria 1234567890123456789012345678901212345678901234567890123456789012123456 (25) When Japan lost the war, however, it also 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 lost its Manchurian colony The Japanese 34567890123456789012345678901212345678901234567890123456789012123456 12 1234567890123456789012345678901212345678901234567890123456789012123456 living there were attacked by the Soviet 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 Army and various guerrilla bands They 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 12345678901234567890123456789012123456789012345678901234567890121234567 Copyright © 2005 Thomson Peterson’s, a part of The Thomson Corporaton SAT is a registered trademark of the College Entrance Examination Board, which was not involved in the production of and does not endorse this product 12345678901234567890123456789012123456789012345678901234567890121234567 1234567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 suddenly found themselves refugees, accurate to say that the novel simply 34567890123456789012345678901212345678901234567890123456789012123456 12234567890123456789012345678901212345678901234567890123456789012123456 (30) desperate for food Many unfit men were marked a turning point in his career, 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 abandoned in the Manchurian desert At when Abe turned away from the experi7 12234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 this apocalyptic time, Abe lost his father (75) mental and heavily political work of his 12234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 to cholera earlier career Fortunately, he did not 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 He returned to mainland Japan once then turn to furusato and the emperor 34567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 (35) more, where the young were turning to after all, but rather began a somewhat 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 Marxism as a rejection of the militarism more realistic exploration of his continu7 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 (80) of the war After a brief, unsuccessful ing obsession with homelessness and 12234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 stint at medical school, he became part of alienation Not completely a stranger to 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 a Marxist group of avant-garde artists his earlier commitment to Marxism, Abe 34567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 (40) His work at this time was passionate and turned his attention, beginning in the 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 outspoken on political matters, adopting sixties, to the effects on the individual of 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (85) black humor as its mode of critique Japan’s rapidly urbanizing, growth7 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 During this time, Abe worked in the driven, increasingly corporate society 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 genres of theater, music, and photogra7 1234567890123456789012345678901212345678901234567890123456789012123456 (45) phy Eventually, he mimeographed fifty 11 The word “infused” in line most closely 12234567890123456789012345678901212345678901234567890123456789012123456 copies of his first “published” literary 1234567890123456789012345678901212345678901234567890123456789012123456 means 1234567890123456789012345678901212345678901234567890123456789012123456 work, entitled Anonymous Poems, in 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 (A) illuminated 1947 It was a politically charged set of 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (B) saturated poems dedicated to the memory of his 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 (C) influenced (50) father and friends who had died in 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (D) bewildered Manchuria Shortly thereafter, he 1234567890123456789012345678901212345678901234567890123456789012123456 77 (E) nuanced published his first novel, For a Signpost 12234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 at the End of a Road, which imagined 34567890123456789012345678901212345678901234567890123456789012123456 12 The author refers to “the orbit” of Abe’s 1234567890123456789012345678901212345678901234567890123456789012123456 another life for his best friend who had 12234567890123456789012345678901212345678901234567890123456789012123456 work (lines 12–13) to emphasize that 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (55) died in the Manchurian desert Abe was 1234567890123456789012345678901212345678901234567890123456789012123456 also active in the Communist Party, (A) his work covers a wide range of 12234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 organizing literary groups for workingthemes 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 men (B) the emperor is often compared to a 7 1234567890123456789012345678901212345678901234567890123456789012123456 Unfortunately, most of this radical sun 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (60) early work is unknown outside Japan C Abe’s travels were the primary 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 and underappreciated even in Japan In themes in his work 1234567890123456789012345678901212345678901234567890123456789012123456 77 early 1962, Abe was dismissed from the D Abe’s work is so different from his 12234567890123456789012345678901212345678901234567890123456789012123456 Japanese Liberalist Party Four months contemporaries’ that it is like 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 later, he published the work that would another solar system 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 (65) blind us to his earlier oeuvre, Woman in (E) conventional themes can limit an 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 the Dunes It was director Teshigahara author’s individuality 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 Hiroshi’s film adaptation of Woman in 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 the Dunes that brought Abe’s work to 7 12234567890123456789012345678901212345678901234567890123456789012123456 the international stage The movie’s fame 34567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 (70) has wrongly led readers to view the novel 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 as Abe’s masterpiece It would be more 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 12345678901234567890123456789012123456789012345678901234567890121234567 Copyright © 2005 Thomson Peterson’s, a part of The Thomson Corporaton SAT is a registered trademark of the College Entrance Examination Board, which was not involved in the production of and does not endorse this product 12345678901234567890123456789012123456789012345678901234567890121234567 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 13 From the sentence beginning “He entered 16 Which of the following does the passage 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 medical school “ in lines 19–24, it can present as a fact? 34567890123456789012345678901212345678901234567890123456789012123456 12 1234567890123456789012345678901212345678901234567890123456789012123456 be inferred that 34567890123456789012345678901212345678901234567890123456789012123456 12 (A) Abe was a better playwright than 34567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 (A) Abe entered medical school because novelist 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 he was sick (B) Abe’s early work was of greater 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 (B) sick people were sent to Manchuria quality than his later work 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 during World War II (C) The group of avant-garde artists of 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 (C) Abe wanted to help the ill and which Abe was a part were influ7 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 injured in World War II, rather than enced by Marxism 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 fight (D) The themes of furusato and the 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 (D) illness would excuse one from emperor have precluded Japanese 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 military duty in World War II Japan literature from playing a major role 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 (E) Abe never intended to practice in world literature 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 medicine (E) Abe’s work is richer than his 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 contemporaries’ because he included 12 34567890123456789012345678901212345678901234567890123456789012123456 12 14 The author uses the word “apocalyptic” autobiographical elements 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 to emphasize that 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 17 The phrase “blind us” in lines 65–66 34567890123456789012345678901212345678901234567890123456789012123456 12 (A) Manchuria suffered intensely as a 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 refers to the 1234567890123456789012345678901212345678901234567890123456789012123456 result of the use of nuclear weapons 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 in World War II (A) absence of film adaptations for Abe’s 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (B) Abe was deeply affected by the loss other novels 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 of his father (B) excessive critical attention to Abe’s 1234567890123456789012345678901212345678901234567890123456789012123456 77 (C) there was massive famine in Mannovel, Woman in the Dunes 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 churia at the end of World War II 12 (C) difficulty in reconciling Woman in 1234567890123456789012345678901212345678901234567890123456789012123456 (D) postwar Manchuria experienced the Dunes and other later works 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 exhilarating change with the form and content of his 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 (E) conditions in Manchuria after World earlier works 34567890123456789012345678901212345678901234567890123456789012123456 12 War II were generally horrific (D) challenge of interpreting Abe’s more 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 experimental works 1234567890123456789012345678901212345678901234567890123456789012123456 15 The word “avant-garde” (line 39) could (E) overwhelming power of Abe’s novel, 1234567890123456789012345678901212345678901234567890123456789012123456 7 1234567890123456789012345678901212345678901234567890123456789012123456 best be replaced by Woman in the Dunes 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 (A) experimental 34567890123456789012345678901212345678901234567890123456789012123456 12 1234567890123456789012345678901212345678901234567890123456789012123456 (B) dramatic 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (C) novel 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (D) profound 1234567890123456789012345678901212345678901234567890123456789012123456 (E) realistic 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 12345678901234567890123456789012123456789012345678901234567890121234567 Copyright © 2005 Thomson Peterson’s, a part of The Thomson Corporaton SAT is a registered trademark of the College Entrance Examination Board, which was not involved in the production of and does not endorse this product 12345678901234567890123456789012123456789012345678901234567890121234567 1234567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 18 The author’s main purpose in the passage 20 The author’s attitude toward Marxism 34567890123456789012345678901212345678901234567890123456789012123456 12234567890123456789012345678901212345678901234567890123456789012123456 is to can best be described as 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 (A) defend Abe’s later works against the (A) contemptuous derision 34567890123456789012345678901212345678901234567890123456789012123456 12234567890123456789012345678901212345678901234567890123456789012123456 prevalent criticism of it (B) reverent espousal 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (B) advocate for Abe’s work over that of (C) skeptical tolerance 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 his contemporaries (D) respectful interest 12234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (C) explain the differences between Abe’s (E) restrained impatience 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 earlier and later works 34567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 (D) argue that Abe is an even greater 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 writer and artist than generally 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 perceived 12234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (E) demonstrate that Abe’s work became 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 less interesting after he left Manchu34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 ria 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 19 The author of the passage is most likely a 1234567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 (A) film critic 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (B) literary critic 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 (C) avant-garde artist 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (D) translator 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 (E) novelist 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 12234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 7 12234567890123456789012345678901212345678901234567890123456789012123456 Do not proceed to the next section until time is up 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 12345678901234567890123456789012123456789012345678901234567890121234567 STOP Copyright © 2005 Thomson Peterson’s, a part of The Thomson Corporaton SAT is a registered trademark of the College Entrance Examination Board, which was not involved in the production of and does not endorse this product Section 21 Questions j Time—25 Minutes Reference Information 12345678901234567890123456789012123456789012345678901234567890121234567 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 Directions: Solve the following problems using any available space on the page for scratchwork 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 Mark the letter of your choice on the answer sheet that best corresponds to the correct answer 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 Notes: 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 You may use a calculator All of the numbers used are real numbers 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 You may use the figures that accompany the problems to help you find the solution Unless 34567890123456789012345678901212345678901234567890123456789012123456 12 the instructions say that a figure is not drawn to scale, assume that it has been drawn 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 accurately Each figure lies in a plane unless the instructions say otherwise 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 1234567890123456789012345678901212345678901234567890123456789012123456 2s r 2x 1234567890123456789012345678901212345678901234567890123456789012123456 w r s x 1234567890123456789012345678901212345678901234567890123456789012123456 c h h h b 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 w 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 s b 3x a A pr2 1234567890123456789012345678901212345678901234567890123456789012123456 2 2 h c a b Special Right Triangles V ,wh V pr C 2pr A ,w bh A 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 The number of degrees of arc in a circle is 360 1234567890123456789012345678901212345678901234567890123456789012123456 The measure in degrees of a straight angle is 180 34567890123456789012345678901212345678901234567890123456789012123456 12 The sum of the measures in degrees of the angles of a triangle is 180 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 7 1234567890123456789012345678901212345678901234567890123456789012123456 What percentage of 75 is 12? If a circle is inscribed in a square of area 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 36, what is the area of the circle? 1234567890123456789012345678901212345678901234567890123456789012123456 (A) 8% 1234567890123456789012345678901212345678901234567890123456789012123456 77 1234567890123456789012345678901212345678901234567890123456789012123456 (B) 12% (A) 36p 34567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (C) 16% (B) 24p 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 (D) 18% (C) 12p 1234567890123456789012345678901212345678901234567890123456789012123456 77 (E) 20% (D) 9p 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 (E) 6p 34567890123456789012345678901212345678901234567890123456789012123456 12 34567890123456789012345678901212345678901234567890123456789012123456 12 1234567890123456789012345678901212345678901234567890123456789012123456 7 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 1234567890123456789012345678901212345678901234567890123456789012123456 34567890123456789012345678901212345678901234567890123456789012123456 12 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 1234567890123456789012345678901212345678901234567890123456789012123456 12345678901234567890123456789012123456789012345678901234567890121234567 10 45 60 30 45 Copyright © 2005 Thomson Peterson’s, a part of The Thomson Corporaton SAT is a registered trademark of the College Entrance Examination Board, which was not involved in the production of and does not endorse this product