Masters thesis of fine art a moment of beauty an archive of intimate engagements

A moment of Beauty: An Archive Of Intimate Engagements CHLOE VALLLANCE Master of Fine Art by Research RMIT University April 2014 Declaration I certify that except where due acknowledgement has been made, the work is that of the author alone; the work has not been submitted previously, in whole or in part, to qualify for any academic award; the content of the thesis is the result of work which has been carried out since the commencement date of the approved research program; and; any editorial work, paid or unpaid, carried out by a third party is acknowledged; ethics procedures and guidelines have been followed Signature: Name: Chloe Vallance Date: 22 / 08 / 2014 Summary This document is an Appropriate Durable Record (ADR) of my Masters of Fine Art research project, titled, A moment of beauty: An Archive of Intimate Engagements The ADR contains photographic documentation of my artwork produced through this investigation along with a written reflective process – outlining the objectives of the research, identifying research questions, describing how the artworks were created and evaluated The central focus of this research is studio based painting and drawing The intention of the artwork is to locate beauty ‘in a moment’ In the text beauty as a subjective experience will be discussed in four pathways of inquiry, titled, ‘In A Sense’, ‘Inner Sense’, ‘In Essence’, and ‘In Experience’ The intended exhibition of this project will show an archive of artwork and by association intimate engagements that seek to locate beauty within a moment When I say ‘archive’ I am referring to my artwork as a document and a cultural repository, amorphous in shape that is actually a site of discourse, understood to be in a constant state of evolution This research has a two–fold objective Firstly, to consider how the qualities of beauty in contemporary painting and drawing might relate or differ from my artwork I will describe the artwork of Peter Doig, Marlene Dumas, Friedrich Kunath and Elizabeth Peyton in relation and contrast to my artwork And secondly, I aim to reveal that a transformative experience in art is equivalent to a moment of beauty, investigated through the subject matter of people engaging in a focused creative and playful activity understood through my own experience of painting ‘in the moment’ When I say a transformative experience I am describing the moment a shift in focus occurs in which a person feels a complete involvement with the ‘flow’ of life It is not a transcendent experience, because my subjects are not going outside or beyond the activity they are performing, they are fully immersed and deeply connected with where they are and what they are doing I will discuss my studio practice and research methodology by describing my own ‘transformative’ experience making artwork induced by painting and drawing my subjects in a moment of beauty In the conclusion my project ends in an opening, with the artwork - similar to the nature of beauty – able to flow it’s own way Table of Contents Declaration Summary Table of Figures List of Works Acknowledgements 11 Research Questions 12 Locating Beauty 12 In a Sense 14 Inner Sense 15 In Essence 16 In Experience 18 Contemporary Context Peter Doig 20 Marlene Dumus 21 Friedrich Kunath 22 Elizabeth Peyton 23 Methodology and Studio Practice 25 Reflections and Summation of Project 33 Documentation of Artwork 35 Curriculum Vitae 83 Annotated Bibliography 84 Bibliography 86 Table of Figures Figure 1: Alchemy Of A Sunflower, 2013, watercolour, ink and gouache on paper 19 Figure 2: Journal Drawing of Henrik Jenson, Jazz Bassist, June 2013, Vortex, Dalston London 18 Figure 3: Studio Painting, July 2013 25 Figure 4: Will Butterworth, Jazz Pianist, 2013, Arch Duke Jazz Club, Waterloo, London 26 Figure 5: Ask Me Anything, 2013, watercolour, ink and gouache on paper, 55.5 x 38cm 26 Figure 6: Studio work, August 2013 27 Figure 7: Sophie’s World Firefly, 2013, watercolour, ink and gouache on paper, 55.5 x 38cm 27 Figure 8: Painting the Bonfire Band, December 2012, The Auld Sheilaugh, Stoke Newington, London 28 Figure 9: Studio Space, August 2013 29 Figure 10: A Space For A Moment, 2013, watercolour, ink and gouache on paper 30 Figure 11: Painting Oliver Talkes, Vintage Emporium, Brick Lane London 30 Figure 12: Journal Painting, November 2012 31 Figure 13: A Farewell To Arms, 2013, watercolour, ink and gouache on paper 31 Figure 14: The Old Man And The Sea, 2013, watercolour, ink and gouache on paper 32 Figure 15: In the end only kindness matters, 2013, watercolour, ink and gouache on paper 34 Archive of Work 1_One Dress, 2012 watercolour, ink, gouache, and colour pencil on paper, 30 x 60cm 35 2_Unfold, 2012 watercolour, ink, gouache, and colour pencil on paper, 30 x 60cm 36 3_Buoyancy: to be held by the ocean, 2012 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 36 4_Type Write, 2012 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 37 5_Pass it along; For a friend, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 37 6_Gravity; there is this space inside my skin, 2013 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 38 7_What you talk about when you talk about music, 2013 watercolour, ink, gouache, and colour pencil on paper, 40 x 60cm 39 8_The old man and the sea, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 39 9_Able to sea, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 40 10_Love each other or perish, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 40 11_Sunday Morning, 2013 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 41 12_I want to see the world from another angle, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 42 13_In the hollow of your hand, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 42 14_I’d rather be a sailor, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 43 15_Sam Stone, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 43 16_Purl, 2013 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 44 17_Monday, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 45 18_Into Tomorrow, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 45 19_Guy Fawkes, 2013 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 46 20_Flour, Salt and Water, 2013 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 47 21_Standing up, 2013 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 48 22_Waves, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 49 23_Ask me anything, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 49 24_Dad and me drawing, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 50 25_The Happy Prince, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 51 26_Silent Ring, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 51 27_A farewell to arms, 2013 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 52 28_Open Sole, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 53 29_A space for a moment, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 53 30_Starring at the sun standing in the sea, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 54 31_Alchemy of a sunflower, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 54 32_Diamonds on the soles of your feet, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 55 33_Butterflies, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 55 34_Starry Night, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 56 35_Time flows through brave beginnings, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 56 36_Ruby Sunrise, 2013 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 57 37_Pinecone, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 58 38_Warsaw , 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 58 39_Close your eyes I’ll be here in the morning, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 59 40_Lotus, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 59 41_Awaken, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 60 42_Loop, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 60 43_Sophie’s World; Firefly, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 61 44_Opening In Eye, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 61 45_Newcastle, 2013 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 62 46_Not far from the tree, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 63 47_True Colours, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 63 48_Safe, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 64 49_Wade in the water, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 65 50_Speed, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 65 51_In the end only kindness matters, 2013 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 66 52_The friendship that you gave taught me to be brave, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 67 53_When I speak you hear my voice, 2013 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 68 54_Song Lines, 2013 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 69 55_Spirit Bird, 2013 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 70 56_Follow the sun, 2013 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 71 57_Solace, 2014 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 72 58_Light House, 2014 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 72 59_After the rain, 2014 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 73 60_Skimming stones, 2014 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 74 61_Water drawing blood, 2014 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 75 62_Sky to Ground, 2014 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 76 63_What carries you, 2014 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 77 64_The Laughing Heart, 2014 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 77 65_The finest qualities of our nature, 2014 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 78 66_The Dance, 2014 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 79 67_Morning has Broken, 2014 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 80 68_My Love is Your Love 2014 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 80 69_Power Lines, 2014 colourpencil on sketch book paper, 25 x 25cm 81 70_Love A kind of mark that cannot be seen it lives in your very skin, 2014 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 82 10 Water drawing blood, 2014 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 75 62_Sky to Ground, 2014 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 76 63_What carries you, 2014 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 64_The Laughing Heart, 2014 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 77 65_The finest qualities of our nature, 2014 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 78 66_The Dance, 2014 watercolour, ink, gouache, and colour pencil on paper, 55.5 x 38cm 79 67_Morning has Broken, 2014 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 68_My Love is Your Love 2014 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 80 69_Power Lines, 2014 colour pencil on sketch book paper, 25 x 25cm 81 70_Love A kind of mark that cannot be seen it lives in your very skin, 2014 watercolour, ink, gouache, and colour pencil on paper, 38 x 55.5cm 82 Curriculum Vitae EDUCATION Current 2009 Master of Arts by Research, RMIT University, Melbourne Bachelor of Fine Arts, (Honours), First Class, RMIT University, Melbourne SOLO EXHIBITIONS 2012 Building Castles in the Sky, RMIT University Spare Room, Melbourne 2011 Being here that’s why I want to be there, Brunswick ArtSpace, Melbourne 2010 When within, Dolls House Art Space, Melbourne Along the way, Red Gallery, Melbourne Step lightly between the branches, Hand Held Gallery, Melbourne 2009 A Moment at a Time, Area Contemporary Art Space, Melbourne Drawing from 87 to 4, First Site RMIT Union Gallery, Melbourne Fables of the Familiar, the Forgotten and the Found, Platform Sample Space, An Adventure on a Bridge, Pigment Gallery, Melbourne 2008 Chapter 12, Brunswick Street Gallery, Melbourne Narratives of the Personal, the Playful and Peaceful, Seventh Gallery, Melbourne 2007 Narratives, RMIT Union Swanston Art Space, Melbourne Human Interaction, First Site RMIT Union Gallery, Melbourne GROUP EXHIBITIONS 2013 Smugglers Festival, Smugglers Records, Deal, Kent, UK 2013 Opening In Eye, The Bank Gallery, Eye, Suffolk, UK 2012 Brooke Sharkey; One Dress, St Pancras Church Kings Cross, London Water Quality, Taylor Street Gallery, South Quay, London Folk in the Fall Revival, Open Arts Gallery, London 2011 Chelsea International Fine Art Competition, Agora Gallery, New York 2010 Weave / Dokumak, RMIT University Public Art Project, Sile Istanbul, Turkey Constellations: A Large number of Small Drawings, RMIT University and University of Arts London conference Drawing Out, RMIT Gallery, Melbourne Unrepresented, 45 Downstairs, Melbourne Explore 10; Emerging Artists Awards, Flinders Lane Gallery, Melbourne Off The Wall, Emerging Contemporary Artists; Art Melbourne, Royal ExhibitionBuilding 2009 A Fine Line, RMIT Bachelor of Art (Fine Art) (Honours) Drawing Graduate Exhibition, RMIT University, Melbourne Irene Barberis, Metasenta Drawing Space, Melbourne Stephen Farthing : A Drawing Lesson, Metasenta Drawing Space, Melbourne Anita Taylor Drawn Encounters; translation and interpretation, Metasenta 2008 Four Flights, RMIT Bachelor of Art (Fine Art) Drawing Graduate Exhibition, Guildford Lane Gallery, Melbourne Public Art Exhibition, Monash Centre, Prato, Italy GRANTS / SCHOLARSHIPS 2014 The Rome Program, Rome Itlay 2010 Australian Council for the Arts, Artstart Grant 2009 Graeme Hildebrand Inaugural Biennial Travel Grant RMIT Union Arts Council Grant – Individual Arts Funding for a solo exhibition 2007 Siemens RMIT University Undergraduate Fine Art Travel Scholarship AWARDS 2011 2010 2009 2008 Prometheus Visual Art Award - Finalist Pleysier Perkins Acquisitive Prize RMIT University Honours Endowment Travelling Scholarship - Finalist Bounce RMIT University Well Being Competition RMIT University Drawing Department Metasenta Award 83 Annotated Bibliography - Csikszentmihayi, M (1991) Flow: The Psychology of Optimal Experience, USA, Harper Perennial Psychologist Mihaly Csikszentmihalyi’s investigations into optimal experience have revealed a state of consciousness called flow (1991), experienced when people are completely engaged with an activity they deeply enjoy Csikszentmihalyi’s concept of flow is relevant to this research as it supports the creative link between a transformative experince in art and a moment of beauty The ideas Csikszentmihalyi presents outline the process of being conscious to the sensations of experience, and how this contemplation is a form of creative play that can induce a flow experience - Bogue, R (2003) Deleuze On Music, Painting and the Arts New York, Routledge, Taylor & Francis Books, Inc In a series of analyses Roland Brogue presents Deleuze’s theory of the arts looking at his writing on music and painting Deleuze’s thoughts on painting arise from his conception of the body’s relation to sensation This idea supports the understanding within my research of beauty being an experience, a sensation within the body Brogue also shows what music and paintings disclose for Deleuze’s are the complimentary relations between corporeal experience and natural creative processes that shape all the arts, making them at once cosmic and affective modes of thought This idea is relevant to the objective of my research to reveal a transformative experience in art is equivalent to a moment of beauty 84 - Jorunn and Ferguson, [trans Douglas] (2005) The problem of beauty, I Veiteberg, , Craft in Transition, Kinsthogeskolen I Bergen, Bergen, pp 44-61 Jorunn and Ferguson discuss the concept of beauty in Western philosophical and artistic tradition in The Problem of Beauty (2005) to form a framework for why craft in Norway looks the way it does The Problem of Beauty is relevant to this research as it provides support for my understanding of the past and present views of beauty and where my research is situated in the current field of knowledge The ideas presented in this text give a general overview of beauty in Western philosophical and artistic tradition, concluding soundly that ‘whether we try to define it or not, beauty, should maintain it’s recalcitrance an go it’s own way’ (Jorunn and Ferguson, 2005, p.61) - Sontag, S (2002) An Argument about Beauty, Dædalus Fall (Internet) http://www.amacad.org/publications/fall2002/sontagweb.pdf Susan Sontag’s article An Argument of Beauty (2002) discusses beauty as ‘a judgement needed to make sense of a large portion of one’s energies, affinities and admirations’ (Sontag, 2002, p.26) Sontag’s idea that the experience of beauty is a way of making sense of one’s self is relevant to this research as it supports my view that a moment a beauty occurs within our own interpretation of our experience Sontag writes that ‘arguments about beauty since Plato are stocked with questions about the proper relation to the beautiful (the irresistibly, enthrallingly beautiful), which is thought to flow from the nature of beauty itself (Sontag, 2002, p.25) The ideas Sontag presents are positioned to support her argument for beauty remaining as a form of judgement, a personal insight 85 Bibliography - Bachelard, G ed (Translated by Jolas, M.) (1994) (1958) The Poetics of Space, USA, Beacon Press - Bachelard, G (1983) Water and Dreams: An Essay on the Imagination of Matter, The Dallas Institute of Humanities and Culture - Bedford, E (2007) Marlene Dumas : intimate relations, Johannesburg : Jacana Media ; Amsterdam : Roma Publications - Bogue, R (2003) Deleuze On Music, Painting and the Arts New York, Routledge, Taylor & Francis Books, Inc - Boogerd, D Bonacossa, I Bloom, B Casadio, M (1999) Marlene Dumas, London, Phaidon Press Ltd - Bollnow, O F (Translation by J Kohlmaier.) (2011) (1963) Human Space, London, Hyphen Press - Botnagel, J Quirmbach, Y (2007) Friedrich Kunath, In: BQ Gallery Friedrich Kunath, Germany, Plitt Printmanagement, Oberhausen - Bronowski, J (1977) A Sense of the Future: Essays in Natural Philosophy, USA, MIT Press - Bronte, C (1847) Jane Eyre, London, Penguin Classics - Burke, E.(1990) A Philosophical Enquiry into the Origin of our Ideas of the Sublime and the Beautiful, edited by Adam Phillips, UK, Oxford University Press 86 - Cohen, L (2007) Book of Longing, UK, Penguin Books - Cohen, L (Foreward by Schama, S.) (2008) Great Lyricists: Leonard Cohen, UK, Polestar - Cohen, L (1993) Leonard Cohen: Stranger Music, Selected Poems and Songs, USA, Vintage Random House, Inc - Csikszentmihayi, M (1991) Flow: The Psychology of Optimal Experience, USA, Harper Perennial - Deleuze, G (2005) Francis Bacon : The Logic of Sensation UK, London, Continuum - Dexter, E (2005) Vitamin D New Perspectives In Drawing, UK, Phaidon Press Limited - Frost, R (1962) In the Clearing, Great Britain, William Clowes and Sons Limited - Grenier, C Scott, K Searle, A (2007) Peter Doig, UK, Phaidon Press Limited - Grosz, E A (2008) Chaos, Territory, Art: Deleuze and the Framing of the Earth USA, New York; Chichster, Columbia University Press - Hume, D ed (2003) A Treatise of Human Nature, USA, Dover Publications, Inc - Hickey, D (1991) The Invisible Dragon: Four Essays on Beauty, USA, Art Issues Press 87 - Katie, B (2007) A Thousand Names For Joy; How To Live In Harmony With The Way Things Are, USA, Harmony Books - Lambert, S (1984) Drawing, Technique and Purpose, London, Victoria and Albert Museum - Moore, T ed (1964) Henry Miller on Writing, New York: New Directions - Pacquement, A (2002) “Dear Painter, Paint Me…”, France, Centre Pomppidou - Pirsig, R (1974) Zen and the Art of Motorcycle Maintenance: An Inquiry into Values, USA, William Morrow and Company - Pirsig, R (1991) Lila: An Inquiry into Morals, UK, Bantam Press a division of Transworld Ltd - Thoreau, H D (1854) Walen: Life in the Woods, USA, Ticknor and Fields - Rumi, M (Translation and Commentary by Barks, C.) (2003) (12071273) Rumi the Book of Love: Poems of Ecstasy and Longing , USA, HarperCollins Publishers 88 - Fox, D (2003) Friedrich Kunath; A Song In My Heart, Freize Issue 79, (Internet) http://i1.exhibit-e.com/andrearosen/8c21381a.pdf - Jorunn and Ferguson, [trans Douglas] (2005) The problem of beauty, I Veiteberg, , Craft in Transition, Kinsthogeskolen I Bergen, Bergen, pp 44-61 - Katie, B (2012) Awaken Teachers ; Katie Byron, (Internet) http://www.awaken.com/2012/09/byron-katie/ - Kino, C (2005) Marlene Dumas’s Number Comes Up, New York Times: Arts Article (Internet) http://www.nytimes.com/2005/03/27/arts/design/27kino.html - Mann, S (2010) Q & A With Artist Friedrich Kunath, Hammer Projects (Internet) http://i1.exhibit-e.com/andrearosen/8c21381a.pdf - Mulholland, N (2007) Steven Cambell, Frieze: Issue 111 Nov-Dec (Internet) http://www.frieze.com/issue/article/steven_campbell/ - Sontag, S (2002) An Argument about Beauty, Dædalus Fall (Internet) http://www.amacad.org/publications/fall2002/sontagweb.pdf - Viola, B (2011) ABC Radio National Interview with Bill Viola: Transcript (Internet) http://www.abc.net.au/radionational/programs/spiritofthings/billviolas-spiritual-art/2960042#transcript - Ward, S (2011) The last word will never be said Paper Castle Press (Internet) http://papercastlepress.com/blog/?p=11432 89 ... Appropriate Durable Record (ADR) of my Masters of Fine Art research project, titled, A moment of beauty: An Archive of Intimate Engagements The ADR contains photographic documentation of my artwork... p.2) American artist Bill Viola describes a moment of beauty in art as a transformative experience, ‘you see that in all the artists, they get to a point and they just let go…and it''s not about their... transformative awareness and awareness of a changed sensibility; a transformation within a specific moment Marlene Dumus (Birth date 1953) Artists working with both drawing and painting as the same