african american influence on music

3. A. Spirituals, shouts, hollers, and work songs are forms of black group singing that are the basis for African American music of the past two centuries. The nature of these types of singing originated in the early nineteenth century in the fields of the where the slaves toiled. The slaves used this spirituals to express their sorrows of slavery, hopes for freedom and used the shouts, hollers, and work songs to communicate. Reminants if the African culture were evident in the music formed by these slaves. The performance practices of black group singing were 3. A. Spirituals, shouts, hollers, and work songs are forms of black group singing that are the basis for African American music of the past two centuries. The nature of these types of singing originated in the early nineteenth century in the fields of the where the slaves toiled. The slaves used this spirituals to express their sorrows of slavery, hopes for freedom and used the shouts, hollers, and work songs to communicate. Reminants if the African culture were evident in the music formed by these slaves. The performance practices of black group singing were 3. A. Spirituals, shouts, hollers, and work songs are forms of black group singing that are the basis for African American music of the past two centuries. The nature of these types of singing originated in the early nineteenth century in the fields of the where the slaves toiled. The slaves used this spirituals to express their sorrows of slavery, hopes for freedom and used the shouts, hollers, and work songs to communicate. Reminants if the African culture were evident in the music formed by these slaves. The performance practices of black group singing were . Spirituals, shouts, hollers, and work songs are forms of black group singing that are the basis for African American music of the past two centuries. The. Spirituals, shouts, hollers, and work songs are forms of black group singing that are the basis for African American music of the past two centuries. The