ACTRESSES AS WORKING WOMEN 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 Leopold Wagner, How to Get on the Stage and How to Succeed There, London, Chatto & Windus, 1899, p 179 From the penny reprint: Raymond Blathwayt, ‘“Does the Theatre Make for Good”? An Interview with Mr Clement Scott,’ London, A.W.Hall, 1898, pp 3–4 Ibid., p Guy Boas, The Garrick Club 1831–1947, London, Garrick Club, 1948, pp 77– Blathwayt, op cit., p Lena Ashwell, ‘Acting as Profession for Women’, Women Workers in Seven Professions, ed Edith J.Morley, London, George Routledge, 1914, p 307 Ellen Carol Dubois and Linda Gordon, ‘Seeking Ecstasy on the Battlefield: Danger and Pleasure in Nineteenth-century Feminist Sexual Thought’, Pleasure and Danger: Exploring Female Sexuality, ed Carole S.Vance, Boston, Routledge & Kegan Paul, 1984, p 32 John Hollingshead, My Lifetime, vols, London, Sampson Low, Marston, 1895, vol 1, p 231 C.H.d’E.Leppington, ‘The Gibeonites of the Stage: Work and Wages Behind the Scenes’, National Review, 1891, vol 17, p 261 Letter, Era, 25 January 1852, p 12 See ‘Theatrical Types No XI —The Corps de Ballet’, Illustrated Times, 16 July 1864; Anna Cora Mowatt, Autobiography of An Actress, Boston, Ticknor, Reed & Fields, 1854, pp 314–17; and ‘The Moral Ministry of the Ballet,’ Stage, 16 July 1886, pp 17–18 Gayle Rubin, unpublished essay (1981) quoted by Judith R.Walkowitz in ‘Male Vice and Female Virtue: Feminism and the Politics of Prostitution in Nineteenth-Century Britain’, Powers of Desire, ed Ann Snitow, Christine Stansell, and Sharon Thompson, New York, Monthly Review, 1983, p 426 Dubois and Gordon, op cit., p 33 Ruth Rosen cited Walkowitz in The Lost Sisterhood: Prostitution in America, 1900–1918, Baltimore and London, Johns Hopkins University Press, 1982, p 46 Claudia D.Johnson, American Actress: Perspective on the Nineteenth Century, Chicago, Nelson-Hall, 1984, pp 3–36 For more information on actress/prostitutes of the Restoration see: Sanger, op cit.; or Antonia Fraser, The Weaker Vessel: Woman’s Lot in SeventeenthCentury England, London, Methuen, 1984, pp 473–93 Sandra M.Gilbert and Susan Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, New Haven, Yale University Press, 1979, p xiii Bert O.States, Great Reckonings in Little Rooms On the Phenomenology of Theater, Berkeley, University of California Press, 1985, p 127 ACTRESSES AND THE MISE EN SCÈNE William Makepeace Thackeray, The History of Pendennis, London, B Davies, [1848–50] 174