TheHistoryOf Jazz
The first jazz was played in the early 20th century. The work
chants and folk
music of black Americans are among the sources of jazz, which
reflects the
rhythms and expressions of West African song. Ragtime, an
Afro-American music
that first appeared in the 1890s, was composed for the piano, and
each rag is a
composition with several themes. The leading ragtime composer was
Scott Joplin.
The first improvising jazz musician was the cornetist Buddy
Bolden, leader of a
band in New Orleans. The first jazz bands were usually made up of
one or two
cornet players who played the principal melodies, a clarinetist
and trombonist
who improvised countermelodies, and a rhythm section (piano,
banjo, string bass
or tuba, and drums) to accompany the horns. These bands played
for dancers or
marched in parades in the South.
Some ofthe first New Orleans musicians were among the most
stirring of all jazz
artists. They include clarinetist Johnny Dodds,
clarinetist-soprano saxophonist
Sidney Bechet, pianist Jelly Roll Morton, and cornetist King
Oliver. The first
jazz record was made in 1917 by a New Orleans band the Original
Dixieland Jazz
Band, made up of white musicians who copied black styles.
The New Orleans musicians discovered that audiences were eager
for their music
in the cities ofthe North and the Midwest. In the 1920s Chicago
became the
second major jazz center. White Chicago youths, such as tenor
saxophonist Bud
Freeman and clarinetist Benny Goodman, were excited by the New
Orleans masters
including the thrilling Louis Armstrong, who played in King
Oliver's band.
The third major jazz center was New York City, and it became the
most important.
In New York, pianists such as James P. Johnson created the piano
style by
transforming rags and Southern black folk dances into jazz. Jazz
was first
played in the ballrooms and theaters of New York.
Louis Armstrong was among thejazz musicians who accompanied Ma
Rainey and the
rich-voiced Bessie Smith, the classic blues singers ofthe 1920s.
When
Armstrong began singing, too, he scattered songs by improvising
his own phrases
and nonsense syllables. Billie Holiday was only a teenager when
she began her
singing career. She subtly changed the notes and rhythms of
popular songs to
give them new, often ironic meanings. Ella Fitzgerald was the
popular favorite
among later swing scat vocalists.
The bop era, which lasted from about 1945 to 1960, was also the
period of cool
jazz. Bop blossomed out of informal performances, in New York
City's Harlem in
the early 1940s. Many bop pieces were played at the fastest
tempos yet heard in
jazz. Bop featured many-noted solos and unusual, quickly changing
harmonies.
The opposite of cool jazz was hard bop, which was played in the
Eastern cities.
Hard bop was vigorous and energetic and emphasized the
Afro-American basis of
jazz.
The 1950s also brought forth composers who were not considered
either bop or
hard bop creators. The traditional forms ofjazz songs were
abandoned by Lewis,
Nichols, and George Russell, who wrote complex, brightly colorful
works for big
bands.
Chicago revived as a jazz center in 1965 when a cooperative, the
Association for
the Advancement of Creative Musicians , was formed to produce
concerts and to
teach music to inner-city youths. European enthusiasm about
post-1960 jazz led
to two important trends ofthe 1970s and 1980s. First,
improvising musicians
from many countries were inspired to draw on their individual
musical heritages
to create new kinds of jazz. The most popular result of this
trend to variety
has been fusion music, which joins jazz, rock, and Latin-American
rhythms.
The concert on Wednesday night was pretty monotonous, my passion
is for dance
music and hard ,uplifting beats,such as rap, rock, and house. I
did enter the
auditorium with an open mind, but jazz did not click.
. The History Of Jazz
The first jazz was played in the early 20th century. The work
chants and folk
music of black Americans are among the sources of jazz, . audiences were eager
for their music
in the cities of the North and the Midwest. In the 1920s Chicago
became the
second major jazz center. White Chicago