Free download from www.hsrcpress.ac.za Free download from www.hsrcpress.ac.za Free download from www.hsrcpress.ac.za Published by HSRC Press Private Bag X9182, Cape Town, 8000, South Africa www.hsrcpress.ac.za First published 2010 ISBN (soft cover): 978-0-7969-2336-3 ISBN (pdf): 978-0-7969-2337-0 ISBN (epub): 978-0-7969-2338-7 © 2010 Human Sciences Research Council The views expressed in this publication are those of the authors. They do not necessarily reflect the views or policies of the Human Sciences Research Council (‘the Council’) or indicate that the Council endorses the views of the authors. In quoting from this publication, readers are advised to attribute the source of the information to the individual author concerned and not to the Council. Copyedited by Mary Ralphs Designed and typeset by Jenny Young Printed by Paarl Print Distributed in Africa by Blue Weaver Tel: +27 (0) 21 701 4477; Fax: +27 (0) 21 701 7302 www.oneworldbooks.com Distributed in Europe and the United Kingdom by Eurospan Distribution Services (EDS) Tel: +44 (0) 17 6760 4972; Fax: +44 (0) 17 6760 1640 www.eurospanbookstore.com Distributed in North America by Independent Publishers Group (IPG) Call toll-free: (800) 888 4741; Fax: +1 (312) 337 5985 www.ipgbook.com Free download from www.hsrcpress.ac.za CONTENTS Preface vii INTRODUCTION 1 1. THE CHOW-CHOW PICKLE JAR 19 2. STEPPING OUT 57 3. INDIAN DELIGHTS 105 4. FAHMIDA’S WORLDS 151 5. IQRAA 199 6. BAKE, JUMBLE AND TRUST 245 7. IN THE FAMILY OF HUMANITY 287 8. HAVEN OF OUR DREAMS 323 CONCLUSION 353 Notes 365 Glossary 383 References 391 Index 395 Free download from www.hsrcpress.ac.za Free download from www.hsrcpress.ac.za There are many ways of telling the story of the Women’s Cultural Group. Over more than five decades and to mark various anniversaries, the Group has produced several pamphlets publi- cising its organisational life and its many achievements. Its founding leader, Zuleikha Mayat, is the author of most of these texts and an accomplished chronicler of the past. 1 So when, as academic historians, we were approached to write the Group’s story, we interpreted this as a request to bring our critical and analytical capacities into the mix. A scholarly approach requires that we locate the Group within a broad social and theoretical framework, steer clear of hagiography and interrogate concepts that ‘insiders’ might take for granted. It was 2007 and Shamil Jeppie’s fine book Language, Identity, Modernity: The Arabic Study Circle of Durban had just been published. At the Durban launch, with characteristic directness, Zuleikha Mayat commented on a glaring absence: women had been left almost entirely out of the account! The Women’s Cultural Group, she explained, had coursed through the same terrain as the Circle, suffering public attitudes, criticisms…We worked closely with the Circle in those programmes that interested us. We publicised their functions, participating in the events as far as was allowed, helping behind the scenes, mutually allowing lecturers in our houses. In retrospect, I find that the outreach from the Circle’s vii Free download from www.hsrcpress.ac.za side was not far reaching. This conclusion is endorsed as I read through Language, Identity, Modernity. We seem to have been airbrushed from the Circle’s minutes and deleted from the memories of the officials that had been interviewed by the author. 2 The ‘airbrush’ treatment was not simply applied to the wives who hosted Circle members at house meetings or who were the invisible hands and organ- isational prowess behind public dinners, fundraisers and other major events. Zubeida Barmania, another founding member of the Women’s Cultural Group, informed us that she had been part of the Circle in its early years: I used to go to the Arabic Study Circle – they’ve never mentioned it but I was there as well. Nobody’s ever mentioned it…I was the only woman in the Arabic Study Circle when it started…and if anybody’s alive that was there they’ll tell you, no, that’s true! Also missing from Jeppie’s book was an acknowledgement of the Women’s Cultural Group itself, which – if the gender identity of Arabic Study Circle membership had been approached as a field of inquiry rather than as a given trait – could certainly have been a fruitful focus within that work. And these women were often the fundraisers for educational bursaries that Jeppie credited to the Circle. Our interest in writing this history of the Women’s Cultural Group may at first appear to be an attempt to ‘balance out’ Jeppie’s scholarship, or to provide a ‘companion piece’ that parallels in text the gender partitioning commonly attributed to things Islamic. Such a disservice to both works is emphatically not our intention. The Women’s Cultural Group suggests its own themes and categories for historical inquiry. However, in important ways the studies may indeed be considered complementary, as suggested by the linkages between the two organisations. More pertinently, the early- to mid-20th century rise of civic associations and cultural societies in segregated Durban, as spaces in which residents crafted modern forms of self and collective identity, brings these two studies into a similar analytical frame, as does their concern with Islam as a foundation for social and intellectual engagement. This story also – we think, inevitably – brings into focus the individual figure of Zuleikha Mayat, her role as the Group’s founding leader and – to the GENDER, MODERNITY & INDIAN DELIGHTS viii Free download from www.hsrcpress.ac.za extent that the trajectory of the Group is bound up with it – her biography. Yet we are also aware that a special focus on any individual seems to go against the grain of the Group’s own ideal of a collective spirit. This ethic so impressed itself on historian Joan Wardorp, who interviewed members about Indian Delights in 2005, that she did not name the women she interviewed, choosing rather to ‘intertwine and complicate the boundaries of the individual and the collective’. 3 We have chosen to identify individual women and to draw upon the personal narratives that they shared with us. Zuleikha Mayat’s biograph- ical details and her connections with other social circles and political networks help explain some of the Group’s early aims and the directions they took. Her story, and those of other members, also help to deepen the collective portrait and to bring alive social patterns and historical trends that we believe to be thematic. Detailed accounts of the lives of ordinary individuals reveal not only the complexity of the national and local structures at play, but also acquaint the reader with the diversity of personal experience and family background represented among the Group’s protagonists. In writing this history we relied on three sources of information. Many a file, folder and box laden with documents and memorabilia came from the Women’s Cultural Group’s archives. A second source was the personal records of Zuleikha Mayat, including relevant correspondence, clippings from her newspaper column ‘Fahmida’s World’, radio essays she recorded for the South African Broadcasting Corporation and a variety of materials pertaining to dinners, lectures, celebrations and events sponsored by the Group. A third, very rich well of information comes from the memories of current and one-time Group members and affiliates who spoke to us in formal interviews. 4 In keeping with her request for an objective account, Zuleikha Mayat encouraged us to pursue as many perspectives as possible and took special trouble to point out those documents that revealed mistakes and disagree- ments related to her own leadership and within the Group as a whole. Considering that voluntary work so often depends upon close inter-personal ties and hierarchies that are mediated as much through strong personalities as through friendship, it would be extraordinary for any organisation to exist for fifty years without fallouts and setbacks! We have not tried to avoid docu- menting internal conflicts. However, what can appear to be a crisis between insiders can seem far less consequential in the broader lens of historical PREFACE ix Free download from www.hsrcpress.ac.za perspective. From an analytical angle, it is not inter-personal tensions but structural realities that demand greater focus. For example, the inter-genera- tional composition of the Group – one of its crucial strengths – also signals the complexities of a changing world with changing views about family, public life, community, work, marriage and society. Additionally, the Group’s positioning relative to the social and economic landscape of Durban has ensured that the themes of class, gender, ethnicity, language and race thread their way through this book. This research has been a particularly engaging experience for us as co-authors because it so frequently invited floods of our own memories: recollections of family, the role of food, and the many women (mothers, aunts, grandmothers) whose activities make fluid the spaces between home and community, between domestic and civic life. Our processes of thinking and writing also benefited greatly from continuous dialogue with one another, exchanges in which flashes of deeply rooted personal reflection sometimes guided our thinking about gendered labour, social networks and economic class. For example, Goolam wrote: the morning e-mail got me thinking (nostalgically). my mother was a fabulous cook and i still keep hearing ‘she was a…’. she did a lot of cooking. we had table boarders (all the transvaal students) who came home for breakfast, then took lunch that my mother prepared for each one, then came for supper. it was lunch and supper on the weekends. the present minister of justice, enver surtee, was one of them. she also cooked a pot lunch for a storeowner and his family from monday to friday. she made rotis daily for khyber restaurants. on saturdays she made kebab/rotis which my father sold at the indian market. almost every day of the week we had one or other visitor from out of town who would come for their shopping. they would use our house as the base as we lived in pine street; and have lunch, of course. on friday, a number of staff from the shop where my dad worked would come for lunch. GENDER, MODERNITY & INDIAN DELIGHTS x Free download from www.hsrcpress.ac.za [...]... planning, compiling and authoring of the famed and best-selling cookbook, Indian Delights, a publication that 15 GENDER, MODERNITY & INDIAN DELIGHTS elevated the Group to a new level of independence and acclaim We argue that this book was historically significant, too, as an artefact of print culture – in the imagining of both a creole Indian cultural identity in South Africa and a global diasporic community... friend and contemporary of Zuleikha’s brother, Abdulhak Some knew the love story: 19 GENDER, MODERNITY & INDIAN DELIGHTS that the couple had first encountered each other through a letter Zuleikha had written to the newspaper, Indian Views, to which Mahomed had publicly replied The letter, signed ‘Miss Zuleikha Bismillah of Potchefstroom’, had argued for girls to have access to higher levels of education... the Women’s Cultural Group ‘it’s not just coming here and having tea’ 17 GENDER, MODERNITY 18 & INDIAN DELIGHTS 1 THE CHOW-CHOW PICKLE JAR On a summer’s day in December 1947, a few months before the National Party’s electoral victory, a young bride travelled by car from a town in the Transvaal highveld to her new home in the Indian Ocean port city of Durban Her name was Zuleikha Mayat The wedding had... overmuch for a dented reputation, if my own conscience remains 21 GENDER, MODERNITY & INDIAN DELIGHTS clear But I must take into account my parents’ feelings…I sincerely wish that they should not be hurt through me.3 The ‘certain subjects’ she wanted to broach included the ideas of Sigmund Freud, the study of medicine and the rights of Indian women However, letter writing would be the medium for these... his position as a secular, nationally oriented activist (from a Muslim family) who nevertheless admired many cultural and religious traditions, it is not surprising that he raised the 11 GENDER, MODERNITY & INDIAN DELIGHTS question of culture’s political utility as an axis of social conflict and partition ‘My own views,’ he wrote, are best expressed in a passage I read by Gandhi where he says: I want... ‘flow’ of identifications and exchanges Gandhi’s metaphor of self and nation – as an open-windowed, open-doored house – hinges its meaning on the realities of domestic space, the gendered 13 GENDER, MODERNITY & INDIAN DELIGHTS seat of culture Women are key agents of cultural transmission, as scholarship has shown and as groups like the Women’s Cultural Group are themselves aware The story of a Muslim women’s... its story a rich account of historical change This book is about how the members of the Women’s Cultural Group, women with limited formal power in the spaces both of politics and custom, 1 GENDER, MODERNITY & INDIAN DELIGHTS redefined their citizenship through belonging to a voluntary association that they themselves created It is also about that very practice of ‘getting down to doing some solid work... government and are typically run through a board, with specific office bearers and democratic decision-making procedures.2 Non-profit in principle, they reinvest funds and monetary gains 3 GENDER, MODERNITY & INDIAN DELIGHTS back into the organisation and its projects Voluntary societies are frequently, though not necessarily, gendered They can be organised around sets of occupational or responsibility... which eschewed overt political involvements, were nevertheless proto-feminist in their effect of normalising women’s influence in schools and other public institutions Unlike suffragists 5 GENDER, MODERNITY & INDIAN DELIGHTS seeking equality and the vote, these women sought the more ‘moderate’ aim of broadcasting an ideal of ‘ladydom and the myth of women’s instinctive domestic and moral traits’ Yet,... started in the context of a state regime which had an even more aggressive programme of segregation and identity management than had existed under the colonial governments; the meaning 9 GENDER, MODERNITY & INDIAN DELIGHTS of culture carried great ideological weight and was deployed in politically instrumental ways The Group’s identification of itself as a cultural society reflects some conceptual . been the daughters, grand- daughters or great-granddaughters of Indian traders and entrepreneurs who GENDER, MODERNITY & INDIAN DELIGHTS 2 Free download from www.hsrcpress.ac.za immigrated to. friday, a number of staff from the shop where my dad worked would come for lunch. GENDER, MODERNITY & INDIAN DELIGHTS x Free download from www.hsrcpress.ac.za and she was a dressmaker for a. individual figure of Zuleikha Mayat, her role as the Group’s founding leader and – to the GENDER, MODERNITY & INDIAN DELIGHTS viii Free download from www.hsrcpress.ac.za extent that the trajectory